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    Maritime

    Ian Stephen

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    "His poetry is distinguished by its precision. There is no surfeit to it. His poems are short and...

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Kathryn Bigelow recommended Mean Streets (1973) in Movies (curated)

 
Mean Streets (1973)
Mean Streets (1973)
1973 | Classics, Drama

"…and then [in Mean Streets], Robert De Niro; his kind of twitchy reverence to this wonderfully insane underworld. Somehow, the two [films] will always be forever linked in my mind. Whoever programmed those two movies together… it was at a moment when, in an art context, I was beginning to make short films. So film was definitely becoming a medium that was intriguing to me, and I hadn’t quite made a complete transition yet, but I found those two films just extraordinary, and they opened up a kind of unimaginable landscape for me. That kind of great irreverence, and intensity, and strength of purpose in those characters."

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The Lost Symbol: (Robert Langdon Book 3)
The Lost Symbol: (Robert Langdon Book 3)
Dan Brown | 2010 | Fiction & Poetry
5
7.6 (19 Ratings)
Book Rating
Great storytelling, and shocking turns (0 more)
Drags on after action ends (1 more)
Unsatisfactory ending
Contains spoilers, click to show
Okay, so the third book in the Robert Langdon takes Robert through Washington D.C. as he tries to save a friend, who has been taken hostage. With help from the hostage's sister, Robert unravels a secret path by the Freemasons. Long story short, Robert saves his friend gets the girl and learns truths of the Freemasons no else has.

So overall the story is typical Dan Brown. Twists and turns at every turn, switching views from each chapter. Robert does Robert stuff with figuring everything out in due time. (By the way, I can't read these without thinking of Tom Hanks being Langdon anymore).

But the one thing I want to focus on is the villain. He is by far the most compelling part of this whole book. Spoiler is he dies about 3/4ths of the book in and once he is gone, that dragging on feeling sets in. There is no trouble, no sense of urgency and the book dies off after that for me. But back to our villain. He is revealed to be Mr. Hostage's son who was once thought dead, but more like transformed into a whole different person. You learn that he came from money, went to prison, is left there by his father, fakes his death, and then tries to steal a family heirloom he feels will help him unlock the secrets of Freemasonry and being the perfect human. My one gripe is Dan Brown pretty much tells you it's not the son, and then says oh yeah it is the son. There's a difference from being sneaky, and just lying to create suspense. Oh well, but before his death, the son is cunning, stealthy, and barbaric (drowning an assistant for a key card). He is a very interesting character and you do miss him once he is killed.

Overall its an okay book, but Inferno or Da Vinci Code were better stories, but if you like U.S. History, it should kill some time for you and keep you enthralled for most the book.