Search
Search results
John Taylor recommended Short Cuts (1993) in Movies (curated)
Hazel (1853 KP) rated Clockwork Dollhouse in Books
Oct 19, 2018 (Updated Oct 19, 2018)
Short but gripping
A very short novella, Clockwork Dollhouse by Jordan Elizabeth is a haunting steampunk tale of revenge. Set in a previous century, Governor Robert Pendleton is shocked to discover an intruder in a set of rooms that have not been entered for years. He is even more shocked to discover the intruder is his niece, Ainsley, the daughter of his sister, Jane.
When Jane was young, unable to walk due to a disfigured foot, she took delight in creating mechanical dolls, representing her family. Ever since Ainsley, now an orphan, appeared at the castle, the dolls have taken on a life of their own, acting out events to suggest Robert had murdered his parents and sister. Unnerved, Robert wonders who is moving the dolls; is it Ainsley or have the mechanical figures come to life. Could it even be Jane's ghost?
In under thirty pages, Jordan Elizabeth engages readers with a gripping tale of secrets and deceit. The steampunk genre adds an extra element of thrill, making Clockwork Dollhouse an apt short story to be published at this time of year. Although short, it proves the author's skill and wide imagination.
When Jane was young, unable to walk due to a disfigured foot, she took delight in creating mechanical dolls, representing her family. Ever since Ainsley, now an orphan, appeared at the castle, the dolls have taken on a life of their own, acting out events to suggest Robert had murdered his parents and sister. Unnerved, Robert wonders who is moving the dolls; is it Ainsley or have the mechanical figures come to life. Could it even be Jane's ghost?
In under thirty pages, Jordan Elizabeth engages readers with a gripping tale of secrets and deceit. The steampunk genre adds an extra element of thrill, making Clockwork Dollhouse an apt short story to be published at this time of year. Although short, it proves the author's skill and wide imagination.
Dean (6927 KP) rated Machete (2010) in Movies
Apr 30, 2018
A great fun, action, bloody, Grindhouse B-Movie with an all star cast. Not heard much about this, apparently a follow up film from a short trailer from the Death Proof film. So imagine the likes of Sin City, Pulp fiction with a latin feel and tongue in cheek humour firmly in place. A pure fun, entertaining film not to be taken seriously. If you're a fan of Robert Rodriguez's films, you'll like it.
Kathryn Bigelow recommended Mean Streets (1973) in Movies (curated)
Corey Richard Bennett (10 KP) rated The Lost Symbol: (Robert Langdon Book 3) in Books
Jul 19, 2019
Drags on after action ends (1 more)
Unsatisfactory ending
Contains spoilers, click to show
Okay, so the third book in the Robert Langdon takes Robert through Washington D.C. as he tries to save a friend, who has been taken hostage. With help from the hostage's sister, Robert unravels a secret path by the Freemasons. Long story short, Robert saves his friend gets the girl and learns truths of the Freemasons no else has.
So overall the story is typical Dan Brown. Twists and turns at every turn, switching views from each chapter. Robert does Robert stuff with figuring everything out in due time. (By the way, I can't read these without thinking of Tom Hanks being Langdon anymore).
But the one thing I want to focus on is the villain. He is by far the most compelling part of this whole book. Spoiler is he dies about 3/4ths of the book in and once he is gone, that dragging on feeling sets in. There is no trouble, no sense of urgency and the book dies off after that for me. But back to our villain. He is revealed to be Mr. Hostage's son who was once thought dead, but more like transformed into a whole different person. You learn that he came from money, went to prison, is left there by his father, fakes his death, and then tries to steal a family heirloom he feels will help him unlock the secrets of Freemasonry and being the perfect human. My one gripe is Dan Brown pretty much tells you it's not the son, and then says oh yeah it is the son. There's a difference from being sneaky, and just lying to create suspense. Oh well, but before his death, the son is cunning, stealthy, and barbaric (drowning an assistant for a key card). He is a very interesting character and you do miss him once he is killed.
Overall its an okay book, but Inferno or Da Vinci Code were better stories, but if you like U.S. History, it should kill some time for you and keep you enthralled for most the book.
So overall the story is typical Dan Brown. Twists and turns at every turn, switching views from each chapter. Robert does Robert stuff with figuring everything out in due time. (By the way, I can't read these without thinking of Tom Hanks being Langdon anymore).
But the one thing I want to focus on is the villain. He is by far the most compelling part of this whole book. Spoiler is he dies about 3/4ths of the book in and once he is gone, that dragging on feeling sets in. There is no trouble, no sense of urgency and the book dies off after that for me. But back to our villain. He is revealed to be Mr. Hostage's son who was once thought dead, but more like transformed into a whole different person. You learn that he came from money, went to prison, is left there by his father, fakes his death, and then tries to steal a family heirloom he feels will help him unlock the secrets of Freemasonry and being the perfect human. My one gripe is Dan Brown pretty much tells you it's not the son, and then says oh yeah it is the son. There's a difference from being sneaky, and just lying to create suspense. Oh well, but before his death, the son is cunning, stealthy, and barbaric (drowning an assistant for a key card). He is a very interesting character and you do miss him once he is killed.
Overall its an okay book, but Inferno or Da Vinci Code were better stories, but if you like U.S. History, it should kill some time for you and keep you enthralled for most the book.
Awix (3310 KP) rated Haggopian and Other Stories in Books
Jun 14, 2019
Two-dozen short stories connected (in varying degrees) to Lovecraft's Cthulhu Mythos, highlighting Lumley's personal take on this particular milieu - he's an enthusiastic pasticheur, but much better at replicating Lovecraft's style than his substance. (He also has a go at being Robert E Howard in a couple of these stories.)
A really mixed bag, all told: there are a handful of very good stories, like the one the book is named for, and a few others contain promising imagery or moments (an oil rig drills down into something it shouldn't; Lovecraft scholars should be able to guess what), but many others become repetitive and slightly tedious. If nothing else the stories here illustrate that, bereft of the philosophy underpinning Lovecraft's own work, the Mythos trappings just become a selection of campy props and costumes that aren't particularly scary.
A really mixed bag, all told: there are a handful of very good stories, like the one the book is named for, and a few others contain promising imagery or moments (an oil rig drills down into something it shouldn't; Lovecraft scholars should be able to guess what), but many others become repetitive and slightly tedious. If nothing else the stories here illustrate that, bereft of the philosophy underpinning Lovecraft's own work, the Mythos trappings just become a selection of campy props and costumes that aren't particularly scary.
Awix (3310 KP) rated The King in Yellow in Books
Aug 12, 2019 (Updated Aug 12, 2019)
Much-mentioned but seemingly little-read collection of short stories by Robert Chambers. The anthology owes most of its fame to the fact that HP Lovecraft was sufficiently impressed by some of the stories to retroactively incorporate them into his own mythology, something Lovecraft's disciples built upon with more energy than finesse.
The best of these stories do have a sense of subliminal encroaching madness and unease, as symbolised by the mysterious play mentioned in the title and its associated motifs, which is very impressively created. However, much of the remainder is a set of essentially interchangeable tales of rich young Americans studying art in Paris and swooning over beautiful young mademoiselles; they are quite heavy going and possibly not worth the effort of reading. The opening few fantasy stories are very good, on the whole; the rest not so much.
The best of these stories do have a sense of subliminal encroaching madness and unease, as symbolised by the mysterious play mentioned in the title and its associated motifs, which is very impressively created. However, much of the remainder is a set of essentially interchangeable tales of rich young Americans studying art in Paris and swooning over beautiful young mademoiselles; they are quite heavy going and possibly not worth the effort of reading. The opening few fantasy stories are very good, on the whole; the rest not so much.
Kelly (279 KP) rated Outlaw King (2018) in Movies
Dec 16, 2018
Clear passion to retell the story (1 more)
Excellent battle scene
Watchable
After seeing an advert for the Outlaw King, I was excited to watch the movie. Despite this I found that the film missed my expectations, and I found that it became almost boring in places.
The writers of the outlaw king had a clear passion to retell the story of Robert Bruce and his fight to regain the Scottish crown from the English in the early Plantagenet period. To the best of my knowledge, the story was told as accurately as possible, however this did mean that there were a lot of scenes centred around the politics of Roberts plight. The slower scenes were unbalanced with the battle scenes which meant that the pace of the story dipped many times during the film - I have to confess it took me three attempts to watch it in full as a result of this.
As the writers tried to cram too much into such a short film, I found that the movie had a bit of an identity crisis - was this an action, romance or political film? Had the writers focused on just one area, I believe the movie would have been a lot more watchable, instead the movie felt overloaded.
The acting in general was okay, and reasonably well cast, except for the relationship between Robert Bruce and his wife. I struggled to believe the romance between the two actors. Although this is ultimately my opinion, I struggled to believe that what was ultimately an arranged marriage between the two, could rest in the two characters falling for each other as quickly as the film portrayed.
In general, the film is watchable, although it is not one I would go to as a first choice. There are some good parts of the film, for example the relationship between Robert and his men, and the final battle scene. The film also teaches us about part of Scottish history that tends to be overlooked by many schools during history lessons.
The writers of the outlaw king had a clear passion to retell the story of Robert Bruce and his fight to regain the Scottish crown from the English in the early Plantagenet period. To the best of my knowledge, the story was told as accurately as possible, however this did mean that there were a lot of scenes centred around the politics of Roberts plight. The slower scenes were unbalanced with the battle scenes which meant that the pace of the story dipped many times during the film - I have to confess it took me three attempts to watch it in full as a result of this.
As the writers tried to cram too much into such a short film, I found that the movie had a bit of an identity crisis - was this an action, romance or political film? Had the writers focused on just one area, I believe the movie would have been a lot more watchable, instead the movie felt overloaded.
The acting in general was okay, and reasonably well cast, except for the relationship between Robert Bruce and his wife. I struggled to believe the romance between the two actors. Although this is ultimately my opinion, I struggled to believe that what was ultimately an arranged marriage between the two, could rest in the two characters falling for each other as quickly as the film portrayed.
In general, the film is watchable, although it is not one I would go to as a first choice. There are some good parts of the film, for example the relationship between Robert and his men, and the final battle scene. The film also teaches us about part of Scottish history that tends to be overlooked by many schools during history lessons.
Tim McGuire (301 KP) rated Good Time (2017) in Movies
Mar 3, 2020
Twilight is long gone!
400. Good Time. This is a good one! We meet Connie, a low life criminal with a smooth talent manipulating people. Today he's an incredible jerk and brings his mentally challenged brother, Nick, with him to a bank heist. The job actually goes over pretty smoothly, until police randomly ask them a few questions when spotted walking on the street. Nick can't handle the pressure and bolts, and promptly gets caught and sent to jail, Connie escapes. Now Connie desperately needs to get his brother bailed out, coming up 10 grand short for bail, he goes through a series of events to raise the money fast, including an ill fated jail break! Robert Pattinson was awesome as Connie, have really liked his stuff since leaving Twilight behind! Fast paced, exciting story, that makes you feel for Connie, also makes you want to punch him in the face!! Has a cool 80's synthesizer soundtrack to it. Panic makes a good movie tone. Filmbufftim on FB
