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Willy Wonka & the Chocolate Factory (1971)
Willy Wonka & the Chocolate Factory (1971)
1971 | Fantasy, Musical

"In terms of mind-blowing experiences, I would say the first film was Willy Wonka and the Chocolate Factory, just because I think — I’m pretty sure — that’s the first time I ever saw a live action movie in a movie theater as a kid. My dad took me and my brother to see it. I think up till then I’d only seen one animated movie in a movie theater. I think it was Robin Hood, which, for some reason, was really boring to me. But we went to see Willy Wonka, and I was so blown away, and it so freaked me out, that I couldn’t stop thinking about it for years. I had watched movies on TV and stuff, but that was the first time I think I was old enough to go to the movies, and be able to sit through a movie without wanting to get up and run around the theater. Just seeing it that big and getting sucked into it. I don’t even think I realized those were actors and that anything was fake. I think I just thought it was all real, that Charlie was a real kid, and Willy Wonka was a real person. I really think I thought it was real. I really thought the whole family lived in that one room. I was probably in second grade or something… So I probably didn’t actually think it was real, but I responded to it like it was real."

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The Congress (2014)
The Congress (2014)
2014 | Animation, Sci-Fi
Restored my belief in the power of movies, one of the most fulfilling cinematic experiences I've ever had and probably will ever have in my lifetime. Not trying to undersell how structureless this is, but it gets a free pass for how rigorously committed to the mindfuck it is - it just wouldn't have worked out even a fraction as well with any sort of form. I spent the better part of this with my jaw frozen in the dropped position, it's been so long since I've truly been blown away and couldn't believe what I was watching actually got made. Part personal, quasi-documentary character study of a real life actress; part actually good "Black Mirror" episode about the evolution of idolization; part 50s cartoon nightmare; part acid trip; part "holy shit my tears are crying" drama. Can't even begin to justifiably describe how good this film looks in words, essential viewing - can only be believed by first having seen. Robin Wright and Harvey Keitel give megaperformances to match the boundless ambition - 𝘊𝘭𝘰𝘶𝘥 𝘈𝘵𝘭𝘢𝘴 can't even compare. A nebulous, meditative, and bracingly surreal slideshow of future-fantasy and riffs on what the future could bring with a refreshing lack of pretention and cynicism for once (though I'm sure I stand alone in thinking that) that's never anything less than beautiful. Never wanted to let go, never has some variation of "your past is dead" been said so despondently. And what a fucking A-class score.
  
    Queen II by Queen

    Queen II by Queen

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    Album

    Limited 180 gram heavyweight vinyl LP repressing of this album from the British rock quartet. Queen...

    Sago Mini Babies

    Sago Mini Babies

    Education

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    App

    Introducing the Sago Mini babies. Boys and girls love caring for these adorable characters. Feed...

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David McK (3816 KP) rated The Dark Knight Rises (2012) in Movies

Jun 30, 2019 (Updated Aug 2, 2024)  
The Dark Knight Rises (2012)
The Dark Knight Rises (2012)
2012 | Action, Drama, Mystery
The final part of Christopher Nolan's Christian Bale starring Batman trilogy (after both Batman Begins and The Dark Knight) that takes a large part of its inspiration from the 1990s Knightfall series of graphic novels in introducing the character of Bane: the man who (quote unquote) 'Breaks the Bat'.

As portrayed by Tom Hardy, this version of the character is nothing at all like you might remember from the Batman and Robin abomination: there's no mention of venom (the drug) in this movie, nor is it overstuffed with villains like that earlier movie/portrayal of the character was.

Instead, we have Bane as the primary antagonist throughout, although - in the tradition of Batman Begins - he is later revealed to be but a pawn, with deliberate call-backs to that first movie. While Jonathan Crane/Scarecrow does make a return (in what largely amounts as a camoe) alongside Ra's Al-Ghul (again, largely as a cameo in flashbacks), there's no Joker this time round - probably as a result of the real-world death of Heath Ledger (although I might have preferred even a throw-away line saying why the character wasn't in this!)

We also have Anne Hathaway's take on Catwoman/Selina Kyle, here portrayed more as a cat burglar than the Michelle Pfeiffer version from Batman Returns, and the 'passing on' of the mantle of Gotham's protector to another very-familiar character (who doesn't use his given name until the very end).