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Matthew Krueger (10051 KP) rated Bumblebee (2018) in Movies
Feb 25, 2020
Car Robot Machine
Bumblebee- I didnt expect thie movie to be this excellent/great. I mean the Transformers Franchise is Garbage, trash and awful, expect for the first one. The first one was good and i liked, but the others though sinkey/pee-ew. Anyways Bumblee was really good, the plot was good, the action was good, no Micheal Bay explotations/what he is known for like shots of hot woman, product placment, explosions, racist charcters/racist people, long run times, etc. I mean thier are some product placements and explosions, but not ever god damn second/minute. Thank you Travis Knight, for taking this franchise into a different direction/new sight.
The plot: On the run in the year 1987, Bumblebee the Autobot seeks refuge in a junkyard in a small California beach town. Charlie, on the brink of turning 18 years old and trying to find her place in the world, soon discovers the battle-scarred and broken Bumblebee. When Charlie revives him, she quickly learns that this is no ordinary yellow Volkswagen.
If you havent seen this film, than go see it, it is a must watch film.
The plot: On the run in the year 1987, Bumblebee the Autobot seeks refuge in a junkyard in a small California beach town. Charlie, on the brink of turning 18 years old and trying to find her place in the world, soon discovers the battle-scarred and broken Bumblebee. When Charlie revives him, she quickly learns that this is no ordinary yellow Volkswagen.
If you havent seen this film, than go see it, it is a must watch film.
Tim McGuire (301 KP) rated The Machine (2014) in Movies
Sep 13, 2019
Cool Science Fiction Flick
Old Movie Revisited: The Machine. This was a pretty sweet movie! A way to describe it is part: Terminator prequel; Caprica; RoboCop; Species; Blade Runner; Universal Soldier... I think I could name a few more but, I'll stop there. So as you can tell its not an overly original story but was presented well. It's the story of Vincent, played by Toby Stephens(his celebrity mash up would be Michael Fassbender and Damian Lewis) who's a scientist dude, and he creates the world's first self aware cyborg in the form of super hot Ava, played by super hot Caity Lotz(with those eyes she had better play vampire at some point!). Of course the gov't wants The Machine for war, and Vincent wants to save his little dying girl... Who will win, where does that leave Ava and her sexy ass-kicking ways?? You'll have to watch to find out! If you dug any of those movies above I'd say check it out!! It is not an explosive all out destruction of man kind action movie, just a cool robot awakens movie, with a hot blonde kicking soldiers asses, and walking around nude, thank you Caity! Check it out... filmbufftim on FB
ClareR (5603 KP) rated In the Lives of Puppets in Books
Jan 29, 2024
I don’t know about just Pinocchio, I got some Wizard of Oz vibes as well from this wondrous book. I love a retelling, I’ve read quite a lot of them, and I’m fully prepared to read more, especially if the imagination and emotions are anything like those in In The Lives of Puppets. The ‘Found Family’ theme that runs through TJ Kline’s books is so beautiful: if people, for whatever reason, are rejected by or have lost their families, it’s reassuring to know that there are people, families, like this out there (but not necessarily robots…).
Even after discovering the truth of his origins, Victor still wants to save his father, Giovanni, and his friends want to help him and keep him safe. He is probably the last human alive. Robot society is very interesting, especially as they seem to want to mimic humans, even though they seem to be the ones responsible for their demise (although I think the humans were more than capable of destroying themselves).
Actually, I don’t want to say too much more, other than the fact that I loved reading this and I was sad to see it come to an end - it was perfect!
Even after discovering the truth of his origins, Victor still wants to save his father, Giovanni, and his friends want to help him and keep him safe. He is probably the last human alive. Robot society is very interesting, especially as they seem to want to mimic humans, even though they seem to be the ones responsible for their demise (although I think the humans were more than capable of destroying themselves).
Actually, I don’t want to say too much more, other than the fact that I loved reading this and I was sad to see it come to an end - it was perfect!
Goddess in the Stacks (553 KP) rated Autonomous: A Novel in Books
Dec 22, 2018
Autonomous is an interesting story that poses a lot of moral questions. It doesn't really take sides; both the pharmaceutical pirate and the agents tracking her down are painted in sympathetic ways, as if we're meant to like them all. We see why Jack is a pharmaceutical pirate; medicine is only available to those rich enough to pay for it, so the poor stay poor and sick and short-lived. She wants to change that. She reverse-engineers drugs, manufactures them, and distributes them to the needy through her associates.
Meanwhile, Eliasz is a conflicted military agent who is sexually attracted to robots. Or at least to his partner, Paladin, though a flashback shows what might have been the start of his attraction to robots. Paladin is probably the single most interesting character in the entire book, as she muses on the nature of being indentured, and searches through her memories and the internet for information about her situation.
The book does have LGBT content - Jack is bisexual, and Eliasz is - robosexual? Is that a thing? Paladin could be called nonbinary or trans; she repeatedly mentions that gender isn't a thing to robots, but because she's a military robot, most people call her a he at the beginning of the book. She learns the brain inside her is female, and to make Eliasz more comfortable with his attraction, she decides to use female pronouns. Eliasz does use the F word to refer to himself being attracted to the robot at the beginning, when they were using male pronouns. This puzzles Paladin for a while, causing her to search the term and figure out what Eliasz meant by its use.
There's a lot of complex world-building in this book that is barely brushed past. From the corporations who own patents covering everything, to the system of indenture that covers humans as well as robots, to the bio-domes that cover cities (but it's livable outside the biodomes, so why are they needed?), to the new federations that cover continents that used to be divided into several countries - there's a LOT going on. And there's not just robots, but also some pretty advanced cybernetics implanted in humans as well as an everpresent network of data that can be tapped into with implants that everyone has.
Ultimately, for as complex as the world is, and cohesive as the plot is, I'm left wondering who, if anyone, was in the right in this story. I'm not sure if we're supposed to be happy with the ending or not. I've seen other reviews saying Neuromancer was a way better book in a similar vein, and I actually have copy of that waiting to be read. So we'll see.
You can find all my reviews at http://goddessinthestacks.com
Meanwhile, Eliasz is a conflicted military agent who is sexually attracted to robots. Or at least to his partner, Paladin, though a flashback shows what might have been the start of his attraction to robots. Paladin is probably the single most interesting character in the entire book, as she muses on the nature of being indentured, and searches through her memories and the internet for information about her situation.
The book does have LGBT content - Jack is bisexual, and Eliasz is - robosexual? Is that a thing? Paladin could be called nonbinary or trans; she repeatedly mentions that gender isn't a thing to robots, but because she's a military robot, most people call her a he at the beginning of the book. She learns the brain inside her is female, and to make Eliasz more comfortable with his attraction, she decides to use female pronouns. Eliasz does use the F word to refer to himself being attracted to the robot at the beginning, when they were using male pronouns. This puzzles Paladin for a while, causing her to search the term and figure out what Eliasz meant by its use.
There's a lot of complex world-building in this book that is barely brushed past. From the corporations who own patents covering everything, to the system of indenture that covers humans as well as robots, to the bio-domes that cover cities (but it's livable outside the biodomes, so why are they needed?), to the new federations that cover continents that used to be divided into several countries - there's a LOT going on. And there's not just robots, but also some pretty advanced cybernetics implanted in humans as well as an everpresent network of data that can be tapped into with implants that everyone has.
Ultimately, for as complex as the world is, and cohesive as the plot is, I'm left wondering who, if anyone, was in the right in this story. I'm not sure if we're supposed to be happy with the ending or not. I've seen other reviews saying Neuromancer was a way better book in a similar vein, and I actually have copy of that waiting to be read. So we'll see.
You can find all my reviews at http://goddessinthestacks.com
BankofMarquis (1832 KP) rated Finch (2021) in Movies
Nov 18, 2021
Very Effective
There are times when there is a “Perfect Storm” of film material, performance, mood, style and execution of said material and the headspace that I am in when I sit down to view the movie that elevates a film viewing experience above the norm.
Such was my experience when I sat down and watched the Tom Hanks Post-Apocalyptic film FINCH on AppleTV+. On paper, it looks like a run-of-the-mill “last few survivors on Earth struggle to remain alive” film, but - in my experience - it was much better than that.
Starring Tom Hanks as loner scientist Finch, who is scraping by in the remains of St. Louis with a dog and 2 robot helpers - robots of his own creation. When conditions in St. Louis worsen, Finch must pack up (with his 3 companions in tow) and head to a place where he thinks that life might be better - San Francisco.
Pretty standard “road movie” stuff, right? But in the hands of an Actor like Hanks, Emmy Winning GAME OF THRONES Director Miguel Sapochnik, a script by Craig Luck and Ivor Powell that digs into the humanity of Finch (and the situation) and some top-notch Computer animation of the Robots (especially “Jeff” voiced by Caleb Landry Jones), this film elevates itself above the norm.
There are not too many actors who could hold the attention of an audience for 2 hours speaking with 2 robots and a dog, but Hanks manages to do this - and do this very well. He brings his basic decency to the fore and makes us root for him from the start.
The surprise for me was the voice work of Caleb Landry Jones (GET OUT) who matches Hanks beat for beat and brings the same level of decency to his character. It is a testament to Jones’ work in a Motion Capture suit - and the “mo-cap” (Supervised by Scott Stokdyk) that makes the audience see and feel emotions on the face of the robot that just aren’t there. It’s that good.
Director Sapochnik really moves the film at the correct pace as he stops for the humanity, but doesn’t dwell on it too long - and, thus, avoids making the film too sentimental and mawkish. It is a delicate balancing act that this film walks very well.
Probably the biggest movie-going surprise of the year for me. A film that, at this point, will end up in my Top 10 of 2021.
Yes, I am as surprised as you are by this.
Letter Grade: A
9 stars (out of 10) and you can take that to the Bank(ofMarquis)
Such was my experience when I sat down and watched the Tom Hanks Post-Apocalyptic film FINCH on AppleTV+. On paper, it looks like a run-of-the-mill “last few survivors on Earth struggle to remain alive” film, but - in my experience - it was much better than that.
Starring Tom Hanks as loner scientist Finch, who is scraping by in the remains of St. Louis with a dog and 2 robot helpers - robots of his own creation. When conditions in St. Louis worsen, Finch must pack up (with his 3 companions in tow) and head to a place where he thinks that life might be better - San Francisco.
Pretty standard “road movie” stuff, right? But in the hands of an Actor like Hanks, Emmy Winning GAME OF THRONES Director Miguel Sapochnik, a script by Craig Luck and Ivor Powell that digs into the humanity of Finch (and the situation) and some top-notch Computer animation of the Robots (especially “Jeff” voiced by Caleb Landry Jones), this film elevates itself above the norm.
There are not too many actors who could hold the attention of an audience for 2 hours speaking with 2 robots and a dog, but Hanks manages to do this - and do this very well. He brings his basic decency to the fore and makes us root for him from the start.
The surprise for me was the voice work of Caleb Landry Jones (GET OUT) who matches Hanks beat for beat and brings the same level of decency to his character. It is a testament to Jones’ work in a Motion Capture suit - and the “mo-cap” (Supervised by Scott Stokdyk) that makes the audience see and feel emotions on the face of the robot that just aren’t there. It’s that good.
Director Sapochnik really moves the film at the correct pace as he stops for the humanity, but doesn’t dwell on it too long - and, thus, avoids making the film too sentimental and mawkish. It is a delicate balancing act that this film walks very well.
Probably the biggest movie-going surprise of the year for me. A film that, at this point, will end up in my Top 10 of 2021.
Yes, I am as surprised as you are by this.
Letter Grade: A
9 stars (out of 10) and you can take that to the Bank(ofMarquis)
Verner Latskin (74 KP) rated Mr. Robot - Season 1 in TV
Jul 21, 2017
The Writing (6 more)
The Cinematography
The Direction
The Performances
Best Dream Sequence that David Lynch didn't create
The Music
Best plot twist since Fight Club (the one that isnt inspired by Fight Club)
Brilliant, breathtaking, addictive.
I love this show. I only watched it on a lark, expecting to make fun of it - a hacker drama on USA called "Mr. Robot"? This is gonna be hilarious, I thought. I was so incredibly wrong. By the end of the pilot, I was hooked harder than any show since Twin Peaks had hooked me.
It's maybe the most cinematic TV series ever made, more so than a lot of movies. The mysteries it creates are gripping and compelling, inviting intense theorizing and speculation. It pulls off the best twist I've ever seen on television, and does it by blinding you with one that is telegraphed and inspired by another famous plot twist. Rami Malik goes from that guy you've seen in a bunch of stuff to legend status in one scene. In fact, the entire cast is nothing short of amazing. It makes the audience into a part of the show like no show ever has. It's already one of my favorite series ever made. It's brilliant.
It's maybe the most cinematic TV series ever made, more so than a lot of movies. The mysteries it creates are gripping and compelling, inviting intense theorizing and speculation. It pulls off the best twist I've ever seen on television, and does it by blinding you with one that is telegraphed and inspired by another famous plot twist. Rami Malik goes from that guy you've seen in a bunch of stuff to legend status in one scene. In fact, the entire cast is nothing short of amazing. It makes the audience into a part of the show like no show ever has. It's already one of my favorite series ever made. It's brilliant.
MasterSolace (19 KP) rated Mega Man 11 in Video Games
May 30, 2019
It's Mega Man. (4 more)
Old school with new school graphics
The stages are twice as long as normal
Double Gear gives you options
New Weapons change Mega Man's appearance physically
Double Gear makes me LONG for a Mega Man X9(Capcom!!!!) (1 more)
Some of the Robot Master boss fights are stranger than they should be.
Somehow old school is new(Switch)
Mega Man 11. The 11th true entry into the Blue Bomber's flagship series.
After 9 and 10 going back to the EXTREME difficulty and the 8-bit graphic, Capcom decided to show Mighty No. 9 how it SHOULD be done.
The Double Gear system changes things up. One Gear allows you to slow time down, great for precision jumps. The other Powers up your weapons, like the X-Buster upgrade in the X series. Makes me wonder why they didn't make Mega Man X9(CAPCOM!!!!!!). The stages are twice as long as normal, so that is actually really cool. And the boss fights are VERY diverse, so much so going into the first one, you think the others will be similar, but they aren't... which isn't a BAD thing. But it mimics the changes in the boss fights from X8(CAPCOM!!!!!!!!!!)
Mega Man 11 rekindles my love for the core series, but MAKES ME WANT MEGA MAN X9 THAT MUCH MORE!!!!
And it scratch the itch.
After 9 and 10 going back to the EXTREME difficulty and the 8-bit graphic, Capcom decided to show Mighty No. 9 how it SHOULD be done.
The Double Gear system changes things up. One Gear allows you to slow time down, great for precision jumps. The other Powers up your weapons, like the X-Buster upgrade in the X series. Makes me wonder why they didn't make Mega Man X9(CAPCOM!!!!!!). The stages are twice as long as normal, so that is actually really cool. And the boss fights are VERY diverse, so much so going into the first one, you think the others will be similar, but they aren't... which isn't a BAD thing. But it mimics the changes in the boss fights from X8(CAPCOM!!!!!!!!!!)
Mega Man 11 rekindles my love for the core series, but MAKES ME WANT MEGA MAN X9 THAT MUCH MORE!!!!
And it scratch the itch.
Movie Metropolis (309 KP) rated Big Hero 6 (2014) in Movies
Jun 11, 2019
Genuinely Moving
The Marvel Studios movie train has been non-stop over the last few years, from Iron Man to The Avengers, it shows no signs of slowing. Now though, a take-over by Disney has ensured both studios enter into rather unknown territory.
The first film from this collaboration is Big Hero 6, an animated superhero film in the same vein as Pixar’s The Incredibles. But does it reach those dizzying heights?
Big Hero 6 follows Hiro Hamada, a 14-year-old robotics prodigy as he goes about his life in the fictional city of San Fransokyo alongside his brother Tadashi. Hiro has lost his way after a family tragedy and it takes his brother’s robot Baymax to help find himself again.
The story unfortunately is the film’s weakest link, being predictable at best and downright clichéd at its worst. In this respect, Big Hero 6 falls well short of the standards set by the majority of Pixar’s movies.
Thankfully, the visuals are absolutely stunning, a match for Disney’s best, if not quite up to the level of last year’s How to Train YourBig_Hero_6_Poster_2 Dragon 2. The city of San Fransokyo is beautifully realised in sweeping, gloriously colourful shots that show of the animation best when they’re from above.
The characters themselves are rendered in painstaking detail and in particular sequences it becomes difficult to tell the film apart from a live-action feature.
Vocal performances are also very good. Ryan Potter plays Hiro as a vulnerable, pre-pubescent teen who by the end of the film comes to realise just who he is exceptionally well. James Cromwell, Maya Rudolph and Damon Wayans also lend their recognisable voices to people in the film.
However, by far the stand-out is Baymax, a hilariously funny healthcare robot. Disney’s animators should be given plaudits for crafting a character which despite its lack of facial features and emotive tones is so engaging to watch.
Unfortunately, when Baymax evolves into super-Baymax, his characterisation suffers and the funny, caring nature of him is lost somewhat.
The final third of the film delves into generic superhero fodder, but picks up again just before the end credits role with a deeply emotive.
Big Hero 6 also gets increasingly dark the further into the movie you get, the comedic elements get muddled in a plot which isn’t quite sure which way it wants to go and young children may find it a little to scary to stomach.
Thankfully the negatives here are far outweighed by the positives and Big Hero 6 steamrolls itself into a moving finale which leaves itself open for a sequel nicely.
Overall, from stunning visuals to engaging characters, Big Hero 6 continues Disney’s penchant for creating fun and watchable films. Despite a lack of originality, the character of Baymax makes up for most of the other shortcomings and ensures the generic story is genuinely moving.
https://moviemetropolis.net/2015/02/05/genuinely-moving-big-hero-6-review/
The first film from this collaboration is Big Hero 6, an animated superhero film in the same vein as Pixar’s The Incredibles. But does it reach those dizzying heights?
Big Hero 6 follows Hiro Hamada, a 14-year-old robotics prodigy as he goes about his life in the fictional city of San Fransokyo alongside his brother Tadashi. Hiro has lost his way after a family tragedy and it takes his brother’s robot Baymax to help find himself again.
The story unfortunately is the film’s weakest link, being predictable at best and downright clichéd at its worst. In this respect, Big Hero 6 falls well short of the standards set by the majority of Pixar’s movies.
Thankfully, the visuals are absolutely stunning, a match for Disney’s best, if not quite up to the level of last year’s How to Train YourBig_Hero_6_Poster_2 Dragon 2. The city of San Fransokyo is beautifully realised in sweeping, gloriously colourful shots that show of the animation best when they’re from above.
The characters themselves are rendered in painstaking detail and in particular sequences it becomes difficult to tell the film apart from a live-action feature.
Vocal performances are also very good. Ryan Potter plays Hiro as a vulnerable, pre-pubescent teen who by the end of the film comes to realise just who he is exceptionally well. James Cromwell, Maya Rudolph and Damon Wayans also lend their recognisable voices to people in the film.
However, by far the stand-out is Baymax, a hilariously funny healthcare robot. Disney’s animators should be given plaudits for crafting a character which despite its lack of facial features and emotive tones is so engaging to watch.
Unfortunately, when Baymax evolves into super-Baymax, his characterisation suffers and the funny, caring nature of him is lost somewhat.
The final third of the film delves into generic superhero fodder, but picks up again just before the end credits role with a deeply emotive.
Big Hero 6 also gets increasingly dark the further into the movie you get, the comedic elements get muddled in a plot which isn’t quite sure which way it wants to go and young children may find it a little to scary to stomach.
Thankfully the negatives here are far outweighed by the positives and Big Hero 6 steamrolls itself into a moving finale which leaves itself open for a sequel nicely.
Overall, from stunning visuals to engaging characters, Big Hero 6 continues Disney’s penchant for creating fun and watchable films. Despite a lack of originality, the character of Baymax makes up for most of the other shortcomings and ensures the generic story is genuinely moving.
https://moviemetropolis.net/2015/02/05/genuinely-moving-big-hero-6-review/
Emma @ The Movies (1786 KP) rated The Mitchells vs The Machines (2021) in Movies
Aug 11, 2021
I was originally going to post a round up of films I'd seen a just give a quick overview of my thoughts. But as I started writing, this review got longer and longer as I realised that it was okay for me to bore you with me frothing at the mouth with excitement.
Having seen the Connected trailer, as it was previously called, I knew I wanted to see it, and I was fairly certain I was going to enjoy it. It looked funny with some great characters and a nice bit of family drama thrown in. I don't think I was really prepared for how much I was going to enjoy it though.
In a last ditch attempt to spend time with his daughter before she heads off to college, Rick cancels her travel plans in favour of a family road trip. The tensions run high in the car, but that's nothing compared with the robopocalypse that's about to erupt around them... and if the pressure of family bonding wasn't enough, just wait until you're humanities last hope.
The idea behind The Mitchells vs the Machines is really quite nice. Being constantly connected to their devices has meant the divide between tech-phobic dad and digital creative daughter is growing by the day, and all she wants to do is get away. It does make you think about the way you interact with devices, and how reliant on them we've become... but we're not quite at the robot uprising so far... just keep an eye on Alexa.
The Mitchell family voice cast worked great together. I adore Maya Rudolph, and combined with just the right amount of dad from Danny McBride, they made a well balanced parental unit. And Katie (voiced by Abbi Jacobson, who also voices Bean in Disenchantment) was the perfect balance of stubborn teen and living sister.
Of course the obvious MVP of the film is Monchi the dog, voiced by Doug the pug. I will hear no arguments on this point... admittedly, mum does make a last minute surge for the top spot, but Monchi was consistent throughout.
Sony have managed to create a very amusing apocalyptic world. The robot army is great, and the personalities they display are so amusing, but even the other machines within the film have wonderful quirky little characters. The design in the world is magnificent, and well thought out, particularly when we get to the climax of the film.
I genuinely don't have a bad word to say about this film, it was action packed with something for everyone. There's speculation about a second film I believe, but I hope that doesn't develop into anything. Mitchells vs the Machines was a great standalone film, and there's no real follow up potential as it is. Take the win, pick up another idea and run with it.
Originally posted on: https://emmaatthemovies.blogspot.com/2021/08/the-mitchells-vs-machines-movie-review.html
Having seen the Connected trailer, as it was previously called, I knew I wanted to see it, and I was fairly certain I was going to enjoy it. It looked funny with some great characters and a nice bit of family drama thrown in. I don't think I was really prepared for how much I was going to enjoy it though.
In a last ditch attempt to spend time with his daughter before she heads off to college, Rick cancels her travel plans in favour of a family road trip. The tensions run high in the car, but that's nothing compared with the robopocalypse that's about to erupt around them... and if the pressure of family bonding wasn't enough, just wait until you're humanities last hope.
The idea behind The Mitchells vs the Machines is really quite nice. Being constantly connected to their devices has meant the divide between tech-phobic dad and digital creative daughter is growing by the day, and all she wants to do is get away. It does make you think about the way you interact with devices, and how reliant on them we've become... but we're not quite at the robot uprising so far... just keep an eye on Alexa.
The Mitchell family voice cast worked great together. I adore Maya Rudolph, and combined with just the right amount of dad from Danny McBride, they made a well balanced parental unit. And Katie (voiced by Abbi Jacobson, who also voices Bean in Disenchantment) was the perfect balance of stubborn teen and living sister.
Of course the obvious MVP of the film is Monchi the dog, voiced by Doug the pug. I will hear no arguments on this point... admittedly, mum does make a last minute surge for the top spot, but Monchi was consistent throughout.
Sony have managed to create a very amusing apocalyptic world. The robot army is great, and the personalities they display are so amusing, but even the other machines within the film have wonderful quirky little characters. The design in the world is magnificent, and well thought out, particularly when we get to the climax of the film.
I genuinely don't have a bad word to say about this film, it was action packed with something for everyone. There's speculation about a second film I believe, but I hope that doesn't develop into anything. Mitchells vs the Machines was a great standalone film, and there's no real follow up potential as it is. Take the win, pick up another idea and run with it.
Originally posted on: https://emmaatthemovies.blogspot.com/2021/08/the-mitchells-vs-machines-movie-review.html
Kevin Wilson (179 KP) rated Birdemic: Shock And Terror (2008) in Movies
Jul 9, 2018 (Updated Jan 23, 2019)
The horrible acting is fun to laugh at (2 more)
It actually has a song that got stuck in my head
You can have fun with the bad editing and camera work
One of the best "so bad it's good"
Contains spoilers, click to show
I'm not quite sure what rating I'm meant to give. It's a bad movie so should be low but It's to the point I love it so I had to give it a 8
It takes roughly about a hour for actual birds to appear and before that it's all about a guy with a blue car going about his daily life to work.
It may sound boring but it's too funny for you to be bored. The camera work is horrible, you can hear into he audio every single editing cut which is awkward. Characters have no chemistry (im pretty sure the main guy is a robot).
Even the opening scene spends about 10 minutes in a car, the music on a loop and yet all of this adds together to become 1 of the funniest movies.
There is 1 moment in the film where they dance and you can't help but sing along to the song. It's so catchy "we're hanging out, hanging out....hanging out with my family, having ourselves a party!)
This is by far my favourite of bad movies. Who attacks a bird with a coat hanger? Haha
I would recommend watching it at least once.
It takes roughly about a hour for actual birds to appear and before that it's all about a guy with a blue car going about his daily life to work.
It may sound boring but it's too funny for you to be bored. The camera work is horrible, you can hear into he audio every single editing cut which is awkward. Characters have no chemistry (im pretty sure the main guy is a robot).
Even the opening scene spends about 10 minutes in a car, the music on a loop and yet all of this adds together to become 1 of the funniest movies.
There is 1 moment in the film where they dance and you can't help but sing along to the song. It's so catchy "we're hanging out, hanging out....hanging out with my family, having ourselves a party!)
This is by far my favourite of bad movies. Who attacks a bird with a coat hanger? Haha
I would recommend watching it at least once.
