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ClareR (5779 KP) rated Saga, Vol. 9 in Books
Nov 2, 2018
I keep reading, it keeps tearing my heart out!!
I LOVE THIS SERIES!! But seriously, it seems to end on an event that tears my heart out every time! Prince Robot, his son and Petrichor are all trying to sell their stories and using magic, change themselves into another species (like you do - the ultimate witness protection programme), but of course nothing runs smoothly.
The Will lives up to his name (eventually!!), and the family seem happy at last. But that's OK, because the ending sorts that little detail out.
And Ghus is his lovely little self. If anything happens to him, I swear I will NOT be happy!
And there is going to be a year long hiatus!!! How can they do this to me??!!
The Will lives up to his name (eventually!!), and the family seem happy at last. But that's OK, because the ending sorts that little detail out.
And Ghus is his lovely little self. If anything happens to him, I swear I will NOT be happy!
And there is going to be a year long hiatus!!! How can they do this to me??!!
BookwormLea (3034 KP) rated The Umbrella Academy in TV
Dec 13, 2019
Contains spoilers, click to show
I only started to watch this because I loved Robert Sheehan in Misfits and I thought it seemed like a similar show. It starts off quite slow in my opinion with the 'death' of the father and the reunion of the siblings but it quickly picks up! You learn what powers they have and how they affected them. You find out each characters background and why they turned out how they are. I particularly love Diego and his wholesome relationship with the 'mom' robot. I have to say though, I hated Vanyas character. I thought she was a whiny bitch and she quite literally ruins the whole thing. I understand why she was important though. Also, R.I.P Ben, the poor guy didnt even get enough screen time.
Ripley's Believe It or Not! 2015
Book
The Ripley's Believe It or Not! annual has now firmly established itself as a Christmas must-have,...
Ross (3284 KP) rated Doom Patrol - Season 1 in TV
Jan 11, 2021
Brilliant nonsense
This series covers the formation of the band of misfits gathered together by Timothy Dalton's Niles Caulder, including a range of people with odd abilities after suffering unusual events. With the exception of try-hard Cyborg, they are all wonderfully flawed people just trying to find some purpose to their lives. Alan Tudyk serves as the antagonist for most of the series, as well as a wonderful forth-wall-breaking narrator and the source of most of the laugh-out-loud moments.
While I enjoy Cliff (the robot, former racing car driver), Jane is by far the best character. An extreme schizophrenic, she has over 60 personalities to call on, each with its own special power.
Good, daft fun.
While I enjoy Cliff (the robot, former racing car driver), Jane is by far the best character. An extreme schizophrenic, she has over 60 personalities to call on, each with its own special power.
Good, daft fun.
Gareth von Kallenbach (980 KP) rated WALL-E (2008) in Movies
Aug 14, 2019
To be honest, I didn’t put much faith in a movie about a robot who could only say, “Wa-AA-lleee….” Especially one that’s been by himself for 700 years. Then again, the last Pixar release of talking machines wasn’t exactly a stellar production, either. Give me talking rats or talking fish, at least they had personality. But talking cars? C’mon, now. But maybe Pixar learned from its mistake of verbosity in Cars and decided limited dialogue would bring back the luster of Pixar’s blinding three dimensional success. If that’s how WALL*E came about, then kudos to Pixar. WALL*E not only kept me fascinated, it made me giggle throughout and left me sighing.
In this new offering from the same team who brought you Finding Nemo, The Incredibles and Ratatouille, Earth is a virtual wasteland, and no longer inhabited by humans. The humans are all aboard a space colony called Axiom, pampered and waited on in robot-assisted existence. Left behind is WALL*E, a hardworking Waste Allocation Load Lifter – Earth class robot, has done what he was programmed to do, compact trash and stack it neatly, cleaning the planet one trash cube at a time. Apparently the passing of years all alone has given this clunky, rusty, dented and creaky machine, time to develop a sense of curiosity, a playful personality, and a love for “Hello, Dolly” showtunes and choreography. His best friend is a cockroach, he’s managed to amass a treasure trove of junk, is seemingly content, albeit lonely.
Then along came EVE. A sleek, state-of-the art egg-shaped robot deposited on earth by an Axiom spacecraft to scan its surroundings as an Extra-terrestrial Vegetation Evaluator. WALL*E is instantly enthralled and admires EVE’s speed, versatility and gracefulness from a tentative distance. She exudes efficiency and focus and comes with a laser she’s not afraid to use. EVE has a classified directive and WALL*E, after he’s overcome his fear of her laser, befriends her and inadvertently helps EVE achieve her goal. EVE has to return to the Axiom to report her findings, but WALL*E is desperate to build on this new found friendship. Who can blame him? If you’d been alone for 700 years, wouldn’t you be reluctant to say good bye to a new friend? So WALL*E becomes an accidental tourist of the galaxy, embarking on a thrilling adventure that makes him an anxious stowaway aboard a ship of advanced machines and lazy humans.
Under the direction of by Academy Award(r)-winning writer-director Andrew Stanton, the gifted storytellers and artists who brought charm and innovation to The Incredibles and Ratatouille, elevated their game by enabling WALL*E to convey in beeps and tones and soulful eyes a gamut of emotions that captivates the viewer. Limited dialogue was definitely on the menu, at least between robots. Which makes WALL-E all the more enchanting. It’s up to the viewer to draw on simple exchanges and the robots’ varying intonations of each other’s names to interpret their growing affection for one another.
With its breathtaking animation and deft rendering of heartwarming characters, CGI-animated features don’t get much better than this.
A fantastic voyage with an eco-friendly warning wrapped in a poignant love story, WALL*E restored my faith in Pixar’s well-deserved, acclaim.
In this new offering from the same team who brought you Finding Nemo, The Incredibles and Ratatouille, Earth is a virtual wasteland, and no longer inhabited by humans. The humans are all aboard a space colony called Axiom, pampered and waited on in robot-assisted existence. Left behind is WALL*E, a hardworking Waste Allocation Load Lifter – Earth class robot, has done what he was programmed to do, compact trash and stack it neatly, cleaning the planet one trash cube at a time. Apparently the passing of years all alone has given this clunky, rusty, dented and creaky machine, time to develop a sense of curiosity, a playful personality, and a love for “Hello, Dolly” showtunes and choreography. His best friend is a cockroach, he’s managed to amass a treasure trove of junk, is seemingly content, albeit lonely.
Then along came EVE. A sleek, state-of-the art egg-shaped robot deposited on earth by an Axiom spacecraft to scan its surroundings as an Extra-terrestrial Vegetation Evaluator. WALL*E is instantly enthralled and admires EVE’s speed, versatility and gracefulness from a tentative distance. She exudes efficiency and focus and comes with a laser she’s not afraid to use. EVE has a classified directive and WALL*E, after he’s overcome his fear of her laser, befriends her and inadvertently helps EVE achieve her goal. EVE has to return to the Axiom to report her findings, but WALL*E is desperate to build on this new found friendship. Who can blame him? If you’d been alone for 700 years, wouldn’t you be reluctant to say good bye to a new friend? So WALL*E becomes an accidental tourist of the galaxy, embarking on a thrilling adventure that makes him an anxious stowaway aboard a ship of advanced machines and lazy humans.
Under the direction of by Academy Award(r)-winning writer-director Andrew Stanton, the gifted storytellers and artists who brought charm and innovation to The Incredibles and Ratatouille, elevated their game by enabling WALL*E to convey in beeps and tones and soulful eyes a gamut of emotions that captivates the viewer. Limited dialogue was definitely on the menu, at least between robots. Which makes WALL-E all the more enchanting. It’s up to the viewer to draw on simple exchanges and the robots’ varying intonations of each other’s names to interpret their growing affection for one another.
With its breathtaking animation and deft rendering of heartwarming characters, CGI-animated features don’t get much better than this.
A fantastic voyage with an eco-friendly warning wrapped in a poignant love story, WALL*E restored my faith in Pixar’s well-deserved, acclaim.
Leonardo’s Cat
Entertainment and Games
App
A contraption-packed, brain-teasing puzzle game featuring the voice of Patrick Stewart (Star Trek,...
Crazy Helium Booth
Entertainment and Photo & Video
App
Crazy Faces Funny Voices!!! _____________________________________________ The Best Video and Voice...
Awix (3310 KP) rated Ikarie XB-1 (1963) in Movies
Jun 23, 2019 (Updated Jun 23, 2019)
One of those movies which has clearly been influential but remains relatively little-seen, certainly in the original version. XB-1 and its crew (mostly good-looking young people, a few rugged old character actors, and a fairly dreadful robot prop) blast off for Alpha Centauri but must come to terms with the strains of long-haul spaceflight and various dangers (radiation, dangerous derelicts, and so on).
Arguably the missing link between Forbidden Planet and 2001: A Space Odyssey (yes, that's a bold claim), with a strange mixture of pulp SF tropes but also downbeat psychological realism. Notably good and interesting sets, photography, and a memorable avant-garde musical score too. The story is a bit episodic and not exactly pacey, but the rest of the film makes up for this.
Arguably the missing link between Forbidden Planet and 2001: A Space Odyssey (yes, that's a bold claim), with a strange mixture of pulp SF tropes but also downbeat psychological realism. Notably good and interesting sets, photography, and a memorable avant-garde musical score too. The story is a bit episodic and not exactly pacey, but the rest of the film makes up for this.
Kentucky Route Zero: TV Edition
7.0
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Video Game Watch
Kentucky Route Zero is a magical realist adventure game about a secret highway in the caves beneath...
adventure