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Game Net for - Scrap Mechanic
Reference and Entertainment
App
Here’s the deal: you’re a robot maintenance mechanic en route to your posting on a...
Cybermancy: Virtual Arena
7.0
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Tabletop Game
Cybermancy is a future-themed card battling game, in which combat takes place in the Virtual Arena,...
Near and Far
8.4
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Tabletop Game
Four wanderers search for the Last Ruin, a city that legends say contains an artifact that will...
Boardgames StoryGames LaukatGames
When the Glow Lights the Woods
8.5
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Book
A snowy story of healing, birds, and the magic of connection. The Wall? Who gives a snowman’s...
Post-Apocaplytic MM Romance Seasonal
Gareth von Kallenbach (971 KP) rated WALL-E (2008) in Movies
Aug 14, 2019
To be honest, I didn’t put much faith in a movie about a robot who could only say, “Wa-AA-lleee….” Especially one that’s been by himself for 700 years. Then again, the last Pixar release of talking machines wasn’t exactly a stellar production, either. Give me talking rats or talking fish, at least they had personality. But talking cars? C’mon, now. But maybe Pixar learned from its mistake of verbosity in Cars and decided limited dialogue would bring back the luster of Pixar’s blinding three dimensional success. If that’s how WALL*E came about, then kudos to Pixar. WALL*E not only kept me fascinated, it made me giggle throughout and left me sighing.
In this new offering from the same team who brought you Finding Nemo, The Incredibles and Ratatouille, Earth is a virtual wasteland, and no longer inhabited by humans. The humans are all aboard a space colony called Axiom, pampered and waited on in robot-assisted existence. Left behind is WALL*E, a hardworking Waste Allocation Load Lifter – Earth class robot, has done what he was programmed to do, compact trash and stack it neatly, cleaning the planet one trash cube at a time. Apparently the passing of years all alone has given this clunky, rusty, dented and creaky machine, time to develop a sense of curiosity, a playful personality, and a love for “Hello, Dolly” showtunes and choreography. His best friend is a cockroach, he’s managed to amass a treasure trove of junk, is seemingly content, albeit lonely.
Then along came EVE. A sleek, state-of-the art egg-shaped robot deposited on earth by an Axiom spacecraft to scan its surroundings as an Extra-terrestrial Vegetation Evaluator. WALL*E is instantly enthralled and admires EVE’s speed, versatility and gracefulness from a tentative distance. She exudes efficiency and focus and comes with a laser she’s not afraid to use. EVE has a classified directive and WALL*E, after he’s overcome his fear of her laser, befriends her and inadvertently helps EVE achieve her goal. EVE has to return to the Axiom to report her findings, but WALL*E is desperate to build on this new found friendship. Who can blame him? If you’d been alone for 700 years, wouldn’t you be reluctant to say good bye to a new friend? So WALL*E becomes an accidental tourist of the galaxy, embarking on a thrilling adventure that makes him an anxious stowaway aboard a ship of advanced machines and lazy humans.
Under the direction of by Academy Award(r)-winning writer-director Andrew Stanton, the gifted storytellers and artists who brought charm and innovation to The Incredibles and Ratatouille, elevated their game by enabling WALL*E to convey in beeps and tones and soulful eyes a gamut of emotions that captivates the viewer. Limited dialogue was definitely on the menu, at least between robots. Which makes WALL-E all the more enchanting. It’s up to the viewer to draw on simple exchanges and the robots’ varying intonations of each other’s names to interpret their growing affection for one another.
With its breathtaking animation and deft rendering of heartwarming characters, CGI-animated features don’t get much better than this.
A fantastic voyage with an eco-friendly warning wrapped in a poignant love story, WALL*E restored my faith in Pixar’s well-deserved, acclaim.
In this new offering from the same team who brought you Finding Nemo, The Incredibles and Ratatouille, Earth is a virtual wasteland, and no longer inhabited by humans. The humans are all aboard a space colony called Axiom, pampered and waited on in robot-assisted existence. Left behind is WALL*E, a hardworking Waste Allocation Load Lifter – Earth class robot, has done what he was programmed to do, compact trash and stack it neatly, cleaning the planet one trash cube at a time. Apparently the passing of years all alone has given this clunky, rusty, dented and creaky machine, time to develop a sense of curiosity, a playful personality, and a love for “Hello, Dolly” showtunes and choreography. His best friend is a cockroach, he’s managed to amass a treasure trove of junk, is seemingly content, albeit lonely.
Then along came EVE. A sleek, state-of-the art egg-shaped robot deposited on earth by an Axiom spacecraft to scan its surroundings as an Extra-terrestrial Vegetation Evaluator. WALL*E is instantly enthralled and admires EVE’s speed, versatility and gracefulness from a tentative distance. She exudes efficiency and focus and comes with a laser she’s not afraid to use. EVE has a classified directive and WALL*E, after he’s overcome his fear of her laser, befriends her and inadvertently helps EVE achieve her goal. EVE has to return to the Axiom to report her findings, but WALL*E is desperate to build on this new found friendship. Who can blame him? If you’d been alone for 700 years, wouldn’t you be reluctant to say good bye to a new friend? So WALL*E becomes an accidental tourist of the galaxy, embarking on a thrilling adventure that makes him an anxious stowaway aboard a ship of advanced machines and lazy humans.
Under the direction of by Academy Award(r)-winning writer-director Andrew Stanton, the gifted storytellers and artists who brought charm and innovation to The Incredibles and Ratatouille, elevated their game by enabling WALL*E to convey in beeps and tones and soulful eyes a gamut of emotions that captivates the viewer. Limited dialogue was definitely on the menu, at least between robots. Which makes WALL-E all the more enchanting. It’s up to the viewer to draw on simple exchanges and the robots’ varying intonations of each other’s names to interpret their growing affection for one another.
With its breathtaking animation and deft rendering of heartwarming characters, CGI-animated features don’t get much better than this.
A fantastic voyage with an eco-friendly warning wrapped in a poignant love story, WALL*E restored my faith in Pixar’s well-deserved, acclaim.
Gareth von Kallenbach (971 KP) rated Transformers Revenge of the Fallen (2009) in Movies
Aug 9, 2019
Following up the success of “Transformers” was not easy task, and thankfully Director Michael Bay and the amazing wizards at Industrial Light and Magic are up to the challenge as “Transformers: Revenge of the Fallen” is the rare sequel that outdoes the original in almost every way.
The film once again stars Shia LaBeouf as Sam Witwicky who is still dating the lovely Mikaela (Megan Fox), as he prepares to head east for college.
Mikaela is unable to head east with Sam as she must stay behind to help her recently paroled father. Sam and his parents head off to his college campus and leave his transforming Camero Bumblebee at home.
At the same time, Optimus Prime (Peter Cullen), and the rest of the heroic Autobots have joined forces with the government in an effort to locate and remove any remaining Decepticon threat. The special unit has worked well for two years as they have not only managed to contain the threat, but have kept their existence on Earth a secret until a mission in Shanghai escalates and has giant robots racing through the streets creating a path of destruction.
The aftermath of the mission causes some in authority to question the need for the Autobots and despite concerns that a major offensive is in the planning, the movements of the team are curtailed.
Sam and Mikaela are soon reunited when a shard from the All Spark is stolen. Sam also starts to have visions of mysterious alien symbols making him the prime target of the recently resurrected Megatron (Hugo Weaving), and his minions.
It is learned that the life essences of the Autobots and Decepticons may have a supply located on Earth and that Megatron will stop at nothing to locate it even if it means destroying the sun and all life on earth in the process.
What follows is a spectacular and extended series of battles which range from the city, to the countryside and deserts and pyramids of Egypt.
The new film has a surprisingly good amount of humor in it, which is needed as the film has a run time of over 2.5 hours and does take its time getting started in the first 40 minutes.
While the plot may be fairly basic and a bit convoluted, the real stars of the film are the action sequences, and Michael Bay ups the ante on explosions, destruction, and robot mayhem. It is clear that a lot of money was spent on the film and it is all up there on the screen. Lavish battles between the robotic forces and the military unfold often and the finale is an extended battle sequences that is amongst the most ambitious and lavish in action film history.
LaBeouf and Fox do the best with their parts even though they are not given much to do except run, jump, and look attractive when they are not interacting with their CGI Co stars.
That being said, the film knows what its audience is as does not try to reinvent what worked so well in the previous film. Instead its focus is on giving you more of what the audience loved and in that we get much more of the robots in combat and more of Megan Fox is skimpy tops and shorts.
The lavish and amazing visuals and action carry the film and establish Transformers as a heavyweight franchise for summers to come.
The film once again stars Shia LaBeouf as Sam Witwicky who is still dating the lovely Mikaela (Megan Fox), as he prepares to head east for college.
Mikaela is unable to head east with Sam as she must stay behind to help her recently paroled father. Sam and his parents head off to his college campus and leave his transforming Camero Bumblebee at home.
At the same time, Optimus Prime (Peter Cullen), and the rest of the heroic Autobots have joined forces with the government in an effort to locate and remove any remaining Decepticon threat. The special unit has worked well for two years as they have not only managed to contain the threat, but have kept their existence on Earth a secret until a mission in Shanghai escalates and has giant robots racing through the streets creating a path of destruction.
The aftermath of the mission causes some in authority to question the need for the Autobots and despite concerns that a major offensive is in the planning, the movements of the team are curtailed.
Sam and Mikaela are soon reunited when a shard from the All Spark is stolen. Sam also starts to have visions of mysterious alien symbols making him the prime target of the recently resurrected Megatron (Hugo Weaving), and his minions.
It is learned that the life essences of the Autobots and Decepticons may have a supply located on Earth and that Megatron will stop at nothing to locate it even if it means destroying the sun and all life on earth in the process.
What follows is a spectacular and extended series of battles which range from the city, to the countryside and deserts and pyramids of Egypt.
The new film has a surprisingly good amount of humor in it, which is needed as the film has a run time of over 2.5 hours and does take its time getting started in the first 40 minutes.
While the plot may be fairly basic and a bit convoluted, the real stars of the film are the action sequences, and Michael Bay ups the ante on explosions, destruction, and robot mayhem. It is clear that a lot of money was spent on the film and it is all up there on the screen. Lavish battles between the robotic forces and the military unfold often and the finale is an extended battle sequences that is amongst the most ambitious and lavish in action film history.
LaBeouf and Fox do the best with their parts even though they are not given much to do except run, jump, and look attractive when they are not interacting with their CGI Co stars.
That being said, the film knows what its audience is as does not try to reinvent what worked so well in the previous film. Instead its focus is on giving you more of what the audience loved and in that we get much more of the robots in combat and more of Megan Fox is skimpy tops and shorts.
The lavish and amazing visuals and action carry the film and establish Transformers as a heavyweight franchise for summers to come.
Smash Up - The Card Game
Games and Entertainment
App
***“It’s a goofy theme with fun art and high replayability, but beneath that veneer of casual...
Purple Phoenix Games (2266 KP) rated Steam Park: Play Dirty in Tabletop Games
Aug 20, 2021
In the expansion review series, we take a look at a game expansion to discuss whether it is a necessary purchase/addition to one’s collection.
This breakdown is for the action dice-rolling and them park-building game Steam Park’s modular expansion, Play Dirty (as in dirt, not as in adult themes). Play Dirty is a modular expansion, so some modules may be added or left out depending on comfort level and enjoyment of each module.
One major module added to this expansion is the addition of a fifth player to Steam Park. As if Steam Park wasn’t frantic enough with four, go ahead and throw in a fifth set of hands going crazy at the table! Also included are gray “Stingy Visitors,” which act as wild visitor types for color, but provide one less Danari (currency in Steam Park) but create NO DIRT. Excellent! Play Dirty also includes a new set of five stands for robots to do business: Fountain, Hall of Mirrors, Office, Shooting Gallery, and Incinerator. Along with these new stands are a set of stand reference tiles to remind players what each stand actually does in the game. Very handy.
The biggest difference-makers in the expansion box are the Ride Extensions, Park Directors, and Espionage Dice. Ride Extensions do just that – extend existing rides in one’s park, but the two different colored extensions (golden and rusty) have their own rules that are triggered depending on colors of robots upon them. The Park Directors module adds a new twist that changes the rules for an aspect of the base game for all players throughout the entire game. These are very powerful changes, and one Park Director is chosen to be used at the beginning of each game. Espionage Dice are very special in that one is added to each player’s white dice and rolled as normal throughout the game. However, the Espionage Dice cost 4 Danari to activate after the Roll Phase. The power here is that the player using the die pays one Danari less to use it when matching the face of white dice in their opponent’s pig sitting to their right. For example, to use a Build Stand face on Espionage Die will cost four Danari normally. However, should the opponent on the right have four Build Stand symbols showing on their white dice, the Espionage Die activates for free!
Must you own the Play Dirty expansion to truly enjoy your plays of Steam Park? Not at all. I do very much enjoy several of the modules in the box though. I really enjoy the powerful Park Directors because it freshens up a rule from the base game or modifies it in interesting ways. I like the new Stands that come in the box as well for additional options during play, but you MUST use the reference tiles, especially if combining all 10 Stands. The other modules are fine, but I would have been happy with just the ones I mentioned here.
Official recommendation: I remember my first play of Steam Park and falling in love with it right away. I have never felt stagnation in my future plays, but adding Play Dirty certainly is a game-changer in every sense of the term. I say definitely pick it up if you are feeling the base game no longer gives you the excitement and frenzy it once did.
This breakdown is for the action dice-rolling and them park-building game Steam Park’s modular expansion, Play Dirty (as in dirt, not as in adult themes). Play Dirty is a modular expansion, so some modules may be added or left out depending on comfort level and enjoyment of each module.
One major module added to this expansion is the addition of a fifth player to Steam Park. As if Steam Park wasn’t frantic enough with four, go ahead and throw in a fifth set of hands going crazy at the table! Also included are gray “Stingy Visitors,” which act as wild visitor types for color, but provide one less Danari (currency in Steam Park) but create NO DIRT. Excellent! Play Dirty also includes a new set of five stands for robots to do business: Fountain, Hall of Mirrors, Office, Shooting Gallery, and Incinerator. Along with these new stands are a set of stand reference tiles to remind players what each stand actually does in the game. Very handy.
The biggest difference-makers in the expansion box are the Ride Extensions, Park Directors, and Espionage Dice. Ride Extensions do just that – extend existing rides in one’s park, but the two different colored extensions (golden and rusty) have their own rules that are triggered depending on colors of robots upon them. The Park Directors module adds a new twist that changes the rules for an aspect of the base game for all players throughout the entire game. These are very powerful changes, and one Park Director is chosen to be used at the beginning of each game. Espionage Dice are very special in that one is added to each player’s white dice and rolled as normal throughout the game. However, the Espionage Dice cost 4 Danari to activate after the Roll Phase. The power here is that the player using the die pays one Danari less to use it when matching the face of white dice in their opponent’s pig sitting to their right. For example, to use a Build Stand face on Espionage Die will cost four Danari normally. However, should the opponent on the right have four Build Stand symbols showing on their white dice, the Espionage Die activates for free!
Must you own the Play Dirty expansion to truly enjoy your plays of Steam Park? Not at all. I do very much enjoy several of the modules in the box though. I really enjoy the powerful Park Directors because it freshens up a rule from the base game or modifies it in interesting ways. I like the new Stands that come in the box as well for additional options during play, but you MUST use the reference tiles, especially if combining all 10 Stands. The other modules are fine, but I would have been happy with just the ones I mentioned here.
Official recommendation: I remember my first play of Steam Park and falling in love with it right away. I have never felt stagnation in my future plays, but adding Play Dirty certainly is a game-changer in every sense of the term. I say definitely pick it up if you are feeling the base game no longer gives you the excitement and frenzy it once did.
Gareth von Kallenbach (971 KP) rated Autómata (2014) in Movies
Jun 19, 2019
In the near future following an ecological disaster, humanity lives behind a wall to protect itself from the radioactive and barren wastelands as well as the scavengers outside. This is the setting of the new film “Autómata” by Director Gabe Ibanez.
Antonio Banderas stars as Jacq Vaucan, an insurance agent who is tasked with representing ROC Robotics as their units have become standard for all tasks menial and otherwise in society.
With Acid Rain and pollution a threat to those in the walk, Jacq is happy to have a good job and has a baby on the way that he and his wife look forward to. Jacq becomes involved in a mystery when a robot is found repairing itself in violation of the basic programming for the machines.
The investigation takes a turn for the worse when violence erupts and Jacq is forced to flee into the radioactive areas with a small band of robots watching over him. Despite his bad condition, Jacq learns the truth behind the investigation and those who will stop at nothing to keep it a secret.
The film is very good for budget Science Fiction as the FX work is first rate. This is a take with humanity at its core, and Banderas does solid work in the role. The film also takes some jabs at society and human nature without being over the top or heavy handed and the pacing worked well for the film.
I must say this is one of the more interesting films of the year especially since it came out without the hype and fanfare of bigger studio films.
http://sknr.net/2014/10/10/automata/
Antonio Banderas stars as Jacq Vaucan, an insurance agent who is tasked with representing ROC Robotics as their units have become standard for all tasks menial and otherwise in society.
With Acid Rain and pollution a threat to those in the walk, Jacq is happy to have a good job and has a baby on the way that he and his wife look forward to. Jacq becomes involved in a mystery when a robot is found repairing itself in violation of the basic programming for the machines.
The investigation takes a turn for the worse when violence erupts and Jacq is forced to flee into the radioactive areas with a small band of robots watching over him. Despite his bad condition, Jacq learns the truth behind the investigation and those who will stop at nothing to keep it a secret.
The film is very good for budget Science Fiction as the FX work is first rate. This is a take with humanity at its core, and Banderas does solid work in the role. The film also takes some jabs at society and human nature without being over the top or heavy handed and the pacing worked well for the film.
I must say this is one of the more interesting films of the year especially since it came out without the hype and fanfare of bigger studio films.
http://sknr.net/2014/10/10/automata/