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Music & Dreams (The Road to Rocktoberfest 2023)
Music & Dreams (The Road to Rocktoberfest 2023)
JP Sayle | 2023 | Contemporary, LGBTQ+, Romance
10
10.0 (2 Ratings)
Book Rating
hits spots I didn't know needed hitting!
Independent reviewer for Archaeolibrarain, I was gifted my copy of this book.


This book is part of the Rocktoberfest 2023 series, a multi author series. I haven't read any others, but they are all stand alone reads.


Lorcan is a rock star, high up the food chain. Rogan is his child's nanny slash teacher. Rogan has all the feels for Lorcan, but knows that's crossing boundaries. Lorcan has something for Rogan, but it isn't till there is an accident that Lorcan begins to feel for Rogan.


Sometimes, you need a super low angst book, with some smexy times and some difficult times thrown in. This book delivers on those levels, and it delivers beautifully!


Rogan has crushed on Lorcan from the start of his employment to teach Lorcan's daughter, Amy. Lorcan's feelings weren't so pronounced from the beginning, but having to look after Ro was an eye opener. And when Lor discovers Ro can sing?? The man was a goner!


I loved Lorcan, and Rogan and Amy as a unit. Amy will be a force to be reckoned with, when she gets older! She sees far too much for a little un, but she has a down to earth demeanor that everyone loves. The things she says to make Lor see Ro, REALLY see him, are far too wise!


I didn't find it especially explicit, but its not about that. This book is about seeing what's in front of you, or rather, who. And about Ro getting over his insecurities to finally be able to fulfill his dreams through HIS music, not just everyone else's.


I loved the guys in the band, Tibi and Finlee and I hope they get a story too.


Hitting spots that I really didn't know I needed hitting, and at short notice too, this was a wonderful read!


5 full and shiny stars


*same worded review will appear elsewhere
  
Classic FM Presents... by Alfie Boe
Classic FM Presents... by Alfie Boe
2006 | Classical
(0 Ratings)
Album Favorite

"Last year I arrived in San Diego at the beginning of a tour, where I was playing the Thick As A Brick material. I ambled down to the theatre in the morning having arrived the night before, where the theatre manager said there was a note for me in my dressing room, left behind by Alfie Boe who they’d had a couple of nights before. I recognised Alfie Boe as a hotshot, super popular opera star who played at the Queen’s Jubilee Concert in Hyde Park. They crop up from time to time, these people who cross over from a more insulated music into wider popular culture, and Alfie Boe has certainly done that in the last couple of years with opera music. You might think he’s just another of the usual not-quite-authentic people who just find themselves singing the odd aria at working men’s clubs, and getting a record deal and a ton of money. But Alfie did his apprenticeship by studying at the Royal Academy of Music, worked with the D’Oyly Carte Opera and spent ten years of his life learning his craft. And he was a man born with enormous natural talent. Rather like Lou Gramm he has this very assured level of control – he knows what he can do. I read his note to me, wishing me a good show and leaving me a phone number. So a few weeks later in England I called Alfie and we had a few chats on the phone, and though we haven’t met we were due on two occasions to have lunch, but he had to cancel because of his mother’s illness. But I hope I do get to meet Alfie because I think he’s a very fine singer. I understand that while his desire is not to leave classical music, he wants to demonstrate he’s got the cojones of a Tom Jones or a Robert Plant or whoever - he wants to be a rock and roll singer. Far be it for me to say that might be mistake, you’ve got to give it a go. So Alfie’s branching out into rather middle-of-the-road pop and rock at the moment. As a classical singer, I think he has the gravitas and vocal expertise, perhaps more vocal expertise, than Pavarotti at his relatively young best. If you listen to Alfie’s ‘Nessun Dorma’, I think you’ll hear something that is sung with enormous technical ability, control, authority and with the right amount of gravitas, it has a weight to it that I think is really great. I hope he doesn’t sell himself short in the realm of middle-of-the-road pop music."

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Kingsman: The Golden Circle (2017)
Kingsman: The Golden Circle (2017)
2017 | Action, Comedy
Vaughn and Golding cross the pond to deliver more of the same.
You would probably need to be living under a rock not to know that “Kingsman: The Golden Circle” is the follow-up film to Matthew Vaughn and Jane Goldman’s highly successful 2015 offering “Kingsman: The Secret Service”: a raucous, violent and rude entry into the spy-caper genre. And the sequel is more of the same: why mess with a crowd-pleasing formula?

The fledgling agent Eggsy (Taron Egerton (“Eddie the Eagle“), curiously called “Eggy” at various points in the film for reasons I didn’t understand) is now the new “Galahad” following the demise in the first film of the original, played by Colin Firth (“Magic in the Moonlight“, “Bridget Jones’ Baby“). But just as he’s getting into his stride the whole Kingsman organisation, now headed by Michael Gambon (“Harry Potter”) as Arthur , is ripped apart by an evil drugs cartel called “The Golden Circle” headed by smiling but deadly Poppy (Juliane Moore, “Still Alice”).

Eggsy and Lancelot (Mark Strong, “Miss Sloane“) in desperation turn to Statesman – the US equivalent organisation – and together with some surprising allies set out to defeat the evil plot to poison all casual drug users.
Subtle this film certainly is not, featuring brash and absurdly unrealistic action scenes that are 90% CGI but – for me at least – enormous fun to watch. As with the first film (and I’m thinking of the grotesquely violent church scene here) the action moves however from ‘edgy’ to “over-the-top/offensive” at times. The ‘burger scene’ and (particularly) the ‘Glastonbury incident’ are the standout moments for all the wrong reasons. I have a theory about how these *might* have come about…
One Mann’s Movies Showcase Theatre
The scene: Matthew Vaughn and Jane Golding are working “The Golden Circle” script at Goldman’s English home.
Vaughn: “OK, so Eggsy is in the tent with Clara and needs to plant the tracking device on her.”
Goldman’s husband Jonathan Ross sticks his head round the door.
Ross: “Hey Guys, I’ve an idea about that. I was on the phone to Wussell Bwand and we came up with a GWEAT idea.”
Vaughn: (rolling his eyes, mutters to himself): “Oh God, not again…”
Ross: “We thought that Eggsy could use his finger to stick the tracker right up her – ahem – ‘lady canal’ and… and… here’s the really great bit… the camera’s gonna be his finger. A camera up the muff! It’ll be weally weally funny!”
Vaughn: “But Jonathan…”.
Goldman nudges him hard.
Goldman (whispering): “Just let it go Matthew… you know what he’s like if he doesn’t get at least a couple of his ideas into the film”.

You can only hope a stunt vagina was used for this scene, else Poppy Delavigne (older sister of Cara) is going to find it very hard to find credible future work. One can only guess what tasteful interlude is being planned for Kingsman 3 – – a prostate-based tracker perhaps?

The film works best when the core team of Taron Egerton, Mark Strong and Colin Firth (yes, Colin Firth!) are together. Jeff Bridges (“Hell or High Water“), Channing Tatum (“Foxcatcher“) and Halle Berry (“Monster’s Ball”) all turn up as key members of ‘Statesman’ – adding star power but not a lot else – together with Pedro Pascal (“The Great Wall“) as ‘Whiskey’…. who I expected to be someone equally famous behind the moustache but wasn’t!
There’s also a very entertaining cameo from a star (no spoilers from me) whose foul-mouthed tirades I found very funny, and who also has the funniest line in the film (playing off one of the most controversial elements of the first film). It’s fair to say though that others I’ve spoken to didn’t think this appearance fitted the film at all.

Julianne Moore makes for an entertaining – if less than credible – villain, as does Bruce Greenwood (“Star Trek: Into Darkness”) as a barely disguised Trump. None of the motivations of the bad ‘uns however support any scrutiny whatsoever: this is very much a “park your brain at the door” film.

I really shouldn’t enjoy this crass, brash, brainless movie fast-food… and I know many have hated it! But my guilty secret is that I really did like it – one of the best nights of unadulterated escapist fun I’ve had since “Baby Driver”. Classy it’s certainly NOT, but I enjoyed this just as much as the original.
  
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Daniel Boyd (1066 KP) rated A Star Is Born (2018) in Movies

Oct 19, 2018 (Updated Oct 19, 2018)  
A Star Is Born (2018)
A Star Is Born (2018)
2018 | Drama, Romance
Bradley Cooper's direction (2 more)
Both lead performances
Great original songs
Some odd character motivations (0 more)
Better Than Expected
Contains spoilers, click to show
I have dragged my other half to see plenty of stuff recently that she has sat through because I wanted to see it, so I thought it was about time that I let her drag me to something that she fancied seeing. I'm pretty glad that she did.

I expected A Star Is Born to be full of cheesy dialogue and crappy pop songs and I didn't know what to expect from Bradley Cooper's first time in the director's chair. Thankfully, my uncertainty and doubt was proven wrong. This is an absolutely fantastic directorial debut from Cooper. There were several parts in the movie where it felt similar to a Clint Eastwood directed movie, the influence that Clint obviously had on Cooper when they worked together for American Sniper has clearly paid off here. The cinematography is brilliant throughout the film and he gets a lot out of his actors too.

Considering Cooper is an actor, he plays an exceptionally convincing rock star as Jackson Maine. His voice is phenomenal and if all of the guitar playing was done by him, then that was impressive also. Likewise, considering Lady Gaga's background is as a singer and not an actress, she did a pretty great job in this role as Ally - even if she is playing a character very similar to herself. Sam Elliot is also fantastic, (as he always is,) as Jack's older brother and I reckon could be in for an Oscar shout for best supporting role.

In order to talk about the main negative I had with the film, I am going to have to spoil the way that it ends. So SPOILERS from this point on, you have been warned.

I know that Jackson didn't commit suicide just because of what Ally's sleazy agent said to him at the end of the movie, but I only know that because I had to fill in the blanks myself. The way that the movie presents it, is as if the agent tells Jack that he's an embarrassment to Ally and that's what makes him want to hang himself, which to me isn't justification enough to have a character take their own life, especially a character like Jackson Maine. The argument could be made that it wasn't what the agent said that led to Jack's suicide, but because he said out loud the way that Jack sees himself. As a burden and embarrassment to Ally. Although, if this was the case I feel like the movie could have driven it home a bit more. Like I said, I know that there was more to the character's decision to end his life than that, but the movie doesn't show it, instead making it look as if he decided to hang himself because of a smarmy wee prick's obnoxious comments.

Overall, this film was far better than it had any right to be. Although, the movie is funny in parts, overall it takes itself more seriously than I expected it too and I think that it is better for it. It may not win best picture, but I reckon it deserves a nomination, as does Bradley Cooper for best director.