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Battle: Los Angeles (2011)
Battle: Los Angeles (2011)
2011 | Action, Sci-Fi
One last tour of duty
Staff Sargent Nantz (Eckhart) is planning his retirement from the service but, a strange phenomenon has began to crash all over the world and into the pacific right off the the coast of Los Angles. He is called back into duty to help lead a squad of Marines who all have a different views on him and all have stories of their own. Their job is to clear the area and evacuate all civilians because some form of alien beings has begun to attack and the order to send in nukes has been given. Does Nantz have anything left in the tank to lead us to victory?

Not Eckhart's finest movie but it just was a bad story. I am surprised that Michelle Rodriguez even got involved in this film
  
    SOS First Aid

    SOS First Aid

    Medical and Health & Fitness

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    SOS First Aid is a very easy first aid manual with some basics concepts and steps of what to do in...

CK
Cat Killer (Mirage Mysteries #1)
8
8.0 (1 Ratings)
Book Rating
When a car bomb explodes killing Cat DuBois, Phoenix police detective Joe Rodriguez has his list of suspects, including Cat’s boss, traveling evangelist Persis Magen. However, a second incident makes him question who is the killer and who are potential targets. Can he figure it out before someone else dies?

I first read this mystery 20 plus years ago, and it was fun to revisit these characters. I did remember the killer, but reading it now, the villain’s identity does seem a little obvious early on. The characters are strong, and I enjoyed getting to meet them again. By the end, I was easily able to remember who they all were, even given the large number we meet early on. This is a Christian mystery, which adds to the book.

Read my full review at <a href="http://carstairsconsiders.blogspot.com/2017/02/book-review-cat-killer-by-sandy-dengler.html">Carstairs Considers</a>.
  
Alita: Battle Angel (2019)
Alita: Battle Angel (2019)
2019 | Action, Fantasy, Sci-Fi
Robert Rodriguez is not a good director. He isn’t an especially good writer or producer either. This is the guy responsible for four Spy Kids films, that start below average and downgrade exponentially into excruciatingly awful. What he is pretty good at is ideas, and seeing the potential of something visually arresting and exciting. That is what led to the success of Sin City, arguably his best effort to date, because he saw how the comic book creations of Frank Miller could become live action and he made it happen.

Alita: Battle Angel is a similar deal. This time Yukito Kishiro’s early 90s manga creation is the inspiration. With James Cameron as producer, and the considerable talents of Christoph Waltz, Jennifer Connelly and Mahershala Ali onboard, it would have been pretty hard for even Rodriguez to mess this up entirely. Although at times he does seem to try, mostly by doing too much and making certain sections too busy and too confusingly cross-genre, like he is frantically trying to colour within the lines whilst using every felt-tip in the pack. A habit that means every now and again something great happens, but you may have missed it in all the background noise.

Compare this film, that just falls short of qualifying for my Bad Movie Triple Bill list, to Spielberg’s superior yet similarly busy Ready Player One. Both involve high concept future realities that are very tech and AI driven. Both make extensive use of CGI and vivid colour palettes. Both are frenetic and demand an audience pays attention in order to fully appreciate the storyline. The difference is that one zig-zags back and forth in tone and momentum, and one is razor sharp in moving us from one idea to the next on a perfect learning curve towards a satisfying climax and conclusion. Guess which one is which? This is why Spielberg is Spielberg and Rodriguez is… a hack.

That said, Alita as a character and concept is charming, and you do therefore find yourself at least wanting to discover her story. The action scenes are also quite electric, and the visuals are often breath-taking. But the whole is less than the sum of the parts here, and we are left with something that can only really exist in the same box as dozens of admirable sci-fi B-movies aimed at teenagers, such as The Maze Runner, Mortal Engines and The City of Ember. It also continues to prove the point alongside Ghost in the Shell and Speed Racer that Anime / Manga into live action is a very tricky business.

There is definitely an audience out there for this movie, and I dare say at some point I will be tempted to give it another watch. What is definitely worth watching however, is how James Cameron uses this as a stepping stone to perfecting virtual humans on the big screen. I am sure everyone involved learned a lot in that respect, so all is far from lost.