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The Blue Veil (Seven Deadly Veils #1.5)
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When one of High Lord Valadon’s rare paintings goes missing, his second in command, Remare enlists...
Urban Fantasy Romance Novella
Lyndsey Gollogly (2893 KP) rated Cruel ( Savannah Heirs 1) in Books
Jan 20, 2024
14 of 220
Kindle
Cruel ( Savannah Heirs 1)
By Raven Kennedy & Coralee June
⭐️⭐️⭐️
I’ve got a secret.
Savannah, Georgia is full of debutantes and greed. The Heirs own this town. They own me, too.
I don’t know what I did to ruin what we had. But their kindness turned cruel almost a year ago. I was prepared to leave it all behind and start over at a new school. But Rogue Kelly, the king of the Heirs, ruined that.
He doesn’t want me anymore but doesn’t want anyone else to have me either. I know too much to be set free, but not enough to stay.
The Heirs aren’t through with me yet. And I crave their cruelty too much to give up now.
When I first started reading this I honestly thought it would be a DNF but I was pleasantly surprised I actually liked it. I liked the story it had some bite reminded me a little of Penelope Douglas books. Not a bad read.
Kindle
Cruel ( Savannah Heirs 1)
By Raven Kennedy & Coralee June
⭐️⭐️⭐️
I’ve got a secret.
Savannah, Georgia is full of debutantes and greed. The Heirs own this town. They own me, too.
I don’t know what I did to ruin what we had. But their kindness turned cruel almost a year ago. I was prepared to leave it all behind and start over at a new school. But Rogue Kelly, the king of the Heirs, ruined that.
He doesn’t want me anymore but doesn’t want anyone else to have me either. I know too much to be set free, but not enough to stay.
The Heirs aren’t through with me yet. And I crave their cruelty too much to give up now.
When I first started reading this I honestly thought it would be a DNF but I was pleasantly surprised I actually liked it. I liked the story it had some bite reminded me a little of Penelope Douglas books. Not a bad read.
Darren (1599 KP) rated The Keeping Room (2015) in Movies
Aug 6, 2019
Story: The Keeping Room starts as during the civil war, Augusta (Marling), Louise (Steinfeld) and their slave Mad (Otaru) must work together to look after their family home together, while the men are out at war, they are getting by with Louise wanting to do more than just work around the house.
The women soon become targets for the rogue soldiers Moses (Worthington) and Henry (Soller), without the normal support they must defend their home before the war comes to them.
Thoughts on The Keeping Room
Characters – Augusta is the lady of the house, keeping Louise in line, while making it fair for everyone under the roof, no matter what their status is. She will be the one that will go for help and risk her life to protect the rest. Louise is the younger of the two women, she doesn’t like being forced into work believing the slave should do it all, her failure to follow instructions only makes it difficult for Augusta. Mad is the slave that has been welcomed as part of the family, joining in the defence of the home too. Moses is one of the soldiers that is leaving a path of destruction as they run away from the war. He targets the women’s home and the women to make his own for the time being.
Performances – Brit Marling is good in the leading role, we see strong performances from the three women if we are being honest, Hailee Steinfeld continues to show her ability, where as unknown Muna Otaru should be a name we pay more attention too. Sam Worthington does a fine job in the villainous role where we see him deliver lines in a disturbing manner.
Story – The story follows three women that must put their classes a side during the American Civil War to protect their home from rogue soldiers that only want to do unthinkable things to them. We get to see how the women do have their own problems to deal without the soldier adding to them, the unsure feeling about whether they will have the men in their lives returning to them. Once the soldiers arrive it does become a survival story which is good, it shows how difficult and risky it would be for either side just to attack they must focus on defending. The pacing of the story seems solid with giving away too much too early before leading to the night of the event.
Western – The film does use the western themes in the elements of the war time western not the wild west style it works well enough with the rogue soldiers trying to take a home.
Settings – The film uses the lone settings of the house in the middle of nowhere and the paths leading to it, to show us how isolated people would become during the war time.
Scene of the Movie – The night of the event.
That Moment That Annoyed Me – Certain parts feel slow though.
Final Thoughts – This is a slow-moving western that shows the effects of the civil war on the women left behind that could face their own uncertain future as the men out at war. It has strong performances and a dark feeling about what could happen next.
Overall: darkly depressive look at the American Civil War.
The women soon become targets for the rogue soldiers Moses (Worthington) and Henry (Soller), without the normal support they must defend their home before the war comes to them.
Thoughts on The Keeping Room
Characters – Augusta is the lady of the house, keeping Louise in line, while making it fair for everyone under the roof, no matter what their status is. She will be the one that will go for help and risk her life to protect the rest. Louise is the younger of the two women, she doesn’t like being forced into work believing the slave should do it all, her failure to follow instructions only makes it difficult for Augusta. Mad is the slave that has been welcomed as part of the family, joining in the defence of the home too. Moses is one of the soldiers that is leaving a path of destruction as they run away from the war. He targets the women’s home and the women to make his own for the time being.
Performances – Brit Marling is good in the leading role, we see strong performances from the three women if we are being honest, Hailee Steinfeld continues to show her ability, where as unknown Muna Otaru should be a name we pay more attention too. Sam Worthington does a fine job in the villainous role where we see him deliver lines in a disturbing manner.
Story – The story follows three women that must put their classes a side during the American Civil War to protect their home from rogue soldiers that only want to do unthinkable things to them. We get to see how the women do have their own problems to deal without the soldier adding to them, the unsure feeling about whether they will have the men in their lives returning to them. Once the soldiers arrive it does become a survival story which is good, it shows how difficult and risky it would be for either side just to attack they must focus on defending. The pacing of the story seems solid with giving away too much too early before leading to the night of the event.
Western – The film does use the western themes in the elements of the war time western not the wild west style it works well enough with the rogue soldiers trying to take a home.
Settings – The film uses the lone settings of the house in the middle of nowhere and the paths leading to it, to show us how isolated people would become during the war time.
Scene of the Movie – The night of the event.
That Moment That Annoyed Me – Certain parts feel slow though.
Final Thoughts – This is a slow-moving western that shows the effects of the civil war on the women left behind that could face their own uncertain future as the men out at war. It has strong performances and a dark feeling about what could happen next.
Overall: darkly depressive look at the American Civil War.
Daniel Boyd (1066 KP) rated Rogue One: A Star Wars Story (2016) in Movies
Jul 19, 2017
Darth Vader (1 more)
Fits nicely with the rest of the series
What's Old Is New
So our yearly Star Wars movie has arrived and after a complicated production it has released to rave reviews, with some outlets going as far as to compare it in quality to Empire Strikes Back, (which is widely considered to be the superior Star Wars film,) and it has even garnered a fair amount of Oscar buzz. This, along with the fact it’s a Star Wars movie meant that my expectations for this were pretty high going in and after seeing the movie there are parts of the flick that I loved and parts that I didn’t. When I wrote my Force Awakens review last year, I wrote both a spoiler free and a spoiler filled version of the review, but this year I have less time on my hands, so from this point on this will be a spoiler filled review, but the movie has been out for almost a week at the time of writing this, so if you haven’t seen the movie yet and are reading my review, well that is your own fault.
This movie for the most part impressed me. I loved how well it tied into A New Hope and how it actually fixed that movie’s biggest plothole by explaining that the weak point in the Death Star was installed on purpose by Galen Erso while designing the battle station under the Empire’s thumb, so that the Rebels would have a chance to destroy it. I loved how the movie had the balls to kills off the entire crew of the Rogue One team at the end of the movie and that corridor scene at the end with Vader was possibly the best scene I’ve seen in the cinema this year, it’s definitely up there with the airport scene in Civil War. Those are the stand out positives of the movie for me, however there were also a few flaws throughout the film.
First of all, that Grand Mof Tarkin CGI recreation of Peter Cushing was awful, the whole thing looked like a character from the Star Wars animated series. When he is first introduced it is through a glass reflection on a window he is looking out of and in that part of the scene it was fairly convincing, however he then turns around and the camera moves to a medium close up shot and all of a sudden it feels like watching a video game cutscene. Guy Henry was the actor who did the motion capture for Tarkin and that actor actually looks relatively similar to Peter Cushing, so why they didn’t just apply some makeup to Guy Henry and dye his hair gray to resemble Cushing more and recast the Tarkin role is a mystery to me, it would have also been a lot cheaper than the method that they went with. Either that or he should have only been seen in the reflection of the glass, since that was the only time that the CGI effect actually looked convincing. However, I did think that the CGI recreation of 1970’s Carrie Fischer at the end of the movie was very convincing and if it wasn’t for the movement in her mouth, I wouldn’t have known that was a CGI character. Another flaw I had with the movie was the how rushed and choppy the first act was, the characters were all introduced quickly and vaguely, then it took them ages to actually form up as a team. I get that introducing a whole cast of brand new characters in a short space of time isn’t easy, but Tarantino pulls it off in Hateful 8 and Inglorious Bastards and it works a lot better than it works here.
In a lot of ways Rogue One is a contrast to Force Awakens. In Force Awakens, the plot was essentially the same as A New Hope and was a fairly by the book, traditional Star Wars story, but the characters were what made that movie, if Poe Dameron, Rey, Finn, Kylo Ren, Han and Chewie weren’t as well written, that movie would have been mediocre at best. In Rogue One, the characters are pretty shallow and underdeveloped and they are introduced quickly and by the end of the movie none of them have really had a proper character arc. However that is not what this movie is about, this film is about a team of people coming together in order to complete a task to set up the events of the original trilogy and in that sense this movie does what it sets out to do. An example of this is the robot character K2SO, who I thought was going to start off with no humanity, then over the course of the movie realize the value of human life and then sacrifice himself for the greater good at the movie’s climax, but it turns out that the only real reason that he is helping the Rebels, is because he has been programmed to do so. This I feel sums up the level of character development present in the movie and demonstrates that it is not necessary in the film as that isn’t the movie’s purpose. What Force Awakens lacked in an original plot, it made up for in character development and what Rogue One lacks in character development, it makes up for in plot and setup, so both movies have their strengths and their flaws. Bearing in mind that I have only seen Rogue One once so far, I currently prefer Force Awakens to Rogue One, but then I prefer Return of the Jedi to Empire, so maybe that’s just me.
The writing moves the story along at a brisk pace, but it is effective in that you are constantly kept aware of where we are and what is happening at least from the end of the first act onwards. The performances are also suitable to the characters in each role, but I wouldn’t say anyone was incredible, my personal favourite was Cassian, the Alliance’s trigger finger who had shades of Han Solo thrown in as well. While watching Diego Luna’s performance, I actually thought he would be a good pick to play Nathan Drake in the Uncharted movie. The lighting in the film is well used and the CGI is spectacular for the most part other than weird waxwork Peter Cushing. The space battles are breathtaking and the action on the ground is also exciting.
Now, let’s talk about the characters that weren’t part of the Rogue One team. Forest Whittaker and Mads Mikkelson are two of my favourite actors working in Hollywood today and they are both in this movie, but I feel that both could have been used more. When they are onscreen, they are brilliant, it’s just a pity they make up such a small part of the movie. Whittaker appears only to be killed off minutes later and Mikkelson is only in two major scenes outside of a brief hologram appearance and then also gets killed off unceremoniously. The reason that a lot of people will go and see this movie however, will be to see Darth Vader. He isn’t in the movie much, but when he is it is fantastic. All of this reminds me a lot of Edwards’ last movie Godzilla, where Bryan Cranston and the monster were clearly the best parts of that movie, but for some reason were hardly in the thing. It’s as if Edwards has this idea in his head that less is always more and if he doesn’t show what people want to see in the movie for more than a few minutes at a time, then he is being original and artistic. While I understand this way of thinking from an auteur perspective, it’s fucking Star Wars and Godzilla mate, just give the people what they want. It is far less of an issue here however, since the rest of the cast in Rogue One are far more compelling than the rest of the cast in Godzilla.
Anyway, back to Vader. We first see Vader when Krennic goes to see him in his Imperial Castle in Mustafar, the same location that he was relieved of his limbs and burnt alive in a pool of lava. The way he is introduced is awesome, when Krennic arrives one of Vader’s cloaked minions enters a large room containing an ominous bacta tank, which we see Vader floating in without his suit on. This is the most vulnerable we have ever seen Vader since we saw him getting his suit fitted for the first time in Revenge Of The Sith. The tank empties and we see Vader’s stumps where his arms and legs once were and we see the burnt skin that covers his torso. Then we cut to him in full costume, complete with the classic James Earl Jones voice and force choking Krennic. He then disappears again for most of the movie, until the second to last scene where he is at his most powerful and this could genuinely be my favourite Vader scene of all time, perhaps even beating the infamous, ‘I am your father,’ scene from Empire. Vader in this scene is pure raw anger and power and the way the scene is shot and lit is fucking perfect, the audio and the editing fantastic also. The scene opens with a dark corridor with Rebels scrambling to get the hard drive containing the Death Star plans to the other end of the corridor and onto the ship that Leia is on, so that she can go on to get the plans into R2 in order to kick off A New Hope’s events. At first you wonder why the Rebels are in such a panic then you hear the terrifying breathing from Vader’s suit, but he still isn’t shown. Then the first and only lightsaber in the movie is sparked and it illuminates Vader in all of his terrifying glory before he starts tearing through the Rebels like a monster in a horror movie. This minute long scene is one of the best I’ve seen this year and it alone made the ticket price worth it for me.
Overall, Rogue One was essentially what I thought it would be based on the trailers. I don’t personally understand the overblown critical fanfare that the movie is receiving, but I’m glad that Star Wars fans like it. There are many parts of the movie that could be considered polarizing, such as the lack of Vader scenes, the dodgy Tarkin CGI, the fact that the entire Rogue One squad is killed off at the end of the movie, the absence of an opening crawl and Forest Whittaker’s raspy voice, which admittedly takes a bit of getting used to. Some of these elements I loved and some I hated, but for the most part this is an enjoyable addition to the Star Wars saga, I love how well it ties into and sets up the events of the films following this one and it was an added bonus that they actually resolved some of the original trilogy’s flaws. As I said earlier, I still prefer The Force Awakens to this, but I can see how an argument could be made for this one being a better movie.
This movie for the most part impressed me. I loved how well it tied into A New Hope and how it actually fixed that movie’s biggest plothole by explaining that the weak point in the Death Star was installed on purpose by Galen Erso while designing the battle station under the Empire’s thumb, so that the Rebels would have a chance to destroy it. I loved how the movie had the balls to kills off the entire crew of the Rogue One team at the end of the movie and that corridor scene at the end with Vader was possibly the best scene I’ve seen in the cinema this year, it’s definitely up there with the airport scene in Civil War. Those are the stand out positives of the movie for me, however there were also a few flaws throughout the film.
First of all, that Grand Mof Tarkin CGI recreation of Peter Cushing was awful, the whole thing looked like a character from the Star Wars animated series. When he is first introduced it is through a glass reflection on a window he is looking out of and in that part of the scene it was fairly convincing, however he then turns around and the camera moves to a medium close up shot and all of a sudden it feels like watching a video game cutscene. Guy Henry was the actor who did the motion capture for Tarkin and that actor actually looks relatively similar to Peter Cushing, so why they didn’t just apply some makeup to Guy Henry and dye his hair gray to resemble Cushing more and recast the Tarkin role is a mystery to me, it would have also been a lot cheaper than the method that they went with. Either that or he should have only been seen in the reflection of the glass, since that was the only time that the CGI effect actually looked convincing. However, I did think that the CGI recreation of 1970’s Carrie Fischer at the end of the movie was very convincing and if it wasn’t for the movement in her mouth, I wouldn’t have known that was a CGI character. Another flaw I had with the movie was the how rushed and choppy the first act was, the characters were all introduced quickly and vaguely, then it took them ages to actually form up as a team. I get that introducing a whole cast of brand new characters in a short space of time isn’t easy, but Tarantino pulls it off in Hateful 8 and Inglorious Bastards and it works a lot better than it works here.
In a lot of ways Rogue One is a contrast to Force Awakens. In Force Awakens, the plot was essentially the same as A New Hope and was a fairly by the book, traditional Star Wars story, but the characters were what made that movie, if Poe Dameron, Rey, Finn, Kylo Ren, Han and Chewie weren’t as well written, that movie would have been mediocre at best. In Rogue One, the characters are pretty shallow and underdeveloped and they are introduced quickly and by the end of the movie none of them have really had a proper character arc. However that is not what this movie is about, this film is about a team of people coming together in order to complete a task to set up the events of the original trilogy and in that sense this movie does what it sets out to do. An example of this is the robot character K2SO, who I thought was going to start off with no humanity, then over the course of the movie realize the value of human life and then sacrifice himself for the greater good at the movie’s climax, but it turns out that the only real reason that he is helping the Rebels, is because he has been programmed to do so. This I feel sums up the level of character development present in the movie and demonstrates that it is not necessary in the film as that isn’t the movie’s purpose. What Force Awakens lacked in an original plot, it made up for in character development and what Rogue One lacks in character development, it makes up for in plot and setup, so both movies have their strengths and their flaws. Bearing in mind that I have only seen Rogue One once so far, I currently prefer Force Awakens to Rogue One, but then I prefer Return of the Jedi to Empire, so maybe that’s just me.
The writing moves the story along at a brisk pace, but it is effective in that you are constantly kept aware of where we are and what is happening at least from the end of the first act onwards. The performances are also suitable to the characters in each role, but I wouldn’t say anyone was incredible, my personal favourite was Cassian, the Alliance’s trigger finger who had shades of Han Solo thrown in as well. While watching Diego Luna’s performance, I actually thought he would be a good pick to play Nathan Drake in the Uncharted movie. The lighting in the film is well used and the CGI is spectacular for the most part other than weird waxwork Peter Cushing. The space battles are breathtaking and the action on the ground is also exciting.
Now, let’s talk about the characters that weren’t part of the Rogue One team. Forest Whittaker and Mads Mikkelson are two of my favourite actors working in Hollywood today and they are both in this movie, but I feel that both could have been used more. When they are onscreen, they are brilliant, it’s just a pity they make up such a small part of the movie. Whittaker appears only to be killed off minutes later and Mikkelson is only in two major scenes outside of a brief hologram appearance and then also gets killed off unceremoniously. The reason that a lot of people will go and see this movie however, will be to see Darth Vader. He isn’t in the movie much, but when he is it is fantastic. All of this reminds me a lot of Edwards’ last movie Godzilla, where Bryan Cranston and the monster were clearly the best parts of that movie, but for some reason were hardly in the thing. It’s as if Edwards has this idea in his head that less is always more and if he doesn’t show what people want to see in the movie for more than a few minutes at a time, then he is being original and artistic. While I understand this way of thinking from an auteur perspective, it’s fucking Star Wars and Godzilla mate, just give the people what they want. It is far less of an issue here however, since the rest of the cast in Rogue One are far more compelling than the rest of the cast in Godzilla.
Anyway, back to Vader. We first see Vader when Krennic goes to see him in his Imperial Castle in Mustafar, the same location that he was relieved of his limbs and burnt alive in a pool of lava. The way he is introduced is awesome, when Krennic arrives one of Vader’s cloaked minions enters a large room containing an ominous bacta tank, which we see Vader floating in without his suit on. This is the most vulnerable we have ever seen Vader since we saw him getting his suit fitted for the first time in Revenge Of The Sith. The tank empties and we see Vader’s stumps where his arms and legs once were and we see the burnt skin that covers his torso. Then we cut to him in full costume, complete with the classic James Earl Jones voice and force choking Krennic. He then disappears again for most of the movie, until the second to last scene where he is at his most powerful and this could genuinely be my favourite Vader scene of all time, perhaps even beating the infamous, ‘I am your father,’ scene from Empire. Vader in this scene is pure raw anger and power and the way the scene is shot and lit is fucking perfect, the audio and the editing fantastic also. The scene opens with a dark corridor with Rebels scrambling to get the hard drive containing the Death Star plans to the other end of the corridor and onto the ship that Leia is on, so that she can go on to get the plans into R2 in order to kick off A New Hope’s events. At first you wonder why the Rebels are in such a panic then you hear the terrifying breathing from Vader’s suit, but he still isn’t shown. Then the first and only lightsaber in the movie is sparked and it illuminates Vader in all of his terrifying glory before he starts tearing through the Rebels like a monster in a horror movie. This minute long scene is one of the best I’ve seen this year and it alone made the ticket price worth it for me.
Overall, Rogue One was essentially what I thought it would be based on the trailers. I don’t personally understand the overblown critical fanfare that the movie is receiving, but I’m glad that Star Wars fans like it. There are many parts of the movie that could be considered polarizing, such as the lack of Vader scenes, the dodgy Tarkin CGI, the fact that the entire Rogue One squad is killed off at the end of the movie, the absence of an opening crawl and Forest Whittaker’s raspy voice, which admittedly takes a bit of getting used to. Some of these elements I loved and some I hated, but for the most part this is an enjoyable addition to the Star Wars saga, I love how well it ties into and sets up the events of the films following this one and it was an added bonus that they actually resolved some of the original trilogy’s flaws. As I said earlier, I still prefer The Force Awakens to this, but I can see how an argument could be made for this one being a better movie.
Awix (3310 KP) rated A View to a Kill (1985) in Movies
Mar 2, 2018 (Updated Mar 2, 2018)
Fourteenth Bond movie, known in Hong Kong as 'Indestructible Iron Man Fights the Electronic Gang'. (Which is pretty accurate, to be honest.) Rogue eugenic superman Zorin (Walken) has slightly Goldfingerish plan to artificially inflate the value of silicon chips; Bond has to stop him (obvs).
Bond gets it on with a record-breaking four different people in the course of the movie, including the villain's chief heavy, which may explain why he looks so exhausted most of the time. Or this may be due to Roger Moore's own advanced age (he was apparently dismayed to discover he was older than the parents of leading lady Tanya Roberts). Very much an example of Bond-movie-as-Bond-movie, i.e. a knockabout light-hearted action spectacular with only occasional pretensions to being a serious thriller or having anything meaningful to say about the world. Some decent chases and set pieces, helped by an occasionally effective soundtrack. Pleasantly distracting to watch but it's hardly going to rock your boat, let alone your world. It's possible that the opening sequence, in which Bond invents (gosh wow!) snowboarding , is the most glaringly dated moment of any major film in history.
Bond gets it on with a record-breaking four different people in the course of the movie, including the villain's chief heavy, which may explain why he looks so exhausted most of the time. Or this may be due to Roger Moore's own advanced age (he was apparently dismayed to discover he was older than the parents of leading lady Tanya Roberts). Very much an example of Bond-movie-as-Bond-movie, i.e. a knockabout light-hearted action spectacular with only occasional pretensions to being a serious thriller or having anything meaningful to say about the world. Some decent chases and set pieces, helped by an occasionally effective soundtrack. Pleasantly distracting to watch but it's hardly going to rock your boat, let alone your world. It's possible that the opening sequence, in which Bond invents (gosh wow!) snowboarding , is the most glaringly dated moment of any major film in history.
Sarah (7800 KP) rated Solo: A Star Wars Story (2018) in Movies
Jun 9, 2018
Better than The Last Jedi
Did we really need a Han Solo origin story? Even after watching this I'm not entirely sure.
The cast are fantastic, there are some great performances here and you can't really go wrong when you throw Woody Harrelson into the mix. The film plods along at a fairly decent pace and the plot is engaging, albeit fairly predictable. Some of the dialogue is a bit stilted and the humour seems very misplaced. With l3 it seems like they've tried to add a new version of K2S0 from Rogue One to generate some laughs, but sadly unlike K2S0, L3 just doesn't really work.
I feel like this film is just trying to tick some boxes and cover the Solo basics (how he meets Chewie, Lando, and wins the Falcon), and it seems to gloss over all of these in a few minutes. Far too quickly. As an origin story it should almost show us how Han changes into the person he is in the later films, but it doesn't. You don't see the jaded untrusting cynic he becomes.
Don't get me wrong this film is fairly fun and enjoyable, it's just a little forgettable.
The cast are fantastic, there are some great performances here and you can't really go wrong when you throw Woody Harrelson into the mix. The film plods along at a fairly decent pace and the plot is engaging, albeit fairly predictable. Some of the dialogue is a bit stilted and the humour seems very misplaced. With l3 it seems like they've tried to add a new version of K2S0 from Rogue One to generate some laughs, but sadly unlike K2S0, L3 just doesn't really work.
I feel like this film is just trying to tick some boxes and cover the Solo basics (how he meets Chewie, Lando, and wins the Falcon), and it seems to gloss over all of these in a few minutes. Far too quickly. As an origin story it should almost show us how Han changes into the person he is in the later films, but it doesn't. You don't see the jaded untrusting cynic he becomes.
Don't get me wrong this film is fairly fun and enjoyable, it's just a little forgettable.
Moodyhydra (3 KP) rated Ant-Man and the Wasp (2018) in Movies
Oct 4, 2018 (Updated Oct 4, 2018)
Good family fun
My oldest daughter is a huge marvel fan. Anything marvel and we have to watch it. Ant Man and The Wasp was no exception. I went into this movie with a feeling of mehhhhh another marvel film. I was pleasantly surprised. Ant Man and The Wasp was good fun. There are many laugh moments in this film and most of it comes from Ant Man himself and his mishaps with his suit. Ant Man is a loveable rogue type character who is can sometimes seem a bit selfish.
He has selfish moments but he is trying to do the right thing and keep his daughter safe and stay out of prison so he can see her. The relationship between them is lovely. I didn't find the love interest relationship between him and wasp that believable and the movie could do without it. I liked the fact the Ghost was a character we start of disliking but by the end of the movie we want it to be ok for her. Overall This was a nice, easy, fun sit and watch movie with all the family
He has selfish moments but he is trying to do the right thing and keep his daughter safe and stay out of prison so he can see her. The relationship between them is lovely. I didn't find the love interest relationship between him and wasp that believable and the movie could do without it. I liked the fact the Ghost was a character we start of disliking but by the end of the movie we want it to be ok for her. Overall This was a nice, easy, fun sit and watch movie with all the family
David McK (3576 KP) rated Star Wars, Vol. 7: The Ashes of Jedha in Books
Jan 30, 2019
The newest (at the time of writing) entry in Marvel's on-going Star Wars series, that sees Luke, Han, Leia et al travel to the planet of Jedha between the events of 'A New Hope' and 'The Empire Strikes Back': the planet, that is, that first appeared in the relatively-recent movie 'Rogue One' and on which the might of the Death Star was first practiced.
As such, Jedha is now a ruined planet under Imperial Occupation, with this collection (of issues number 38-43) also covering the effects of Saw Garrera's partisan group: another relatively recent addition to the whole Star Wars canon!
While Luke tries to learn more about being a Jedi as Leia seeks to form an alliance with the remaining members of that partisan group and as Han grows into a leadership role, the Empire tightens their grip on the planet.
I must admit to being a bit lost at first: although this is vol 7 in the series, the 'read in order' on the inside jacket actually places this after 'The Screaming Citadel': maybe if I'd read that, this might flow better?
As such, Jedha is now a ruined planet under Imperial Occupation, with this collection (of issues number 38-43) also covering the effects of Saw Garrera's partisan group: another relatively recent addition to the whole Star Wars canon!
While Luke tries to learn more about being a Jedi as Leia seeks to form an alliance with the remaining members of that partisan group and as Han grows into a leadership role, the Empire tightens their grip on the planet.
I must admit to being a bit lost at first: although this is vol 7 in the series, the 'read in order' on the inside jacket actually places this after 'The Screaming Citadel': maybe if I'd read that, this might flow better?
David McK (3576 KP) rated Star Wars Omnibus: X-Wing Rogue Squadron, Vol. 1 in Books
Jan 30, 2019
Generally speaking, I'm not really a comic-book guy kinda person.
However, I have read (and actually quite enjoyed) the Star Wars: X-Wing series of books, and was aware that these were also (pre Prequel trilogy) comics. However, I was unaware (until relatively recently) that the comics were not just visualizations of the novels, but were rather stories in their own right.
When I found this out, and when I came across the digital version of this Omnibus - which collects the first 3 stories in the X-Wing series [so Goodreads, should count as 3 towards my yearly challenge!] , I thought I would give it a try.
Of the 3 stories contained - Rogue Leader, the Rebel Opposition and The Phantom Affair - the second and third of these were co-written by Michael Stackpole, who also wrote the first X-Wing novels. Personally, while the story may be better in those two than in the first, I preferred the art of the first story, finding the panes easier to follow.
I haven't yet decided, but I may also pick up the next volume(s) in the series.
However, I have read (and actually quite enjoyed) the Star Wars: X-Wing series of books, and was aware that these were also (pre Prequel trilogy) comics. However, I was unaware (until relatively recently) that the comics were not just visualizations of the novels, but were rather stories in their own right.
When I found this out, and when I came across the digital version of this Omnibus - which collects the first 3 stories in the X-Wing series [so Goodreads, should count as 3 towards my yearly challenge!] , I thought I would give it a try.
Of the 3 stories contained - Rogue Leader, the Rebel Opposition and The Phantom Affair - the second and third of these were co-written by Michael Stackpole, who also wrote the first X-Wing novels. Personally, while the story may be better in those two than in the first, I preferred the art of the first story, finding the panes easier to follow.
I haven't yet decided, but I may also pick up the next volume(s) in the series.