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Movie Metropolis (309 KP) rated Love, Simon (2018) in Movies
Jun 10, 2019
One of the most important films in a generation
I don’t think anyone will have any qualms in me saying that the LGBT community is one of the most vastly underrepresented parts of society when it comes to mainstream Hollywood movies.
Sure, we’ve had indie hits like Call Me by Your Name and Moonlight that have also performed well at the Oscars, but the closest we’ve ever gotten to a mass-market crowd pleaser has been Ang Lee’s 2005 flick Brokeback Mountain and if we’re being honest, that wasn’t marketed in a way that made it particularly mainstream.
Aiming to change all that is Love, Simon. Based on the novel Simon vs. the Homo Sapiens Agenda by Becky Albertalli, Love, Simon is the first truly mainstream rom-com that features a lead gay character. But is the film a beacon of hope for a massively underrepresented LGBT community or a movie that daren’t go too far?
Everyone deserves a great love story, but for 17-year-old Simon Spier (Nick Robinson), it’s a little more complicated. He hasn’t told his family or friends that he’s gay, and he doesn’t know the identity of the anonymous classmate that he’s fallen for online. Resolving both issues proves hilarious, terrifying and life-changing.
Love, Simon is one of the most important films in a generation. Aiming to please both everyday movie-goers and be sensitive to the issues that gay people face on a daily basis, it needs to tread a very careful line, and I’m pleased to say, it does so beautifully. From the exceptional performances of the entire cast, to the warming attempts at humour, it succeeds on almost every level.
Jurassic World’s Nick Robinson is outstanding as Simon. A 17-year-old who consistently struggles to accept who he truly is would be an incredibly difficult role for even the most seasoned actors to take on, but he really is wonderful to watch. As we journey across his troubled story, the audience feels fully immersed in his actions, even those that are, shall we say, questionable.
The supporting cast too, is excellent. Jennifer Garner and Josh Duhamel are a great, if slightly underused presence, as Simon’s parents and along with his sister Nora (played by Talitha Bateman), they make an entirely believable family unit and it’s lovely to see them rallying around him when the inevitable ‘outing’ occurs. One touching scene in particular featuring Garner speaking to her son is sure to turn on the waterworks for many.
Love, Simon is a film with a massive heart anchored by a beautifully raw performance by Nick Robinson
Director Greg Berlanti is a relative newcomer to the world of romantic comedy, but he leads with a confidence that makes him appear seasoned at this game. Touching scenes of emotion are nicely interspersed with sequences of genuinely funny comedy – the sign of a great rom-com.
Special mention must go to Natasha Rothwell as drama teacher Ms. Albright, who manages to garner most of the laughs throughout. All of this culminates in a sweet finale that ties together everything that’s happened over the previous 110 minutes very well indeed.
If we’re to look at some of the flaws then it’s fair to say that the story outside of it featuring a gay lead is completely unoriginal. It’s been done before, but that’s kind of its charm. Flipping the classic rom-com story on its head by allowing audiences across the world to see that being gay really isn’t easy is a really nice thing to see.
In a nutshell, Love, Simon is a film with a massive heart anchored by a beautifully raw performance by Nick Robinson. It’ll make you laugh and it’ll make you cry, but this is a touching romantic comedy that will absolutely go down in the history books of film. Like Brokeback Mountain did for the older gay man, Love, Simon can be a shining light for young men who are struggling to accept who they truly are.
Is this a turning point for Hollywood? Well, let’s hope so.
https://moviemetropolis.net/2018/04/07/love-simon-review-one-of-the-most-important-films-in-a-generation/
Sure, we’ve had indie hits like Call Me by Your Name and Moonlight that have also performed well at the Oscars, but the closest we’ve ever gotten to a mass-market crowd pleaser has been Ang Lee’s 2005 flick Brokeback Mountain and if we’re being honest, that wasn’t marketed in a way that made it particularly mainstream.
Aiming to change all that is Love, Simon. Based on the novel Simon vs. the Homo Sapiens Agenda by Becky Albertalli, Love, Simon is the first truly mainstream rom-com that features a lead gay character. But is the film a beacon of hope for a massively underrepresented LGBT community or a movie that daren’t go too far?
Everyone deserves a great love story, but for 17-year-old Simon Spier (Nick Robinson), it’s a little more complicated. He hasn’t told his family or friends that he’s gay, and he doesn’t know the identity of the anonymous classmate that he’s fallen for online. Resolving both issues proves hilarious, terrifying and life-changing.
Love, Simon is one of the most important films in a generation. Aiming to please both everyday movie-goers and be sensitive to the issues that gay people face on a daily basis, it needs to tread a very careful line, and I’m pleased to say, it does so beautifully. From the exceptional performances of the entire cast, to the warming attempts at humour, it succeeds on almost every level.
Jurassic World’s Nick Robinson is outstanding as Simon. A 17-year-old who consistently struggles to accept who he truly is would be an incredibly difficult role for even the most seasoned actors to take on, but he really is wonderful to watch. As we journey across his troubled story, the audience feels fully immersed in his actions, even those that are, shall we say, questionable.
The supporting cast too, is excellent. Jennifer Garner and Josh Duhamel are a great, if slightly underused presence, as Simon’s parents and along with his sister Nora (played by Talitha Bateman), they make an entirely believable family unit and it’s lovely to see them rallying around him when the inevitable ‘outing’ occurs. One touching scene in particular featuring Garner speaking to her son is sure to turn on the waterworks for many.
Love, Simon is a film with a massive heart anchored by a beautifully raw performance by Nick Robinson
Director Greg Berlanti is a relative newcomer to the world of romantic comedy, but he leads with a confidence that makes him appear seasoned at this game. Touching scenes of emotion are nicely interspersed with sequences of genuinely funny comedy – the sign of a great rom-com.
Special mention must go to Natasha Rothwell as drama teacher Ms. Albright, who manages to garner most of the laughs throughout. All of this culminates in a sweet finale that ties together everything that’s happened over the previous 110 minutes very well indeed.
If we’re to look at some of the flaws then it’s fair to say that the story outside of it featuring a gay lead is completely unoriginal. It’s been done before, but that’s kind of its charm. Flipping the classic rom-com story on its head by allowing audiences across the world to see that being gay really isn’t easy is a really nice thing to see.
In a nutshell, Love, Simon is a film with a massive heart anchored by a beautifully raw performance by Nick Robinson. It’ll make you laugh and it’ll make you cry, but this is a touching romantic comedy that will absolutely go down in the history books of film. Like Brokeback Mountain did for the older gay man, Love, Simon can be a shining light for young men who are struggling to accept who they truly are.
Is this a turning point for Hollywood? Well, let’s hope so.
https://moviemetropolis.net/2018/04/07/love-simon-review-one-of-the-most-important-films-in-a-generation/
KerysJayne Draganova (21 KP) rated Resistance is futile in Books
Jan 13, 2018 (Updated Jan 14, 2018)
Majority of the characters, especially the main (1 more)
Comedic style of writing
Luke (1 more)
The romance aspect
A decent sci-fi Rom-com hybrid.
First of let me just say, this is the type of book that makes you look incredibly silly when reading it in public. It had me laughing until I couldn't breathe, and thanking my lucky stars that I read it in the comfort of my own home.
The characters in Colgan's book are a breath of fresh air: smart, just the right amount of geeky, and incredibly funny. The mix of the different characters and personalities within the group works perfectly, and as I said they have you crying with laughter. Connie is a fantastic main character: interesting, smart and witty, and I loved reading the adventures from her point of view.
However, I was disappointed with the romance aspect of this book, I didn't find the relationship between Connie and Luke to be believable, and I just couldn't get behind Luke as a character as a whole. I didn't find his character very compelling, and I felt the author went further into the development of other smaller characters than Luke, considering he is supposed to be quite an important part of the story line.
Overall though the characters in this book are so lovable and funny it definitely makes the book worth a read.
The characters in Colgan's book are a breath of fresh air: smart, just the right amount of geeky, and incredibly funny. The mix of the different characters and personalities within the group works perfectly, and as I said they have you crying with laughter. Connie is a fantastic main character: interesting, smart and witty, and I loved reading the adventures from her point of view.
However, I was disappointed with the romance aspect of this book, I didn't find the relationship between Connie and Luke to be believable, and I just couldn't get behind Luke as a character as a whole. I didn't find his character very compelling, and I felt the author went further into the development of other smaller characters than Luke, considering he is supposed to be quite an important part of the story line.
Overall though the characters in this book are so lovable and funny it definitely makes the book worth a read.
RəX Regent (349 KP) rated Tangled (2010) in Movies
Mar 7, 2019
Not Shrek 5... Though I can understand the error...
Contains spoilers, click to show
Last night I went to see Shrek 5
No, I actually went to see a Disney digimation which was trying to cash in on the former franchise. But despite its look, this was Disney through and through. Lacking the wit of Pixar and the sharp zaniness of Dreamworks, this was part musical, part sweeping rom-com.
What has happened to this studio, when they lack the confidence to make their films, their way? If this had been hand drawn animation it would have been twice the film, but instead we're treated to a mongrel 3D digimation with the story and style of Disney, Dreamworks and Pixar, but done without any of the flare of any of them.
The 3D was effective but the whole concept is now becoming very, very boring and I would have preferred to have seen it in 2D to be honest. It was never the less enjoyable, it made me laugh and some of the character development was quite effective, such a the horse, Maximus, who was as far removed from Shrek's 'Donkey' as you could imagine, especially as he never utters a word! I recon that kids and pure Disney fans will lap this up, though it is no Lion King, it's certainly an entertaining animation.
What has happened to this studio, when they lack the confidence to make their films, their way? If this had been hand drawn animation it would have been twice the film, but instead we're treated to a mongrel 3D digimation with the story and style of Disney, Dreamworks and Pixar, but done without any of the flare of any of them.
The 3D was effective but the whole concept is now becoming very, very boring and I would have preferred to have seen it in 2D to be honest. It was never the less enjoyable, it made me laugh and some of the character development was quite effective, such a the horse, Maximus, who was as far removed from Shrek's 'Donkey' as you could imagine, especially as he never utters a word! I recon that kids and pure Disney fans will lap this up, though it is no Lion King, it's certainly an entertaining animation.
Emma @ The Movies (1786 KP) rated Home Again (2017) in Movies
Jun 23, 2019 (Updated Sep 25, 2019)
Mother of two, Alice Kinney, is turning forty. She's separated from her husband and has just moved back to her father's old home in Los Angeles to start again. While out with her friends for her birthday she bumps into the youthful Harry, and his friends George and Teddy, who've come to LA to pitch their movie.
After an awkward encounter the morning after, Alice's mum convinces her to let the three of them stay in the guest house while they're in town. The three of them become part of family life, helping her with work and the kids. When her ex shows up unexpectedly, Alice is left in a confusing position, and when tension builds between everyone things start to change.
Is this the best rom-com? That's a strong no. Is it a bad film? Also no. It made me chuckle, and it brought a bit of a tear to my eye. It was just a nice film. The conclusion seemed to happen very suddenly, but then I feel that about quite a few films that I see. Personally if I fancied seeing a Reese Witherspoon film then I'd probably pick Sweet Home Alabama, Just Like Heaven, or even Hot Pursuit. I read online that the conclusion was that everyone in this film has done something better, and that is definitely true.
After an awkward encounter the morning after, Alice's mum convinces her to let the three of them stay in the guest house while they're in town. The three of them become part of family life, helping her with work and the kids. When her ex shows up unexpectedly, Alice is left in a confusing position, and when tension builds between everyone things start to change.
Is this the best rom-com? That's a strong no. Is it a bad film? Also no. It made me chuckle, and it brought a bit of a tear to my eye. It was just a nice film. The conclusion seemed to happen very suddenly, but then I feel that about quite a few films that I see. Personally if I fancied seeing a Reese Witherspoon film then I'd probably pick Sweet Home Alabama, Just Like Heaven, or even Hot Pursuit. I read online that the conclusion was that everyone in this film has done something better, and that is definitely true.
Awix (3310 KP) rated Tiptoes (2003) in Movies
May 13, 2021
It's a bit difficult to know where to start with a movie like Tiptoes, where an arguably unpromising idea is coupled to at least one deeply suspect creative decision. Basically, this is a look at what it means to be a short person, or the parents of one, in the modern world, realised through a peculiar rom-com plot about twin brothers (one of whom is a short person) getting involved with the same girl. If you think this sounds odd, there is a ten-year age-gap between the twin brothers, and the short one is played by Gary Oldman through the wonders of him kneeling down on his shoes. (Oldman has said playing a short person was 'a stretch', which is an interesting choice of words.) Meanwhile, a subplot concerns a French Marxist biker short person played by Peter Dinklage.
It may all be very well-intentioned and motivated by genuine sympathy for the short person community, but the sight of Oldman kneeling down behind various low objects or embedded in a sofa with fake short legs attached to it disastrously sabotages the film. That said, even if they'd opted for more height-appropriate casting, I suspect the contrived melodrama of the movie would still be difficult to take seriously. A deeply bizarre film, and perhaps deservedly obscure.
It may all be very well-intentioned and motivated by genuine sympathy for the short person community, but the sight of Oldman kneeling down behind various low objects or embedded in a sofa with fake short legs attached to it disastrously sabotages the film. That said, even if they'd opted for more height-appropriate casting, I suspect the contrived melodrama of the movie would still be difficult to take seriously. A deeply bizarre film, and perhaps deservedly obscure.
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Lee (2222 KP) rated Last Christmas (2019) in Movies
Nov 16, 2019
I guess I’m not exactly the target audience for a Christmas rom-com, but I don’t usually mind them. Providing the leads have believable chemistry, there’s a good story behind it all, a few laughs and something that gives you that Christmas feel good feeling, I’m happy to watch them. Sadly though, for the most part, Last Christmas struggles to tick most of those boxes.
Emilia Clarke stars as Kate (short for Katerina, her original Yugoslav name), a 26 year old who’s struggling at life right now. Her nights are filled with one-night stands and sleeping over at friends houses, dragging her suitcase behind her the next morning as she either heads to work in a Covent Garden Christmas shop or off to an audition for a West end show. She’s also currently ignoring calls from her mum (Emma Thomson), disappointing her boss (Michelle Yeoh) and coming across as selfish and not really very likeable. It’s safe to say, she’s lost her way - “Why is my life so shit?!” she exclaims after yet another disaster happens.
And then one day, Kate notices a man gazing up at a bird outside the Christmas shop and goes outside to see what he’s doing. His name is Tom (Henry Golding) and he’s handsome and charming (but a bit wooden) and despite them turning out to have zero chemistry together, they strike up a relationship - because, y’know, this is a rom-com after all. Tom takes Kate on spontaneous walks down alleyways and into nearby pocket parks, making her look up regularly so that she can appreciate the world around her. He rides a bike everywhere, doesn’t have a mobile phone and disappears for days on end. Yet his presence and friendship appear to have a positive effect on Kate, who begins to start turning her life around.
The first half of the movie is just terrible. Badly written dialogue and characters in an attempt to try and recapture some kind of Love Actually spirit, but just failing. It even tries to cram in some Brexit references and a little bit of racism to highlight the plight of immigrants. Written by Emma Thomson and directed by Paul Feig, Last Christmas is said to be inspired by the music of George Michael although, aside from its namesake, not very much of it actually ends up featuring much in the movie.
If you’ve seen the trailer, then you may well have figured out the twist that comes towards the end of the movie. If not, then you’ll probably work it out pretty early on anyway. However, I’d be lying if I said that Last Christmas didn’t manage to hit me emotionally when the time came. It also managed to invoke some warm Christmas feels and spirit too, so not quite the complete disaster it started out as.
Emilia Clarke stars as Kate (short for Katerina, her original Yugoslav name), a 26 year old who’s struggling at life right now. Her nights are filled with one-night stands and sleeping over at friends houses, dragging her suitcase behind her the next morning as she either heads to work in a Covent Garden Christmas shop or off to an audition for a West end show. She’s also currently ignoring calls from her mum (Emma Thomson), disappointing her boss (Michelle Yeoh) and coming across as selfish and not really very likeable. It’s safe to say, she’s lost her way - “Why is my life so shit?!” she exclaims after yet another disaster happens.
And then one day, Kate notices a man gazing up at a bird outside the Christmas shop and goes outside to see what he’s doing. His name is Tom (Henry Golding) and he’s handsome and charming (but a bit wooden) and despite them turning out to have zero chemistry together, they strike up a relationship - because, y’know, this is a rom-com after all. Tom takes Kate on spontaneous walks down alleyways and into nearby pocket parks, making her look up regularly so that she can appreciate the world around her. He rides a bike everywhere, doesn’t have a mobile phone and disappears for days on end. Yet his presence and friendship appear to have a positive effect on Kate, who begins to start turning her life around.
The first half of the movie is just terrible. Badly written dialogue and characters in an attempt to try and recapture some kind of Love Actually spirit, but just failing. It even tries to cram in some Brexit references and a little bit of racism to highlight the plight of immigrants. Written by Emma Thomson and directed by Paul Feig, Last Christmas is said to be inspired by the music of George Michael although, aside from its namesake, not very much of it actually ends up featuring much in the movie.
If you’ve seen the trailer, then you may well have figured out the twist that comes towards the end of the movie. If not, then you’ll probably work it out pretty early on anyway. However, I’d be lying if I said that Last Christmas didn’t manage to hit me emotionally when the time came. It also managed to invoke some warm Christmas feels and spirit too, so not quite the complete disaster it started out as.
Lenard (726 KP) rated Tolkien (2019) in Movies
May 19, 2019
Tolkien is a biopic of author/professor JRR Tolkien, the writer of The Hobbit and other fantasy novels. The only reason it was greenlit was to ensnare fans of the LOTR. The film opens with Ronald in the trenches of Belgium during WWI suffering from trench fever. He is overcome with a need to find his friend who he learns is nearby and in dire trouble. We then flashback to his country childhood home located in a village reminiscent of The Shire from his novels. His father has died and left the family with little hope of survival. The church has found a new home for the Tolkiens in Lake-town, I mean Birmingham. Soon, his mother is dead, Ronald and his brother become wards of the Catholic Church and are moved into the home of elderly woman who already cares for a young female pianist. Tolkien earns scholarship to a local private school where he accidentally becomes friends with other artistically inclined young men. One of whom, the poet, is secretly in love with Tolkien. Thus, with a kiss, I die in the trenches of Belgium fron poison gas. The whole film spends so much time finding connections to his famous novels, it never really gets to know the writer himself. Plus, Nicholas Hoult does not help much playing the writer like a Hugh Grant rom-com character. He even does the squinting quirk multiple times to romance his boarding house companion.