"Another one would be The Tenant from Roman Polanski. I think it’s my favorite Polanski movie, and I consider Polanski one of the biggest influences in my life. I love the tone — also because it’s another black comedy that mixes with horror. [It] was a quite unique film. I love absolutely everything about it."

"Wasson bellydives into one of the deepest pools in Hollywood history. Along the way, he tells revealing stories about Jack Nicholson, Roman Polanski, and legendary producer Robert Evans—as well as dark secrets behind the making of Academy Award winner Chinatown."

"We saw it in Venice for its world re-premiere, and it was nothing short of breathtaking. The cast of unknowns and the truth to the covalent bond of violence and romance make this a special film. What more could you ask for than Shakespeare presented by Roman Polanski and Playboy?"

"It’s the perfect genre movie. It’s brilliant I every aspect. It deals with some very complex subjects and is done masterfully. Even the dream sequences were so advanced at the time, the way [director Roman Polanski] made it surreal like a dream has to be, but very economic. I love every aspect and I watch it over and over again."

"“He was in Luther and Nobody Loves an Albatross.” “Ectopic pregnancy.” “Chalky under-taste.” “Tannis root.” “All of them witches.” “What have done to his eyes?” “He has his father’s eyes!” “The Year is One!” And that’s just off the top of my head. Movies are rarely as quotable as Rosemary’s Baby, and no other horror movie comes close. Of course, those quotes come from a screenplay, written by Roman Polanski, who was faithful to the novel by Ira Levin. The whole enterprise is both hilarious and unnerving, a combination that is hard to pull off. It’s one of those movies, should you stumble upon it while flipping channels, you just can’t turn off."

"I’ve always espoused this dopey idea that everyone should have one Shakespeare play that they know inside out. Just pick one. For me, it’s Macbeth. I’ve seen countless performances and probably watched most every movie version. (Hey, Scotland, PA, I got your back!). For me, Roman Polanski’s Macbeth is really the greatest of all Macbeths (and would have to be in the running for best Shakespeare film). People often mention how it was Polanski’s first film after the Sharon Tate murder or how Hugh Hefner was a producer. Try to get past all the extracurricular stuff and just play’dst (with the English subtitles on, I’d suggest) for the incredible performances, the mastery of Polanski’s cine-aesthetic precision, and a bleakness that feels so relevant today. I love how it’s so true to the play yet also so clearly a Polanski film. It’s harrowing, visceral, and frightening, like all his best work."

"I want to go into another movie that I gotta bring up. The Pianist with Adrien Brody, Roman Polanski, the whole thing. Now, I don’t endorse his moral behaviors, but I have to say man, that movie… What he did with that character put me there, and I had never been there. Literally, I’m in the theater, and dude, I’m crying, I’m like, “Yo, this is crazy!” I go by emotional moments; if I walk out of the theater and I’m actually changed, you know what I mean? You know, you see the world in a different way. That’s the power of movies, to me. Like, when you go in and you saw the world one way, but when you walk out, I’m like, “I saw the world in a whole different way.” And Adrien Brody’s performance really taught me what an actor should do and should be. He gave everything he had. It was an awesome performance, an awesome movie, and I would just encourage everybody to see that one. That’s one of my favorite movies of all time. I bought that sucker; I got it on Blu-Ray, you know? [laughs]"