"“I get what Bryan Ferry is trying to do – experimenting in a bizarre world and then couching what he finds in the style and language of the hunting set. It’s an exotic, intriguing concept and he’s the only one doing it. “This song [about a love affair with a blow-up doll] reveals a corner of your psyche that not many people would like to admit exists: that the mind wanders into dark places and the body follows. It’s a romantic delusion and it’s fascinating material for a song."

"I get what Bryan Ferry is trying to do – experimenting in a bizarre world and then couching what he finds in the style and language of the hunting set. It's an exotic, intriguing concept and he's the only one doing it. This song [about a love affair with a blow-up doll] reveals a corner of your psyche that not many people would like to admit exists: that the mind wanders into dark places and the body follows. It's a romantic delusion and it's fascinating material for a song."

"That’s a film that, for me, that’s one that, even more than Annie Hall, is like an I-know-every-word kind of movie, you know, that I just can’t get over. It’s very comforting to me. It’s one of those comfort films. And it’s also really funny. And it’s one of those movies like… All the things about these romantic comedies and relationship movies or whatever, they don’t even make them like that any more, you know? Except for independent film. Independent film sometimes does, but you don’t really see them."

"I find Air to be more of a love band than a sex band. Romantic, not seductive… for before it gets dirty. Sonically it's very warm sounding, very inviting. The drums have this 70s muffled drum tone, nothing is brash or abrasive, all the songs roll, they come in waves. I liked Air before this, I came across them through the Virgin Suicides soundtrack, which had the song Playground Love, another saxophone one that I love. But the Talkie Walkie record is another of those where I like the whole thing, no skipping."

"Another example of magnificent filmmaking, wherein the performances of Charles Boyer, Danielle Darrieux, and Vittorio De Sica and the direction of Max Ophuls are so perfect that it almost stands alone in a category of romantic European filmmaking. Ophuls’s great fame rests mostly on the extraordinary directorial control he brings to this special film. It seems the most quintessential French film ever made, based on a story by the French Louise de Vilmorin, but it was directed by the German Ophuls. Americans, sensibly enough, never really tried to do this kind of film."

"“I loved the drama of this exploration into the mechanism of smell, itself wrapped inside the romantic tale of a curmudgeonly scientist obsessed with his own exquisitely refined appreciation of perfume. This book gives a behind-the-scenes look into the world of manufactured scent: the history, the most prized essences, the sterile labs, the villainy, the exotic extracts, the big retail business—and the pure joy of olfactory response in customers who can recall major events in their life by inhaling a whiff of the cologne they wore at the time."