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Gareth von Kallenbach (980 KP) rated Crazy Rich Asians (2018) in Movies
Jul 2, 2019
Crazy Rich Asians, Kevin Kwan’s romantic comedy has been delivered to the theaters with all of the glamour and glitz portrayed in the bestselling novel. This film features an all Asian Cast, a rarity, since the last American studio film to feature that was Joy Luck Club 25 years ago. This movie marks the first time Asians are cast as leads in a romantic comedy.
Rachel Chu’s (Constance Wu) journey to meet her boyfriend Nick Young’s (Henry Golding) family could be a bit of a fish out of water tale. Rachel is the daughter of a Chinese single mother who immigrated to America. Being an economics professor at NYU, is pretty prestigious accomplishment and Rachel loves what she does. She has been seeing Nick for over a year. He has his best friend’s wedding in Singapore and suggests that Rachel comes along to meet his friends and family.
Nick is from a well off family, a subject that he had never mentioned before. The first thing that tips her off is the treatment that they receive on the plane. When Rachel finds out that his family is well off, it does not change their relationship. However, she still does not realize how extensive the family finances are and is definitely not aware of the social status of the Youngs.
Singapore in all of its crisp and elegant beauty is a character in itself. We are taken to the many sites on the island as it is shown to Rachel. From the moment the couple arrive, they are met at the airport by Colin Khoo (Chris Pang), Nick’s best friend the groom and Araminta Lee (Sonoya Mizuno) the bride. They are taken to one of the Hawker’s Centre full of stalls, each specializing in a handful of dishes, some with a Michelin Star. We see an incredible smorgasbord in a quick cut of food porn. Nothing in Rachel’s first taste of town indicates the opulence that is to come.
Rachel goes to see Piek Goh(Awkwafina), her roommate during college. The Goh family is “new wealth” and we see the gilded display throughout to the point of excess. We meet Piek’s parents , Neenah (Chieng Mun Koh) and Wye Mun (Ken Jeong, bringing his brand of weird, creepy and awkward as Piek’s dad). The Gohs welcome Rachel with such warmth and treats her like family. This is where she learns how affluent and respected the Young’s are in Singapore. Piek takes it upon herself to provide her best friend with a fabulous suit of armor and education in order to survive the introduction to the world of the Youngs.
Meeting the Youngs is comparable to being introduced to the Royal Family of Singapore and Rachel was not aware of the social graces that are expected in the circles of the crazy rich. You can see that she is not accustomed to the superabundance that she is witnesses and is a little overwhelmed in trying to adapt. As Nick introduces her to his mother Eleanor (Michelle Yeoh), Rachel immediately gleams that his mother does not like her. Thus begins the power play between them. Eleanor doesn’t think that Rachel is an appropriate candidate to be the future Mrs. Young and Rachel wants to be accepted as she is and now feels the need to prove that she is good enough for Nick.
The only member of Nick’s family that Rachel has met is Astrid Young Teo (Gemma Chan) his cousin. If Eleanor is the Queen, then Astrid is the princess. She doesn’t walk, she glides. The societal cognoscenti hold her in high esteem. The women want to have her style and the men want to have her. With all the grace and beauty, she reigns in the land of the crazy rich. Rachel liked her some much that she says Astrid is who she wants to be when she grows up. Those who think that her life golden, is unaware that she has her own problems.
We are introduced to the wedding party and the extensive lavishness of the super rich of Asia. It may seem ridiculous and an exaggeration, but the lifestyle of the crazy rich and Asian is based on reality. As Rachel carefully steps through the social landmines that have appeared, she becomes more confident in her own ability and recognizes the game and how to play it.
I thoroughly enjoyed this movie, I wanted to see it again to catch all the things that I did not soak in from the first viewing. The story has a great balance of comedy and drama with Ken Jeong and Awkwafina gifting us with hilarious one liners and Constance Wu playing the confident woman learning how to find her footing. Henry Golding does exceptionally well on his first ever feature film, playing the man who has found love outside of the world of the Crazy Rich Asians.
This is an excellent romantic comedy that is served on a golden platter. Jon M. Chu has delivered a wonderfully delicious story that deserve to be watched over and over again. If you are a fan of the romantic comedy genre, take the time with this gem of a movie.
Rachel Chu’s (Constance Wu) journey to meet her boyfriend Nick Young’s (Henry Golding) family could be a bit of a fish out of water tale. Rachel is the daughter of a Chinese single mother who immigrated to America. Being an economics professor at NYU, is pretty prestigious accomplishment and Rachel loves what she does. She has been seeing Nick for over a year. He has his best friend’s wedding in Singapore and suggests that Rachel comes along to meet his friends and family.
Nick is from a well off family, a subject that he had never mentioned before. The first thing that tips her off is the treatment that they receive on the plane. When Rachel finds out that his family is well off, it does not change their relationship. However, she still does not realize how extensive the family finances are and is definitely not aware of the social status of the Youngs.
Singapore in all of its crisp and elegant beauty is a character in itself. We are taken to the many sites on the island as it is shown to Rachel. From the moment the couple arrive, they are met at the airport by Colin Khoo (Chris Pang), Nick’s best friend the groom and Araminta Lee (Sonoya Mizuno) the bride. They are taken to one of the Hawker’s Centre full of stalls, each specializing in a handful of dishes, some with a Michelin Star. We see an incredible smorgasbord in a quick cut of food porn. Nothing in Rachel’s first taste of town indicates the opulence that is to come.
Rachel goes to see Piek Goh(Awkwafina), her roommate during college. The Goh family is “new wealth” and we see the gilded display throughout to the point of excess. We meet Piek’s parents , Neenah (Chieng Mun Koh) and Wye Mun (Ken Jeong, bringing his brand of weird, creepy and awkward as Piek’s dad). The Gohs welcome Rachel with such warmth and treats her like family. This is where she learns how affluent and respected the Young’s are in Singapore. Piek takes it upon herself to provide her best friend with a fabulous suit of armor and education in order to survive the introduction to the world of the Youngs.
Meeting the Youngs is comparable to being introduced to the Royal Family of Singapore and Rachel was not aware of the social graces that are expected in the circles of the crazy rich. You can see that she is not accustomed to the superabundance that she is witnesses and is a little overwhelmed in trying to adapt. As Nick introduces her to his mother Eleanor (Michelle Yeoh), Rachel immediately gleams that his mother does not like her. Thus begins the power play between them. Eleanor doesn’t think that Rachel is an appropriate candidate to be the future Mrs. Young and Rachel wants to be accepted as she is and now feels the need to prove that she is good enough for Nick.
The only member of Nick’s family that Rachel has met is Astrid Young Teo (Gemma Chan) his cousin. If Eleanor is the Queen, then Astrid is the princess. She doesn’t walk, she glides. The societal cognoscenti hold her in high esteem. The women want to have her style and the men want to have her. With all the grace and beauty, she reigns in the land of the crazy rich. Rachel liked her some much that she says Astrid is who she wants to be when she grows up. Those who think that her life golden, is unaware that she has her own problems.
We are introduced to the wedding party and the extensive lavishness of the super rich of Asia. It may seem ridiculous and an exaggeration, but the lifestyle of the crazy rich and Asian is based on reality. As Rachel carefully steps through the social landmines that have appeared, she becomes more confident in her own ability and recognizes the game and how to play it.
I thoroughly enjoyed this movie, I wanted to see it again to catch all the things that I did not soak in from the first viewing. The story has a great balance of comedy and drama with Ken Jeong and Awkwafina gifting us with hilarious one liners and Constance Wu playing the confident woman learning how to find her footing. Henry Golding does exceptionally well on his first ever feature film, playing the man who has found love outside of the world of the Crazy Rich Asians.
This is an excellent romantic comedy that is served on a golden platter. Jon M. Chu has delivered a wonderfully delicious story that deserve to be watched over and over again. If you are a fan of the romantic comedy genre, take the time with this gem of a movie.
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Phillip McSween (751 KP) rated Risky Business (1983) in Movies
Apr 8, 2018
Solid 80's Romantic Comedy
Things get crazy for Joel Goodson (Tom Cruise) when his parents leave for the weekend and a call girl shows up at his door. A quiet weekend alone turns into one full of sex, drugs, and...pimps named Guido?
Acting: 10
Before Tom cruise commanded the screen with a number of memorable action and sci-fi films, he played the role of a young high school kid completely unsure of himself. His innocent charm is instantly likable. He's vulnerable, but not in an annoying kind of way. Amazing performance, not just from Cruise but from the supporting cast as well.
Beginning: 10
Characters: 10
I love when characters aren't the same people they started out as in the film. Character development can be hard to manage in film because you have such a short window of time to pull it off successfully. I respected and appreciated the development of Joel and Lana (Rebecca De Mornay). Joel goes from being a kid who can't tell if he's coming or going to a confident kid that acts older than his age. Hiding underneath his new exterior is a boy that's still scared to death as his life's stakes are now realer than ever. Lana enters the film cold and removed from her situation and leaves with a warmer heart and more of a vulnerable side. It's refreshing watching these characters mature right in front of you.
Cinematography/Visuals: 10
Tom Cruise sliding across the floor in just a button down and socks. That slow motion wind-filled moment where we meet Lana for the first time. The L train scene. These are just a handful of moments that define this film and make it a memorable experience. Director Paul Brickman captures these shots just right to create a lasting impression.
Conflict: 6
The full conflict of the film doesn't really present itself until you're over halfway done with the film. Up to that point Risky Business feels like more of an aimless adventure. A good time without any stakes involved.
Genre: 7
Very original romantic comedy that is unique in its premise. It has a solid realistic feel in the way the characters think and react. Joel knows he needs to stay away from Lana, yet he can't help himself in being drawn to her. If Forgetting Sarah Marshall is one of my pinnacles for rom-coms, Risky Business is certainly in the wheelhouse.
Memorability: 8
Pace: 7
Plot: 7
Resolution: 4
Overall: 79
It's a film I will watch anytime I see it's on. While it didn't rewrite the history of cinema, Risky Business manages to hold its own as a good watch, even if the ending was a little underwhelming.
Acting: 10
Before Tom cruise commanded the screen with a number of memorable action and sci-fi films, he played the role of a young high school kid completely unsure of himself. His innocent charm is instantly likable. He's vulnerable, but not in an annoying kind of way. Amazing performance, not just from Cruise but from the supporting cast as well.
Beginning: 10
Characters: 10
I love when characters aren't the same people they started out as in the film. Character development can be hard to manage in film because you have such a short window of time to pull it off successfully. I respected and appreciated the development of Joel and Lana (Rebecca De Mornay). Joel goes from being a kid who can't tell if he's coming or going to a confident kid that acts older than his age. Hiding underneath his new exterior is a boy that's still scared to death as his life's stakes are now realer than ever. Lana enters the film cold and removed from her situation and leaves with a warmer heart and more of a vulnerable side. It's refreshing watching these characters mature right in front of you.
Cinematography/Visuals: 10
Tom Cruise sliding across the floor in just a button down and socks. That slow motion wind-filled moment where we meet Lana for the first time. The L train scene. These are just a handful of moments that define this film and make it a memorable experience. Director Paul Brickman captures these shots just right to create a lasting impression.
Conflict: 6
The full conflict of the film doesn't really present itself until you're over halfway done with the film. Up to that point Risky Business feels like more of an aimless adventure. A good time without any stakes involved.
Genre: 7
Very original romantic comedy that is unique in its premise. It has a solid realistic feel in the way the characters think and react. Joel knows he needs to stay away from Lana, yet he can't help himself in being drawn to her. If Forgetting Sarah Marshall is one of my pinnacles for rom-coms, Risky Business is certainly in the wheelhouse.
Memorability: 8
Pace: 7
Plot: 7
Resolution: 4
Overall: 79
It's a film I will watch anytime I see it's on. While it didn't rewrite the history of cinema, Risky Business manages to hold its own as a good watch, even if the ending was a little underwhelming.
Gareth von Kallenbach (980 KP) rated Fifty Shades Freed (2018) in Movies
Jun 19, 2019
The third and final entry in the “Fifty Shades” series has arrived with the release of “fifty Shades Freed”. The story opens with the wedding of Anastasia (Dakota Johnson), and Christian (Jamie Dornan), and follows their honeymoon in the lavish locales of France.
There getaway is cut short by an act of sabotage at Christian’s company and it soon becomes clear that a person from their past has taken things to a dangerous level which requires Christian to implement security measures for Anastasia and their extended family.
In between the intrigue presented by the threat, we also have numerous scenes of nudity and eroticism as Christian is not going to give up his dominating needs anytime soon.
Combine this with a new revelation that threatens to disrupt the crafted and controlled world he has created for himself and Anastasia; the tensions rise between them making a dangerous and stress-filled situation even more complicated.
While the film does have a better plot and is more engaging than the previous films in the series it is hampered by many of the same issues that hindered the series. The two leads have zero chemistry with one another and their supposedly highly erotic scenes are so routine and by the numbers they lack any form of excitement or real titillation. The film also has this message that behavior that would be considered highly unacceptable in others seems to get a pass for Christian as he is a handsome billionaire. He is a very selfish and controlling individual who demands obedience. While Anastasia does have a strong enough character to stand up to him, she tolerates behavior that would be considered unacceptable by many and seems very quick to give him a pass when lavish gifts and trips are bestowed upon her. I wonder how romantic and acceptable his behavior would be if he was a struggling musician who did not have the financial resources to create fantasies and buy his apologies. I know the film is supposed to be romantic fantasy but this really annoys me as he exhibits much of the behavior that is considered unacceptable and to be avoided at all costs, yet it is all wrapped up in a sweet bow of forgiveness.
That aside the series does seem to be losing steam as the last film earned less than the original film and “Fifty Shades Freed” is tracking to open well below the last film as well. Fans of the series will likely enjoy it as a satisfying finale, but I really expected more from the final moments of the series as after following the characters, the ending seemed very anti-climactic.
http://sknr.net/2018/02/08/fifty-shades-freed/
There getaway is cut short by an act of sabotage at Christian’s company and it soon becomes clear that a person from their past has taken things to a dangerous level which requires Christian to implement security measures for Anastasia and their extended family.
In between the intrigue presented by the threat, we also have numerous scenes of nudity and eroticism as Christian is not going to give up his dominating needs anytime soon.
Combine this with a new revelation that threatens to disrupt the crafted and controlled world he has created for himself and Anastasia; the tensions rise between them making a dangerous and stress-filled situation even more complicated.
While the film does have a better plot and is more engaging than the previous films in the series it is hampered by many of the same issues that hindered the series. The two leads have zero chemistry with one another and their supposedly highly erotic scenes are so routine and by the numbers they lack any form of excitement or real titillation. The film also has this message that behavior that would be considered highly unacceptable in others seems to get a pass for Christian as he is a handsome billionaire. He is a very selfish and controlling individual who demands obedience. While Anastasia does have a strong enough character to stand up to him, she tolerates behavior that would be considered unacceptable by many and seems very quick to give him a pass when lavish gifts and trips are bestowed upon her. I wonder how romantic and acceptable his behavior would be if he was a struggling musician who did not have the financial resources to create fantasies and buy his apologies. I know the film is supposed to be romantic fantasy but this really annoys me as he exhibits much of the behavior that is considered unacceptable and to be avoided at all costs, yet it is all wrapped up in a sweet bow of forgiveness.
That aside the series does seem to be losing steam as the last film earned less than the original film and “Fifty Shades Freed” is tracking to open well below the last film as well. Fans of the series will likely enjoy it as a satisfying finale, but I really expected more from the final moments of the series as after following the characters, the ending seemed very anti-climactic.
http://sknr.net/2018/02/08/fifty-shades-freed/
Kristy H (1252 KP) rated Playing the Palace in Books
Jul 29, 2021
Funny and sweet romantic comedy
Carter Ogden fantasized about the Prince of England growing up--who didn't? Openly gay Prince Edgar is handsome and easy to adore. When Carter meets Edgar through a work event, sparks fly. Before he knows it, it seems like the two are dating. But their relationship receives intense media scrutiny--and the disapproval of the Queen of England. Can they find a happily ever after when it seems like everything--and everyone--are against them?
"He was destined to become the king of England, and I was a nice Jewish boy from New Jersey; we both knew what we were supposed to be doing, but we were fighting it. When it came to emotional stability, neither of us had a prayer."
This is a cute and funny story overall. We have Carter, who is reeling from a breakup and does not feel worthy of love and then Edgar, who is scared to trust. It's not easy to be in a relationship when you're the Prince of England. As Edgar states, he's "a symbol and an institution." The two meet at the United Nations and there's definitely some insta-chemistry, but they are also pretty sweet together. You can't help but root for this pair.
"Because ever since I can remember, there's been only one unthinkable sin, and that was disgracing my family and my country, in any way. I was being held to a different standard, which I agreed with. I had one job: to represent the royal household and to make England proud, and I was a calamity."
The book is a little ping pong-ish in its highs and lows. Everything is good... and then it's not. Rinse and repeat. At times, it seems a little insane that Edgar and his family cannot trust Carter, yet you can understand how utterly crazy and invasive the British media is--we see it all the time. I would have liked to see the two communicate a bit more, but new relationships are hard.
The cast of characters in PALACE are wonderful--completely engaging. Carter's family and friends are adorable, especially his sister and aunt Miriam. They make you laugh and cry. There's an excellent vomiting scene with poor Carter that will have you cringing and chuckling. Parts of this story are just plain hilarious. But it's also serious in its look at finding love after loss, insight into homophobia, and seeking acceptance for yourself and your partner, no matter what kind of relationship you may be in.
Overall, this is a fast and fluffy romantic read that also offers a good take on acceptance. 3.5 stars.
"He was destined to become the king of England, and I was a nice Jewish boy from New Jersey; we both knew what we were supposed to be doing, but we were fighting it. When it came to emotional stability, neither of us had a prayer."
This is a cute and funny story overall. We have Carter, who is reeling from a breakup and does not feel worthy of love and then Edgar, who is scared to trust. It's not easy to be in a relationship when you're the Prince of England. As Edgar states, he's "a symbol and an institution." The two meet at the United Nations and there's definitely some insta-chemistry, but they are also pretty sweet together. You can't help but root for this pair.
"Because ever since I can remember, there's been only one unthinkable sin, and that was disgracing my family and my country, in any way. I was being held to a different standard, which I agreed with. I had one job: to represent the royal household and to make England proud, and I was a calamity."
The book is a little ping pong-ish in its highs and lows. Everything is good... and then it's not. Rinse and repeat. At times, it seems a little insane that Edgar and his family cannot trust Carter, yet you can understand how utterly crazy and invasive the British media is--we see it all the time. I would have liked to see the two communicate a bit more, but new relationships are hard.
The cast of characters in PALACE are wonderful--completely engaging. Carter's family and friends are adorable, especially his sister and aunt Miriam. They make you laugh and cry. There's an excellent vomiting scene with poor Carter that will have you cringing and chuckling. Parts of this story are just plain hilarious. But it's also serious in its look at finding love after loss, insight into homophobia, and seeking acceptance for yourself and your partner, no matter what kind of relationship you may be in.
Overall, this is a fast and fluffy romantic read that also offers a good take on acceptance. 3.5 stars.
Kristy H (1252 KP) rated You Have a Match in Books
Jan 28, 2021
Abby only signs up for a DNA test to help her friend (and secret crush) Leo. But when the results come back, it's not Leo who gets a surprise, it's Abby. Apparently, she has an older sister. And not a half sister, but a full-fledged sister. A sister who just happens to be beautiful, polished, Instagram star, Savannah "Savvy" Tully, who is only a year and half older than Abby. Neither Abby or Savvy can figure out how this happened, so they hatch a plan. They'll both attend summer camp at Camp Reynolds, where they can learn more about their parents and each other. But they quickly learn that they are very different: Savvy is a rule follower who is addicted to her Instagram and follower count. Abby is more go-with-the-flow. And, of course, there's Leo, who turns up at the same camp. How on earth will Abby negotiate her newfound sister, her secret crush--oh, and the fact that her parents will soon realize she lied about going to camp?
"Normal isn't having a big, stupid, ridiculous crush on one of my best friends, especially when he most certainly doesn't have one on me."
So, this is a good book, but I have to admit that I was disappointed because it wasn't the same as TWEET CUTE. I absolutely loved that YA romance, and while this is an interesting read, it just didn't have the romantic twang of TWEET CUTE. It's probably not fair to compare the two, but I couldn't help it. MATCH focuses less on romantic chemistry and more on Abby finding her way/coming of age and meeting Savvy, her "new" sister.
I actually liked the sister piece overall. The DNA twist is different (rarely do we get full siblings!) and there's also a nice LGBTQIA relationship thrown in. But, I never felt like Abby and Leo's relationship fully gelled. It just didn't feel as fun and flirty as I wanted. And, much of the book's plot is propelled by misunderstandings. At some point, it got to be too much: if some characters had just spoken up, so much could have been avoided! There's so much going on--the sister aspect, romance, secrets, etc. At times, it feels like the plot is struggling to contain them all.
Still, there's a lot to enjoy about this story. Don't get me wrong at all. The camp setting is a lot of fun, and Abby and Savvy are both great characters. Watching Abby develop is rewarding, and there are plenty of humorous and tender scenes as the sisters get to know each other. Even though MATCH didn't meet my TWEET CUTE expectations, it's an enjoyable read. (I judge romances on whether I'll get a copy for my SIL and this one passes the test.) 3.5 stars.
"Normal isn't having a big, stupid, ridiculous crush on one of my best friends, especially when he most certainly doesn't have one on me."
So, this is a good book, but I have to admit that I was disappointed because it wasn't the same as TWEET CUTE. I absolutely loved that YA romance, and while this is an interesting read, it just didn't have the romantic twang of TWEET CUTE. It's probably not fair to compare the two, but I couldn't help it. MATCH focuses less on romantic chemistry and more on Abby finding her way/coming of age and meeting Savvy, her "new" sister.
I actually liked the sister piece overall. The DNA twist is different (rarely do we get full siblings!) and there's also a nice LGBTQIA relationship thrown in. But, I never felt like Abby and Leo's relationship fully gelled. It just didn't feel as fun and flirty as I wanted. And, much of the book's plot is propelled by misunderstandings. At some point, it got to be too much: if some characters had just spoken up, so much could have been avoided! There's so much going on--the sister aspect, romance, secrets, etc. At times, it feels like the plot is struggling to contain them all.
Still, there's a lot to enjoy about this story. Don't get me wrong at all. The camp setting is a lot of fun, and Abby and Savvy are both great characters. Watching Abby develop is rewarding, and there are plenty of humorous and tender scenes as the sisters get to know each other. Even though MATCH didn't meet my TWEET CUTE expectations, it's an enjoyable read. (I judge romances on whether I'll get a copy for my SIL and this one passes the test.) 3.5 stars.
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Merissa (13382 KP) rated Need You Now (Love's Paradise Series #1) in Books
Nov 10, 2017
Need You Now (Love's Paradise Series #1) by Dei Araujo
Need You Now is a romantic suspense story that involves the kidnapping of a child. The story moves along smoothly enough, and I really enjoyed the moments with Keyon. I have to say that the male characters in this book had a better depth and believability (yes, I know that's not a real word!) than the females one did. Amaranth had her moments, but she would insist on ignoring the advice/warnings of the professional, and rush headlong into danger. And Cassia was a one-dimensional character who didn't do much to the story and quickly disappeared from working with Nick to being with Roberto.
The story was a good one, and like I said, Keyon stole every scene he was in. The pacing was smooth, and there were no editing or grammatical errors that disrupted my reading flow. With an easy-going writing style, this is a book to read if you don't want anything too deep, but will keep you turning the pages. I did enjoy it, and would read more by this author.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
The story was a good one, and like I said, Keyon stole every scene he was in. The pacing was smooth, and there were no editing or grammatical errors that disrupted my reading flow. With an easy-going writing style, this is a book to read if you don't want anything too deep, but will keep you turning the pages. I did enjoy it, and would read more by this author.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Sheridan (209 KP) rated Mass Effect: Andromeda in Video Games
Jul 19, 2017
A Perfect Continuation of the Mass Effect Series
I could seriously gush like a fan-girl about this game for hours, so I'll try to keep it brief :p The graphics are astounding, the storyline is a work of art and the characters are really awesome. There are tons of side missions to keep you busy after you finish the main story line, all aspects are really fantastic, the game mechanics are great, shooting, jumping, running, driving, it's all aces. You can be any type of Ryder you like, romantic, logical, casual, professional, or a mix of all. Romances for both male and female Ryder are good, probably the best (or my favourites at least) are Jaal and Vetra. The downside are the romance cut scenes. You can tell Bioware put more effort into some and others not so much (particularly Cora, Jaal and Peebee had the best romance scenes). Disappointments? Not many. The romance scene for Vetra was bs, I was really pissed that they didn't put much effort into it. Also, three characters I fell in love with but couldn't romance, Evfra, Kandros, and Drack. So Bioware, if ya'll are listening, give me my Krogan romance damnit! The biggest disappointment? That the game had to end. I LOVED it! Can't wait for the DLC!
Sarah (7800 KP) rated Dunkirk (2017) in Movies
Aug 1, 2017
Brilliant & Very Intense
I have to start off by admitting that Nolan is my favourite director, and although this film is quite different to his previous ones, I'm pleased to say I still loved it.
Visually spectacular, it was so nice to see real effects for a change as opposed to cgi. Story wise it was also refreshing to see a war film not bogged down with erroneous subplots and romantic side stories. Nolan just jumps straight in to the action & carries on throughout, with an impressive run time of less than 2 hours. Some great casting here, although I feel like Tom Hardy could've been given more to do. Even Harry Styles was well cast & I was expecting him to be awful! Hans Zimmer does his usual great job on the score, building up a lot of tension. Nolan also does a fantastic job making the film quite harrowing without feeling the need to go ridiculously violent and gory. And there are also a few typical Nolan plot movements thrown in which made it slightly more than your average war film.
My only negative would be that a little bit of backstory might have been nice, as I personally don't know a lot about the lead up to Dunkirk, and that could've helped the ignorant like me!
Visually spectacular, it was so nice to see real effects for a change as opposed to cgi. Story wise it was also refreshing to see a war film not bogged down with erroneous subplots and romantic side stories. Nolan just jumps straight in to the action & carries on throughout, with an impressive run time of less than 2 hours. Some great casting here, although I feel like Tom Hardy could've been given more to do. Even Harry Styles was well cast & I was expecting him to be awful! Hans Zimmer does his usual great job on the score, building up a lot of tension. Nolan also does a fantastic job making the film quite harrowing without feeling the need to go ridiculously violent and gory. And there are also a few typical Nolan plot movements thrown in which made it slightly more than your average war film.
My only negative would be that a little bit of backstory might have been nice, as I personally don't know a lot about the lead up to Dunkirk, and that could've helped the ignorant like me!