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justmissash (21 KP) rated The Nightingale in Books
Jun 23, 2019
I had never heard of Kristin Hannah before, but will be looking for other books by her. Her writing is seamless and vivid and realistic. The Nightingale is a wonderful story of two sisters, far apart in body and mind, but still connected. They lose their mother and then experience the abandonment of their father. Both women are torn, but in their own way. The story takes place in France, in a small village until the women who realize they need something different, separate, with one sister in Paris and the other in the country, during WWII. The story is a bit dramatic, but I think it is fitting. Their feelings and emotions and experiences are so real and authentic. It is definitely an emotionally engaging read. Not only is the characters so vivid but it combines their story with an accuracy of the world history around them during that period and is interesting for people like myself, who are history buffs. Both women learn to live and learn to love. It is romantic and not just in a sexually intimate way. This story is complex, passionate, engaging and captivating and will make you think and feel along with them.
I received this book for free from SheSpeaks as part of the book club program, but the above review is based on my own opinions and thoughts.
I received this book for free from SheSpeaks as part of the book club program, but the above review is based on my own opinions and thoughts.
JT (287 KP) rated Rim of the World (2019) in Movies
Mar 10, 2020
Given the success of Stranger Things it would seem that the mismatched relationship of a group of adolescent teens would make for great viewing. The format has had plenty of success in the past, think The Goonies and Lost Boys, but here it just seems tiresome and flat.
Teens at a summer camp get caught up in an alien invasion which leaves them with the option – whether to save the world or not – they do of course. And so begins a quest to through California to deliver an important piece of information that holds the key to defeating the alien race. Director McG really doesn’t have a grip on this one, relying on toilet humour and a pointless romantic sub plot to carry the film through to its final conclusion.
Makes me want to have kids just so I can insist they don’t watch this
Where the above mentioned films had a real sense of 80s nostalgia and a group of kids who you genuinely had an interest in, Rim of the World feels like an interlude to the next big retro throwback. Picking four stereotypes which pretty much cover off the socially inept and outcast, is almost annoying. Poor jokes and not very good special effects does little to elevate it to a Netflix success.
Teens at a summer camp get caught up in an alien invasion which leaves them with the option – whether to save the world or not – they do of course. And so begins a quest to through California to deliver an important piece of information that holds the key to defeating the alien race. Director McG really doesn’t have a grip on this one, relying on toilet humour and a pointless romantic sub plot to carry the film through to its final conclusion.
Makes me want to have kids just so I can insist they don’t watch this
Where the above mentioned films had a real sense of 80s nostalgia and a group of kids who you genuinely had an interest in, Rim of the World feels like an interlude to the next big retro throwback. Picking four stereotypes which pretty much cover off the socially inept and outcast, is almost annoying. Poor jokes and not very good special effects does little to elevate it to a Netflix success.
Gareth von Kallenbach (980 KP) rated The Five-Year Engagement (2012) in Movies
Aug 7, 2019
Based upon my past experiences with Judd Apatow movies, I knew what I was in for: witty banter, great “one-liners”, and lots of “oh dear god” moments. And, as with all of Apatow’s movies, I wasn’t disappointed.
The movie follows the love story of Tom (Jason Segel) and Violet (Emily Blunt). Tom is your typical Jewish geeky guy while Violet is your educated British ideal. Both meet at a New Year’s Eve party dressed as their respective made-up superheros and an unlikely romance blossoms forth. Where the movie set forth with the sweet set up of their engagement, from there it follows an utterly unique and random path. For one reason or another, their wedding is postponed and delayed. Family deaths ensue, hunting escapes and knitted sweaters happen, toes are lost, but, as with all romantic-comedies, the happy ending prevails.
Segel and Chris Pratt provide for excellent witty banter and dramatics while Blunt and Alison Brie make for a fantastic sisterly pair. Regardless if you cry from the cheesy sweetness of it all or from the hilarity of Segel’s antics, this movie provides for great entertainment all around.
I give it 4 out of 5 stars and yes, I will be using many of the movie’s quotes as part of my daily repertoire.
The movie follows the love story of Tom (Jason Segel) and Violet (Emily Blunt). Tom is your typical Jewish geeky guy while Violet is your educated British ideal. Both meet at a New Year’s Eve party dressed as their respective made-up superheros and an unlikely romance blossoms forth. Where the movie set forth with the sweet set up of their engagement, from there it follows an utterly unique and random path. For one reason or another, their wedding is postponed and delayed. Family deaths ensue, hunting escapes and knitted sweaters happen, toes are lost, but, as with all romantic-comedies, the happy ending prevails.
Segel and Chris Pratt provide for excellent witty banter and dramatics while Blunt and Alison Brie make for a fantastic sisterly pair. Regardless if you cry from the cheesy sweetness of it all or from the hilarity of Segel’s antics, this movie provides for great entertainment all around.
I give it 4 out of 5 stars and yes, I will be using many of the movie’s quotes as part of my daily repertoire.
Awix (3310 KP) rated Emma (2020) in Movies
Feb 21, 2020
It's customary for the makers of new Jane Austen adaptations to declare they've come up with a bold new approach to the material. This almost invariably turns out not to be the case (we end up with all the usual balls, carriages, and people swanking about in top hats and Empire-line dresses) and it would probably be a bad idea anyway: a large segment of the audience of Jane Austen movies turns up precisely because they know exactly what they're going to get (balls, carriages, etc) and would be upset if it wasn't there. This version of Emma should suit them very nicely.
The director is also a photographer which probably explains why the composition and look of the thing is so impeccable, but may also have something to do with why the story feels a little a bit flat and difficult to follow near the start (there are lots of characters to keep track of). Not what you'd actually call rip-snortingly funny or especially romantic, but the performances are decent. The most interesting creative choice is the use of traditional folk music at various points on the soundtrack (Johnny Flynn sings as well as acts), but its authenticity does feel rather at odds with the tone of the rest of the movie. Passes the time decently - people who like this sort of thing will probably like Emma, too.
The director is also a photographer which probably explains why the composition and look of the thing is so impeccable, but may also have something to do with why the story feels a little a bit flat and difficult to follow near the start (there are lots of characters to keep track of). Not what you'd actually call rip-snortingly funny or especially romantic, but the performances are decent. The most interesting creative choice is the use of traditional folk music at various points on the soundtrack (Johnny Flynn sings as well as acts), but its authenticity does feel rather at odds with the tone of the rest of the movie. Passes the time decently - people who like this sort of thing will probably like Emma, too.
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