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Haley Mathiot (9 KP) rated Beauvallet in Books
Apr 27, 2018
When Dona Dominica sets sail on the Santa Maria, she wonders if she will ever meet the infamous El Beauvallet, the English pirate with a reputation of being able to do anything because of witchcraft. But she does not expect her ship to be taken by him, Nor does she expect to be kidnapped by him and taken abord his ship the Venture.
Sir Nicholas Beauvallet captures Dominica and her father and proclaims that he will take them home to Spain, as Dominica has demanded. But falling head over heels in love with her was never part of his plan. In order to please her, he agrees to returning her to her country, but also announces that he will wed her before the year is up. How is Sir Nicholas supposed to come back to Spain to claim fair lady as his bride if all of Spain wants his head? The answer is easily—because Beauvallet can do anything, of course.
This was such a sweet story! I cannot think of words enough to describe how much I adored Beauvallet. The romance was fast-paced, the adventure was exciting, and the language was eloquent. I absolutely loved it. It was a pretty fast read and I read it in a few days. Georgette has many little surprises spread all through the story and tells amazing creative adventures of Beauvallet’s wits, fights, and escapes. It was a perfect blend of a sweeping romance and a gripping adventure.
The story is told in third-person omniscient, so you don’t always have all the details. It was a little hard to get inside the character’s heads at first, but once I learned who they were It was very easy to relate to them.
A wonderful thing about Beauvallet is that when El Beauvallet falls in love with Dominica, he does not claim her as his “love” or as his “mistress” or, in our culture, his “girlfriend,” he claims her as his bride. Which is really the most romantic aspect of it all.
The end was so sweet I won’t tell what happened but rest assured it was wonderful.
I loved this story so much! I have already run out to pick up more books by Georgette Heyer, I am officially a new fan! I cannot wait to read other books by her.
Content: Gloriously clean: no language, no sex.
Recommendation: Boys and girls (it’s such an adventure that boys would like it too!) Ages 13-Adult. It’s not aimed specifically to teens or young people, and would be perfect for an adult as well.
(Beauvallet was first published first in 1929. Reprint copyright to Sourcebooks: 2010)
~Haleyknitz
Sir Nicholas Beauvallet captures Dominica and her father and proclaims that he will take them home to Spain, as Dominica has demanded. But falling head over heels in love with her was never part of his plan. In order to please her, he agrees to returning her to her country, but also announces that he will wed her before the year is up. How is Sir Nicholas supposed to come back to Spain to claim fair lady as his bride if all of Spain wants his head? The answer is easily—because Beauvallet can do anything, of course.
This was such a sweet story! I cannot think of words enough to describe how much I adored Beauvallet. The romance was fast-paced, the adventure was exciting, and the language was eloquent. I absolutely loved it. It was a pretty fast read and I read it in a few days. Georgette has many little surprises spread all through the story and tells amazing creative adventures of Beauvallet’s wits, fights, and escapes. It was a perfect blend of a sweeping romance and a gripping adventure.
The story is told in third-person omniscient, so you don’t always have all the details. It was a little hard to get inside the character’s heads at first, but once I learned who they were It was very easy to relate to them.
A wonderful thing about Beauvallet is that when El Beauvallet falls in love with Dominica, he does not claim her as his “love” or as his “mistress” or, in our culture, his “girlfriend,” he claims her as his bride. Which is really the most romantic aspect of it all.
The end was so sweet I won’t tell what happened but rest assured it was wonderful.
I loved this story so much! I have already run out to pick up more books by Georgette Heyer, I am officially a new fan! I cannot wait to read other books by her.
Content: Gloriously clean: no language, no sex.
Recommendation: Boys and girls (it’s such an adventure that boys would like it too!) Ages 13-Adult. It’s not aimed specifically to teens or young people, and would be perfect for an adult as well.
(Beauvallet was first published first in 1929. Reprint copyright to Sourcebooks: 2010)
~Haleyknitz
Haley Mathiot (9 KP) rated Love You to Death in Books
Apr 27, 2018
Love you to Death by Shannon K. Butcher
Genre: Romantic Suspense
Rating: 2.5/5
Summary (from back of book):
It's been days since reporter Elise McBride has heard from her sister, Ashley. She's convinced Ashley has met with some kind of foul play, especially when she learns that bodies of other missing women have surfaced in and around Chicago--all victims of a brutal serial killer. Convinced her sister is still alive, Elise vows to risk everything to save her...
The last thing ex-cop Trent Brady needs is more blood on his hands. Yet when he catches Elise breaking into her sister's house, full of reckless determination and fear, he knows she needs his help. But just as desire ignites between them, a twisted madman sets his sights on Elise. Hell-bent on possessing her for himself, this psychopath won't rest until he has his perfect woman.
It’s hard for me to say where I sit for this book. There were some aspects of it that I liked (how do you spell Hottie? T-R-E-N-T.) and some that I didn’t (a lot of content.)
The plot wasn’t as mysterious as it could have been. I knew what the criminal was doing because when I read from his perspective, he told me. Also even at the end, there are some un-answered questions. They should have come up in the book and they didn’t.
This wasn’t a book that I was addicted to. I could only get through a few chapters at a time before having to put it down. The writing wasn’t anything special and the characters were just characters. They were realistic but not enough to make me really care about them. My favorite character was John, the ex-cop who was Trent’s partner. He just had so much character and personality. I think I would have enjoyed a book with him as the main character. Ashley and Elsie? Not so much.
On the good side, I liked the change in Elsie. In the beginning of the book she didn’t believe in true love, and laughed at the idea of marriage. She said it just didn’t work. She learned that that wasn’t true. I also liked that Trent was a marriage-minded man (There aren’t enough of those out there). But of course that didn’t stop their physical or sexual relationship any.
If you look at my sidebar at my rating system, you’ll see that this rating was the only one I could come up with. It wasn’t really worth reading, but I liked it enough to finish it.
Content: My opinion on the content is mentioned thought the review.
Recommendation: Ages 18+
Genre: Romantic Suspense
Rating: 2.5/5
Summary (from back of book):
It's been days since reporter Elise McBride has heard from her sister, Ashley. She's convinced Ashley has met with some kind of foul play, especially when she learns that bodies of other missing women have surfaced in and around Chicago--all victims of a brutal serial killer. Convinced her sister is still alive, Elise vows to risk everything to save her...
The last thing ex-cop Trent Brady needs is more blood on his hands. Yet when he catches Elise breaking into her sister's house, full of reckless determination and fear, he knows she needs his help. But just as desire ignites between them, a twisted madman sets his sights on Elise. Hell-bent on possessing her for himself, this psychopath won't rest until he has his perfect woman.
It’s hard for me to say where I sit for this book. There were some aspects of it that I liked (how do you spell Hottie? T-R-E-N-T.) and some that I didn’t (a lot of content.)
The plot wasn’t as mysterious as it could have been. I knew what the criminal was doing because when I read from his perspective, he told me. Also even at the end, there are some un-answered questions. They should have come up in the book and they didn’t.
This wasn’t a book that I was addicted to. I could only get through a few chapters at a time before having to put it down. The writing wasn’t anything special and the characters were just characters. They were realistic but not enough to make me really care about them. My favorite character was John, the ex-cop who was Trent’s partner. He just had so much character and personality. I think I would have enjoyed a book with him as the main character. Ashley and Elsie? Not so much.
On the good side, I liked the change in Elsie. In the beginning of the book she didn’t believe in true love, and laughed at the idea of marriage. She said it just didn’t work. She learned that that wasn’t true. I also liked that Trent was a marriage-minded man (There aren’t enough of those out there). But of course that didn’t stop their physical or sexual relationship any.
If you look at my sidebar at my rating system, you’ll see that this rating was the only one I could come up with. It wasn’t really worth reading, but I liked it enough to finish it.
Content: My opinion on the content is mentioned thought the review.
Recommendation: Ages 18+
Annie Chanse (15 KP) rated Wintersong in Books
May 25, 2018
It was okay.
Contains spoilers, click to show
[Warning: May contain spoilers]
I SOMEWHAT enjoyed this book. It is very much like "Labyrinth" meets "Beauty and the Beast." The premise is a bit too much like "Labyrinth" for me to be entirely comfortable calling this a "unique" book. Goblin King -- thin, blonde, mischievous Goblin King nonetheless -- comes to earth for a bride. A game ensues in which the stakes are as follows: the girl wins, she gets to take her sister and go home, leaving the Goblin King behind forever. The Goblin King wins, he gets to marry the girl. Sound familiar? Yeah. I thought it might.
I was a little turned off by this at first, but the author quickly adds in enough individuality to make the book her own and separate from the "Labyrinth." I don't want to give away any key plot points, so I am not going to go much further in the description of the book.
I will say, however, that the book is very prettily written, and that music is prominently featured throughout. Thankfully, the author writes music well, and it makes the book quite lovely to read, image-wise.
It is listed as a Young Adult fiction book, but I'd say that is not quite the right categorization for this book. The sex scenes are a little too descriptive for YA, and I worry about the poor librarian who is going to get chewed out because a religious mother catches her thirteen year old daughter reading it. Ha.
The plot was okay, if a little overdone, and the pacing was nice; it flowed well. There were no draggy bits, and nothing seemed too rushed. I'm not sure how I feel about the relationship between Liesl (the girl) and the Goblin King, which is, at times, very Beauty and the Beast and at other times, more Joker and Harley Quinn. :-/ I wouldn't say it was the healthiest of young marriages.
Still, overall, it is a solid 3.25-3.5 star book. I recommend it to lovers of romantic fantasy. Not ideal for hardcore fantasy geeks, though.
Oh, and also, if I see the word "entire" again, as in "I gave myself to him, entire" or "I am Elisabeth, entire" or "He finally gave himself to me, his body, his soul, his trust. Der Erlkonig, entire" one more time, I might punch someone. The author really needs to get over that little quirk. I would hate to see it repeated in the sequel, since she made use of it about ten bazillion times in the debut novel, and she has completely lost her right to EVER use the word "entire" again.
I SOMEWHAT enjoyed this book. It is very much like "Labyrinth" meets "Beauty and the Beast." The premise is a bit too much like "Labyrinth" for me to be entirely comfortable calling this a "unique" book. Goblin King -- thin, blonde, mischievous Goblin King nonetheless -- comes to earth for a bride. A game ensues in which the stakes are as follows: the girl wins, she gets to take her sister and go home, leaving the Goblin King behind forever. The Goblin King wins, he gets to marry the girl. Sound familiar? Yeah. I thought it might.
I was a little turned off by this at first, but the author quickly adds in enough individuality to make the book her own and separate from the "Labyrinth." I don't want to give away any key plot points, so I am not going to go much further in the description of the book.
I will say, however, that the book is very prettily written, and that music is prominently featured throughout. Thankfully, the author writes music well, and it makes the book quite lovely to read, image-wise.
It is listed as a Young Adult fiction book, but I'd say that is not quite the right categorization for this book. The sex scenes are a little too descriptive for YA, and I worry about the poor librarian who is going to get chewed out because a religious mother catches her thirteen year old daughter reading it. Ha.
The plot was okay, if a little overdone, and the pacing was nice; it flowed well. There were no draggy bits, and nothing seemed too rushed. I'm not sure how I feel about the relationship between Liesl (the girl) and the Goblin King, which is, at times, very Beauty and the Beast and at other times, more Joker and Harley Quinn. :-/ I wouldn't say it was the healthiest of young marriages.
Still, overall, it is a solid 3.25-3.5 star book. I recommend it to lovers of romantic fantasy. Not ideal for hardcore fantasy geeks, though.
Oh, and also, if I see the word "entire" again, as in "I gave myself to him, entire" or "I am Elisabeth, entire" or "He finally gave himself to me, his body, his soul, his trust. Der Erlkonig, entire" one more time, I might punch someone. The author really needs to get over that little quirk. I would hate to see it repeated in the sequel, since she made use of it about ten bazillion times in the debut novel, and she has completely lost her right to EVER use the word "entire" again.
Rachel King (13 KP) rated The Hunger Games in Books
Feb 11, 2019
Right away this book captures my attention with a quick introduction to Katniss's survival skills followed by the District 12 Hunger Games lottery, a grim holiday that nobody wants to celebrate, but is still mandatory. It does not take long for the reader to feel sympathetic towards Katniss and the hardship she struggles with everyday just to survive.
Every detail leading up to the actual event of the Hunger Games has a surreal feel, as Katniss is primped and paraded like a beauty pageant contestant, as if everyone is ignoring the fact that these are children, with all but one facing imminent death. This is reality television meets the ancient gladiator games of Rome, combined with the sick irony of using a nation's most precious commodity -- its children. As a mother of three, I can not even fathom living in a country that tolerated this year after year. These Hunger Games are the country's way of preventing rebellion in its citizens through fear, brainwashing, and desensitization, as it is mandatory for every citizen to watch. In some districts, this is so successful that children are routinely trained specifically for the Hunger Games, volunteering to face murder and death for a chance at fame and fortune.
The love triangle is obvious early on, though the conflict can't come into play until the second book in the series. Peeta is the one in the spotlight, the one that humanizes Katniss for the viewers and makes her likable due to his own romantic feelings for her. Unfortunately, Katniss is too busy staying alive to be certain of her true feelings, even though she can pretend well enough to convince even Peeta. Peeta is self-sacrificing, while Katniss is observant and resourceful. Katniss is able to avoid becoming a cold-hearted murderer only because of Peeta's presence.
Regarding the actual Game, those that run it operate to keep the entertainment value up, adding to the danger of the contestants still alive, handing out gifts to give one an edge over another, forcing contestants into battle to increase bloodshed and drama, and generally treating the twenty-four as actors and actresses in any other fictional television drama. What Katniss keeps returning to is how "normal" these people of the Capitol see of the deaths of these children. It occurred to me while reading this that it would be better to be one of those that died in the Games, rather than live with being the monster responsible for the deaths of twenty-three other children purely for the entertainment of the shallow and self-absorbed.
This book is both shocking and heart-rending, and I look forward to the next installment, Catching Fire.
Every detail leading up to the actual event of the Hunger Games has a surreal feel, as Katniss is primped and paraded like a beauty pageant contestant, as if everyone is ignoring the fact that these are children, with all but one facing imminent death. This is reality television meets the ancient gladiator games of Rome, combined with the sick irony of using a nation's most precious commodity -- its children. As a mother of three, I can not even fathom living in a country that tolerated this year after year. These Hunger Games are the country's way of preventing rebellion in its citizens through fear, brainwashing, and desensitization, as it is mandatory for every citizen to watch. In some districts, this is so successful that children are routinely trained specifically for the Hunger Games, volunteering to face murder and death for a chance at fame and fortune.
The love triangle is obvious early on, though the conflict can't come into play until the second book in the series. Peeta is the one in the spotlight, the one that humanizes Katniss for the viewers and makes her likable due to his own romantic feelings for her. Unfortunately, Katniss is too busy staying alive to be certain of her true feelings, even though she can pretend well enough to convince even Peeta. Peeta is self-sacrificing, while Katniss is observant and resourceful. Katniss is able to avoid becoming a cold-hearted murderer only because of Peeta's presence.
Regarding the actual Game, those that run it operate to keep the entertainment value up, adding to the danger of the contestants still alive, handing out gifts to give one an edge over another, forcing contestants into battle to increase bloodshed and drama, and generally treating the twenty-four as actors and actresses in any other fictional television drama. What Katniss keeps returning to is how "normal" these people of the Capitol see of the deaths of these children. It occurred to me while reading this that it would be better to be one of those that died in the Games, rather than live with being the monster responsible for the deaths of twenty-three other children purely for the entertainment of the shallow and self-absorbed.
This book is both shocking and heart-rending, and I look forward to the next installment, Catching Fire.
Rachel King (13 KP) rated Persuasion: A Latter-day Tale in Books
Feb 11, 2019
I said yes to reviewing this book because even though I have not yet read the Jane Austen classic that this book is based on, I was curious about the Mormon aspect of the book and how the author would modernize it. I know some about Mormon customs and traditions, but it was still interesting to read the book from the perspective of a practicing Mormon and see how this specific religious sect influenced the main character in her daily life.
I am sure other reviews will compare and contrast in detail this book with the original Persuasion, but I will write about this book from the perspective of someone who has not read Persuasion by Jane Austen, though I have read some of her other works and I am a fan.
The book as a whole was an enjoyable romantic read with a bit of suspense and drama thrown in to create conflict. While I was reading some of the situations, I did often wonder how Jane Austen would have written them were she still alive today, such as Lily's jellyfish sting or Anne's stalker. The use of modern technology, such as computers and cell phones, also contributed to the modernization quite obviously.
The characterization that Jamison employs closely resembles Austen's skill, with personality traits that translate across any era, such as the ones' whose main concern was about money and what it can buy. There were the females whose only concern was obtaining a husband, as well as the mother who had little regard for disciplining her children. Matchmakers also abounded and many of the characters were related - either by blood or marriage.
The Mormon influences are easy to pick out, such as Anne's avoidance of alcohol and caffeine, and sometimes these little changes did not blend well with the plot, likely because I did not always understand what the terminology referred to, such as references to a "Fireside." I believe the book would have benefited from more explanation of the Mormon practices woven into the background details.
Ironically, my favorite characters were not the main characters, Anne and Neil. I had more interest in the ones that seemed to have a smaller part, such as Jay, who lost his wife after only 8 months of marriage. Anne's character seemed to fall a bit flat, and even when she was supposed to be in a highly emotional state, such as when she gets angry at Will, I had a hard time believing it. I also would have liked more emotion from Neil, as he always seemed to be too cool and collected for the events that were unfolding.
I did enjoy the book, though, and any fan of Jane Austen would enjoy this modernized tale, as well.
I am sure other reviews will compare and contrast in detail this book with the original Persuasion, but I will write about this book from the perspective of someone who has not read Persuasion by Jane Austen, though I have read some of her other works and I am a fan.
The book as a whole was an enjoyable romantic read with a bit of suspense and drama thrown in to create conflict. While I was reading some of the situations, I did often wonder how Jane Austen would have written them were she still alive today, such as Lily's jellyfish sting or Anne's stalker. The use of modern technology, such as computers and cell phones, also contributed to the modernization quite obviously.
The characterization that Jamison employs closely resembles Austen's skill, with personality traits that translate across any era, such as the ones' whose main concern was about money and what it can buy. There were the females whose only concern was obtaining a husband, as well as the mother who had little regard for disciplining her children. Matchmakers also abounded and many of the characters were related - either by blood or marriage.
The Mormon influences are easy to pick out, such as Anne's avoidance of alcohol and caffeine, and sometimes these little changes did not blend well with the plot, likely because I did not always understand what the terminology referred to, such as references to a "Fireside." I believe the book would have benefited from more explanation of the Mormon practices woven into the background details.
Ironically, my favorite characters were not the main characters, Anne and Neil. I had more interest in the ones that seemed to have a smaller part, such as Jay, who lost his wife after only 8 months of marriage. Anne's character seemed to fall a bit flat, and even when she was supposed to be in a highly emotional state, such as when she gets angry at Will, I had a hard time believing it. I also would have liked more emotion from Neil, as he always seemed to be too cool and collected for the events that were unfolding.
I did enjoy the book, though, and any fan of Jane Austen would enjoy this modernized tale, as well.
Kaz (232 KP) rated The Passage in Books
May 15, 2019
A really enjoyable read
Contains spoilers, click to show
I initially read this book in about 2000, so when I decided to re-read it, I couldn't remember much about it. I'm glad I had left it for so long before I read it again, as I was surprised how good this was.
The writing is very good, it reminded me very much of 'The Stand' by Stephen King, because of the dark writing, the way in which it builds up in suspense and also the plot's subject matter. However, I wouldn't say that this was a copy of 'The Stand', it has it's own identity too.
The characters are very believable and complex. I really liked the fact that the characters weren't simply 'Bad' or 'Good'. All of the characters had different sides to them, which made them all the more believable. One criticism I would make, would be that I did find that the more central characters, were better developed than the secondary ones. Actually, in the second section of the novel, I felt that there were too many characters to keep track of. However, as the novel progressed, it became clear which characters I should be paying more attention to.
I was also happy that the 'vampires' were not your stereotypical blood sucking beings allergic to garlic, that could be killed by stakes and crosses. I was also really glad that they were not the romantic, shiny vampires either. I really liked the fact Justin Cronin hadn't written them as just 'bad' either. There was a sensitivity, which made you as a reader, actually feel sorry for these beings.
The pace of the the novel was generally good. I found the first section of the book to be gripping. In fact, I found it very difficult to put the book down. During the second section of the book however, it kind of ground to a halt and I didn't enjoy reading that part as much as the others. However on reflection, I think that the slow build in tension, to the next exciting bit. was very clever. This was because I don't think I would have been able to cope with a fast paced book of 900 plus pages!
Being 900 pages I thought that by the time I got to the end of this book,I would have been desperate to finish and start something new.. However, I was actually sad when I had finished 'The Passage' . Even though this is a long book, I didn't notice how chunky it was and I was able to really get into the world that Justin Cronin had created.
I really liked this book and I'm looking forward to reading the next installment!
My Rating **** 1/2
The writing is very good, it reminded me very much of 'The Stand' by Stephen King, because of the dark writing, the way in which it builds up in suspense and also the plot's subject matter. However, I wouldn't say that this was a copy of 'The Stand', it has it's own identity too.
The characters are very believable and complex. I really liked the fact that the characters weren't simply 'Bad' or 'Good'. All of the characters had different sides to them, which made them all the more believable. One criticism I would make, would be that I did find that the more central characters, were better developed than the secondary ones. Actually, in the second section of the novel, I felt that there were too many characters to keep track of. However, as the novel progressed, it became clear which characters I should be paying more attention to.
I was also happy that the 'vampires' were not your stereotypical blood sucking beings allergic to garlic, that could be killed by stakes and crosses. I was also really glad that they were not the romantic, shiny vampires either. I really liked the fact Justin Cronin hadn't written them as just 'bad' either. There was a sensitivity, which made you as a reader, actually feel sorry for these beings.
The pace of the the novel was generally good. I found the first section of the book to be gripping. In fact, I found it very difficult to put the book down. During the second section of the book however, it kind of ground to a halt and I didn't enjoy reading that part as much as the others. However on reflection, I think that the slow build in tension, to the next exciting bit. was very clever. This was because I don't think I would have been able to cope with a fast paced book of 900 plus pages!
Being 900 pages I thought that by the time I got to the end of this book,I would have been desperate to finish and start something new.. However, I was actually sad when I had finished 'The Passage' . Even though this is a long book, I didn't notice how chunky it was and I was able to really get into the world that Justin Cronin had created.
I really liked this book and I'm looking forward to reading the next installment!
My Rating **** 1/2
Movie Metropolis (309 KP) rated Dirty Grandpa (2016) in Movies
Jun 11, 2019
Dirty De Niro
It’s hard to imagine an acting career that has continuously impressed as much as that of Robert De Niro. The two-time Academy Award-winner has also racked up an incredible five further nominations at the Oscars, cementing him as a Hollywood great.
However, over the last few years, this acting veteran has spiralled into rather dangerous territory. Taking on thankless role after thankless role with terrible romantic comedies, his filmography makes for grim reading these days.
His latest movie sees him star alongside the hunky Zac Efron in Dirty Grandpa, a gross-out comedy following the pair on a road trip from Atlanta to Florida, but does it do enough to restore some sheen to De Niro’s CV?
De Niro stars as Richard ‘Dick’ Kelly, an army veteran mourning the loss of his late wife. To ease his grief, he and his uptight lawyer grandson Jason (Efron) take a trip together as a way of catching up. Though for Dick, there’s more than scenery on his mind.
I’ll get this off my chest before we go any further. The script is absolutely atrocious and one of the worst I have ever come across in the genre, and Dan Mazer’s inconsistent direction only highlights these major flaws.
Both Efron and De Niro look uncomfortable with the overly offensive dialogue that targets homosexuals and ethnic minorities just to try and raise a laugh. This is comedy at its laziest and Dirty Grandpa is more than happy to admit that to you – it’s definitely not ashamed of what it is.
Nevertheless, it’s such a shame to see a former Oscar winner taking on the role of a borderline perverted grandparent. The constant leering at college girls and the cringe-worthy talk of sex just don’t sit well with those who know of De Niro’s once unrivalled talent and this is why he feels sorely miscast.
Efron too starts off incredibly poorly. As the uptight lawyer, he spouts legalese that you know he doesn’t truly understand, though once he starts to unwind we see him at his best. The actor knows that he works well in films where he can use his cracking smile and body to full effect and it’s certainly out in force here.
Elsewhere, a supporting cast that includes Parks and Recreation’s Aubrey Plaza fares much better with Plaza being the film’s standout character. Her sex-obsessed Lenore is actually very funny indeed and provides Dirty Grandpa with what it sorely needs – genuine comedy.
Unfortunately, despite a few laughs, the film tries too hard with the tired old clichés. From fart jokes to racism and sexism, it’s all there – all the while unaware it’s adding another nail in the coffin of Robert De Niro’s acting career.
https://moviemetropolis.net/2016/02/05/dire-de-niro-dirty-grandpa-review/
However, over the last few years, this acting veteran has spiralled into rather dangerous territory. Taking on thankless role after thankless role with terrible romantic comedies, his filmography makes for grim reading these days.
His latest movie sees him star alongside the hunky Zac Efron in Dirty Grandpa, a gross-out comedy following the pair on a road trip from Atlanta to Florida, but does it do enough to restore some sheen to De Niro’s CV?
De Niro stars as Richard ‘Dick’ Kelly, an army veteran mourning the loss of his late wife. To ease his grief, he and his uptight lawyer grandson Jason (Efron) take a trip together as a way of catching up. Though for Dick, there’s more than scenery on his mind.
I’ll get this off my chest before we go any further. The script is absolutely atrocious and one of the worst I have ever come across in the genre, and Dan Mazer’s inconsistent direction only highlights these major flaws.
Both Efron and De Niro look uncomfortable with the overly offensive dialogue that targets homosexuals and ethnic minorities just to try and raise a laugh. This is comedy at its laziest and Dirty Grandpa is more than happy to admit that to you – it’s definitely not ashamed of what it is.
Nevertheless, it’s such a shame to see a former Oscar winner taking on the role of a borderline perverted grandparent. The constant leering at college girls and the cringe-worthy talk of sex just don’t sit well with those who know of De Niro’s once unrivalled talent and this is why he feels sorely miscast.
Efron too starts off incredibly poorly. As the uptight lawyer, he spouts legalese that you know he doesn’t truly understand, though once he starts to unwind we see him at his best. The actor knows that he works well in films where he can use his cracking smile and body to full effect and it’s certainly out in force here.
Elsewhere, a supporting cast that includes Parks and Recreation’s Aubrey Plaza fares much better with Plaza being the film’s standout character. Her sex-obsessed Lenore is actually very funny indeed and provides Dirty Grandpa with what it sorely needs – genuine comedy.
Unfortunately, despite a few laughs, the film tries too hard with the tired old clichés. From fart jokes to racism and sexism, it’s all there – all the while unaware it’s adding another nail in the coffin of Robert De Niro’s acting career.
https://moviemetropolis.net/2016/02/05/dire-de-niro-dirty-grandpa-review/
Hazel (1853 KP) rated You Know Me Well in Books
Dec 7, 2018
<i>This ARC was provided by the publisher via NetGalley in exchange for an honest review </i>
David Levithan is a well-known young adult author particularly in the LGBT communities. Throughout his career he has teamed up with other authors to write contemporary fiction that explores romantic relationships and feelings between teenagers. <i>You Know Me Well</i> is the result of a collaboration between Levithan and Nina LaCour, another American YA author.
Alternating between two points of view, <i>You Know Me Well</i> is about two homosexual teenagers, Mark and Katie, who are both going through difficult times in terms of their love life. Mark is in love with his best friend, but clearly the feelings are not reciprocated. On the other hand, Katie has run away from the chance to meet the girl of her dreams. A case of being in the right place at the right time results in a great friendship blooming between the two characters. Whilst relationships are breaking down all around them as a result of their actions, Mark and Katie discover that they understand each other more than anyone else has done in the past. With each other’s help, they begin to repair or come to terms with their current situations.
Although set near San Francisco during Pride Week – a positive festival to promote the stance against discrimination toward homosexuality – Levithan and LaCour write so freely about the topic that it appears a “normal” way of life, which is ultimately what people are campaigning for. Neither of the main characters experience any judgment on account of their sexuality.
Whilst <i>You Know Me Well </i>is a deeply honest novel about coming to terms with the truth and the heartaches of love, it does not particularly work well as a story. The ending feels ambiguous leaving both Mark and Katie in very similar situations to the beginning of the book, although marginally happier. In a way this enforces the point that there are not always “happy ever after” endings, but in terms of literature it does not make much of a story.
<i>You Know Me Well </i>comes with all sorts of messages about love, coming up with plans for the future, running away from your problems etc. but it is arguably a disappointment for readers who want a fictional tale to delve into and take them away from their everyday life. The subject matter, whilst listed as young adult, is more appropriate for school leavers or college students due to the unrealistic lack of parental intervention. On the other hand, if you are already a fan of David Levithan and know what to expect in his novels, You Know Me Well should live up to your anticipations.
David Levithan is a well-known young adult author particularly in the LGBT communities. Throughout his career he has teamed up with other authors to write contemporary fiction that explores romantic relationships and feelings between teenagers. <i>You Know Me Well</i> is the result of a collaboration between Levithan and Nina LaCour, another American YA author.
Alternating between two points of view, <i>You Know Me Well</i> is about two homosexual teenagers, Mark and Katie, who are both going through difficult times in terms of their love life. Mark is in love with his best friend, but clearly the feelings are not reciprocated. On the other hand, Katie has run away from the chance to meet the girl of her dreams. A case of being in the right place at the right time results in a great friendship blooming between the two characters. Whilst relationships are breaking down all around them as a result of their actions, Mark and Katie discover that they understand each other more than anyone else has done in the past. With each other’s help, they begin to repair or come to terms with their current situations.
Although set near San Francisco during Pride Week – a positive festival to promote the stance against discrimination toward homosexuality – Levithan and LaCour write so freely about the topic that it appears a “normal” way of life, which is ultimately what people are campaigning for. Neither of the main characters experience any judgment on account of their sexuality.
Whilst <i>You Know Me Well </i>is a deeply honest novel about coming to terms with the truth and the heartaches of love, it does not particularly work well as a story. The ending feels ambiguous leaving both Mark and Katie in very similar situations to the beginning of the book, although marginally happier. In a way this enforces the point that there are not always “happy ever after” endings, but in terms of literature it does not make much of a story.
<i>You Know Me Well </i>comes with all sorts of messages about love, coming up with plans for the future, running away from your problems etc. but it is arguably a disappointment for readers who want a fictional tale to delve into and take them away from their everyday life. The subject matter, whilst listed as young adult, is more appropriate for school leavers or college students due to the unrealistic lack of parental intervention. On the other hand, if you are already a fan of David Levithan and know what to expect in his novels, You Know Me Well should live up to your anticipations.
BookblogbyCari (345 KP) rated Law of Attraction in Books
Aug 14, 2018
Book Review by Cari Mayhew.
I listened to this as an audiobook, and I feel this added to the feel of the story and improved my experience of the book. The narrator spoke in a stunning female American accent but would change voices for the male dialogue parts.
I was enticed by the book's description – a romantic drama between two high-flying Lawyers. I was expecting witty dialogue and real tension between the characters. This book is part of a two-book series and is intended for readers over the age of eighteen.
The central character is criminal defense lawyer Gabrielle, who has crushed on prosecutor Braden in their altercations in the Courtroom for several months. Braden, however, is quite the cad, and is known not have had any serious relationships in quite some time.
One evening the two of them meet in the local bar and a serious flirting session ensues. Despite how much characters lust after each other, Gabrielle has no intention of becoming a mere one night stand, and a succession of dates are negotiated.
Their first date is one to remember. Soon after they boyfriend-girlfriend are meeting each other’s family. But, there are some odd complications, and all does not run smoothly. Braden has a narcissistic ex-girlfriend Marla, who still can’t accept that they’ve broken up. More intriguingly, an old crush of Gabrielle’s, Cam, who took Gabrielle’s virginity, comes back into her life shadowing her law firm, and it turns out he’s Braden’s cousin, who is also the man that another ex of Braden’s once cheated with. Then Gabrielle receives threatening notes telling her to stay away from Braden.
Gabrielle and her friends start plotting to find out who is leaving the notes. They aim to get handwriting samples from the 3 people they suspect, and by some strange coincidence, all 3 are at the same secret underground fantasy party which gets raided, providing handwriting samples in the form of written statements.
Then the first book in the series comes to an end before the note writer is identified. Rather than it being one of the people Gabrielle suspects, I suspect the author aims to provide surprise by making it someone closer to home.
One saucy scene was on a par with Fifty Shades of Grey, but this book is not going to take off like Fifty Shades of Grey did. There was nothing unusual in these scenes other than perhaps the locations.
Whilst the book never bored me, I just didn’t care enough about the characters or plot to want to read the second book in the series.
For more of my reviews, check out www.bookblogbycari.com
I listened to this as an audiobook, and I feel this added to the feel of the story and improved my experience of the book. The narrator spoke in a stunning female American accent but would change voices for the male dialogue parts.
I was enticed by the book's description – a romantic drama between two high-flying Lawyers. I was expecting witty dialogue and real tension between the characters. This book is part of a two-book series and is intended for readers over the age of eighteen.
The central character is criminal defense lawyer Gabrielle, who has crushed on prosecutor Braden in their altercations in the Courtroom for several months. Braden, however, is quite the cad, and is known not have had any serious relationships in quite some time.
One evening the two of them meet in the local bar and a serious flirting session ensues. Despite how much characters lust after each other, Gabrielle has no intention of becoming a mere one night stand, and a succession of dates are negotiated.
Their first date is one to remember. Soon after they boyfriend-girlfriend are meeting each other’s family. But, there are some odd complications, and all does not run smoothly. Braden has a narcissistic ex-girlfriend Marla, who still can’t accept that they’ve broken up. More intriguingly, an old crush of Gabrielle’s, Cam, who took Gabrielle’s virginity, comes back into her life shadowing her law firm, and it turns out he’s Braden’s cousin, who is also the man that another ex of Braden’s once cheated with. Then Gabrielle receives threatening notes telling her to stay away from Braden.
Gabrielle and her friends start plotting to find out who is leaving the notes. They aim to get handwriting samples from the 3 people they suspect, and by some strange coincidence, all 3 are at the same secret underground fantasy party which gets raided, providing handwriting samples in the form of written statements.
Then the first book in the series comes to an end before the note writer is identified. Rather than it being one of the people Gabrielle suspects, I suspect the author aims to provide surprise by making it someone closer to home.
One saucy scene was on a par with Fifty Shades of Grey, but this book is not going to take off like Fifty Shades of Grey did. There was nothing unusual in these scenes other than perhaps the locations.
Whilst the book never bored me, I just didn’t care enough about the characters or plot to want to read the second book in the series.
For more of my reviews, check out www.bookblogbycari.com
Lee (2222 KP) rated A Discovery of Witches - Season 1 in TV
Nov 8, 2018 (Updated Nov 8, 2018)
Bit of a slow burn, some good potential though.
A Discovery of Witches is based on the first book of the 'All Souls Trilogy', by Deborah Harkness. We're in a world where witches, vampires and demons all live among us, carrying out normal human jobs and duties. Obviously these creatures are all aware of each other, and it becomes clear that there is a long, complex and very tense history between them all. While us humans remain blissfully unaware.
The show begins in Oxford, England with Diana Bishop (Teresa Palmer), a witch working as a historian. While carrying out research in the local library she discovers a book which had long been considered missing, and mysteriously only shows itself to Diana. It's return triggers a lot of interest within the supernatural community and she finds herself attracting a lot of unwanted attention, beginning with Matthew Clairmont (Matthew Goode), a local geneticist and vampire. They eventually forge a romantic relationship and begin working together to try and solve the mysteries within the book.
My wife absolutely loves this show and looking at some of the reviews for it on IMDB I know I'm in the minority here, but I mostly found A Discovery Of Witches to be a bit dull. The whole thing is very stylishly done, highlighting Oxford as the beautiful city it is, and we also spend a lot of time in Venice, and various other exotic international locations. But it's the slow burn and the characters themselves that didn't really do it for me. The vampires are mostly moody, throwing their weight around and showing off their lightning speed and reactions along with their heightened senses. The witches are generally wise and supposedly more powerful, but rarely exhibit any more power than setting something on fire, rattling something, or making it a bit windy to the point where people get knocked off their feet. And the demons... well, the demons don't really seem to do anything at all, acting and appearing just like normal humans throughout the entire show. There's a lot of dodgy acting, and as much as I've loved Teresa Palmer in other roles prior to this, I don't really feel she's well suited here. It's all just slow burn and forbidden love. Twilight, but with grown-ups and less special effects.
It's just been granted another two seasons, so I'm definitely in the minority with my opinions. To be fair though, there have been some enjoyable moments, and I'm certainly interested in the direction the show appeared to be heading in. The finale cliffhanger definitely opened up some fun and interesting potential for next season too.
The show begins in Oxford, England with Diana Bishop (Teresa Palmer), a witch working as a historian. While carrying out research in the local library she discovers a book which had long been considered missing, and mysteriously only shows itself to Diana. It's return triggers a lot of interest within the supernatural community and she finds herself attracting a lot of unwanted attention, beginning with Matthew Clairmont (Matthew Goode), a local geneticist and vampire. They eventually forge a romantic relationship and begin working together to try and solve the mysteries within the book.
My wife absolutely loves this show and looking at some of the reviews for it on IMDB I know I'm in the minority here, but I mostly found A Discovery Of Witches to be a bit dull. The whole thing is very stylishly done, highlighting Oxford as the beautiful city it is, and we also spend a lot of time in Venice, and various other exotic international locations. But it's the slow burn and the characters themselves that didn't really do it for me. The vampires are mostly moody, throwing their weight around and showing off their lightning speed and reactions along with their heightened senses. The witches are generally wise and supposedly more powerful, but rarely exhibit any more power than setting something on fire, rattling something, or making it a bit windy to the point where people get knocked off their feet. And the demons... well, the demons don't really seem to do anything at all, acting and appearing just like normal humans throughout the entire show. There's a lot of dodgy acting, and as much as I've loved Teresa Palmer in other roles prior to this, I don't really feel she's well suited here. It's all just slow burn and forbidden love. Twilight, but with grown-ups and less special effects.
It's just been granted another two seasons, so I'm definitely in the minority with my opinions. To be fair though, there have been some enjoyable moments, and I'm certainly interested in the direction the show appeared to be heading in. The finale cliffhanger definitely opened up some fun and interesting potential for next season too.
