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BankofMarquis (1832 KP) rated Renfield (2023) in Movies
Apr 22, 2023
Cage feels Caged-In
Sometime you are in the mood for a drama, sometimes an action flick, other times a romantic comedy.
And then there are times you just want to watch Nicholas Cage camping it up on-screen as Dracula.
If that is the mood you are in, boy do I have a movie for you.
Based (very loosely) on the character created by Bram Stoker (and the classic 1931 film starring Bela Lugosi), RENFIELD tells the tale of an over-the-top Dracula in modern times as seen through his “familiar”, Renfield.
Nicholas Hoult (Beast in the latest series of X-Men films) plays Renfield as a put-upon assistant to Dracula - kind of a comedy/horror version of the relationship of Anne Hathaway and Meryl Streep in THE DEVIL WEARS PRADA - and it works (for the most part). Hoult is a winning (enough) and sympathetic presence on screen and you find yourself rooting for him in the end.
The surprising thing to me in this film is the sub-plot of Renfield finding love with a Police Office portrayed by (of all people) Awkwafina. This comedienne/actress has really grown on the BankofMarquis as a solid and dependable presence on screen and she doesn’t disappoint here. And that’s a good thing for the Renfield/Rebecca the Cop relationship ends up taking center stage during the 2nd act of this film (moving Nic Cage’s Dracula off-screen for a long stretch of time) and it works for Hoult and Awkwafina play off each other very well.
As for Cage, his Dracula is off-center, wacky, frenetic and out-of-this world. A true fish-out-of-water. But…if I’m being honest…his performance feels reigned in and it didn’t go far enough out-of-the-box and didn’t get nearly crazy enough for my tastes.
When something like that happens, one needs to look no further than the Director and Chris McKay (THE LEGO MOVIE, THE TOMORROW WAR) has a track record (at least for the BankofMarquis) of pulling his punches - and he pulls many, many punches in this film. But, he also DOESN’T pull punches at times (like in the scene where one guy gets his arms ripped off and then these arms are used as nunchucks on a bevy of bad guys). He doesn’t really know how far or how outlandish he should go. So he filters in a comedic amount of blood and gore - and then reigns Cage in. It’s an odd choice.
If you decide to watch Renfield, you already know what to expect - and for the most part you get it - except in the one spot that you really need it.
Letter Grade: B
7 stars (out of 10) and you can take that to the Bank(ofMarquis)
And then there are times you just want to watch Nicholas Cage camping it up on-screen as Dracula.
If that is the mood you are in, boy do I have a movie for you.
Based (very loosely) on the character created by Bram Stoker (and the classic 1931 film starring Bela Lugosi), RENFIELD tells the tale of an over-the-top Dracula in modern times as seen through his “familiar”, Renfield.
Nicholas Hoult (Beast in the latest series of X-Men films) plays Renfield as a put-upon assistant to Dracula - kind of a comedy/horror version of the relationship of Anne Hathaway and Meryl Streep in THE DEVIL WEARS PRADA - and it works (for the most part). Hoult is a winning (enough) and sympathetic presence on screen and you find yourself rooting for him in the end.
The surprising thing to me in this film is the sub-plot of Renfield finding love with a Police Office portrayed by (of all people) Awkwafina. This comedienne/actress has really grown on the BankofMarquis as a solid and dependable presence on screen and she doesn’t disappoint here. And that’s a good thing for the Renfield/Rebecca the Cop relationship ends up taking center stage during the 2nd act of this film (moving Nic Cage’s Dracula off-screen for a long stretch of time) and it works for Hoult and Awkwafina play off each other very well.
As for Cage, his Dracula is off-center, wacky, frenetic and out-of-this world. A true fish-out-of-water. But…if I’m being honest…his performance feels reigned in and it didn’t go far enough out-of-the-box and didn’t get nearly crazy enough for my tastes.
When something like that happens, one needs to look no further than the Director and Chris McKay (THE LEGO MOVIE, THE TOMORROW WAR) has a track record (at least for the BankofMarquis) of pulling his punches - and he pulls many, many punches in this film. But, he also DOESN’T pull punches at times (like in the scene where one guy gets his arms ripped off and then these arms are used as nunchucks on a bevy of bad guys). He doesn’t really know how far or how outlandish he should go. So he filters in a comedic amount of blood and gore - and then reigns Cage in. It’s an odd choice.
If you decide to watch Renfield, you already know what to expect - and for the most part you get it - except in the one spot that you really need it.
Letter Grade: B
7 stars (out of 10) and you can take that to the Bank(ofMarquis)
Kristy H (1252 KP) rated Eight Perfect Hours in Books
Oct 28, 2021
Noelle Butterby has recently broken up with her boyfriend of twelve years, Ed. Ed found Noelle pathetic for staying home to take care of her ill Mum and therefore being unwilling to travel to the States with him for a new job. But for Noelle, it's more than that. Her family obligations are both confining and all she has--leaving her unable to fulfill her own dreams, including opening her own flower shop. On her way to her university reunion--the first time she's been out in ages--Noelle finds herself trapped on a snowy roadway. With traffic stalled for hours, she meets Sam, the man in the car next to hers. They form a small friendship over the eight hours they're stuck, bonding while she charges her phone and they forage for food. In those few hours, Noelle is truly, actually happy. But the roadway is cleared and Sam drives off. Yet, somehow, after their snowy time together, the universe seems to continue to throw Sam and Noelle together. Each is dealing with their own relationship woes, but they feel drawn to one another. Are Sam and Noelle meant to be? And can Noelle find her own way while dealing with the weight of her family responsibility?
"Eight hours. Eight tiny hours is all they were. And already I miss them. Ridiculous. I am ridiculous."
I fell completely for this charming story. It's completely lovely, with such wonderful characters in Noelle and Sam, whom I found myself rooting for from the beginning. There are enough obstacles that I actually found myself wondering if they would wind up together, yet determined that they were meant to be. The book is so sweet yet has its serious moments as well, and it tackles mental health in a honest way, dealing with depression, agoraphobia, and post-partum issues quite well.
"And I feel--something. I don't know what exactly. Alive. Buzzy. Like my blood is rushing with stars, with electricity."
Both Sam and Noelle lost someone early in their lives, and some parts of this book will hit hard if you lost a loved one in your early twenties--their grief feels so real and raw (also a trigger warning for suicide). Their lives have been changed by these deaths, as well as hanging on to relationships that may not be the best for them. Watching them bond is so heartwarming. This is such a romantic read, with excellent pieces of chemistry and sexual tension--it's so well-done and builds quite excellently. This isn't insta-love, but a good slow burn that feels passionate and honest.
Overall, I really loved this one. The romance is excellent, and the message of finding your way together when it was meant to be is beautiful. 4.5 stars.
"Eight hours. Eight tiny hours is all they were. And already I miss them. Ridiculous. I am ridiculous."
I fell completely for this charming story. It's completely lovely, with such wonderful characters in Noelle and Sam, whom I found myself rooting for from the beginning. There are enough obstacles that I actually found myself wondering if they would wind up together, yet determined that they were meant to be. The book is so sweet yet has its serious moments as well, and it tackles mental health in a honest way, dealing with depression, agoraphobia, and post-partum issues quite well.
"And I feel--something. I don't know what exactly. Alive. Buzzy. Like my blood is rushing with stars, with electricity."
Both Sam and Noelle lost someone early in their lives, and some parts of this book will hit hard if you lost a loved one in your early twenties--their grief feels so real and raw (also a trigger warning for suicide). Their lives have been changed by these deaths, as well as hanging on to relationships that may not be the best for them. Watching them bond is so heartwarming. This is such a romantic read, with excellent pieces of chemistry and sexual tension--it's so well-done and builds quite excellently. This isn't insta-love, but a good slow burn that feels passionate and honest.
Overall, I really loved this one. The romance is excellent, and the message of finding your way together when it was meant to be is beautiful. 4.5 stars.
Heather Cranmer (2721 KP) created a post
Oct 22, 2022
Merissa (12061 KP) rated Alpha's Fake Wife by Maria Warren in Books
Jun 23, 2022
ALPHA'S FAKE WIFE is the first book in a series that really does show potential but, unfortunately for me, I just didn't feel as though it lived up to that potential as it stands right now.
It is a slow-burn Reverse Harem romance with a mystery/romantic suspense element to it as someone is drugging and assaulting females in Drew's pack.
Our main female, Laura, is brought to a party by her not-so-likeable best friend, Brandon, before he abandons her for other women. After he leaves her, she is handed a drink, drinks it, is immediately drugged, and starts to be led away. She is able to free herself but feels ill - which is how she meets Drew. Lance is Drew's half-brother who acts completely out of character when he throws a party for the pack to celebrate the new Luna - even though he is only tolerated by most of them, and actually prefers to stay out of the limelight. Lance meets Laura the same night and mistakes her for one of Drew's usual floozies. We don't meet Xavier until about halfway through (or so it felt) although he is supposed to be Drew's bodyguard! I am told about these four having a connection - or rather, three having a connection to Laura, and her to the three - but I never see or feel it.
There are situations and circumstances left unexplained in here that, although may be explained in future books, could have done with at least something to be going on with. For example, what is with the intense dislike of cherries? There are some fruits I don't like, but hers is crazy. And seriously, if you've got someone going around assaulting women, stop going out by yourself when you've been asked not to (unless it's for a bloody good reason which none of hers were). And how many times are you going to be on the receiving end of a drugged drink and be able to pass it off as a mistake?
There are a couple of Not-So-Big Bads here that didn't come as a surprise at all, but there are clues given to a Big Bad called The Alchemist who I guess will be the overall story arc going forward.
If this book went through a severe editing process, dropped a few thousand unnecessary words, tightened up the story as a whole, made a connection between the characters, and made said characters more relatable, then I would continue with it, but as it stands, I won't be reading this series any further.
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
It is a slow-burn Reverse Harem romance with a mystery/romantic suspense element to it as someone is drugging and assaulting females in Drew's pack.
Our main female, Laura, is brought to a party by her not-so-likeable best friend, Brandon, before he abandons her for other women. After he leaves her, she is handed a drink, drinks it, is immediately drugged, and starts to be led away. She is able to free herself but feels ill - which is how she meets Drew. Lance is Drew's half-brother who acts completely out of character when he throws a party for the pack to celebrate the new Luna - even though he is only tolerated by most of them, and actually prefers to stay out of the limelight. Lance meets Laura the same night and mistakes her for one of Drew's usual floozies. We don't meet Xavier until about halfway through (or so it felt) although he is supposed to be Drew's bodyguard! I am told about these four having a connection - or rather, three having a connection to Laura, and her to the three - but I never see or feel it.
There are situations and circumstances left unexplained in here that, although may be explained in future books, could have done with at least something to be going on with. For example, what is with the intense dislike of cherries? There are some fruits I don't like, but hers is crazy. And seriously, if you've got someone going around assaulting women, stop going out by yourself when you've been asked not to (unless it's for a bloody good reason which none of hers were). And how many times are you going to be on the receiving end of a drugged drink and be able to pass it off as a mistake?
There are a couple of Not-So-Big Bads here that didn't come as a surprise at all, but there are clues given to a Big Bad called The Alchemist who I guess will be the overall story arc going forward.
If this book went through a severe editing process, dropped a few thousand unnecessary words, tightened up the story as a whole, made a connection between the characters, and made said characters more relatable, then I would continue with it, but as it stands, I won't be reading this series any further.
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Murder at Sea
10.0
Rate It
Book
Fear naut, the next Destinations Murder collection is here: Murder at Sea. Third in this...
Eilidh G Clark (177 KP) rated Serious Sweet: Longlisted for the Man Booker Prize in Books
May 13, 2017
This novel is a work of art, l I would expect nothing less from a Man Booker contender.
‘The trouble was, that Margaret Thatcher got her drunk.’
A.L. Kennedy is an award-winning novelist, short story writer, and comedian. Her most recent novel, Serious Sweet, 2016, was long listed for this year’s Man Booker prize. Prior to reading the novel, I read some reviews and was fascinated by their diversity, comments ranging from disappointing to outright marvellous. This told me that I was about to embark on a work of art, after all I would expect nothing less from a Man Booker contender.
The novel is set in the heart of contemporary London and follows its two main characters, John Sigurdsson and Meg Williams through a single day. John is a fickle character, who at 59-year of age, has recently divorced is adulterous wife, and his professional life is hanging in the balance. Working as a senior civil servant in Westminster, he is attempting to uncover some pretty immoral activity. John has a talent for letter writing, this, he finds, is a romantic way to connect to women, whilst otherwise remaining inconspicuous. This is how he meets Meg.
Meg Williams is a 45-year-old bankrupt accountant, now working in an animal shelter because, ‘people who’ve been damaged by people go and work with salvaged animals because the animals have also been damaged by people’ (128). Meg is a victim of sexual abuse from a previous partner, something that we only learn in smatterings throughout the novel. A struggling alcoholic, Meg is on the wagon then off the wagon and blames her more recent fall on Margaret Thatcher, ‘The trouble was that Margaret Thatcher got her drunk.’
While the novel itself can be read as a political satire, and political corruption is plentiful in the narrative, I feel it is simply a back-story. The real story is the unfolding of the human consciousness and the power of the mind. Kennedy shows the reader the power of will through the thoughts of each character, stripping them back to their rawest and purest selves, and showing real courage and hope.
When John and Meg eventually meet at the end of the novel, it is not without some supercharged emotional turmoil. Connecting initially through letter writing, however, allowed the characters to open up their inner thoughts and feelings and gave a platform to be open and honest without the restrictions of reality. This, I believe, is where hope is born in the story.
Watching these two characters evolve was a real delight for me and I feel that Kennedy did the novel justice. You can almost feel each character battle with their own heads while their consciousness’ begins to intertwine. And let us not forget those beautifully written vignettes between chapters. Kennedy has written a wonderful novel, and Serious Sweet, I believe was worthy of its Man Booker place.
A.L. Kennedy is an award-winning novelist, short story writer, and comedian. Her most recent novel, Serious Sweet, 2016, was long listed for this year’s Man Booker prize. Prior to reading the novel, I read some reviews and was fascinated by their diversity, comments ranging from disappointing to outright marvellous. This told me that I was about to embark on a work of art, after all I would expect nothing less from a Man Booker contender.
The novel is set in the heart of contemporary London and follows its two main characters, John Sigurdsson and Meg Williams through a single day. John is a fickle character, who at 59-year of age, has recently divorced is adulterous wife, and his professional life is hanging in the balance. Working as a senior civil servant in Westminster, he is attempting to uncover some pretty immoral activity. John has a talent for letter writing, this, he finds, is a romantic way to connect to women, whilst otherwise remaining inconspicuous. This is how he meets Meg.
Meg Williams is a 45-year-old bankrupt accountant, now working in an animal shelter because, ‘people who’ve been damaged by people go and work with salvaged animals because the animals have also been damaged by people’ (128). Meg is a victim of sexual abuse from a previous partner, something that we only learn in smatterings throughout the novel. A struggling alcoholic, Meg is on the wagon then off the wagon and blames her more recent fall on Margaret Thatcher, ‘The trouble was that Margaret Thatcher got her drunk.’
While the novel itself can be read as a political satire, and political corruption is plentiful in the narrative, I feel it is simply a back-story. The real story is the unfolding of the human consciousness and the power of the mind. Kennedy shows the reader the power of will through the thoughts of each character, stripping them back to their rawest and purest selves, and showing real courage and hope.
When John and Meg eventually meet at the end of the novel, it is not without some supercharged emotional turmoil. Connecting initially through letter writing, however, allowed the characters to open up their inner thoughts and feelings and gave a platform to be open and honest without the restrictions of reality. This, I believe, is where hope is born in the story.
Watching these two characters evolve was a real delight for me and I feel that Kennedy did the novel justice. You can almost feel each character battle with their own heads while their consciousness’ begins to intertwine. And let us not forget those beautifully written vignettes between chapters. Kennedy has written a wonderful novel, and Serious Sweet, I believe was worthy of its Man Booker place.
Uptown Oracle (24 KP) rated Moroda in Books
Jun 30, 2017
A Great Debut Fantasy Novel!
As we traipse the countries and cities of Linaria following a band of unlikely comrades, we're introduced to magic, dragons, and a foe leading a trail of destruction in his wake. Moroda and her allies must find a way to save Linaria before the war destroys them and everything around them.
One of my favourite parts of the book is that there's multiple wonderful characters. We have our main character, Moroda and her sister Eryn, two former Goldstones trying to survive after their fathers death. There's Morgen an Imperial Guard from Corhaven, who's unsure as to whether life in the Guard is for him. Amarah, a brusk sky pirate who cares more for money and treasure. Palom and Anahrik, two Ittallan traders who want to get back to their homeland before war hits. Sapora, a Varkain who also wants to return to his homeland, away from the prejudice against his kind. And Kohl, an exiled Arillian who can control wind and lightening. Groups are often used within the fantasy genre but Moroda doesn't confuse you with multitudes of characters.
The world of Linaria has different prejudices and stereotypes against races and the inclusion of these races allows to get a much better, unbiased opinion. Each of our characters has their own thoughts, motivations, backgrounds and histories. Despite preconceived views of each other, the characters are all individual. There's also strong character growth, especially for Moroda throughout the book. There was definitely the risk of falling into common female fantasy tropes with Moroda, but McNeil manages to miss each of these skillfully.
The only criticism is the antagonist, Aciel. Being told by other characters what Aciel was doing and how, is very different to be able to see it. There was a lost connection that I personally like having with the villains. We meet him and he does speak a little bit, but there's definitely that lack of attachment. This criticism is also very personal, as I know a lot of people wouldn't mind this at all.
As with any fantasy novel, you need a wonderful fantasy land. There's exploration of multiple cities, and also some comparisons by the characters themselves. Each place has it's own background and vivid descriptions. I'm really looking forward to more exploration of Sereth, the Varkain capital. There's also undertones of myth, lore and legend within Linaria. Which although not explored completely within this book will be fantastic to build upon in later books.
Moroda is romance free which I loved. I've read so many books recently where the romantic subplot overshadows the real plot, and this was so refreshing. The focus was on the friendships being made over the journey, and the sisterly bond between Moroda and Eryn.
Overall I loved Moroda. Perfect to go into reading more over summer as I've finally finished exams!
One of my favourite parts of the book is that there's multiple wonderful characters. We have our main character, Moroda and her sister Eryn, two former Goldstones trying to survive after their fathers death. There's Morgen an Imperial Guard from Corhaven, who's unsure as to whether life in the Guard is for him. Amarah, a brusk sky pirate who cares more for money and treasure. Palom and Anahrik, two Ittallan traders who want to get back to their homeland before war hits. Sapora, a Varkain who also wants to return to his homeland, away from the prejudice against his kind. And Kohl, an exiled Arillian who can control wind and lightening. Groups are often used within the fantasy genre but Moroda doesn't confuse you with multitudes of characters.
The world of Linaria has different prejudices and stereotypes against races and the inclusion of these races allows to get a much better, unbiased opinion. Each of our characters has their own thoughts, motivations, backgrounds and histories. Despite preconceived views of each other, the characters are all individual. There's also strong character growth, especially for Moroda throughout the book. There was definitely the risk of falling into common female fantasy tropes with Moroda, but McNeil manages to miss each of these skillfully.
The only criticism is the antagonist, Aciel. Being told by other characters what Aciel was doing and how, is very different to be able to see it. There was a lost connection that I personally like having with the villains. We meet him and he does speak a little bit, but there's definitely that lack of attachment. This criticism is also very personal, as I know a lot of people wouldn't mind this at all.
As with any fantasy novel, you need a wonderful fantasy land. There's exploration of multiple cities, and also some comparisons by the characters themselves. Each place has it's own background and vivid descriptions. I'm really looking forward to more exploration of Sereth, the Varkain capital. There's also undertones of myth, lore and legend within Linaria. Which although not explored completely within this book will be fantastic to build upon in later books.
Moroda is romance free which I loved. I've read so many books recently where the romantic subplot overshadows the real plot, and this was so refreshing. The focus was on the friendships being made over the journey, and the sisterly bond between Moroda and Eryn.
Overall I loved Moroda. Perfect to go into reading more over summer as I've finally finished exams!
Acanthea Grimscythe (300 KP) rated Honeymoon (2014) in Movies
May 12, 2018
Contains spoilers, click to show
Okay, so I watched Honeymoon a while back (before my hospitalization), but it’s still been lingering at the edges of my mind – more with a what the fuck sort of connotation than anything else. You’ll have to pardon my lack of screenshots, as my Shudder account has lapsed and because of current going-ons (including surgery within the next two weeks), I haven’t had the chance to resubscribe – though I desperately want to.
I don’t really have a huge gripe with the characters in this one. The acting isn’t what bothered me; rather it was the plot. I don’t do so well with WTF moments when they seem to be way out of the ballpark and that appears to be the case here.
Honeymoon is a romantic horror – if such a genre even exists. I mean, you’ve got this newlywed couple set up in a beautiful, rustic cabin in the middle of the woods. (It even has a VCR!) Anyways, wife goes off in middle of the night, claims to be sleepwalking, but oddly enough earlier in the film we meet a childhood friend. From there, things spiral out of control. Paul tries to confront Bea, but she’s all hush-hush about what is going on with her. Turns out, alien things are involved and that, my friends, is where the movie lost me. Well, between that and the marks that show up on Bea’s inner thigh, which makes it all too obvious what really happened to her.
Of course, Paul continues to play dumb for a while. At least, until he finds Bea in the bathroom stabbing herself in the privates over and over. Because apparently this is something a person would do. I mean, I totally would(n’t). This… I honestly don’t know why I was still watching at this point. Normally I’d have turned to something more intriguing, but you know when you simply can’t pull your eyes away? Yeah, that happened here and let me tell you, the next scene in the movie… just no. Nope.
Unrealistic to a fault and messed up beyond measure, Paul shoves his arm up in there, and yanks out what Bea is so desperately trying to pull out. Because… ANATOMY boys and girls. This movie, seriously, crosses into animated porn territory, complete with fisting and pulling worm-like beings out of a woman. I just… no. It’s not even hot.
The conclusion of the film? Stereotypical false happy-ending bullshit that you see in a lot of horror movies. Someone survives, or so it seems, and then of course at the last minute the bad guy goes for the kill. I honestly have not been able to simply let this one out of my mind. It’s just hovered there, like an itch you can’t quite reach, and I’m hoping this little tirade will finally give me the freedom from it I need. Yet somehow, we’ve got semi-decent ratings on Rotten Tomatoes for this film.
I don’t really have a huge gripe with the characters in this one. The acting isn’t what bothered me; rather it was the plot. I don’t do so well with WTF moments when they seem to be way out of the ballpark and that appears to be the case here.
Honeymoon is a romantic horror – if such a genre even exists. I mean, you’ve got this newlywed couple set up in a beautiful, rustic cabin in the middle of the woods. (It even has a VCR!) Anyways, wife goes off in middle of the night, claims to be sleepwalking, but oddly enough earlier in the film we meet a childhood friend. From there, things spiral out of control. Paul tries to confront Bea, but she’s all hush-hush about what is going on with her. Turns out, alien things are involved and that, my friends, is where the movie lost me. Well, between that and the marks that show up on Bea’s inner thigh, which makes it all too obvious what really happened to her.
Of course, Paul continues to play dumb for a while. At least, until he finds Bea in the bathroom stabbing herself in the privates over and over. Because apparently this is something a person would do. I mean, I totally would(n’t). This… I honestly don’t know why I was still watching at this point. Normally I’d have turned to something more intriguing, but you know when you simply can’t pull your eyes away? Yeah, that happened here and let me tell you, the next scene in the movie… just no. Nope.
Unrealistic to a fault and messed up beyond measure, Paul shoves his arm up in there, and yanks out what Bea is so desperately trying to pull out. Because… ANATOMY boys and girls. This movie, seriously, crosses into animated porn territory, complete with fisting and pulling worm-like beings out of a woman. I just… no. It’s not even hot.
The conclusion of the film? Stereotypical false happy-ending bullshit that you see in a lot of horror movies. Someone survives, or so it seems, and then of course at the last minute the bad guy goes for the kill. I honestly have not been able to simply let this one out of my mind. It’s just hovered there, like an itch you can’t quite reach, and I’m hoping this little tirade will finally give me the freedom from it I need. Yet somehow, we’ve got semi-decent ratings on Rotten Tomatoes for this film.
Hazel (1853 KP) rated To Kill a Kingdom in Books
Apr 9, 2018
A princess must have her prince but perhaps not in the usual happy-ever-after fairytale way. With sirens, princes, pirates, mermaids and magic, To Kill a Kingdom by Alexandra Christo is a dark fantasy novel perfect for those who grew up with Peter Pan and The Little Mermaid. But, as with most traditional fairy tales, this book is riddled with trickery and lies, making it a heart-stopping adventure.
Lira is a siren princess who is nearing her eighteenth birthday. In order to celebrate the life of their goddess Keto and get revenge for her death at the hands of the humans, each siren must kill and remove the heart of a human victim. Lira has always targeted princes and aims to steal the heart of Prince Elian of Midasan, however, her mother, the sea queen, has different ideas.
As punishment for disobeying her orders, the evil queen temporarily turns Lira into a human, stripping her of her siren power. In order to return, she must kill Prince Elian and return to the sea with his heart. However, things get complicated when Prince Elian saves Lira from drowning and takes her aboard his ship.
Elian is a prince-cum-pirate who has no wish to be the heir of the golden kingdom of Midasan. He spends his days as the captain of his ship, hunting and killing sirens. Not realising Lira is the siren he most wishes to destroy, he gradually gets used to her presence and believes she will be useful to him on his quest to find a crystal that will destroy the sea queen forever. Lira agrees to help, however, she has an ulterior motive – perhaps she can help Elian find the crystal then kill him and destroy her mother …
It takes a while for this dark, romantic young adult novel to get going; there is a lot of introduction to characters and the way their fantasy world operates. With different customs to get familiar with, particularly in the case of the sirens, it is a little monotonous for the first few chapters. However, once Lira and Elian meet, events become far more interesting.
The banter and insults hurled between Elian, Lira and the rest of the crew is a humorous addition to the storyline and makes the prince and princesses growing relationship all the more exciting. With the sea queen lurking in the shadows, the story builds up to a fateful conclusion, however, maybe Lira can steal the prince’s heart a different way.
Once the story is well underway it becomes an engrossing piece of literature that is difficult to put down. With romance, danger and a cataclysmic ending, it has everything that a young adult fantasy fan wishes for. To Kill a Kingdom is Christo’s debut and it is exciting to find out what she will write next.
Lira is a siren princess who is nearing her eighteenth birthday. In order to celebrate the life of their goddess Keto and get revenge for her death at the hands of the humans, each siren must kill and remove the heart of a human victim. Lira has always targeted princes and aims to steal the heart of Prince Elian of Midasan, however, her mother, the sea queen, has different ideas.
As punishment for disobeying her orders, the evil queen temporarily turns Lira into a human, stripping her of her siren power. In order to return, she must kill Prince Elian and return to the sea with his heart. However, things get complicated when Prince Elian saves Lira from drowning and takes her aboard his ship.
Elian is a prince-cum-pirate who has no wish to be the heir of the golden kingdom of Midasan. He spends his days as the captain of his ship, hunting and killing sirens. Not realising Lira is the siren he most wishes to destroy, he gradually gets used to her presence and believes she will be useful to him on his quest to find a crystal that will destroy the sea queen forever. Lira agrees to help, however, she has an ulterior motive – perhaps she can help Elian find the crystal then kill him and destroy her mother …
It takes a while for this dark, romantic young adult novel to get going; there is a lot of introduction to characters and the way their fantasy world operates. With different customs to get familiar with, particularly in the case of the sirens, it is a little monotonous for the first few chapters. However, once Lira and Elian meet, events become far more interesting.
The banter and insults hurled between Elian, Lira and the rest of the crew is a humorous addition to the storyline and makes the prince and princesses growing relationship all the more exciting. With the sea queen lurking in the shadows, the story builds up to a fateful conclusion, however, maybe Lira can steal the prince’s heart a different way.
Once the story is well underway it becomes an engrossing piece of literature that is difficult to put down. With romance, danger and a cataclysmic ending, it has everything that a young adult fantasy fan wishes for. To Kill a Kingdom is Christo’s debut and it is exciting to find out what she will write next.
Rachel King (13 KP) rated Heavenly in Books
Feb 11, 2019
I found the opening chapter of this book to be very strange, but intriguing, and I understood that it was meant be an extended teaser of something that happens later in the book. I liked that the author used this to hook the reader in, but the drawback is that I was looking for where the opening chapter fits in for the rest of the book.
Very quickly into the book, I felt an emotional connection with the main character, Zoe. The responsibilities of having an autistic sister have really drained her in many ways, and left her with this hole that she was either looking to fill or ignore. At the same time, when she was at home, she assumed the role of the "second mother" with an unselfish pride that showed a maturity beyond her age of seventeen.
On the flip side, her brother Luke is the opposite of Zoe in many ways in that he does not seem to share the responsibilities of caring for their sister, Abria, but instead is often seen running out the door. But like Abria, he also seeks to fill the void that the demands of his life have pulled out of him in different, but just as self-destructive, ways as Zoe.
Abria, the austistic younger sibling, is quite a fascinating character to read about, as I felt like I could extract the meaning behind her varied antics better than her family could. For instance, she has a habit of climbing anything she can get on, but it's the guardian angel Matthias who must point out to Zoe that Abria climbs because she like high places. The permanence of her innocence puts her in a state of joy that Zoe can only envy.
It was not until the end of the book that I fully understood the slogan attached to the Heavenly series: "Real Angels Don't Fall." The character of Matthias is just as unique and interesting as Abria, and the details put into both of them had me flying through this book in a matter of days. Matthias holds to the principles of his role as a guardian angel with both humor and intensity, and the number of times he side-stepped Zoe's questions even while answering others became quite frustrating. I would love for the story to switch viewpoints just so I could understand more of what Matthias was thinking and what motivated him.
I had expected this book to be mostly focused on romance, but I would say that the romantic aspects are only part of the story. Both Abria and Luke are vital to the plotline, and the ending was different than what I was predicting by a mile. I shed a few tears at the end, but there was still a sweetness that put a smile on my face. I can't wait to get my hands on the next one in the series, Penitence (Volume 2).
Very quickly into the book, I felt an emotional connection with the main character, Zoe. The responsibilities of having an autistic sister have really drained her in many ways, and left her with this hole that she was either looking to fill or ignore. At the same time, when she was at home, she assumed the role of the "second mother" with an unselfish pride that showed a maturity beyond her age of seventeen.
On the flip side, her brother Luke is the opposite of Zoe in many ways in that he does not seem to share the responsibilities of caring for their sister, Abria, but instead is often seen running out the door. But like Abria, he also seeks to fill the void that the demands of his life have pulled out of him in different, but just as self-destructive, ways as Zoe.
Abria, the austistic younger sibling, is quite a fascinating character to read about, as I felt like I could extract the meaning behind her varied antics better than her family could. For instance, she has a habit of climbing anything she can get on, but it's the guardian angel Matthias who must point out to Zoe that Abria climbs because she like high places. The permanence of her innocence puts her in a state of joy that Zoe can only envy.
It was not until the end of the book that I fully understood the slogan attached to the Heavenly series: "Real Angels Don't Fall." The character of Matthias is just as unique and interesting as Abria, and the details put into both of them had me flying through this book in a matter of days. Matthias holds to the principles of his role as a guardian angel with both humor and intensity, and the number of times he side-stepped Zoe's questions even while answering others became quite frustrating. I would love for the story to switch viewpoints just so I could understand more of what Matthias was thinking and what motivated him.
I had expected this book to be mostly focused on romance, but I would say that the romantic aspects are only part of the story. Both Abria and Luke are vital to the plotline, and the ending was different than what I was predicting by a mile. I shed a few tears at the end, but there was still a sweetness that put a smile on my face. I can't wait to get my hands on the next one in the series, Penitence (Volume 2).