Remote Control for VU+ (iPad Edition)
Utilities and Productivity
App
Remote Control for VU+ Control your VU+ with the genuine looking App! ------ ►►► The #1 VU+...
LeftSideCut (3778 KP) rated Moana (2016) in Movies
May 12, 2020
It has a decent and easy to follow plot, and a strong female lead for a start. The titular character is easy to like and root for, as are all the characters come to think of it. Dwayne Johnson's character Maui starts off as a douche but he's not so bad by the end.
The whole film looks incredible. The animation is bursting with colour, the water in particular looks great. There are some great set pieces that take full advantage of this - especially the neon drenched scene with Tamatoa, and the films climax looks fantastic as well.
The musical numbers just didn't do anything for me. I didn't hate any of the songs (the 'I AM MOANAAA' bit was pretty badass), but it's mostly just little too cheesy for my taste, much like Frozen was.
Overall though, Moana is a pretty good time, with a nice Disney approved moral heart, and I'm sure it will stand up alongside the many other Disney classics for years to come.
The Book of Trespass: Crossing the Lines That Divide Us
10.0
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Book
THE SUNDAY TIMES BESTSELLER 'Brilliant, passionate and political . . . The Book of Trespass will...
Non-Fiction
Firekeeper's Daughter
9.3
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Book
Debut author Angeline Boulley crafts a groundbreaking YA thriller about a Native teen who must root...
Digging Up Daisy
5.0
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In a fresh new Maine-set cozy from author Sherry Lynn, Kinsley Clark must root out a killer before...
Eurovision: A Plea For Respect
10.0
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Book
Discover the hidden treasures of Europe's greatest music tradition - The Eurovision Song Contest: A...
history
Heal Yourself: Body ~ Mind ~ Spirit
Book
The body wants to return to balance. It just needs the tools to do so. Heal Yourself ~ Body ~ Mind ~...
Body~Mind~Spirit Healing
Kristy H (1252 KP) rated You'd Be Mine in Books
Apr 4, 2019
This book has some really dark tones to it, and both Clay and Annie are struggling with some major demons. Each have dealt with some major sadness in their lives, and Annie's past with her parents is honestly just awful. As a result, this isn't a light, fluffy romance, and it has some surprising emotional depth to it and its characters. Annie, especially, is really easy to like and to root for.
"Everything in me speaks music with a fluent tongue. Surely it's genetic, but my parents certainly haven't done me any favors. If anything, their deaths nearly killed the music in my soul."
As I said, I quite enjoyed the music aspect of the book. Not just the country music part, but the overall fact that the book is centered around a tour. It's really fun to get glimpses into tour life--especially since everyone is so young. Pretty crazy how much responsibility and freedom they all have. There's also a lot of songwriting and emotions displayed through songwriting, which I loved. (Side note: As a child, I always dreamed of being a country singer-songwriter. This was probably due to my intense love of Mary Chapin Carpenter, which lives on to this day. Alas, I cannot carry a tune or read music, so this dream has yet to come to fruition.)
"That's the glorious thing about music. It speaks to the very heart of things in the most absolute and obtrusive way."
The one hard thing for me was that the book got rather repetitive in the middle with both Clay and Annie going on about how they were wrong for each other. It seemed to stall the plot for a while, as I felt like we were waiting for a bit for something to happen. Yes, we realize each was damaged, but it seemed like the book hit on that just a little too much/too often for a while.
Still, this was a really good read. It's very emotional and honestly heartbreaking at times. If you're a music buff, I think you'll enjoy it even more, because of all the musical scenes and songs woven into the book. The characters are very real and go through a lot. There's no insta-romance, and you will root for Annie and Clay, even though you'll want things to move along a bit in the middle. I totally cried at the end, which is a major sign that Hahn did a good job. 3.75 stars, rounded to 4.
Matthew Krueger (10051 KP) rated Payback (1999) in Movies
Jul 15, 2020
The plot: Porter (Mel Gibson) is a thief betrayed by both his wife, Lynn (Deborah Kara Unger), and his partner, Val (Gregg Henry), when he is shot in the back after a heist. Slowly, Porter recovers from his wounds and begins a search for Val, intent on recovering his share of the money they stole together. With the aid of prostitute Rosie (Maria Bello), Porter captures Val but still cannot find his cash. For this, Porter will have to challenge an imposing crime syndicate called the Outfit.
Although credited as director, Brian Helgeland's cut of the film was not the theatrical version released to audiences. After the end of principal photography, Helgeland's version was deemed too dark for the mainstream public. Following a script rewrite by Terry Hayes, director Helgeland was replaced by the production designer John Myhre, who reshot 30% of the film. The intent was to make the Porter character accessible. The film's tagline became: "Get Ready to Root for the Bad Guy." A potentially controversial scene between Porter and Lynn which arguably involves spousal abuse was excised and more plot elements were added to the third act. After 10 days of reshoots, a new opening scene and voiceover track also were added, and Kris Kristofferson walked on as a new villain.
The Director's Cut version features a female Bronson, that is never seen only heard over the phone voiced by Sally Kellerman, does not include the voice-over by Porter and several Bronson-related scenes. During their scuffle (which is longer than in the theatrical version and was the main source of controversy), Porter earlier tells Lynn that his picture with Rosie was taken before they met, thereby rendering her jealousy unjustified. This version has an entirely different, ambiguous ending where Porter is seriously wounded in a train station shootout and driven off by Rosie.
A June 4, 2012, look at "movies improved by directors' cuts" by The A.V. Club described Payback: Straight Up as "a marked improvement on the unrulier original.
Mel Gibson stated in a short interview released as a DVD extra that it "would've been ideal to shoot in black and white." He noted that "people want a color image" and that the actual film used a bleach bypass process to tint the film. In addition to this, the production design used muted shades of red, brown, and grey for costumes, sets, and cars for further effect.
Like i said its a good revenge action thriller but to me its both boring and confusing. Maybe i have to watch the directors cut.
NAMOO - Wonders of Plant Life
Education and Book
App
Smart toys can make science exciting! NAMOO is a fun, engaging exploration of the life of plants....