Search
Search results
LeftSideCut (3776 KP) rated Mother/Android (2021) in Movies
Jan 14, 2022
Whilst there are a handful of positives about Mother/Android, they are woefully overshadowed by just how unoriginal the overall movie is.
Starting with said positives - Chloë Grace Moretz is always trying her best and here is no different. It's also nice to see Raúl Castillo popping up more and more at the moment and here is no different. There's a scene fairly late on, set in a house full of androids that is genuinely quite tense and is an obvious highlight.
Other than that, it's pretty dire. The dialogue is shoddy, and the writing is all over the place. None of the characters are particularly likable and there's not really anyone to root for (started rooting for the androids by the end). The opening scene is one of intrigue, promising something vaguely resembling Detroit: Become Human, but the story is rushed along so quickly that we're thrown straight into 9 months later, following a pregnant lady through some woods in America, whilst trying to stay silent. Very A Quiet Place. The android designs do nothing to differentiate from the designs seen in Terminator.
However, the most insulting moment of plagiarism comes during the climax, the events of which are quite bleak, and aim for the heartstrings. This moment is intercut with flashes of a happier time, whilst chaos unfolds in the distance, set to some somber music. All of which would have landed way better if it wasn't ripped straight from the undead hands of Train to Busan!
I'm sure that there will be plenty of people out there who find something to like when it comes to Mother/Android but for me, it just came across as plain lazy, lifting ideas from far superior movies left, right, and centre.
Starting with said positives - Chloë Grace Moretz is always trying her best and here is no different. It's also nice to see Raúl Castillo popping up more and more at the moment and here is no different. There's a scene fairly late on, set in a house full of androids that is genuinely quite tense and is an obvious highlight.
Other than that, it's pretty dire. The dialogue is shoddy, and the writing is all over the place. None of the characters are particularly likable and there's not really anyone to root for (started rooting for the androids by the end). The opening scene is one of intrigue, promising something vaguely resembling Detroit: Become Human, but the story is rushed along so quickly that we're thrown straight into 9 months later, following a pregnant lady through some woods in America, whilst trying to stay silent. Very A Quiet Place. The android designs do nothing to differentiate from the designs seen in Terminator.
However, the most insulting moment of plagiarism comes during the climax, the events of which are quite bleak, and aim for the heartstrings. This moment is intercut with flashes of a happier time, whilst chaos unfolds in the distance, set to some somber music. All of which would have landed way better if it wasn't ripped straight from the undead hands of Train to Busan!
I'm sure that there will be plenty of people out there who find something to like when it comes to Mother/Android but for me, it just came across as plain lazy, lifting ideas from far superior movies left, right, and centre.
BankofMarquis (1832 KP) rated Doctor Strange in the Multiverse of Madness (2022) in Movies
May 9, 2022
Fun...with heart
Doctor Strange is my favorite Marvel character. This comes from my college days when one of my roommates had a stack of Dr. Strange comics and I tore through them - one of the few Marvel comics that I have actually read. So I was thrilled to find out that Sam Raimi was coming back (was he ever gone?) to direct the 2nd solo Dr. Strange film, DOCTOR STRANGE IN THE MULTIVERSE OF MADNESS.
And it does not disappoint for while DOCTOR STRANGE IN THE MULTIVERSE OF MADNESS is not quite as “mad” as one would expect by the build up to this film, it delivers solid action by actors playing characters that are easy to root for (or root against) all done with a wink in the eye and a focus on Marvel’s secret weapon…relationships and heart.
You will find no brooding “dark knights” in this one.
Sprightly Directed by Sam Raimi (THE EVIL DEAD), Multiverse (as I will call it from here on out) finds our titular hero (Benedict Cumberbatch) connecting with - and working to save - a multiverse hopping heroine in the form of America Chavez (Xochitl Gomez) from an evil that wishes to drain her of her multiverse hopping powers.
What happens next is a multiverse hopping action/adventure/horror/chase film that really shows off the cinematic sensibilities of Director Raimi who’s mark is all over this film…for the better. Multiverse swerves really close to being a horror film, but, fortunately for it’s box office fortunes, remains firmly in the action/adventure/superhero genre. Only a director like Raimi can ride this fine line as well as he has and it works for this film.
Cumberbatch, of course, is terrific as Doctor Stephen Strange and he slides, comfortably, back into the cloak and sling-ring. Benedict Wong (Wong - The Sorcerer Supreme), Rachel McAdams (Dr. Christine Palmer) and Chiwetel Ejiofor (Baron Mordo) all reprise their characters from the first film and they all seem re-energized in their roles for this one while Xochitl Gomez makes a winning debut as America Chavez.
But, make no mistake, the personae that steals this film is Elizabeth Olson as the grieving Wanda Maximoff/Scarlett Witch who Dr. Strange reaches out to when America Chavez falls into his lap. She is outstanding and is really the driving force here. It would not be a misnomer to say that this film easily could have been titled THE SCARLET WITCH IN THE MULTIVERSE OF MADNESS.
My one quibble with this film is that it doesn’t go to enough Multiverses to suit my tastes and is not quite as “mad” as one would hope - our hero does spend a rather large amount of time in one multiverse - but that is a minor issue and this one multiverse does bring many fun cameos…cameos that will not be spoiled here.
Which brings up one last point. See this film, if you can, in a theater full of the aforementioned fanboys. The full house IMAX theater that I caught this film in went absolutely nuts when one specific person showed his/her face for their extended cameo and that was a very fun time.
As is DOCTOR STRANGE IN THE MULTIVERSE OF MADNESS - it works well as a stand alone film, but if you want to do “some homework”, check out the Disney+ TV Series WANDAVISION (essential), the first DOCTOR STRANGE movie (good background) and the animated Disney+ series MARVEL’S WHAT IF (some nice callbacks).
And, of course, stay for the end credits…it sets up DOCTOR STRANGE 3, a film that can’t get here soon enough.
Letter Grade: A-
8 stars (out of 10) and you can take that to the Bank(ofMarquis)
And it does not disappoint for while DOCTOR STRANGE IN THE MULTIVERSE OF MADNESS is not quite as “mad” as one would expect by the build up to this film, it delivers solid action by actors playing characters that are easy to root for (or root against) all done with a wink in the eye and a focus on Marvel’s secret weapon…relationships and heart.
You will find no brooding “dark knights” in this one.
Sprightly Directed by Sam Raimi (THE EVIL DEAD), Multiverse (as I will call it from here on out) finds our titular hero (Benedict Cumberbatch) connecting with - and working to save - a multiverse hopping heroine in the form of America Chavez (Xochitl Gomez) from an evil that wishes to drain her of her multiverse hopping powers.
What happens next is a multiverse hopping action/adventure/horror/chase film that really shows off the cinematic sensibilities of Director Raimi who’s mark is all over this film…for the better. Multiverse swerves really close to being a horror film, but, fortunately for it’s box office fortunes, remains firmly in the action/adventure/superhero genre. Only a director like Raimi can ride this fine line as well as he has and it works for this film.
Cumberbatch, of course, is terrific as Doctor Stephen Strange and he slides, comfortably, back into the cloak and sling-ring. Benedict Wong (Wong - The Sorcerer Supreme), Rachel McAdams (Dr. Christine Palmer) and Chiwetel Ejiofor (Baron Mordo) all reprise their characters from the first film and they all seem re-energized in their roles for this one while Xochitl Gomez makes a winning debut as America Chavez.
But, make no mistake, the personae that steals this film is Elizabeth Olson as the grieving Wanda Maximoff/Scarlett Witch who Dr. Strange reaches out to when America Chavez falls into his lap. She is outstanding and is really the driving force here. It would not be a misnomer to say that this film easily could have been titled THE SCARLET WITCH IN THE MULTIVERSE OF MADNESS.
My one quibble with this film is that it doesn’t go to enough Multiverses to suit my tastes and is not quite as “mad” as one would hope - our hero does spend a rather large amount of time in one multiverse - but that is a minor issue and this one multiverse does bring many fun cameos…cameos that will not be spoiled here.
Which brings up one last point. See this film, if you can, in a theater full of the aforementioned fanboys. The full house IMAX theater that I caught this film in went absolutely nuts when one specific person showed his/her face for their extended cameo and that was a very fun time.
As is DOCTOR STRANGE IN THE MULTIVERSE OF MADNESS - it works well as a stand alone film, but if you want to do “some homework”, check out the Disney+ TV Series WANDAVISION (essential), the first DOCTOR STRANGE movie (good background) and the animated Disney+ series MARVEL’S WHAT IF (some nice callbacks).
And, of course, stay for the end credits…it sets up DOCTOR STRANGE 3, a film that can’t get here soon enough.
Letter Grade: A-
8 stars (out of 10) and you can take that to the Bank(ofMarquis)
Rachel King (13 KP) rated Bloodlines in Books
Feb 11, 2019
As a huge fan of the Vampire Academy series, I anxiously awaited this book. What little I knew of the Alchemists fascinated me, and I felt like Adrian got the short stick in the final book of the series, Last Sacrifice. Richelle Mead does not disappoint in this book, and she keeps just enough mystery in the plot to keep me engrossed to the last page. Rose and Dimitri even make a few appearances, which was neat to see how other characters viewed them.
Sydney is the central character, and at first glance she seems to be the antithesis of Rose's personality. She wants to be obedient and cooperative with her bosses, and she had no interest in rebelling against the system. Unfortunately, her innate desire to do good and root out evil forces her into some rough situations. Her extreme phobia of magic also creates some interesting conflicts and a very promising revelation that I can't wait to see play out in further books.
Adrian's role is at first a secret, but with a few clues from the previous series allowed me to figure it out before Mead revealed it. Gone is the Adrian that Rose brought out -- instead he is back to as much smoking and drinking as at the beginning of the previous series, back when I did not like his character. BUT, this all seems to be a facade after awhile, when Adrian shows an avid interest in painting.
Jill is the one that Sydney is protecting, along with a collection of other new and old characters. As a fifteen-year-old girl also striving to have some semblance of normal life, Jill gets mixed up in problems of her own as she strives to define who she is. While her character could have had more development, as the first book in the series, there is plenty of room for growth.
I could not get through this book fast enough, and I can't wait for the second book, Golden Lily.
Sydney is the central character, and at first glance she seems to be the antithesis of Rose's personality. She wants to be obedient and cooperative with her bosses, and she had no interest in rebelling against the system. Unfortunately, her innate desire to do good and root out evil forces her into some rough situations. Her extreme phobia of magic also creates some interesting conflicts and a very promising revelation that I can't wait to see play out in further books.
Adrian's role is at first a secret, but with a few clues from the previous series allowed me to figure it out before Mead revealed it. Gone is the Adrian that Rose brought out -- instead he is back to as much smoking and drinking as at the beginning of the previous series, back when I did not like his character. BUT, this all seems to be a facade after awhile, when Adrian shows an avid interest in painting.
Jill is the one that Sydney is protecting, along with a collection of other new and old characters. As a fifteen-year-old girl also striving to have some semblance of normal life, Jill gets mixed up in problems of her own as she strives to define who she is. While her character could have had more development, as the first book in the series, there is plenty of room for growth.
I could not get through this book fast enough, and I can't wait for the second book, Golden Lily.
Whatchareadin (174 KP) rated Jemima J in Books
Apr 9, 2019
Jemima Jones is overweight. She is aware of this fact and she's okay with it. She loves models and magazines and frequently cuts out their pictures and tapes them to her wall. Currently she writes the Top Tips for the Kilburn Herald in London. She would like to right features, like her friend Geraldine, but right now, she enjoys "proofing" the copy. She has a crush on another colleague, Ben Williams and occasionally, the three hang out. Ben is crushing on Geraldine, while Jemima is crushing on him. After an internet seminar given by the newspaper, the trio decides to check it out what all the internet hype is about for themselves. When they find a chat room called Cafe LA, Jemima becomes JJ and her world is flipped upside down.
JJ meets Brad in the chatroom and after talking for a while, they exchange photos. Brad is a hunk and JJ is smoking hot, but Jemima is not and before she agrees to meet Brad in person, she has to lose about 100 pounds. With this goal Jemima sets out to join a gym and get a personal trainer and the weight falls off. Armed with a new body and a new attitude, JJ is off to LA to meet Brad. Is he going to be the man in the pictures? Will they fall madly in love and will she finally get the man of her dreams?
Many women can relate to Jemima J. She is self conscious about herself and how the world perceives her. I could see myself in her shoes. I was afraid for her when she went to meet a man on the other side of the world that she had met on the internet. I wanted Ben to see her as more than a friend. I wanted her roommates to not be such idiots. Jemima is a character that you can understand and root for.
JJ meets Brad in the chatroom and after talking for a while, they exchange photos. Brad is a hunk and JJ is smoking hot, but Jemima is not and before she agrees to meet Brad in person, she has to lose about 100 pounds. With this goal Jemima sets out to join a gym and get a personal trainer and the weight falls off. Armed with a new body and a new attitude, JJ is off to LA to meet Brad. Is he going to be the man in the pictures? Will they fall madly in love and will she finally get the man of her dreams?
Many women can relate to Jemima J. She is self conscious about herself and how the world perceives her. I could see myself in her shoes. I was afraid for her when she went to meet a man on the other side of the world that she had met on the internet. I wanted Ben to see her as more than a friend. I wanted her roommates to not be such idiots. Jemima is a character that you can understand and root for.
Lilyn G - Sci-Fi & Scary (91 KP) rated The Sick House in Books
Feb 9, 2018
Gory fun with fun dialogue
The Sick House was a delight to read. I had just finished the first novel of Richard Fox’s Terra Nova series, so I was searching for a horror novel to flip to when I came across a friend’s review of this on Goodreads. Her review, along with the fact that it was on Kindle Unlimited, meant that it was an instant grab for me with little thought required. Especially because I’ve previously read Strand’s The Haunted Forest tour and loved it.
My favorite part of The Sick House was without a doubt the family’s dialogue and relationships. The bonds between them felt so real and the quips were exactly the type of thing you’re liable to hear at my house. It made me instantly get attached to all of the characters, and that carried me easily through the book. On the flip side, though, I didn’t like that Gina was also very mouthy. I felt like it would have made the family feel a bit more special if Strand had restrained the banter to just them.
I did like Gina, though. She reminded me very much of the character Gina Silvers from the Amazon series Just Add Magic. (Yes, that’s a kid show, but if you’ve ever watched Just Add Magic, you could totally see her pulling the stunts that happen in The Sick House.) I won’t say more because I don’t want to spoil any of it for readers.
A family that I can root for, a house that’s got a serious ‘something’s fishy’ vibe, and the grossness that ensues almost as soon as they move in makes for a lovely read. Well, lovely in an aspect that horror fans will understand at least. Jeff Strand has a talent for descriptions that set the scene perfectly without going into unneeded oodles of detail. It also has perfect pacing, tons of violence, and reads so quickly and easily that it’s an afternoon treat.
Highly recommend horror fans check out The Sick House. Great, fun read.
My favorite part of The Sick House was without a doubt the family’s dialogue and relationships. The bonds between them felt so real and the quips were exactly the type of thing you’re liable to hear at my house. It made me instantly get attached to all of the characters, and that carried me easily through the book. On the flip side, though, I didn’t like that Gina was also very mouthy. I felt like it would have made the family feel a bit more special if Strand had restrained the banter to just them.
I did like Gina, though. She reminded me very much of the character Gina Silvers from the Amazon series Just Add Magic. (Yes, that’s a kid show, but if you’ve ever watched Just Add Magic, you could totally see her pulling the stunts that happen in The Sick House.) I won’t say more because I don’t want to spoil any of it for readers.
A family that I can root for, a house that’s got a serious ‘something’s fishy’ vibe, and the grossness that ensues almost as soon as they move in makes for a lovely read. Well, lovely in an aspect that horror fans will understand at least. Jeff Strand has a talent for descriptions that set the scene perfectly without going into unneeded oodles of detail. It also has perfect pacing, tons of violence, and reads so quickly and easily that it’s an afternoon treat.
Highly recommend horror fans check out The Sick House. Great, fun read.
Phillip McSween (751 KP) rated Revenge of the Nerds (1984) in Movies
Mar 20, 2018
Solid Fun
A fraternity of nerds decide to exact revenge on the jocks that are constantly tormenting them. It's nerds getting revenge. Revenge of the Nerds. A title that says, "Don't think about it. Just enjoy it."
It's tiring watching these nerds get abused constantly. After a constant barrage of douchery by the jocks, you feel empowered when the nerds FINALLY decide to rise up. Everything that happens leading up to that is somewhat frustrating. It throws off the tone a bit for me. You're supposed to be laughing, but you can't help but feel bad for these guys.
Before I venture any further, this has to be said: Lamar (Larry B. Scott) is the absolute best. He was, by far, the scene stealer of the movie. I love characters that can make you crack up with just a few words and mannerisms. He won me over well before the classic limp javelin scene.
That scene is one of quite a few hilarious moments throughout Revenge. When the nerds are together, you never know what will transpire as they all have different personalities and come from different walks of life. Booger (Curtis Armstrong) is a disgusting pig of an outcast who got his name honestly. Takashi (Brian Tochi) speaks bad English and knows little about American culture. Their interaction during a game of cards produced a scene to remember. "What the fuck is a frush?"
It doesn't take long for you to get behind all of these characters and root for their success. And while I can't quite label it as a classic, Revenge of the Nerds is definitely one I can watch multiple times. The plot is implausible and it reaches in parts, but what it lacks in certain areas it makes up for with a solid message that hits on how we should treat people that aren't the same as us.
Liked it, didn't love it. I give it a solid 72.
It's tiring watching these nerds get abused constantly. After a constant barrage of douchery by the jocks, you feel empowered when the nerds FINALLY decide to rise up. Everything that happens leading up to that is somewhat frustrating. It throws off the tone a bit for me. You're supposed to be laughing, but you can't help but feel bad for these guys.
Before I venture any further, this has to be said: Lamar (Larry B. Scott) is the absolute best. He was, by far, the scene stealer of the movie. I love characters that can make you crack up with just a few words and mannerisms. He won me over well before the classic limp javelin scene.
That scene is one of quite a few hilarious moments throughout Revenge. When the nerds are together, you never know what will transpire as they all have different personalities and come from different walks of life. Booger (Curtis Armstrong) is a disgusting pig of an outcast who got his name honestly. Takashi (Brian Tochi) speaks bad English and knows little about American culture. Their interaction during a game of cards produced a scene to remember. "What the fuck is a frush?"
It doesn't take long for you to get behind all of these characters and root for their success. And while I can't quite label it as a classic, Revenge of the Nerds is definitely one I can watch multiple times. The plot is implausible and it reaches in parts, but what it lacks in certain areas it makes up for with a solid message that hits on how we should treat people that aren't the same as us.
Liked it, didn't love it. I give it a solid 72.
Phillip McSween (751 KP) rated Jumanji: Welcome to the Jungle (2017) in Movies
Feb 24, 2018 (Updated Feb 24, 2018)
Jumanji: Welcome to the Jungle is a solid film-going experience, albeit a little cheesy at times. While its overdone ending keeps it just short of a being an action/adventure classic, I have to say I was impressed with how well they were able to take the source material of the original and truly make it something entirely new. In this newer version of the remake, four kids in detention get trapped inside a video game and have to play their way out. They are eached armed with a set of "lives" and, just like in a game, losing lives brings you closer to losing everything. They must rely on the skills of their avatars to traverse the dangerous jungle terrain.
Jumanji gives you conventional funny meaning it's not going to be one of those films where you spend half of it doubled over in laughter. When it comes to characteristics of a solid film, however, the film checks all the boxes. Solid, hilarious characters that make it easy to root for them. The Bethany/Jack Black role alone was enough to keep a smile on my face for the majority of the movie. He is the ringleader in a lot of the hilarious moments, but the other stars (Dwayne Johnson, Kevin Hart) provide plenty of comedy as well. While the comedy isn't side-splitting, I give it it's due respect for being consistent. A solid, flowing story gets the same recognition as it never lingers in one spot for too long. The action does a good job of connecting plot points while not being overbearing.
I thought that by the time I finally got around to writing this, I would be recommending Jumanji for a home viewing. However, due to some great box office success, it's still kicking in theaters. So....go see it if you haven't already! I give it a solid 90.
Jumanji gives you conventional funny meaning it's not going to be one of those films where you spend half of it doubled over in laughter. When it comes to characteristics of a solid film, however, the film checks all the boxes. Solid, hilarious characters that make it easy to root for them. The Bethany/Jack Black role alone was enough to keep a smile on my face for the majority of the movie. He is the ringleader in a lot of the hilarious moments, but the other stars (Dwayne Johnson, Kevin Hart) provide plenty of comedy as well. While the comedy isn't side-splitting, I give it it's due respect for being consistent. A solid, flowing story gets the same recognition as it never lingers in one spot for too long. The action does a good job of connecting plot points while not being overbearing.
I thought that by the time I finally got around to writing this, I would be recommending Jumanji for a home viewing. However, due to some great box office success, it's still kicking in theaters. So....go see it if you haven't already! I give it a solid 90.
Erika Kehlet (21 KP) rated The Library at Mount Char in Books
Feb 19, 2018
Every now and then I see a cover and / or book title so frequently that I decide I have to read it, even if i have only the vaguest idea what it might be about. That was the case with The Library at Mount Char. I'm glad I didn't read any reviews or dig too deep before starting this one, or I might have passed. I don't usually go for excessive violence and gore, but sometimes a story is so well-told that I find it worth cringing through to read it. The Library at Mount Char was definitely worth the cringing!
The characters and situations in this story were so unique and yet believable, that I had a hard time putting the book down. Mr. Hawkins also must have a somewhat twisted sense of humor. I don't know if I was supposed to be laughing, but there is a scene involving a character named Steve and 2 lions that had me chuckling out loud. I was also pleased at how in-the-dark he manages to keep the reader, and how much fun it was figuring out what was actually going on as the story progressed. While I can't say that I was particularly fond of any of the characters, it was hard not to root for Carolyn, at least to a degree, and to cheer as some others finally got their comeuppances. I do hope that there will be a second book coming sometime in the future. While not a cliff-hanger by any means, it does end in such a way that the story could be continued.
If the gore and language don't bother you, I would definitely recommend this one!
Warnings: This book is full of graphic violence and gore including, on occasion, sexual violence. It also includes large quantities of graphic language. It is NOT a kids' book.
NOTE: I received a free digital copy of this book from NetGalley in exchange for my honest review.
The characters and situations in this story were so unique and yet believable, that I had a hard time putting the book down. Mr. Hawkins also must have a somewhat twisted sense of humor. I don't know if I was supposed to be laughing, but there is a scene involving a character named Steve and 2 lions that had me chuckling out loud. I was also pleased at how in-the-dark he manages to keep the reader, and how much fun it was figuring out what was actually going on as the story progressed. While I can't say that I was particularly fond of any of the characters, it was hard not to root for Carolyn, at least to a degree, and to cheer as some others finally got their comeuppances. I do hope that there will be a second book coming sometime in the future. While not a cliff-hanger by any means, it does end in such a way that the story could be continued.
If the gore and language don't bother you, I would definitely recommend this one!
Warnings: This book is full of graphic violence and gore including, on occasion, sexual violence. It also includes large quantities of graphic language. It is NOT a kids' book.
NOTE: I received a free digital copy of this book from NetGalley in exchange for my honest review.
Erika Kehlet (21 KP) rated A Palette for Murder (Lana Davis Mystery #1) in Books
Feb 21, 2018
When Lana Davis, an insurance adjuster from LA, heads to Santa Fe to find a missing heir, she gets more than she bargained for. Her investigation takes her deep into Santa Fes art scene, where she finds forgery, murder, and temporary employment.
The story starts off slow, but once Lana makes it to Santa Fe the action, and the pace of the story, pick up. The search for Antonio Lefty Sanchez, a clients beneficiary, takes Lana to several galleries where Lefty was employed doing odd jobs. One of the gallery owners decides that an insurance investigator isnt that far from private detective, and asks Lana to track down a missing painting and in so doing, save her gallery. While Lanas main focus in Santa Fe should have been to track down Lefty Sanchez for the employer who is paying her expenses, she devotes most of her time and attention to her investigation of the missing artwork. The two mysteries eventually start to intertwine though, and there are enough suspects and red herrings to keep you guessing as to who has done what.
While they mystery itself is well plotted and enjoyable, the characters fell flat for me. I didnt feel any emotional connection with the main character, or see any real conflict in her decision making process. Lana displays the same lack of commitment to her new part time job as she did to her original job, and I found her indifference off-putting. I prefer a heroine that I care about and can root for, or a main character that I can despise, but Lana was neither of these. With a little more character development this could turn into a good series though, so Id be willing to give Lana one more try.
<i>NOTE: While I received a copy of the book and was compensated for my review, this in no way influenced my opinion or rating of the book.</i>
The story starts off slow, but once Lana makes it to Santa Fe the action, and the pace of the story, pick up. The search for Antonio Lefty Sanchez, a clients beneficiary, takes Lana to several galleries where Lefty was employed doing odd jobs. One of the gallery owners decides that an insurance investigator isnt that far from private detective, and asks Lana to track down a missing painting and in so doing, save her gallery. While Lanas main focus in Santa Fe should have been to track down Lefty Sanchez for the employer who is paying her expenses, she devotes most of her time and attention to her investigation of the missing artwork. The two mysteries eventually start to intertwine though, and there are enough suspects and red herrings to keep you guessing as to who has done what.
While they mystery itself is well plotted and enjoyable, the characters fell flat for me. I didnt feel any emotional connection with the main character, or see any real conflict in her decision making process. Lana displays the same lack of commitment to her new part time job as she did to her original job, and I found her indifference off-putting. I prefer a heroine that I care about and can root for, or a main character that I can despise, but Lana was neither of these. With a little more character development this could turn into a good series though, so Id be willing to give Lana one more try.
<i>NOTE: While I received a copy of the book and was compensated for my review, this in no way influenced my opinion or rating of the book.</i>
LeftSideCut (3776 KP) rated Cult Of Chucky (2017) in Movies
Jan 7, 2020 (Updated Jan 22, 2020)
Honestly - I genuinely enjoyed Cult of Chucky. Is it a guilty pleasure? Perhaps, but not as much as some of the other films in the franchise.
There are a few thing that set it apart from the others though - the way the whole thing is shot for a start. Don Mancini captures multiple great and memorable shots throughout (even verging on arty sometimes!) and his use of minimal colours and clinical white settings give it a very stand-out look when compared to the rest of the series. It also makes for some striking visuals when all the violence kicks off in the second half of the movie.
Here's another way it stands out - Cult of Chucky is easily the most gory Child's Play entry, making use of both great practical effects and questionable CGI to get the job done, but it ultimately achieves what it sets out to do.
That gore factor carries an element of horror with it, and Mancini is keen to prove that Chucky is way past the hammier Bride and Seed days.
The main human cast are pretty run of the mill, with exception of Fiona Dourif, once again, a really likable protagonist who is easy to root for.
In terms of pacing, Cult has a pretty slow building first half, but it's not much of a problem, as the closing half is just flat out ridiculous, to the point where it's hugely entertaining.
Throw in some solid links to characters from the original trilogy (with the same damn actors no less!) and you have a mostly decent slice of silly horror fun.
If the original Child's Play franchise indeed comes to a close with Cult, then it can be comfortable in the fact that's it bowed out nicely, although I do hope there's more to come.
I can just about found a handful of things to like about every film in the series (except Child's Play 3, fuck that film) so it would be a damn shame to.not see where the story goes.
There are a few thing that set it apart from the others though - the way the whole thing is shot for a start. Don Mancini captures multiple great and memorable shots throughout (even verging on arty sometimes!) and his use of minimal colours and clinical white settings give it a very stand-out look when compared to the rest of the series. It also makes for some striking visuals when all the violence kicks off in the second half of the movie.
Here's another way it stands out - Cult of Chucky is easily the most gory Child's Play entry, making use of both great practical effects and questionable CGI to get the job done, but it ultimately achieves what it sets out to do.
That gore factor carries an element of horror with it, and Mancini is keen to prove that Chucky is way past the hammier Bride and Seed days.
The main human cast are pretty run of the mill, with exception of Fiona Dourif, once again, a really likable protagonist who is easy to root for.
In terms of pacing, Cult has a pretty slow building first half, but it's not much of a problem, as the closing half is just flat out ridiculous, to the point where it's hugely entertaining.
Throw in some solid links to characters from the original trilogy (with the same damn actors no less!) and you have a mostly decent slice of silly horror fun.
If the original Child's Play franchise indeed comes to a close with Cult, then it can be comfortable in the fact that's it bowed out nicely, although I do hope there's more to come.
I can just about found a handful of things to like about every film in the series (except Child's Play 3, fuck that film) so it would be a damn shame to.not see where the story goes.