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Sarah (7800 KP) rated The ‘86 Fix in Books
Aug 22, 2020
Couldn’t put it down
Don’t you love it when you pick up a book that sounds good but you have little expectations of, and get completely blown away. This is what The ‘86 Fix did for me.
To start, this is not a massively sci-fi centric novel despite featuring time travel. The time travel element is almost secondary to the drama and humour that form the main plot of Craig Pelling’s life. In a book where the main plot device (the time travel) doesn’t feature until half way through, you’d be forgiven for expecting to be bored senseless by then but this really isn’t the case. This is mainly because Craig and his life is fascinating. Craig isn’t your usual protagonist - he’s flawed, living a dead end existence and feels just like your average Joe and you can’t help but root for him. It’s intriguing to read about him, his life and his relationships and by the time the time travel element happens, you’re very much invested in Craig and are cheering for him to make amends to his life via his past experiences. It’s all rather heartwarming and quite funny at times too, and it’s so well written.
And then the ending happens. I can’t lie, I was torn between crying and screaming in frustration by the time I reached the end of the book. Not because it was bad, but because I just didn’t see the ending coming and without spoilers, it’s not quite the ending you’d expect or want for a character you’ve been rooting for over the entire book. Despite my frustrations though, it was a surprising ending and enjoyable - I’m so glad the sequel is readily available as I can’t not jump right into it now as I really need to find out what happens to Craig.
This book reminds me a lot of The First Fifteen Lives of Harry August as that’s another of my favourites too and has a similar drama/sci-if vibe, and I’d definitely recommend The ‘86 Fix if you’ve ever read Harry August (or even if you haven’t).
To start, this is not a massively sci-fi centric novel despite featuring time travel. The time travel element is almost secondary to the drama and humour that form the main plot of Craig Pelling’s life. In a book where the main plot device (the time travel) doesn’t feature until half way through, you’d be forgiven for expecting to be bored senseless by then but this really isn’t the case. This is mainly because Craig and his life is fascinating. Craig isn’t your usual protagonist - he’s flawed, living a dead end existence and feels just like your average Joe and you can’t help but root for him. It’s intriguing to read about him, his life and his relationships and by the time the time travel element happens, you’re very much invested in Craig and are cheering for him to make amends to his life via his past experiences. It’s all rather heartwarming and quite funny at times too, and it’s so well written.
And then the ending happens. I can’t lie, I was torn between crying and screaming in frustration by the time I reached the end of the book. Not because it was bad, but because I just didn’t see the ending coming and without spoilers, it’s not quite the ending you’d expect or want for a character you’ve been rooting for over the entire book. Despite my frustrations though, it was a surprising ending and enjoyable - I’m so glad the sequel is readily available as I can’t not jump right into it now as I really need to find out what happens to Craig.
This book reminds me a lot of The First Fifteen Lives of Harry August as that’s another of my favourites too and has a similar drama/sci-if vibe, and I’d definitely recommend The ‘86 Fix if you’ve ever read Harry August (or even if you haven’t).
BankofMarquis (1832 KP) rated The Iron Giant (1999) in Movies
Jun 14, 2020
A Warm Tale of Friendship
In the 1990's, it was rare for a studio besides Disney to release an animated film. So when Warner Brothers (home of Bugs Bunny) decided to release an animated film, everyone expected it to be some sort of "Looney Tunes" and were sorely disappointed when it was not.
And that is too bad...for the film that was released - THE IRON GIANT - is a wonderfully warm and heartwarming tale of friendship, acceptance and, yes, intolerance of those different from you, set against the backdrop of the Cold War of the 1950's.
Marking the full length feature animation Directing debut by Brad Bird (THE INCREDIBLES), THE IRON GIANT tells the tale of young Hogarth, who finds a...well...Iron Giant... who has fallen to Earth from Outer Space. Hogarth befriends The Iron Giant and helps to hide him from Military-types who see this as a threat to the safety, security and superiority of the United States.
Featuring the vocal talents of Jennifer Aniston, John Mahoney, Harry Connick, Jr., Christopher McDonald and Eli Marienthal (as Hogarth), this film is warm and inviting, showing "good characters" that you want to root for and spend time with spar with "bad guys" that you want to see defeated. All of this over a character that is naive to what is going on around him. Special notice should be made of Vin Diesel's vocal work as The Iron Giant. He says very few things, but the words that he does say, convey strong emotions.
You can see the seeds of THE INCREDIBLES in this work of Director Bird. The action sequences are fun and effective and are off-set by slower, more personal, scenes of the characters getting to know - and interact with - each other. He shows a deft touch in balancing these items, finding the right amount of pathos and pace throughout.
The main themes in this film - fearing that which you do not know/do not care to understand resonates to this day and is a reminder that kindness can go much further than fear/ignorance/intolerance.
Letter Grade: A-
8 stars (out of 10) and you can take that to the Bank(ofMarquis)
And that is too bad...for the film that was released - THE IRON GIANT - is a wonderfully warm and heartwarming tale of friendship, acceptance and, yes, intolerance of those different from you, set against the backdrop of the Cold War of the 1950's.
Marking the full length feature animation Directing debut by Brad Bird (THE INCREDIBLES), THE IRON GIANT tells the tale of young Hogarth, who finds a...well...Iron Giant... who has fallen to Earth from Outer Space. Hogarth befriends The Iron Giant and helps to hide him from Military-types who see this as a threat to the safety, security and superiority of the United States.
Featuring the vocal talents of Jennifer Aniston, John Mahoney, Harry Connick, Jr., Christopher McDonald and Eli Marienthal (as Hogarth), this film is warm and inviting, showing "good characters" that you want to root for and spend time with spar with "bad guys" that you want to see defeated. All of this over a character that is naive to what is going on around him. Special notice should be made of Vin Diesel's vocal work as The Iron Giant. He says very few things, but the words that he does say, convey strong emotions.
You can see the seeds of THE INCREDIBLES in this work of Director Bird. The action sequences are fun and effective and are off-set by slower, more personal, scenes of the characters getting to know - and interact with - each other. He shows a deft touch in balancing these items, finding the right amount of pathos and pace throughout.
The main themes in this film - fearing that which you do not know/do not care to understand resonates to this day and is a reminder that kindness can go much further than fear/ignorance/intolerance.
Letter Grade: A-
8 stars (out of 10) and you can take that to the Bank(ofMarquis)
Kristy H (1252 KP) rated Four Days of You and Me in Books
May 7, 2020
I hate writing less-than-positive reviews, especially for authors I typically enjoy, but this book was not a favorite of mine. It's told across Lulu and Alex's four class trips (one per year) with flashbacks to other times. I simply could not warm up to Lulu or Alex. Honestly, of the two, I probably liked him better, but we don't hear his side. It took nearly half the book for the story to engage me even a little bit, and I thought about giving up, but for some reason, I have a tough time just stopping a book.
Now, I read YA a ton, so it's not that I don't enjoy YA novels. I read one right after this and *loved* it. But I found this story way too simplistic, and I feel like teens would too. There is so much better YA out there--for all of us. The book just felt simplistic in its writing and the "will they / won't they" storyline was boring. I did not care if they did or not. Honestly, there was a side plot about Lulu's gay best friend Max that was much more interesting--I would have rather read about him!
Supposedly Lulu is an artist/writer and that's her thing, but that felt forced. Mostly, the book felt about a girl (and her friends) all trying to find boys to like (and like them back). That's what they cared about and talked about. I felt no huge connection between Alex and Lulu and hence no reason to root for them to choose each other. They didn't feel destined for one other, as most couples do in a good romance. The story does pick up a bit near the end, but by then, I just felt burned out.
So maybe this story would resonate a bit more with a teen set (and it should be an older teen set, due to language and themes), but there are a lot of other better books out there. Now, others seem to enjoy this more than me, so maybe I just got caught in a bad mood. 2.5 stars for me, though.
Now, I read YA a ton, so it's not that I don't enjoy YA novels. I read one right after this and *loved* it. But I found this story way too simplistic, and I feel like teens would too. There is so much better YA out there--for all of us. The book just felt simplistic in its writing and the "will they / won't they" storyline was boring. I did not care if they did or not. Honestly, there was a side plot about Lulu's gay best friend Max that was much more interesting--I would have rather read about him!
Supposedly Lulu is an artist/writer and that's her thing, but that felt forced. Mostly, the book felt about a girl (and her friends) all trying to find boys to like (and like them back). That's what they cared about and talked about. I felt no huge connection between Alex and Lulu and hence no reason to root for them to choose each other. They didn't feel destined for one other, as most couples do in a good romance. The story does pick up a bit near the end, but by then, I just felt burned out.
So maybe this story would resonate a bit more with a teen set (and it should be an older teen set, due to language and themes), but there are a lot of other better books out there. Now, others seem to enjoy this more than me, so maybe I just got caught in a bad mood. 2.5 stars for me, though.
Beneath the Mountain: A Novel
Book
In Luca D’Andrea’s atmospheric and brilliant thriller, set in a small mountain community in the...
suspense thriller
DaveySmithy (107 KP) rated Twisters (2024) in Movies
Dec 4, 2024
A Solid Sequel That Doesn’t Fully Capture the Storm
As a long-time fan of the original Twister (1996), I went into Twisters (2024) with a mix of excitement and trepidation. How could this sequel live up to the raw, chaotic energy of its predecessor, a film that turned storm chasing into an adrenaline-fueled spectacle? The answer, for better or worse, is that it doesn’t quite match it, but it does enough to stand on its own.
Let’s start with what works. The visual effects are undeniably stunning. The tornadoes in this film are some of the most terrifyingly realistic I’ve ever seen on screen. They’re bigger, meaner, and more chaotic than ever, and the sequences where characters are caught in their destructive path are genuinely breathtaking. If you go into Twisters just wanting jaw-dropping destruction, you won’t be disappointed.
The cast also delivers solid performances. Daisy Edgar-Jones brings a grounded vulnerability to her role as a young meteorologist trying to prove herself, while Glen Powell’s charismatic storm chaser injects some much-needed levity into the film. Their chemistry isn’t groundbreaking, but it’s believable enough to keep the human drama engaging.
However, where Twisters falters is in its attempt to replicate the heart of the original. The 1996 film had a quirky charm and a ragtag group of storm chasers you couldn’t help but root for. In contrast, the characters here feel a bit more polished and conventional, and the film takes itself too seriously at times. It’s missing some of the playful chaos and oddball humor that made the original so endearing.
The plot, while serviceable, is also a bit formulaic. The stakes are high, but the story doesn’t take many risks, and it occasionally leans too heavily on nostalgia. I couldn’t help but feel that some moments—especially the callbacks to the original—were more about fan service than moving the story forward.
That said, Twisters does succeed as a modern disaster movie. It’s thrilling, visually spectacular, and worth seeing on a big screen. While it doesn’t quite recapture the magic of its predecessor, it’s an enjoyable
Let’s start with what works. The visual effects are undeniably stunning. The tornadoes in this film are some of the most terrifyingly realistic I’ve ever seen on screen. They’re bigger, meaner, and more chaotic than ever, and the sequences where characters are caught in their destructive path are genuinely breathtaking. If you go into Twisters just wanting jaw-dropping destruction, you won’t be disappointed.
The cast also delivers solid performances. Daisy Edgar-Jones brings a grounded vulnerability to her role as a young meteorologist trying to prove herself, while Glen Powell’s charismatic storm chaser injects some much-needed levity into the film. Their chemistry isn’t groundbreaking, but it’s believable enough to keep the human drama engaging.
However, where Twisters falters is in its attempt to replicate the heart of the original. The 1996 film had a quirky charm and a ragtag group of storm chasers you couldn’t help but root for. In contrast, the characters here feel a bit more polished and conventional, and the film takes itself too seriously at times. It’s missing some of the playful chaos and oddball humor that made the original so endearing.
The plot, while serviceable, is also a bit formulaic. The stakes are high, but the story doesn’t take many risks, and it occasionally leans too heavily on nostalgia. I couldn’t help but feel that some moments—especially the callbacks to the original—were more about fan service than moving the story forward.
That said, Twisters does succeed as a modern disaster movie. It’s thrilling, visually spectacular, and worth seeing on a big screen. While it doesn’t quite recapture the magic of its predecessor, it’s an enjoyable
Hazel (1853 KP) rated Mr. Deathmask in Books
Oct 1, 2017
Slightly sadistic
This book was sent to me by the author in exchange for an honest review.
A satanic cult, an angel, a ghost, and lots of murder, Mr. Deathmask is a novel like none other. Horror-novelist Lee McGeorge has created a character that blurs the lines between good and evil. Members of a satanic cult in the heart of London are slowly being killed off one-by-one by a mysterious figure going by the name of Mr Deathmask. The murders shock the community, not only in their brutality but because the worshippers of the “one true Lord” should not be able to be harmed by another living being.
Mr Deathmask, so named for collecting the death masks of his victims, is a man with superhuman strength who is believed to be a “son of light”, i.e. an angel. Accompanied by a ghost of a girl, Magdalena, he plans to seek out and destroy the satanic cult before they can raise the son of the devil.
To begin with, it is not easy to differentiate between the good and the bad. On one side is the anonymous murderer, and the other, the perverted and barbaric sect with unearthly powers. But once innocent lives get tangled up in the violent fiasco, it is clear whom the readers are expected to root for.
Hiding behind the façade of doctors and other professionals in the public sector, the cult easily preys on vulnerable people, resorting to sickening methods to satisfy their abominable desires. Difficult as it is to read about these vile deeds, Mr. Deathmask becomes gripping, the race is on to prevent unnecessary death and get revenge for something that happened centuries ago.
Mr. Deathmask is not for the delicate-minded individual due to its violent and sexual nature. Plenty of expletives and foul terminology make up the narrative, which, although is to be expected in this nature of novel, is not the easiest story to stomach.
Unlike previous books with heavy themes or social connotations, Lee McGeorge has penned Mr. Deathmask as a form of entertainment rather than to challenge morals and judgement of his readers. However, it still has its fair share of shock tactics to keep the story going. It will certainly entertain fans of the author and the genre.
A satanic cult, an angel, a ghost, and lots of murder, Mr. Deathmask is a novel like none other. Horror-novelist Lee McGeorge has created a character that blurs the lines between good and evil. Members of a satanic cult in the heart of London are slowly being killed off one-by-one by a mysterious figure going by the name of Mr Deathmask. The murders shock the community, not only in their brutality but because the worshippers of the “one true Lord” should not be able to be harmed by another living being.
Mr Deathmask, so named for collecting the death masks of his victims, is a man with superhuman strength who is believed to be a “son of light”, i.e. an angel. Accompanied by a ghost of a girl, Magdalena, he plans to seek out and destroy the satanic cult before they can raise the son of the devil.
To begin with, it is not easy to differentiate between the good and the bad. On one side is the anonymous murderer, and the other, the perverted and barbaric sect with unearthly powers. But once innocent lives get tangled up in the violent fiasco, it is clear whom the readers are expected to root for.
Hiding behind the façade of doctors and other professionals in the public sector, the cult easily preys on vulnerable people, resorting to sickening methods to satisfy their abominable desires. Difficult as it is to read about these vile deeds, Mr. Deathmask becomes gripping, the race is on to prevent unnecessary death and get revenge for something that happened centuries ago.
Mr. Deathmask is not for the delicate-minded individual due to its violent and sexual nature. Plenty of expletives and foul terminology make up the narrative, which, although is to be expected in this nature of novel, is not the easiest story to stomach.
Unlike previous books with heavy themes or social connotations, Lee McGeorge has penned Mr. Deathmask as a form of entertainment rather than to challenge morals and judgement of his readers. However, it still has its fair share of shock tactics to keep the story going. It will certainly entertain fans of the author and the genre.
Phillip McSween (751 KP) rated Cinderella Man (2005) in Movies
Jan 15, 2018
Classic
Cinderella Man is one of those films where I ask myself, "Why in the world has it taken me thirteen years to watch this?" It could be the fact that I've never had a strong love for films based on true stories or that I'm all binged out on boxing movies. Whatever the case may be, I'm glad Movies 365 has brought this film into my life and now into my heart.
There's so much to like about the movie, I'm not even sure where to start. Maybe Paul Giamati giving the performance of his life as trainer Joe Gould? Talk about playing a fabulous role. He's brash and straightforward, yet full of heart. He's not a fighter, but will go toe-to-toe with anyone to protect the people he cares about. Outshining him, however, is a stellar lead performance by legend Russell Crowe playing man of the hour James Braddock. Crowe makes you feel this guy, makes you love him. In one of the early scenes where Braddock gives his entire breakfast to his starving daughter before leaving for a strenuous day of work, you quickly realize that this is a guy you want to get behind and root for.
In the same vein, kudos to Ron Howard for using the source material to flesh out the stakes. The story could have just as easily been about a man trying to get back into boxing, but he made it about a man trying to feed his family and survive. It's painful to watch at times, but necessary. If you're not the least bit inspired after viewing this film, I don't know what will do it for you.
Howard also succeeds with excellent pace management. Seamless cuts between fights keep the action fresh and the viewer engaged. You don't get a whole lot of time to catch your breath. The cinematics are shot in a way that's gritty and real, beyond fitting for the Great Depression era when the film takes place.
Other than me almost going hoarse from screaming at the screen so much, I can't find many flaws with the film (hiccups, nothing major). I challenge you not to love this film about an aging boxer that just wants to keep his family alive. I give Cinderella Man a 95.
There's so much to like about the movie, I'm not even sure where to start. Maybe Paul Giamati giving the performance of his life as trainer Joe Gould? Talk about playing a fabulous role. He's brash and straightforward, yet full of heart. He's not a fighter, but will go toe-to-toe with anyone to protect the people he cares about. Outshining him, however, is a stellar lead performance by legend Russell Crowe playing man of the hour James Braddock. Crowe makes you feel this guy, makes you love him. In one of the early scenes where Braddock gives his entire breakfast to his starving daughter before leaving for a strenuous day of work, you quickly realize that this is a guy you want to get behind and root for.
In the same vein, kudos to Ron Howard for using the source material to flesh out the stakes. The story could have just as easily been about a man trying to get back into boxing, but he made it about a man trying to feed his family and survive. It's painful to watch at times, but necessary. If you're not the least bit inspired after viewing this film, I don't know what will do it for you.
Howard also succeeds with excellent pace management. Seamless cuts between fights keep the action fresh and the viewer engaged. You don't get a whole lot of time to catch your breath. The cinematics are shot in a way that's gritty and real, beyond fitting for the Great Depression era when the film takes place.
Other than me almost going hoarse from screaming at the screen so much, I can't find many flaws with the film (hiccups, nothing major). I challenge you not to love this film about an aging boxer that just wants to keep his family alive. I give Cinderella Man a 95.
Goddess in the Stacks (553 KP) rated Backyard Harvest in Books
Sep 8, 2017
An indispensable guide for the beginning gardener
Backyard Harvest is set up by months, which makes for a unique and absolutely essential (to me, a beginner) book. In every month, it tells you what you should be eating (provided you had planted it previously!), what you should be planting, what you should be pruning or transplanting or otherwise working on, and usually a few pages on a seasonal-appropriate subject. (A section on apples and apple trees in November, for example.) The layout is gorgeous, the instructions are easy to understand, and I feel like after a few years of following this book I’ll be eating from my garden every month of the year with ease.
For January, for example, if I had these things planted, harvested, or stored from last year, I should be eating pickles, stored root veggies, newly lifted Salsify, forced Belgian Endive, and winter radishes, among other tasty-looking things. I should be sowing (indoors, to transplant after the last frost) early-season leeks, summer onions, lettuce, broad beans, cut-and-come-again greens, and early peas and radishes. For tending, I should be amending my soil, keeping an eye on my stored fruits and veggies for signs of rot, pruning some of my fruit trees, and picking up fallen leaves from hardy winter brassicas so they don’t cause rot at the base of the plants. The feature for the month is building a seedbed, both raised and non. In January I should be harvesting celeriac, early broccoli, the aforementioned Belgian Endive, and spring greens. Another feature for the month is sprouting seeds for use in salads. Each of these categories gets its own two-page spread, the monthly features occasionally getting four or more.
It’s a lovely, really useful book, and one I HAD to own after getting it from the library. It will be getting heavy use in the coming months, I’m sure!
Whittingham has written or co-written three other books – Vegetable Gardening and Grow Vegetables before this book, and Simple Steps to Success: Fruit and Vegetables in Pots after. The latter appears to be a combination of the first two in a new format, but I could be wrong. So I’m not sure I’d recommend any of those three – I haven’t read them – but Backyard Harvest is awesome!
You can find all my reviews at http://goddessinthestacks.wordpress.com
For January, for example, if I had these things planted, harvested, or stored from last year, I should be eating pickles, stored root veggies, newly lifted Salsify, forced Belgian Endive, and winter radishes, among other tasty-looking things. I should be sowing (indoors, to transplant after the last frost) early-season leeks, summer onions, lettuce, broad beans, cut-and-come-again greens, and early peas and radishes. For tending, I should be amending my soil, keeping an eye on my stored fruits and veggies for signs of rot, pruning some of my fruit trees, and picking up fallen leaves from hardy winter brassicas so they don’t cause rot at the base of the plants. The feature for the month is building a seedbed, both raised and non. In January I should be harvesting celeriac, early broccoli, the aforementioned Belgian Endive, and spring greens. Another feature for the month is sprouting seeds for use in salads. Each of these categories gets its own two-page spread, the monthly features occasionally getting four or more.
It’s a lovely, really useful book, and one I HAD to own after getting it from the library. It will be getting heavy use in the coming months, I’m sure!
Whittingham has written or co-written three other books – Vegetable Gardening and Grow Vegetables before this book, and Simple Steps to Success: Fruit and Vegetables in Pots after. The latter appears to be a combination of the first two in a new format, but I could be wrong. So I’m not sure I’d recommend any of those three – I haven’t read them – but Backyard Harvest is awesome!
You can find all my reviews at http://goddessinthestacks.wordpress.com
Kristy H (1252 KP) rated The Line That Held Us in Books
Mar 18, 2019
Brutal read with gorgeous storytelling & complex characters
Darl Moody has been after this infamous giant buck for years. So when he hears his neighbor has gone away for a week, he takes the opportunity to go hunting--off-season and illegally--on his land. But Darl never imagined it would end like this: it isn't the buck he kills, it's Carol Brewer, a member of a local family known for violence and hatred. Scared and panicked, Darl turns to his best friend, Calvin Hooper, for help. But when Carol remains missing and his brother Dwayne comes looking for him, the clues quickly point to Darl and Calvin. And Dwayne is looking for vengeance--and someone's blood.
"There were some things worth dying for and some things worth killing for and some things could make a man do all sorts of things he never knew he was capable of until the time came to do them."
Well, this was a dark story about morality and humanity that drew me in to its twisted world immediately. I've never read a book by David Joy before, but wow, he can really write. There's almost a lyrical, poetic manner to the way he puts his words together, which stands in stark contrast to the gruesome tale he tells. Believe me, this isn't a book for the faint of heart. If you're easily offended by gore, this might not be for you.
However, it's certainly an emotional story about family and friendship. I've lived in or near small towns like Darl's and Dwight's--where everyone knows everyone else and family grudges run back generations. Joy captures it perfectly. It's wonderfully descriptive and excellently written, and each of the characters stand out so well. What I found so interesting and surprising was his way of making me feel for all the characters, even though most of them were making poor decisions, even terrible ones. You can feel their conflict and emotions quite clearly.
"Things had a way of never leaving these mountains. Stories took root like everything else... Just as Dwayne told him the night before, a man's mind is its own kind of hell."
Overall, I didn't always enjoy this book, because it's a brutal read at times, but I was wowed by the writing and Joy's storytelling. The characters are complex, and the novel presents some fascinating complexities. It was an interesting and worthwhile read.
"There were some things worth dying for and some things worth killing for and some things could make a man do all sorts of things he never knew he was capable of until the time came to do them."
Well, this was a dark story about morality and humanity that drew me in to its twisted world immediately. I've never read a book by David Joy before, but wow, he can really write. There's almost a lyrical, poetic manner to the way he puts his words together, which stands in stark contrast to the gruesome tale he tells. Believe me, this isn't a book for the faint of heart. If you're easily offended by gore, this might not be for you.
However, it's certainly an emotional story about family and friendship. I've lived in or near small towns like Darl's and Dwight's--where everyone knows everyone else and family grudges run back generations. Joy captures it perfectly. It's wonderfully descriptive and excellently written, and each of the characters stand out so well. What I found so interesting and surprising was his way of making me feel for all the characters, even though most of them were making poor decisions, even terrible ones. You can feel their conflict and emotions quite clearly.
"Things had a way of never leaving these mountains. Stories took root like everything else... Just as Dwayne told him the night before, a man's mind is its own kind of hell."
Overall, I didn't always enjoy this book, because it's a brutal read at times, but I was wowed by the writing and Joy's storytelling. The characters are complex, and the novel presents some fascinating complexities. It was an interesting and worthwhile read.
Kristy H (1252 KP) rated Don't Wake Up: A Shocking and Compelling New Thriller That You Will Not be Able to Put Down! in Books
Apr 4, 2019 (Updated Apr 8, 2019)
Definitely a page-turner
This was one of those books that I won on Librarything and then totally enjoyed being introduced to a new author. It was a little wild and crazy in places, but it kept me engrossed and reading, which I really appreciated. I was amazed that absolutely no one seemed to believe Alex: I understand that she had no real evidence to back up her story, but it seemed tragic to me how quickly her friends and family abandoned her to sadness and despair.
I wasn't sure I would like this book at first, because I'm not a huge fan of the unreliable narrator to begin with, especially the self-pitying alcoholic one, which seemed to fit Alex quite well. But, I won't lie, she definitely grew on me. This was *even with* the fact that something else had happened in Alex's life thirteen months ago--something that her friends and co-workers felt she had conflated with her "pretend attack," and everyone, including Alex, referred to incessantly. But, of course, it took forever for anyone to tell us what had actually happened, which drove me a little insane. There's dragging something out for suspense and then there's annoying your reader to no end!
However, I really enjoyed the fact that we couldn't trust any of our characters--even the policewoman investigating Alex's case, Laura Best, who was only out to further her career, not actually seek justice for Alex. My favorite character was Laura's boss, Greg Turner. He was a great detective, and I could totally root for him in his own series. Not being able to trust anybody else, though, was kind of fun. It kept me constantly guessing. The book was surprisingly compelling: truly a page-turner. There were some great twists and turns in this one. I guessed a couple of pieces, but not all of them. In the end, I stayed up late to finish this book, which is always a sign of a winner for me (my sleep is a precious commodity!).
I was impressed that this was the author's debut. I also enjoyed how it kept me madly flipping the pages, trying to figure out what happened. I see Liz Lawler has another book out now, and I'll definitely be checking that one out at some point.
I wasn't sure I would like this book at first, because I'm not a huge fan of the unreliable narrator to begin with, especially the self-pitying alcoholic one, which seemed to fit Alex quite well. But, I won't lie, she definitely grew on me. This was *even with* the fact that something else had happened in Alex's life thirteen months ago--something that her friends and co-workers felt she had conflated with her "pretend attack," and everyone, including Alex, referred to incessantly. But, of course, it took forever for anyone to tell us what had actually happened, which drove me a little insane. There's dragging something out for suspense and then there's annoying your reader to no end!
However, I really enjoyed the fact that we couldn't trust any of our characters--even the policewoman investigating Alex's case, Laura Best, who was only out to further her career, not actually seek justice for Alex. My favorite character was Laura's boss, Greg Turner. He was a great detective, and I could totally root for him in his own series. Not being able to trust anybody else, though, was kind of fun. It kept me constantly guessing. The book was surprisingly compelling: truly a page-turner. There were some great twists and turns in this one. I guessed a couple of pieces, but not all of them. In the end, I stayed up late to finish this book, which is always a sign of a winner for me (my sleep is a precious commodity!).
I was impressed that this was the author's debut. I also enjoyed how it kept me madly flipping the pages, trying to figure out what happened. I see Liz Lawler has another book out now, and I'll definitely be checking that one out at some point.
Lee (2222 KP) Sep 19, 2020