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Kevin Phillipson (9912 KP) rated Batwoman in TV
Mar 31, 2020
Writing (2 more)
Dougray Scott
Dialogue
Oh My Christ...
oh oh my word!!! The trailer for this show made me want to hurl BUT I am not one to pre judge so I knew this show had to be given at least 3 episodes.
I wish I hadn’t bothered, aside from Ruby Rose actually making some awful ham fisted dialogue work for well I can’t say to many good things.
A big mid fire for me and I won’t be continuing but I am glad to see more DC shows getting an audience on TV
I wish I hadn’t bothered, aside from Ruby Rose actually making some awful ham fisted dialogue work for well I can’t say to many good things.
A big mid fire for me and I won’t be continuing but I am glad to see more DC shows getting an audience on TV
Dylan Clites (31 KP) rated John Wick: Chapter 2 (2017) in Movies
Jun 22, 2017
Dork_knight74 (881 KP) rated Batwoman in TV
Oct 8, 2019
Not bad
This show has promise. The pilot episode had decent acting and cinematography. The fight scenes need a little tweaking, but overall not too shabby. Ruby Rose seems to play the character well(although she's a little on the skinny side for Batwoman, in my opinion). Overall though, if you're a fan, I think you'll enjoy this show. Worth a watch.
Every Sunday Marlene and her mother, Paola, go to the salon to straighten their hair so that it’s “presentable” and “good hair”. But Marlene hates being in the salon and doesn’t understand why she can’t wear her hair natural and embrace her curls. With a few missteps, and help from her best friend Camila and her Tia Ruby - Marlene slowly begins her journey to appreciate and proudly wear her curly hair.
This is a very important book for young girls out there who need to know that embracing and feeling comfortable in your natural hair is something to celebrate and show off.
Along with step-by-steps from Tia Ruby on how to take care of her hair, Marlene and her Tia also have a discussion on generation trauma and what that means and how it affects every generation. They were both important topics that I felt like were handled with care, especially for the age group this novel is aimed towards.
I loved the illustrations by Rose Rousamra, they were stunning and conveyed Marlene’s journey perfectly. The color pallet for everything was beautiful as well.
*Thank you NetGalley and First Second for a digital copy of this graphic novel in exchange for an honest review
This is a very important book for young girls out there who need to know that embracing and feeling comfortable in your natural hair is something to celebrate and show off.
Along with step-by-steps from Tia Ruby on how to take care of her hair, Marlene and her Tia also have a discussion on generation trauma and what that means and how it affects every generation. They were both important topics that I felt like were handled with care, especially for the age group this novel is aimed towards.
I loved the illustrations by Rose Rousamra, they were stunning and conveyed Marlene’s journey perfectly. The color pallet for everything was beautiful as well.
*Thank you NetGalley and First Second for a digital copy of this graphic novel in exchange for an honest review
MelanieTheresa (997 KP) rated Batwoman in TV
Dec 3, 2019 (Updated Dec 3, 2019)
This is ok, and fingers crossed 🤞 it'll get better the longer it's part of the Arrowverse. It's definitely entertaining....but some of the acting is downright terrible. I suppose it's the writing as well. Ruby Rose - I adore her face, but she has literally one facial expression and that's it. In the most recent episode, she learns something that's supposed to make her cry, and it's honestly painful watching her try to show the emotion. The best acting so far has come from Rachel Skarsten as I-know-I-should-hate-her-but-I-can't villain Alice.
Also: why does everyone know who Batwoman is? I swear every time I turn around someone else is having an "ah ha!" moment.
Kate Kane's very much in the closet former lover Sophie is probably the most annoying character on the show. Loving the next gen characters of Luke Fox and and Julia Pennyworth, and the actual Batwoman costume is pretty badass.
Also: why does everyone know who Batwoman is? I swear every time I turn around someone else is having an "ah ha!" moment.
Kate Kane's very much in the closet former lover Sophie is probably the most annoying character on the show. Loving the next gen characters of Luke Fox and and Julia Pennyworth, and the actual Batwoman costume is pretty badass.
Lee KM Pallatina (951 KP) rated SAS: Red Notice (2021) in Movies
Feb 23, 2022
Some where between James bond and ethan hunt there is growing room for another action thriller franchise and if done right... a series of SAS movies could be it.
Although the movie felt more like a 007/Die Hard mash up, there is definitely something here.
Starring Outlander actor Sam Heughan as the protagonist, the story starts of simple by introducing the antagonist portrayed by Ruby Rose (John Wick 2, OITNB) then quickly implementing further possibilities making you seek answers and guessing throughout.
Focusing on the protagonist's combat abilities to begin with then pushing forward with intensity.
As an underground train between England and France is hijacked by a familiar face , there's only one passenger ready and willing to fight back and drop e'm (inside joke haha).
The close combat and the armed combat scenes are on point, the plot was nicely played out and twists and turns were in every corner.
Not quite in the same league as die hard, lethal weapon, mission impossible etc but it's on the right track.
Although the movie felt more like a 007/Die Hard mash up, there is definitely something here.
Starring Outlander actor Sam Heughan as the protagonist, the story starts of simple by introducing the antagonist portrayed by Ruby Rose (John Wick 2, OITNB) then quickly implementing further possibilities making you seek answers and guessing throughout.
Focusing on the protagonist's combat abilities to begin with then pushing forward with intensity.
As an underground train between England and France is hijacked by a familiar face , there's only one passenger ready and willing to fight back and drop e'm (inside joke haha).
The close combat and the armed combat scenes are on point, the plot was nicely played out and twists and turns were in every corner.
Not quite in the same league as die hard, lethal weapon, mission impossible etc but it's on the right track.
BankofMarquis (1832 KP) rated CODA (2021) in Movies
Feb 25, 2022
Fairly Standard Fare
I am a film completionist, meaning I must see a film through to the end no matter what. At times, I take a break and come back to it (figuring I might not have been in the right mood for the film) but in other times, I fight through whatever emotion I am feeling (most of the time boredom) to keep focused on what the filmmakers are attempting to do in their film - and, at times, I am rewarded for this perseverance.
Such is the case with the Oscar Nominated film CODA. Written and Directed by Sian Heder (who was Oscar Nominated for her Screenplay), CODA tells the tale of Ruby who is a CODA (Child of Deaf Adults), who runs afoul of her family (especially her parents) and their expectations of her.
For the first half of this film it is pretty standard fare - one that has been shown on many, many movie screens throughout the years. Even though this one had the added “plot twist” of Ruby being able to hear while her Parents and Brothers are all deaf, the first half of this film never rose above the ordinary.
But, something happened in the 2nd half of the film, I fell in love with this family and their foibles and was rooting for them all to resolve their issues and for Ruby to get what she wanted.
Credit for this must go to Writer/Director Heder, who is not deaf, who came up with the idea/concept for the film and then felt a strong obligation to “get it right” for the deaf community. And get it right she does.
Her first good move was to cast Oscar Winner Marlee Matlin, a well known deaf performer and advocate for the Deaf Community. She brought instant credibility and star power to this film and she also insisted that the other 2 deaf characters in this film be performed by deaf performers.
Troy Kotsur is Oscar Nominated as Best Supporting Actor for his turn as Ruby’s father and he, for the first 1/2 of this film, acts in black and white - either funny (the comic relief) or angry (the drama) and I was unimpressed by him, but - just like the film - his performance gains some nuance in the 2nd half and he does have the “Oscar Moment” in this part of the movie that makes him a deserving nominee.
Emilia Jones is “just fine” in the lead role of Ruby and Daniel Durant (the other deaf actor in this film who plays her brother) and Lonnie Farmer (who plays her teacher) are also “fine”. Thank goodness we had the star wattage of Matlin to elevate the first half of the film before things got interesting - and nuanced - in the 2nd half.
Kudos to CODA for shining a light on a group that does not normally get the light shone upon it and kudos to the Academy for nominating this Sundance darling in the Best Picture category.
Letter Grade: B
7 stars (out of 10) and you can take that to the Bank(ofMarquis)
Such is the case with the Oscar Nominated film CODA. Written and Directed by Sian Heder (who was Oscar Nominated for her Screenplay), CODA tells the tale of Ruby who is a CODA (Child of Deaf Adults), who runs afoul of her family (especially her parents) and their expectations of her.
For the first half of this film it is pretty standard fare - one that has been shown on many, many movie screens throughout the years. Even though this one had the added “plot twist” of Ruby being able to hear while her Parents and Brothers are all deaf, the first half of this film never rose above the ordinary.
But, something happened in the 2nd half of the film, I fell in love with this family and their foibles and was rooting for them all to resolve their issues and for Ruby to get what she wanted.
Credit for this must go to Writer/Director Heder, who is not deaf, who came up with the idea/concept for the film and then felt a strong obligation to “get it right” for the deaf community. And get it right she does.
Her first good move was to cast Oscar Winner Marlee Matlin, a well known deaf performer and advocate for the Deaf Community. She brought instant credibility and star power to this film and she also insisted that the other 2 deaf characters in this film be performed by deaf performers.
Troy Kotsur is Oscar Nominated as Best Supporting Actor for his turn as Ruby’s father and he, for the first 1/2 of this film, acts in black and white - either funny (the comic relief) or angry (the drama) and I was unimpressed by him, but - just like the film - his performance gains some nuance in the 2nd half and he does have the “Oscar Moment” in this part of the movie that makes him a deserving nominee.
Emilia Jones is “just fine” in the lead role of Ruby and Daniel Durant (the other deaf actor in this film who plays her brother) and Lonnie Farmer (who plays her teacher) are also “fine”. Thank goodness we had the star wattage of Matlin to elevate the first half of the film before things got interesting - and nuanced - in the 2nd half.
Kudos to CODA for shining a light on a group that does not normally get the light shone upon it and kudos to the Academy for nominating this Sundance darling in the Best Picture category.
Letter Grade: B
7 stars (out of 10) and you can take that to the Bank(ofMarquis)
BookwormMama14 (18 KP) rated The Curiosity Keeper (Treasures of Surrey, #1) in Books
Jan 2, 2019
The year is 1812, and the search for a missing treasure commences. Mystery and intrigue are found around every corner. A thrilling new regency book!
Jonathan Gilchrist is on a mission to recover The Bevoy, a ruby of immense value, stolen from his father. Jonathan's family needs The Bevoy in order to save their home. But the last thing he expected was Camille Iverness. Camille has grown up in a shady part of London and has learned how to fend for herself. Running her father's curiosity shop, she has encountered many people of different characters. When strange and threatening events occur, she must rely on the help of Mr. Gilchrist, a stranger. But can she trust him? Running from her past, Camille seeks refuge in the village of Fellsworth. As her attachment for the village grows, she begins to feel as though she can begin a new life at last. But when her past literally shows up in Fellsworth, her hopes for a new life are dashed to pieces. Will Jonathan and Camille ever be able to find peace? Will events that unfold push them apart or draw them closer together?
"It is not just a ruby, as you say. It is large as a quail's egg, still untouched and unpolished. And it is rumored to either bless or curse whomever possess it."
The Curiosity Keeper was a book that I had been looking forward to reading for quite a while. And I was not disappointed! It is a thrilling story that kept me engaged from beginning to end. It has all of the elements expected for a regency romance, with a few interesting surprises, mystery being one of them. Sarah Ladd does a brilliant job of drawing you into the story. I could feel my heart racing when tensions rose and sighed with relief on more than one occasion. Throughout the book we can clearly see the underlying message: And we know that in all things, God works for the good of those who love Him, who have been called according to His purpose (Romans 8:28 NIV) I highly recommend The Curiosity Keeper, and I look forward to the next book in the Treasures of Surrey series.
I received a free digital copy of The Curiosity Keeper from NetGalley courtesy of Thomas Nelson, Inc. in exchange for my honest review.
Jonathan Gilchrist is on a mission to recover The Bevoy, a ruby of immense value, stolen from his father. Jonathan's family needs The Bevoy in order to save their home. But the last thing he expected was Camille Iverness. Camille has grown up in a shady part of London and has learned how to fend for herself. Running her father's curiosity shop, she has encountered many people of different characters. When strange and threatening events occur, she must rely on the help of Mr. Gilchrist, a stranger. But can she trust him? Running from her past, Camille seeks refuge in the village of Fellsworth. As her attachment for the village grows, she begins to feel as though she can begin a new life at last. But when her past literally shows up in Fellsworth, her hopes for a new life are dashed to pieces. Will Jonathan and Camille ever be able to find peace? Will events that unfold push them apart or draw them closer together?
"It is not just a ruby, as you say. It is large as a quail's egg, still untouched and unpolished. And it is rumored to either bless or curse whomever possess it."
The Curiosity Keeper was a book that I had been looking forward to reading for quite a while. And I was not disappointed! It is a thrilling story that kept me engaged from beginning to end. It has all of the elements expected for a regency romance, with a few interesting surprises, mystery being one of them. Sarah Ladd does a brilliant job of drawing you into the story. I could feel my heart racing when tensions rose and sighed with relief on more than one occasion. Throughout the book we can clearly see the underlying message: And we know that in all things, God works for the good of those who love Him, who have been called according to His purpose (Romans 8:28 NIV) I highly recommend The Curiosity Keeper, and I look forward to the next book in the Treasures of Surrey series.
I received a free digital copy of The Curiosity Keeper from NetGalley courtesy of Thomas Nelson, Inc. in exchange for my honest review.
LeftSideCut (3778 KP) rated Resident Evil: The Final Chapter (2017) in Movies
Jan 6, 2021 (Updated Jan 6, 2021)
Contains spoilers, click to show
Well here we have it - a messy and underwhelming finale, to a messy and underwhelming franchise.
Where to begin with this - even though it was silly and impractical, the previous film in the series ends on a cliffhanger (?), setting up a big ass battle between an army of undead, and a line up of heroes mainly made up of characters from the games (stood on top of the white house of course because Paul W.S. Anderson). This film opens in the aftermath, meaning that we don't even see the ensuing battle, but all these characters are un-ceremoniously killed off screen between movies. Alice is alive though....yaaay.
You know what comes next by now, an opening Milla Jovovich speech about who she is, edgy soldier characters saying edgy shit all the damn time (with added Ruby Rose for a little extra edginess), wire frame blue print segments of whatever facility they're in this time. Anderson mercifully cuts out all the gratuitous slow motion for his final bow, but unfortunately replaces it with seizure inducing quick edits. Like, it's fucking ludicrous how many edits there are whenever a fight starts and it just sucks. It's unexciting and difficult to sit through at times.
Then there's the ret-conning. Jesus Christ, Iain Glen is back for no reason other than the fact he became more of a household name thanks to Game of Thrones, plot be damned. Wesker is a villain again and the Red Queen is now a good guy, the origins of the T-Virus is different, and Milla Jovovich is actually an old woman (complete with Jackass quality aesthetics). These movies stopped making sense a while back but they just went full ham on this one. You know when you're on your last day of work before leaving a job and you just don't really give a fuck about your final shift? Yeah it's that, but a multi million dollar film.
I'm extremely happy that Resident Evil is finally being rebooted, into hopefully something that resembles the source material a bit more, and is actually scary. And good. Maybe. This franchise has given me trust issues.
Where to begin with this - even though it was silly and impractical, the previous film in the series ends on a cliffhanger (?), setting up a big ass battle between an army of undead, and a line up of heroes mainly made up of characters from the games (stood on top of the white house of course because Paul W.S. Anderson). This film opens in the aftermath, meaning that we don't even see the ensuing battle, but all these characters are un-ceremoniously killed off screen between movies. Alice is alive though....yaaay.
You know what comes next by now, an opening Milla Jovovich speech about who she is, edgy soldier characters saying edgy shit all the damn time (with added Ruby Rose for a little extra edginess), wire frame blue print segments of whatever facility they're in this time. Anderson mercifully cuts out all the gratuitous slow motion for his final bow, but unfortunately replaces it with seizure inducing quick edits. Like, it's fucking ludicrous how many edits there are whenever a fight starts and it just sucks. It's unexciting and difficult to sit through at times.
Then there's the ret-conning. Jesus Christ, Iain Glen is back for no reason other than the fact he became more of a household name thanks to Game of Thrones, plot be damned. Wesker is a villain again and the Red Queen is now a good guy, the origins of the T-Virus is different, and Milla Jovovich is actually an old woman (complete with Jackass quality aesthetics). These movies stopped making sense a while back but they just went full ham on this one. You know when you're on your last day of work before leaving a job and you just don't really give a fuck about your final shift? Yeah it's that, but a multi million dollar film.
I'm extremely happy that Resident Evil is finally being rebooted, into hopefully something that resembles the source material a bit more, and is actually scary. And good. Maybe. This franchise has given me trust issues.