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Chris Sawin (602 KP) rated Re-Animator (1985) in Movies

Jun 22, 2019  
Re-Animator (1985)
Re-Animator (1985)
1985 | Comedy, Horror, Sci-Fi
7
7.6 (27 Ratings)
Movie Rating Watch
Herbert West is no ordinary doctor. He's brilliant and obviously knows quite a bit about the field of medicine, but something is peculiar about him. He acts strangely and tends to keep to himself while getting absorbed into his work. Throughout his research, Dr. West may have finally perfected his serum. A serum that brings the dead back to life. The consequences of the serum are hectic, as expected. The sooner the serum is injected into a fresh corpse in comparison to one that's been lying around for a few hours, the better the results. Based on the H.P. Lovecraft tale, Herbert West-Reanimator, West finds himself at a medical college when his stint in Switzerland ends a bit abruptly. There he meets Dan Cain, a student at the college who is held in high regard, and Dan's girlfriend, Meg, whose father is the dean to the medical college. When Dan puts a notice up looking for a roommate in his dorm, West comes knocking. Things seem to be a constant downward spiral from there as West continues his research and the bodies begin to pile up.

Re-Animator is one of the few cult classics that I'll stick up for. I usually wind up feeling like most classic horror films that are recommended or held in such high regard aren't good at all or are extremely overrated. This film is a lot of fun though. It's definitely got its campy qualities with a headless corpse stumbling around the third act of the film, but it doesn't feel out of place for a film built around a concoction that's injected into the brain to bring corpses back from the dead. The music, especially the opening theme, tends to get a bad wrap because it blatantly rips off (or pays homage, depending on how you look at it) the Psycho score. While the similarities are crystal clear once they're heard, I honestly didn't mind it. It's kind of hard to imagine this film with different music, so I have no complaints.

The Herbert West role really fits Jeffrey Combs like a glove. His attraction to weird and quirky roles pretty much began with films like this one. As West's unusual personality is revealed throughout the film, you can't help but get a sense of uneasiness as his character traits unravel before your very eyes. The best example is when West brings Dan's cat Rufus back to life. After it's been killed for the second time, Dan is shocked to discover it's Rufus and turns to look at West. West points at the cat and tells Dan to, "Look out!" Dan quickly turns his attention back to poor Rufus, who's still lying there motionless. West begins to burst into maniacal laughter as Dan looks on in horror. With the upcoming remake on the horizon, it's hard to imagine anyone else in the role of Herbert West especially with Jeffrey Combs confirmed for a cameo.

While Re-Animator could definitely be considered cheesy and campy at times, its strengths outweigh its flaws. The story is simple, but tends to unfold nicely and the acting is solid (David Gale as Dr. Hill is up for debate though). The film is pretty much exactly what you would expect a horror film to be like from the eighties; gory, cheesy, tons of nudity and sex, and a few creative twists along the way. And when it comes to horror, what else could you really ask for?
  
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RəX Regent (349 KP) rated Duck Soup (1933) in Movies

Feb 18, 2019  
Duck Soup (1933)
Duck Soup (1933)
1933 | Classics, Comedy, War
9
8.7 (12 Ratings)
Movie Rating
“You’re a brave man. Go and break through the lines. And remember, while you’re out there risking your life and limb through shot and shell, we’ll be in be in here thinking what a sucker you are” Rufus T. Firefly
And the one liners just keep on coming…

Here we have before you one of the most famous entries form The Marx Brothers as they made their indelible mark on Hollywood(land) and the silver screen back in the 1930’s, moving away from their Vaudeville roots to new level of immortally on celluloid.

The fifth film to credit the “The Marx Brothers”, Duck Soup in on one hand a sharply written satire on the weakness of mob mentality to willingly promote unwelcome change to their society and their willingness to follow just about any lunatic as long as they like what they hear; as well as a straight forward slapstick comedy of the time, in keeping with its music hall roots.

It is the music hall aspect of this classic which can be harder for a modern audience to take to, unless you are already disposed to this sort of rather dated humour. But as a satire, it is brilliant and still very funny over seventy years on.

Groucho Marx steals the show as Rufus T. Firefly as he leads his unwitting and possibly dimwitted fictional country of Fredonia (geddit?) to war and ultimate destruction. He is a character, whilst not in any way taking off Adolf Hitler, who was of course rising to power in Germany at this very moment, was clearly a reflection on this type of reckless and charismatic leader and as the hilarious final act demonstrates, is all too common in history and even in our present.

And the fact that Fredonia is ultimately doomed, was a coincidental foreshadowing of Nazi Germany’s fate a decade later, as well as a clear demonstration of the savvy writing.

Witty, whether it is the physical trademark Marx Brothers comedy or the sharp screenplay by Bert Kalmar and Harry Ruby, based on the stage version of the same name, this a classic satire; whilst not being as hard hitting a s Chaplin’s works of the period, with The Great Dictator (1940) springing to mind, it still holds up and makes its point without hammering you over the head it.

So, you can just enjoy the show and/or take away the message, it is really up to you.
  
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Tom Chaplin recommended Want One by Rufus Wainwright in Music (curated)

 
Want One by Rufus Wainwright
Want One by Rufus Wainwright
2003 | Singer-Songwriter
6.0 (1 Ratings)
Album Favorite

"It’s funny, this list, I’ve actually met a lot of the people I’ve chosen! Rufus came on tour with us in 2003, it was the first time we’d got on a tour bus and the first iPods had come out. Tim had an iPod, and I checked it out, I put it on and the album he had on there was Want One and I was completely blown away. He sounds a bit like Radiohead-does-classical, particularly on that record. I remember saying to him that he sounds a lot like Radiohead and he was a bit like, “Really?”, I don’t think he even knew their music. That album was written, I think, during the time he got clean from being really addicted to crystal meth. I mean it sent him blind and stuff, it was really serious. So the album tells that story, with just beautiful songwriting, and I don’t know if he ever got close to that album again in terms of song-writing, it’s such a phenomenal record. And I like orchestral arrangements if they’re done well, or else it can sound like Il Divo or something but he did it so well, mixing pop and classical."

Source
  
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Sarah (7798 KP) rated They Both Die At The End in Books

May 23, 2019  
They Both Die At The End
They Both Die At The End
Adam Silvera | 2017 | Fiction & Poetry
9
9.0 (22 Ratings)
Book Rating
Heartwrenchingly good
It's truly a sign of a good book when you get to the end feeling emotionally battered and drained, yet ultimately satisfied and this is exactly what this book manages.

The idea behind this is fantastic and such a unique one. The notion of a an entity called Death-Cast notifying people that they'll die today is a frightening yet thought provoking idea. I spent the entire wondering what I'd do. Whilst this is obviously a book about dying, it focuses really on the two main characters attempts at living within their last hours and it's a truly wonderful read. Rufus and Mateo are likeable and well rounded characters and you get so invested in their lives, but with the added foresight that you know they will die at the end. And there's also intrigue in trying to figure out how they're going to die - I'll admit I didnt predict it and the ending in general is just so sad and bittersweet. This is the first book I've read of Adam Silvera's but I'll definitely be reading more, his writing style is so easy to read and simple yet effective. No overcomplicated prose here.

Yes this is about death but it's also about life and love and really does get you thinking about everything you take for granted. I dont see how anyone could read this book and not shed a tear by the end.