Search
Search results
Alan Thomson (2 KP) created a poll
Jan 28, 2018
David Hopkins (1 KP) rated Dunkirk (2017) in Movies
Jan 29, 2018
Daniel Boyd (1066 KP) rated The Nice Guys (2016) in Movies
Jul 19, 2017
Witty script (1 more)
Crowe & Gosling
An original laugh
The Nice Guys is directed by Shane Black and stars Russell Crowe and Ryan Gosling as two very different kinds of private investigators. The movie is great and has Shane Black’s fingerprints all over it. It is especially reminiscent of Kiss Kiss Bang Bang and the Lethal Weapon movies. Typical flawless hero Ryan Gosling is cast here perfectly as a burnt out alcoholic wimp of a man, his comedic timing is perfect and seeing that in tandem with Russell Crowe’s no nonsense hard man act makes for fantastic chemistry and comedy gold. The plot is kind of all over the place, but a tight, cleverly written script holds the whole thing together.
The Marinated Meeple (1848 KP) created a poll
Mar 30, 2018
David McK (3185 KP) rated Red Notice (2021) in Movies
Dec 12, 2021
Wonder Woman.
Deadpool.
Black Adam.
All in the same movie; a wannabe twisty-turny crime thriller in which a framed FBI agent (played by Dwayne 'The Rock' Johnson) has to team up with his former notorious art thief target (Ryan Reynolds) to clear his name and to catch the new '#1 art thief in the world' thief aka The Bishop (Gal Gadot).
I found this to be reminiscent of the Nic Cage starring 'National Treasure' series, with the main characters all globe-trotting around the world in pursuit of the McGuffin, and with the interplay between Johnson and Reynolds raising a few laughs/raised eyebrows along the way.
In short: good, but not brilliant.
Deadpool.
Black Adam.
All in the same movie; a wannabe twisty-turny crime thriller in which a framed FBI agent (played by Dwayne 'The Rock' Johnson) has to team up with his former notorious art thief target (Ryan Reynolds) to clear his name and to catch the new '#1 art thief in the world' thief aka The Bishop (Gal Gadot).
I found this to be reminiscent of the Nic Cage starring 'National Treasure' series, with the main characters all globe-trotting around the world in pursuit of the McGuffin, and with the interplay between Johnson and Reynolds raising a few laughs/raised eyebrows along the way.
In short: good, but not brilliant.
Nick Smallwood (0 KP) rated Black Panther (2018) in Movies
Mar 10, 2018
Black Panther was a great movie with very few negatives to it. Marvel movies being what they are, there are definitely similarities to be drawn between BP and other recent MCU entries, mostly along the lines of Spider-Man: Homecoming and Thor: Ragnarok.
Ryan Coogler very adeptly introduces a brand new culture, a brand new nation, to the Marvel Universe, finally pulling back the veil on Wakanda itself after many hints and Easter eggs.
Fresh from his appearance in Captain America: Civil War, which is recapped very briefly in the beginning of the film, Black Panther comes home to be declared King after a quick action scene that shows Black Panther in action, shot VERY well while maintaining the Marvel humor shown in Ragnarok. "Don't freeze."
As the movie progresses and we're introduced to Michael B. Jordan's villain of the film, we are given an empathetic villain we can eventually sympathize with, albeit knowing full and well that he is still the bad guy who needs to be foiled.
Some character highlights of the film include Princess Shuri, a welcome addition to the MCU, the return of Ulysses Claue from Avengers: Age of Ultron and Everett Ross from Captain America: Civil War, and newcomer M'Baku, who was very tastefully adapted for the film without calling him Man-Ape.
The action scenes were well done, Wakanda showed cultural depth, the plot was well-developed and every scene that wasn't self-explained was eventually paid off later on.
This being a comic book film, it translated Wakanda well, and shows Marvel has found their groove. The distractions I have are few and far between, mostly just stemming from Killmonger's use of a Black Panther suit (Iron Monger, The Abomination, The Red Skull, and Kaecillius all come to mind as mirrored versions of the heroes) and some spotty pacing between some scenes.
Also.
Didn't expect it, didn't see it in trailers, so mild spoilers, but.
Battle Rhinos.
Awesome.
Ryan Coogler very adeptly introduces a brand new culture, a brand new nation, to the Marvel Universe, finally pulling back the veil on Wakanda itself after many hints and Easter eggs.
Fresh from his appearance in Captain America: Civil War, which is recapped very briefly in the beginning of the film, Black Panther comes home to be declared King after a quick action scene that shows Black Panther in action, shot VERY well while maintaining the Marvel humor shown in Ragnarok. "Don't freeze."
As the movie progresses and we're introduced to Michael B. Jordan's villain of the film, we are given an empathetic villain we can eventually sympathize with, albeit knowing full and well that he is still the bad guy who needs to be foiled.
Some character highlights of the film include Princess Shuri, a welcome addition to the MCU, the return of Ulysses Claue from Avengers: Age of Ultron and Everett Ross from Captain America: Civil War, and newcomer M'Baku, who was very tastefully adapted for the film without calling him Man-Ape.
The action scenes were well done, Wakanda showed cultural depth, the plot was well-developed and every scene that wasn't self-explained was eventually paid off later on.
This being a comic book film, it translated Wakanda well, and shows Marvel has found their groove. The distractions I have are few and far between, mostly just stemming from Killmonger's use of a Black Panther suit (Iron Monger, The Abomination, The Red Skull, and Kaecillius all come to mind as mirrored versions of the heroes) and some spotty pacing between some scenes.
Also.
Didn't expect it, didn't see it in trailers, so mild spoilers, but.
Battle Rhinos.
Awesome.
Daniel Boyd (1066 KP) rated Black Panther (2018) in Movies
Mar 5, 2018 (Updated Mar 5, 2018)
Cool For Cats
Marvel's latest hotly anticipated superhero epic Black Panther, has arrived. Chadwick Boseman stars as the titular hero and gives a subdued, collected performance, which I didn't expect. The first time that we saw this character was in Civil War and while I understand he was on a revenge quest in that movie, he conveyed an sense of energy that is isn't present in Black Panther. I don't think that this was Chadwick Boseman's decision, but is instead based on what Ryan Coogler's vision of who Black Panther should be.
There are a lot of stand out performances in the film though Michael B Jordan, who is a Coogler movie staple at this point, brings us the best Marvel villain so far, or at the very least, the most believable motivation for doing villainous things that we have seen so far in the MCU. The rest of the cast bring their A game too, including Danai Guira, Lupita Nyong’o, Andy Serkis, Daniel Kaluuya, Forest Whittaker, Martin Freeman and Sterling K Brown.
The costume design and sets where fantastic to look at, but some of the character CGI looked a but too bouncy and unrealistic. I also felt like the movie dragged a bit in the second act. While the soundtrack started off great and added to the excitement of certain scenes in the movie's first act, by around halfway through the movie, I was sick of hearing African drums and chanting.
Overall though, this is a pretty great entry into the MCU and although it isn't Marvel's best ever, it is also definitely not their worst.
There are a lot of stand out performances in the film though Michael B Jordan, who is a Coogler movie staple at this point, brings us the best Marvel villain so far, or at the very least, the most believable motivation for doing villainous things that we have seen so far in the MCU. The rest of the cast bring their A game too, including Danai Guira, Lupita Nyong’o, Andy Serkis, Daniel Kaluuya, Forest Whittaker, Martin Freeman and Sterling K Brown.
The costume design and sets where fantastic to look at, but some of the character CGI looked a but too bouncy and unrealistic. I also felt like the movie dragged a bit in the second act. While the soundtrack started off great and added to the excitement of certain scenes in the movie's first act, by around halfway through the movie, I was sick of hearing African drums and chanting.
Overall though, this is a pretty great entry into the MCU and although it isn't Marvel's best ever, it is also definitely not their worst.
Matthew Krueger (10051 KP) rated Remember the Titans (2000) in Movies
Nov 28, 2020
Denzel Washington (1 more)
Will Patton
Fight For What You Love The Most
Remember The Titans- is a excellent movie. Its powerful, moving, heartwarming, dramatic, family-moving, and based on a true story. Also it has a excellent cast. Both Denzel Washington and Will Patton are excellent. I didnt realize that Ryan Gosling was in this. He is so young in this. Anyways its a excellent football movie.
The plot: In Virginia, high school football is a way of life, an institution revered, each game celebrated more lavishly than Christmas, each playoff distinguished more grandly than any national holiday. And with such recognition, comes powerful emotions. In 1971 high school football was everything to the people of Alexandria. But when the local school board was forced to integrate an all black school with an all white school, the very foundation of football's great tradition was put to the test.
Its excellent.
The plot: In Virginia, high school football is a way of life, an institution revered, each game celebrated more lavishly than Christmas, each playoff distinguished more grandly than any national holiday. And with such recognition, comes powerful emotions. In 1971 high school football was everything to the people of Alexandria. But when the local school board was forced to integrate an all black school with an all white school, the very foundation of football's great tradition was put to the test.
Its excellent.
Gareth von Kallenbach (965 KP) rated Black Panther (2018) in Movies
Jun 19, 2019
The latest film in the Marvel Universe has arrived with “Black Panther” and it continues the tradition of big budgeted event films from Marvel. The film follows T’Challa (Chadwick Bodeman), as he prepares to assume the throne of the country of Wakanda after the death of his father. He is destined to lead over a nation that to the outside world seems impoverished and rural, but is secretly a very technologically advanced society thanks to their Vibranium resources. The resources allow them to keep their capitol city hidden from the world.
As T’Challa attempts to assume the throne and rule over the various tribes of his country; a threat from his past both known and unknown arises. Ulysses Klaue (Andy Serkis) surfaces, T’Challa mounts and effort to bring him to justice which in turn sets a chain of events into motion. A mysterious and deadly figure known as Killmonger (Michael B. Jordan), plans to obtain the Vibranium to exact a plan of revenge so severe it will lead to the nations of the world being subjugated and will divide even the most loyal citizens of Wakanda.
T’Challa must use his powers as The Black Panther and guardian of Wakanda to save his people and the very world from a threat that holds the fate of the world in the balance.
The film takes a while to get going as Director/Co-Writer Ryan Coogler takes his time introducing audiences to the world of Black Panther and especially the various characters. The strong supporting cast features Lupita Nyong’o, Angela Bassett, Danai Gurira, Forest Whitaker, Martin Freeman, and so many others that it is great to see such well-rounded characters.
The film does take a while to get up to the action but when it arrives; it delivers making the wait worth it. What I really liked was that the characters were well-defined as were their motivations. You did not have some cartoon mega-villain with some insane scheme, but rather a realistic and believable threat whose motivations were understandable though misguided.
Marvel has again delivered a very thrilling story that fits well into their extended universe and you will want to make sure to stay through all the credits for the two additional scenes which sets up future events for the Marvel Universe. “Black Panther” is a rousing success all around continues Marvel’s Cinematic Universe in grand style.
http://sknr.net/2018/02/13/black-panther/
As T’Challa attempts to assume the throne and rule over the various tribes of his country; a threat from his past both known and unknown arises. Ulysses Klaue (Andy Serkis) surfaces, T’Challa mounts and effort to bring him to justice which in turn sets a chain of events into motion. A mysterious and deadly figure known as Killmonger (Michael B. Jordan), plans to obtain the Vibranium to exact a plan of revenge so severe it will lead to the nations of the world being subjugated and will divide even the most loyal citizens of Wakanda.
T’Challa must use his powers as The Black Panther and guardian of Wakanda to save his people and the very world from a threat that holds the fate of the world in the balance.
The film takes a while to get going as Director/Co-Writer Ryan Coogler takes his time introducing audiences to the world of Black Panther and especially the various characters. The strong supporting cast features Lupita Nyong’o, Angela Bassett, Danai Gurira, Forest Whitaker, Martin Freeman, and so many others that it is great to see such well-rounded characters.
The film does take a while to get up to the action but when it arrives; it delivers making the wait worth it. What I really liked was that the characters were well-defined as were their motivations. You did not have some cartoon mega-villain with some insane scheme, but rather a realistic and believable threat whose motivations were understandable though misguided.
Marvel has again delivered a very thrilling story that fits well into their extended universe and you will want to make sure to stay through all the credits for the two additional scenes which sets up future events for the Marvel Universe. “Black Panther” is a rousing success all around continues Marvel’s Cinematic Universe in grand style.
http://sknr.net/2018/02/13/black-panther/
Ryan Hill (152 KP) rated Black Panther (2018) in Movies
May 11, 2019
"Bury me in the ocean with my ancestors who jumped from the ships, 'cause they knew death was better than bondage"
Full of life, joy, sorrow, and hilarity; Ryan Coogler's Black Panther just has a vibrancy you rarely find in the superhero scene, let alone blockbusters. Enriched with a deep, abiding love for African culture and Afrofuturism; the movie just feels purposeful. Important. Meaningful. Context matters here, as Black Panther will become one of very few films populated by African Americans not dealing with slavery or black history to thrive financially. And that cast is phenomenal. Boseman's soft-spoken panther-of-few-words is the rare MCUer to opt for a moment of silence rather than a snarky comment. Michael B Jordan brings an unmistakable swagger to the perpetually weak slate of Marvel villains, conveying a crushingly sad and challenging story that could just as easily be regarded as the true hero of the film. Letitia Wright as the genius tech maestro was a blast, a character who could give Tony Stark a run for his money both technologically and charismatically. And these are just three of Coogler's creations; drawn from a slate of inspired, unique and wonderfully represented roles for black actors...many of whom will deservingly use this as a career springboard of sorts.
I remember years ago I read a book about the cultural significance of various comic book locales, and the Wakanda entry struck me as uniquely sad and inspiring. Wakanda, a place busting with innovation, tradition, and pride...hidden from the world. Sort of an alternate-timeline Africa which wasn't poisoned irreparably by colonialism and all its horrors. There's a sad duality obvious in this Wakanda, that being for it to exist, it must be hidden. Must be quietly nurtured, developed and treasured. It's an apt metaphor in relation to black pride, culture, and history; something constantly being reworked, reshaped and reimagined to put a sordid past (and present) in the rear-view mirror by those who perpetrate it, knowingly or not. This idea, that for something to thrive it must be isolated, is at the heart of Black Panther. You can understand why T'Challa, and generations before him, sacrificed anything to preserve the myth of Wakanda. But you can also understand Killmonger's feeling of betrayal. The profound moral objections inherent in a small community turning it's back on a larger suffering population in the name of self-preservation. There's no heroes and villains when Black Panther is at it's best, just two sides to a terrifying moral question *loaded* with historical weight.
Because Killmonger isn't really a villain. The best illustration of this is the contrasting "dream" sequences, in which T'Challa shares a promise with his father within a transcendentally beautiful African landscape, and Killmonger is confronted by all his pain, suffering and moral rigidity in the vast concrete jungle of Oakland, in the tiny apartment where his father was murdered for trying to make a difference. They both wake up with tears in their eyes, some from pain and some from catharsis. Coogler marks the chasm between T'Challa's and Killmonger's pasts so perfectly, and illustrates exactly why they feel the way they do with such wisdom. Black Panther so clearly empathizes with Killmonger and understands where his pain was born, and the horrors that nurtured it.
And so there's no hero and no villain to this movie. Just two men in nearly identical black panther suits, clashing over how Wakanda ought to venture into a new era. Nobility and passion, conservation and sacrifice, incremental change against a vengeful redistribution of power and oppression. Both men are correct in their aspirations, being "right" here doesn't matter. it's tough for a good man to be king. Killmonger made T'Challa the hero he is, by instilling in him a mission, a perceived duty to turn around, face an oppressed people and finally lend a hand. But more than that, there's something miraculous here. An apology from a good man. A recognition of a sin even when it's perpetrator was, until now, helpless to prevent it. A declaration that not contributing to hate and prejudice doesn't equate to actively working to prevent it. A plea for a humble brand of superheroism, for countless ghosts of the past to be heard and change to erupt in their name. Divides to be bridged, chasms to be crossed and wrongs to be righted.
Black Panther has a complex, meaningful and profoundly challenging thematic framework; offering a fresh dissection of what it means to grapple with the sins of those who came before. Sure, there are some technical issues along the way, the machinations of Marvel storytelling are evident and errors could be found; but if you understand that superhero stories were meant to ask these sorts of questions and push boundaries since their inception; Black Panther is a dream.
I remember years ago I read a book about the cultural significance of various comic book locales, and the Wakanda entry struck me as uniquely sad and inspiring. Wakanda, a place busting with innovation, tradition, and pride...hidden from the world. Sort of an alternate-timeline Africa which wasn't poisoned irreparably by colonialism and all its horrors. There's a sad duality obvious in this Wakanda, that being for it to exist, it must be hidden. Must be quietly nurtured, developed and treasured. It's an apt metaphor in relation to black pride, culture, and history; something constantly being reworked, reshaped and reimagined to put a sordid past (and present) in the rear-view mirror by those who perpetrate it, knowingly or not. This idea, that for something to thrive it must be isolated, is at the heart of Black Panther. You can understand why T'Challa, and generations before him, sacrificed anything to preserve the myth of Wakanda. But you can also understand Killmonger's feeling of betrayal. The profound moral objections inherent in a small community turning it's back on a larger suffering population in the name of self-preservation. There's no heroes and villains when Black Panther is at it's best, just two sides to a terrifying moral question *loaded* with historical weight.
Because Killmonger isn't really a villain. The best illustration of this is the contrasting "dream" sequences, in which T'Challa shares a promise with his father within a transcendentally beautiful African landscape, and Killmonger is confronted by all his pain, suffering and moral rigidity in the vast concrete jungle of Oakland, in the tiny apartment where his father was murdered for trying to make a difference. They both wake up with tears in their eyes, some from pain and some from catharsis. Coogler marks the chasm between T'Challa's and Killmonger's pasts so perfectly, and illustrates exactly why they feel the way they do with such wisdom. Black Panther so clearly empathizes with Killmonger and understands where his pain was born, and the horrors that nurtured it.
And so there's no hero and no villain to this movie. Just two men in nearly identical black panther suits, clashing over how Wakanda ought to venture into a new era. Nobility and passion, conservation and sacrifice, incremental change against a vengeful redistribution of power and oppression. Both men are correct in their aspirations, being "right" here doesn't matter. it's tough for a good man to be king. Killmonger made T'Challa the hero he is, by instilling in him a mission, a perceived duty to turn around, face an oppressed people and finally lend a hand. But more than that, there's something miraculous here. An apology from a good man. A recognition of a sin even when it's perpetrator was, until now, helpless to prevent it. A declaration that not contributing to hate and prejudice doesn't equate to actively working to prevent it. A plea for a humble brand of superheroism, for countless ghosts of the past to be heard and change to erupt in their name. Divides to be bridged, chasms to be crossed and wrongs to be righted.
Black Panther has a complex, meaningful and profoundly challenging thematic framework; offering a fresh dissection of what it means to grapple with the sins of those who came before. Sure, there are some technical issues along the way, the machinations of Marvel storytelling are evident and errors could be found; but if you understand that superhero stories were meant to ask these sorts of questions and push boundaries since their inception; Black Panther is a dream.