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Awix (3310 KP) rated Arrival (2016) in Movies
Mar 13, 2018
SF movie that dares to attempt to be a serious, thoughtful drama; almost feels like a Christopher Nolan pastiche. Linguistics expert Amy Adams is recruited to try and make contact when enigmatic giant squid-things appear in vast spacecraft scattered across the planet.
Well, as a language-teaching professional, I have to say that Adams' approach to teaching the squid English is deeply suspect, but in all other respects this is an impressive film that is not afraid to credit its audience with intelligence. Possibly the only film featuring both the US army and Jeremy Renner in which he does not play some sort of special-forces sharpshooter. Perhaps a little bit too slow, chilly, and cerebral to really succeed as an entertainment, but still well worth watching, even if it is ultimately easier to admire than to like.
Well, as a language-teaching professional, I have to say that Adams' approach to teaching the squid English is deeply suspect, but in all other respects this is an impressive film that is not afraid to credit its audience with intelligence. Possibly the only film featuring both the US army and Jeremy Renner in which he does not play some sort of special-forces sharpshooter. Perhaps a little bit too slow, chilly, and cerebral to really succeed as an entertainment, but still well worth watching, even if it is ultimately easier to admire than to like.
Awix (3310 KP) rated The Stepford Wives (1975) in Movies
Mar 30, 2018
Bryan Forbes' SF-horror-satire has left a cultural impression out of all proportion to its original box-office success. Nice modern couple leave grimy New York for idyllic small town of Stepford, where everyone seems happy and the women are thoroughly domesticated. What on Earth can the secret of the place be...?
Subtle storytelling and fine performances do a good job of masking the fact that the premise of the story is basically a paranoid fever-dream; oddly, some people interpreted the film as being anti-feminist and actually misogynistic, when it is actually about male objectification of women and fears of the same (maybe also has stuff to say about consumerism too). Perhaps a bit overlong, but the slow aggregation of details adds a lot to a convincingly unsettling atmosphere. An entertaining horror fable.
Subtle storytelling and fine performances do a good job of masking the fact that the premise of the story is basically a paranoid fever-dream; oddly, some people interpreted the film as being anti-feminist and actually misogynistic, when it is actually about male objectification of women and fears of the same (maybe also has stuff to say about consumerism too). Perhaps a bit overlong, but the slow aggregation of details adds a lot to a convincingly unsettling atmosphere. An entertaining horror fable.
Awix (3310 KP) rated Close Encounters of the Third Kind (1977) in Movies
Feb 24, 2018
1977's other great fantasy movie is somewhat forgotten, relatively speaking, probably because it wasn't franchised to death. Scientist Francois Truffaut and everyman Richard Dreyfuss both become aware of the impending visitation of alien beings, must decide how to react.
Not really much of an SF movie, strictly speaking, but it works brilliantly as a both a thriller-drama and a fantasy film. Always seems to me to be a film about what it means to find faith and surrender yourself to it: ordinary guy Roy finds the transcendental and unknown inserting itself into his life, finds himself becoming devoted to it, willing to sacrifice everything to it. Great performances from the leads, but it's really Spielberg's film, containing some of his neatest moments of directorial legerdemain. Still one of Spielberg's most iconic movies, 40+ years on.
Not really much of an SF movie, strictly speaking, but it works brilliantly as a both a thriller-drama and a fantasy film. Always seems to me to be a film about what it means to find faith and surrender yourself to it: ordinary guy Roy finds the transcendental and unknown inserting itself into his life, finds himself becoming devoted to it, willing to sacrifice everything to it. Great performances from the leads, but it's really Spielberg's film, containing some of his neatest moments of directorial legerdemain. Still one of Spielberg's most iconic movies, 40+ years on.
Awix (3310 KP) rated Robocop (1987) in Movies
Feb 12, 2018
Murphy's Law
Heavy metal action satire from Dutch director Paul Verhoeven that established him as one of the world's leading SF directors. The story is functional, if hardly original - dedicated cop is shot to pieces by bad guys, rebuilt as an armoured cyborg by heartless corporation, struggles to reclaim his humanity - but what makes it special is Verhoeven's ability to turn the movie on a dime, switching the mood from black comedy to sincere drama in a moment.
The setting is futuristic, but few films capture the look and feel of the 80s quite as effortlessly as Robocop. There are a few wobbles in the plotting and some uninspired supporting performances, but this is directed with heart and intelligence. At least as good as The Terminator or Aliens; would probably be much better remembered if any of the sequels had been any good.
The setting is futuristic, but few films capture the look and feel of the 80s quite as effortlessly as Robocop. There are a few wobbles in the plotting and some uninspired supporting performances, but this is directed with heart and intelligence. At least as good as The Terminator or Aliens; would probably be much better remembered if any of the sequels had been any good.
Awix (3310 KP) rated The Death of Grass in Books
Sep 5, 2019
John Christopher's spin on John Wyndham's so-called 'cosy catastrophe' formula focuses on the catastrophe and forgets about the cosy. The book is not that bothered about about being overtly SF, either - there's something horribly mundane and plausible about the book's depiction of the spread of a crop virus, misfiring attempts to stop it, and the increasingly desperate measures taken by the authorities as the food simply runs out.
Particularly strong on characterisation and the impact of the disaster on the protagonist: initially a decent upper-middle-class chap, John Custance finds the survival of his family requires him to condone (and even commit) acts of betrayal, murder, and maybe even worse things. Powerful ideas, and Christopher's no-nonsense style lets them into the reader's mind where they linger uncomfortably. A fine book that deserves to be better known.
Particularly strong on characterisation and the impact of the disaster on the protagonist: initially a decent upper-middle-class chap, John Custance finds the survival of his family requires him to condone (and even commit) acts of betrayal, murder, and maybe even worse things. Powerful ideas, and Christopher's no-nonsense style lets them into the reader's mind where they linger uncomfortably. A fine book that deserves to be better known.
Awix (3310 KP) rated Battle: Los Angeles (2011) in Movies
Feb 22, 2018
Ho-hum attempt to disguise a load of war movie clichés by hiding them in an alien invasion SF movie, or possibly vice versa. Belligerent alien gits come storming up the beaches of California and it's up to Aaron Eckhart and his guys to hold the line.
Very much just a collection of other bits you've seen done better elsewhere, inasmuch they can be done better at all considering they're really not very impressive per se. Watching as a non-American, one is inevitably slightly put off by the uncritical wooh-yeah-hurray attitude towards members of the US armed forces, who are almost universally presented as flawless paragons of virtue, not to mention the post-9/11 subtext that sometimes it is morally justified to do Bad Stuff (torturing prisoners to death, that sort of thing) in the defence of America. Also quite boring.
Very much just a collection of other bits you've seen done better elsewhere, inasmuch they can be done better at all considering they're really not very impressive per se. Watching as a non-American, one is inevitably slightly put off by the uncritical wooh-yeah-hurray attitude towards members of the US armed forces, who are almost universally presented as flawless paragons of virtue, not to mention the post-9/11 subtext that sometimes it is morally justified to do Bad Stuff (torturing prisoners to death, that sort of thing) in the defence of America. Also quite boring.
Awix (3310 KP) rated Jurassic World: Fallen Kingdom (2018) in Movies
Jun 9, 2018 (Updated Jun 9, 2018)
Still No Feathers
Fifth Jurassic Park movie tries to strike a balance between providing what audiences expect (people who should know better go off to dinosaur-infested island; running and chomping ensues) and trying to move the series on by including some new ideas. Results are moderately successful, although the second half of the film is a bit all over the place in terms of its tone and subtext.
Main shift is from 'run away from the dinosaurs!' to 'save the dinosaurs!', although there is still all the requisite chasing about and dismemberment; attempts to include social commentary and elements of genuine SF kind of work, I suppose. Hardly one of the great films of our day, but should keep audiences happy - technically very impressive, and a good cast for this sort of thing (though Jeff Goldblum is only in it for literally about two minutes).
Main shift is from 'run away from the dinosaurs!' to 'save the dinosaurs!', although there is still all the requisite chasing about and dismemberment; attempts to include social commentary and elements of genuine SF kind of work, I suppose. Hardly one of the great films of our day, but should keep audiences happy - technically very impressive, and a good cast for this sort of thing (though Jeff Goldblum is only in it for literally about two minutes).
OE
Octavia E. Butler
Book
I began writing about power because I had so little, Octavia E. Butler once said. Butler's life as...
Awix (3310 KP) rated Devil Girl from Mars (1955) in Movies
Mar 30, 2019 (Updated Mar 30, 2019)
Notorious cheapo British SF film objectively deserves about a 2 or 3, but it's worth at least an 8 for connoisseurs of duff B-movies, so I've split the difference. Title character Nyah (Laffan) swishes about in a shower curtain, occasionally hypnotising men she wants to take home to Mars, and devastating the countryside with her pet robot (which looks like a fridge with legs). Everyone else tries to get on with some very soapy subplots.
Absolutely a horrendous collision between a homespun UK programme filler and a spangly American flying saucer B-movie, but the weirdest thing about this very odd film is that there are individual bits of it that are actually pretty good: just not the acting, script, or sci-fi props. Shameless in its economy and genuinely very funny (just not intentionally), the result is sort of like an episode of The Twilight Zone performed as amateur theatre. Awful, but a fun kind of awful.
Absolutely a horrendous collision between a homespun UK programme filler and a spangly American flying saucer B-movie, but the weirdest thing about this very odd film is that there are individual bits of it that are actually pretty good: just not the acting, script, or sci-fi props. Shameless in its economy and genuinely very funny (just not intentionally), the result is sort of like an episode of The Twilight Zone performed as amateur theatre. Awful, but a fun kind of awful.
Awix (3310 KP) rated Dredd (2012) in Movies
Feb 25, 2018 (Updated Feb 25, 2018)
Stripped-down, intensely violent adaptation of the classic British comic strip. More faithful in many ways than the reviled 1995 version with Stallone. Ruthless lawman Judge Dredd and trainee Judge Anderson find themselves trapped inside a vast tower block with a bunch of bad guys; community policing ensues.
Still doesn't quite achieve the humour, satire, or general SF weirdness of the comic strip at its best, and to be honest the sheer brutality of the film is a little off-putting in places, but Urban is about as good as Dredd as you can imagine a major film star being, and everyone else does serviceable work (Thirlby's character is essentially Judge Anderson in only the broadest possible sense). Stylish and well-made, even if it struggles with the facts that a) the best Judge Dredd film ever made is still Robocop and b) it has (coincidentally) exactly the same premise as The Raid, which came out the same year.
Still doesn't quite achieve the humour, satire, or general SF weirdness of the comic strip at its best, and to be honest the sheer brutality of the film is a little off-putting in places, but Urban is about as good as Dredd as you can imagine a major film star being, and everyone else does serviceable work (Thirlby's character is essentially Judge Anderson in only the broadest possible sense). Stylish and well-made, even if it struggles with the facts that a) the best Judge Dredd film ever made is still Robocop and b) it has (coincidentally) exactly the same premise as The Raid, which came out the same year.