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Dana (24 KP) rated The Magicians: Book 1 in Books
Mar 23, 2018
I started reading this book because I have watched the series on SyFy and fell in love. This book is much darker than the show (if that's possible) and felt a little slower just because there was more information in the book than there is in the show.
Some of the characters are different, same with the plot points, but I enjoyed it. Was it my favorite book of all time? No. But it was good. It is a fantasy book, magical realism set in the real world and a fictional one, but it was so well written you felt like it was all real. I wish there would have been more focus on the school itself and how they were learning, but speaking from experience, I understand that can be both boring and difficult to write. So I completely understand the lack.
Quentin is an asshole. I think we can all agree to that. But because he is an asshole, I trust him as a narrator that much more. He is self involved and wants whatever he wants and nothing will sway him from that (for the most part) but I still care about him. Not as much as I care about Elliot and Janet (who is Margot in the show). I love these two to no end. There were new characters that I didn't know in the books because they weren't in the show. I liked them. I think they added another bit of depth we didn't get in the series. I liked seeing more students than the like six we get in the show.
I liked the book overall and I plan to read the other two. If you are a fan of the show, pick these up. They're different enough to give more context into the inner workings of the characters that I think is a great addition if you are familiar with the show.
I know I should have started with the books, then watched the show, but I didn't know there were books until after I watched the first two seasons, so yeah.
Some of the characters are different, same with the plot points, but I enjoyed it. Was it my favorite book of all time? No. But it was good. It is a fantasy book, magical realism set in the real world and a fictional one, but it was so well written you felt like it was all real. I wish there would have been more focus on the school itself and how they were learning, but speaking from experience, I understand that can be both boring and difficult to write. So I completely understand the lack.
Quentin is an asshole. I think we can all agree to that. But because he is an asshole, I trust him as a narrator that much more. He is self involved and wants whatever he wants and nothing will sway him from that (for the most part) but I still care about him. Not as much as I care about Elliot and Janet (who is Margot in the show). I love these two to no end. There were new characters that I didn't know in the books because they weren't in the show. I liked them. I think they added another bit of depth we didn't get in the series. I liked seeing more students than the like six we get in the show.
I liked the book overall and I plan to read the other two. If you are a fan of the show, pick these up. They're different enough to give more context into the inner workings of the characters that I think is a great addition if you are familiar with the show.
I know I should have started with the books, then watched the show, but I didn't know there were books until after I watched the first two seasons, so yeah.
Charlie Cobra Reviews (1840 KP) rated Deadly Class in TV
Jul 3, 2020
Teenage Angst, Romance & The Deadly Arts - 8/10
Deadly Class is a tv series airing on SYFY based on the graphic novel created by Rick Remander and Wesley Craig and published by Image Comics. Developed by by Miles Orion Feldscott and produced by the Russo brothers, it's set in a much more macabre late 1980's San Francisco. For me this show has been addicting and is easy to get swept up in the chaos of the halls of Kong's Dominion.
Marcus (Benjamin Wadsworth) is a recently homeless orphan who is inducted into a boarding school of elite assassins called King's Dominion. Recruited off the streets by a gang of students, mainly Saya (Lana Condor), on orders by the headmaster Master Lin (Benedict Wong). He must learn the deadly arts while navigating the perilous halls and vicious social cliques in the free-for-all that is King's Dominion. The institution's a place where the world's top mob and crime families send their children to become better killers and it's graduates include serial killers and government assassins.
This show might not be for everyone but I have found it really enjoyable. It's very cliche at times and definitely has it's standard archetypes but the characters pop with personality especially when the show goes into these really awesome motion comic scenes when delving into their personal backgrounds. The action is definitely top class and keeps the show going but it's not able to always keep that tension when not in the halls or classrooms of the school where anything can happen. By the 1st or 2nd episode you'll know if it's for you. I particularly like how the main group is a bunch of misfits who come together and the progression of the main character. Like i said, I give it a 8/10.
Marcus (Benjamin Wadsworth) is a recently homeless orphan who is inducted into a boarding school of elite assassins called King's Dominion. Recruited off the streets by a gang of students, mainly Saya (Lana Condor), on orders by the headmaster Master Lin (Benedict Wong). He must learn the deadly arts while navigating the perilous halls and vicious social cliques in the free-for-all that is King's Dominion. The institution's a place where the world's top mob and crime families send their children to become better killers and it's graduates include serial killers and government assassins.
This show might not be for everyone but I have found it really enjoyable. It's very cliche at times and definitely has it's standard archetypes but the characters pop with personality especially when the show goes into these really awesome motion comic scenes when delving into their personal backgrounds. The action is definitely top class and keeps the show going but it's not able to always keep that tension when not in the halls or classrooms of the school where anything can happen. By the 1st or 2nd episode you'll know if it's for you. I particularly like how the main group is a bunch of misfits who come together and the progression of the main character. Like i said, I give it a 8/10.
Chloë McTaggart (48 KP) rated The Circle in Books
Oct 19, 2018
Contains spoilers, click to show
The Circle is Eggers 10th fictional work and through dystopian world building, goes to highlight some of the key modern day issues - specifically those surrounding technology and social media. Unlike other dystopian novels Eggers sets about showing the ‘positive’ side of what could be, ficionally speaking, as opposed to novels such as The Handmaids Tale and Divergence and such books that set themselves in a destroyed-dystopia.
Despite being set in a dystopian world full of technology we currently only see on the Syfy channel, it somehow clings to our ideas of reality and what is possible. By doing this, it soon offers a dangerous look at what technology may become as it highlights the impact it already has on our lives. The protagonist, Mae, lands a job at a technology company named “The Circle” which is comparable to brands and companies such as Apple, Google and Samsung. Eggers takes the ideas of the main technological companies of the twenty first century and rolls them into one; producing an unstoppable powerhouse of sharing, transparency and sociability overseen by a trinity of male bosses that we never really connect to. While Eggers sets the scene, and development of society, through his use of The Circle as an interdimensional power house, he fails to develop a relatable character in his protagonist.
From the start of the book the protagonist, Mae, comes across as weak and unmotivated with some parts of the novel serving almost as a pity party for her. If she’s not complaining, she’s raving about ex-boyfriends or how hard a life she has as though she’s the only one in the world that matters - though I suppose to Eggers she is the most important. Through this self pity, the reader struggles to find a point of contact with Mae; she offers no escape from the real world and instead becomes a motivation to stop reading the novel.
However, despite the lack of character development, the novel does raise relevant questions concerning technology and social media. In the film adaptation, it serves to show us just how much of an impact we can have on others without realising it; and how even when we do realise it the popularity or reward is too enticing to stop.
Despite being set in a dystopian world full of technology we currently only see on the Syfy channel, it somehow clings to our ideas of reality and what is possible. By doing this, it soon offers a dangerous look at what technology may become as it highlights the impact it already has on our lives. The protagonist, Mae, lands a job at a technology company named “The Circle” which is comparable to brands and companies such as Apple, Google and Samsung. Eggers takes the ideas of the main technological companies of the twenty first century and rolls them into one; producing an unstoppable powerhouse of sharing, transparency and sociability overseen by a trinity of male bosses that we never really connect to. While Eggers sets the scene, and development of society, through his use of The Circle as an interdimensional power house, he fails to develop a relatable character in his protagonist.
From the start of the book the protagonist, Mae, comes across as weak and unmotivated with some parts of the novel serving almost as a pity party for her. If she’s not complaining, she’s raving about ex-boyfriends or how hard a life she has as though she’s the only one in the world that matters - though I suppose to Eggers she is the most important. Through this self pity, the reader struggles to find a point of contact with Mae; she offers no escape from the real world and instead becomes a motivation to stop reading the novel.
However, despite the lack of character development, the novel does raise relevant questions concerning technology and social media. In the film adaptation, it serves to show us just how much of an impact we can have on others without realising it; and how even when we do realise it the popularity or reward is too enticing to stop.
Gareth von Kallenbach (965 KP) rated Deep Blue Sea 2 (2018) in Movies
Jun 19, 2019
Back in 1999 I fondly remember covering “Deep Blue Sea”. The press screening was a pleasant surprise as the film presented a fresh take on the shark on the loose genre and gave what was one of the more enjoyable films in the genre since “Jaws 2”.
I had always wondered why the film had never generated a sequel and talk of a direct to DVD follow up a few years later never materialized.
Now in 2018, we finally get the long-awaited follow up as “Deep Blue Seas 2” has arrived as a direct to DVD from Warner Bros Home Entertainment.
I eagerly awaited the arrival of my review copy as not only do I enjoy Shark movies, but my son is very big on the study of sharks and his insights always add a new dimension to me as he can tell me things like the difference between the species being portrayed, number of offspring they have, and their behavior.
The story centers on Dr. Misty Calhoun (Danielle Savre), who is tasked to give her professional opinions to a facility headed by billionaire Carl Durant (Michael Beach). At an underwater lab in South Africa, Dr. Calhoun arrives with a team and learns that the group is experimenting on Bull Sharks with a method that will increase brain abilities in humans.
Naturally things do not go as planned and before long, there are several very angry and genetically enhanced sharks on the loose with the humans desperately trying to find a way to escape and survive.
The story and characters are not overly complex but the goal is clearly to get the cast into the path of the CGI sharks as soon as possible and letting the carnage begin.
I had expected visuals on par with the SYFY films due to the direct to video nature of the film but what we were given was much better than expected.
The CGI effects are quite good and the cinema photography of the film is quite good as there are many really impressive shots in the film of the aquatic setting.
The film is hampered by the thin plot and characters and a lack of star power but it is worth a watch and is certainly better quality than many of the other creature on the loose films out there.
http://sknr.net/2018/05/07/deep-blue-sea-2/
I had always wondered why the film had never generated a sequel and talk of a direct to DVD follow up a few years later never materialized.
Now in 2018, we finally get the long-awaited follow up as “Deep Blue Seas 2” has arrived as a direct to DVD from Warner Bros Home Entertainment.
I eagerly awaited the arrival of my review copy as not only do I enjoy Shark movies, but my son is very big on the study of sharks and his insights always add a new dimension to me as he can tell me things like the difference between the species being portrayed, number of offspring they have, and their behavior.
The story centers on Dr. Misty Calhoun (Danielle Savre), who is tasked to give her professional opinions to a facility headed by billionaire Carl Durant (Michael Beach). At an underwater lab in South Africa, Dr. Calhoun arrives with a team and learns that the group is experimenting on Bull Sharks with a method that will increase brain abilities in humans.
Naturally things do not go as planned and before long, there are several very angry and genetically enhanced sharks on the loose with the humans desperately trying to find a way to escape and survive.
The story and characters are not overly complex but the goal is clearly to get the cast into the path of the CGI sharks as soon as possible and letting the carnage begin.
I had expected visuals on par with the SYFY films due to the direct to video nature of the film but what we were given was much better than expected.
The CGI effects are quite good and the cinema photography of the film is quite good as there are many really impressive shots in the film of the aquatic setting.
The film is hampered by the thin plot and characters and a lack of star power but it is worth a watch and is certainly better quality than many of the other creature on the loose films out there.
http://sknr.net/2018/05/07/deep-blue-sea-2/
Peter_mark84 (59 KP) rated Maneater in Video Games
Jul 7, 2020
Playing as a shark (4 more)
Nice open world
Funny characters
Location collection quest
Story
Bugs (3 more)
Lack of targeting
Bit repetitive
Similar to other open world RPG titles
A game with Bite
Let me start by saying any game where you play as a "monster/ animal" against evil people is fun. This game is really fun and addictive.
The controls are simple enough and work, never felt I had no control over my shark. Graphics are not AAA for this generation and sometimes takes few seconds to render the Shark or some environment.
Gameplay by far is what I love about this game even when it is a bit repetitive. In fairness Sharks can only do so much. Nothing more fun than swimming around eating other predators and humans.
Game starts you of as a "pup" meaning you need to avoid alligators and eat as much as possible to level up to a "teen". Even then alligators will kill you 90% of the time. Once you get to around level 10 you grow to an "adult" then you can take it to the gators and pretty much anything in your first few areas.
Yes this game is open world, however it uses a trope seen in Witcher 3 and Assassin's Creed. Where by the story keeps you in areas to allow you enjoy the increase in difficulty. Letting you level up and evolve your shark before heading out into the ocean.
The games story is fun, full of over the top characters, like a throw back to GTA3 etc. Only just getting started. But the main Villain Scaly Pete is fair flushed out. Based on a sort of Ahab type character seeking revenge against sharks.
Gameplay is a mix of kill so many humans/prey, kill this predator/ human, collection quests and starting trouble to kill hunters which increases you infamy rating.
The ideas are not original, but they work really well. Knowing when to pick a fight with a rival predator is key. This is based on their and your level. As seen in AC Origns/ Odyssey and Witcher 3. Evolving reminds me of upgrading Max's car in Mad Max and feels fun. The story has elements of GTA or Saints Row with its OTT characters.
Sadly it can be a bit repetitive and sometimes feels bit of a slog having to swim somewhere to kill so many of something. But sometimes this is good as it is easy to drop in and out off. If you like Jaws, Deep Blue Sea, The Meg and any SyFy B Movie with killer sharks. Then this is the game for you.
It's a good game kept from greatest by few bugs and the limitations of being a Shark.
The controls are simple enough and work, never felt I had no control over my shark. Graphics are not AAA for this generation and sometimes takes few seconds to render the Shark or some environment.
Gameplay by far is what I love about this game even when it is a bit repetitive. In fairness Sharks can only do so much. Nothing more fun than swimming around eating other predators and humans.
Game starts you of as a "pup" meaning you need to avoid alligators and eat as much as possible to level up to a "teen". Even then alligators will kill you 90% of the time. Once you get to around level 10 you grow to an "adult" then you can take it to the gators and pretty much anything in your first few areas.
Yes this game is open world, however it uses a trope seen in Witcher 3 and Assassin's Creed. Where by the story keeps you in areas to allow you enjoy the increase in difficulty. Letting you level up and evolve your shark before heading out into the ocean.
The games story is fun, full of over the top characters, like a throw back to GTA3 etc. Only just getting started. But the main Villain Scaly Pete is fair flushed out. Based on a sort of Ahab type character seeking revenge against sharks.
Gameplay is a mix of kill so many humans/prey, kill this predator/ human, collection quests and starting trouble to kill hunters which increases you infamy rating.
The ideas are not original, but they work really well. Knowing when to pick a fight with a rival predator is key. This is based on their and your level. As seen in AC Origns/ Odyssey and Witcher 3. Evolving reminds me of upgrading Max's car in Mad Max and feels fun. The story has elements of GTA or Saints Row with its OTT characters.
Sadly it can be a bit repetitive and sometimes feels bit of a slog having to swim somewhere to kill so many of something. But sometimes this is good as it is easy to drop in and out off. If you like Jaws, Deep Blue Sea, The Meg and any SyFy B Movie with killer sharks. Then this is the game for you.
It's a good game kept from greatest by few bugs and the limitations of being a Shark.
Emma @ The Movies (1786 KP) rated Santa Jaws (2018) in Movies
Aug 7, 2020
It really shouldn't have been such a challenge for me to see this film. Nearly two years after its release I finally managed to see it... and spoiler alert for my conclusion... it was fintastic.
Cody makes a Christmas wish to be alone, little does he know that his Christmas present is going to make that wish come true in a very festive and gruesome way.
I very quickly want to get a negative out of the way first. There is very noticeable music playing throughout the film. Now, I'm one of those terrible people that doesn't notice music unless it's brilliantly placed or horrendous, and while this music isn't horrendous it does suffer from being way too familiar. You've got Christmas tunes which work fine but the film has the Home Alone theme/feel about it and I think most people can identify those songs when they pop up anywhere.
This film has a little Inception moment at the beginning and we get a representation of the comic the boys are writing. I'm honestly a little disappointed that we didn't get to see that as a whole film of its own when it brings us the amazing line "See you in jingle hell!" spoken with such heart.
Once we get down to our regular programming it's very easy to sink into the ideas at work, there's nothing over complicated and the characters are easy to place. You get the chance to make predictors/wishes early on for who you want to die, and I was not disappointed... at the same time though I was super angry about Santa Jaws' first kill, BAD SHARK!
The acting isn't bad overall, there are some bits that come across a little cheesy and forced when we keep getting Home Alone-esque pieces thrown in, but at the same time... it's a movie about a Christmas themed shark sooooooo.
I'm not entirely sure that the comic book shop was a necessary inclusion on the whole but I can't argue with the choices the owner made... kudos... I wouldn't have wanted those missed out of the final piece.
Shark movie logic abounds and characters make tremendous leaps in deductions that further the plot. My favourite being about the Christmassy nature of the shark. I don't know how the shark's powers and weaknesses came about it the storyline but, standing ovation to you, I loved it.
I ended up getting an imported shark DVD box set so I could see this, it was definitely worth the effort. (Not the stress of trying to play it, but that's another story.) I can only hope this one hits our screens on SyFy or the Horror Channel, I'm honestly surprised it hasn't already. Santa Jaws is an amusing romp in the creature feature genre, it's a great twist on the classics (shark or Christmas film, take your pick) and for the brave I'm sure you could make a drinking game out of Christmas puns and Home Alone references... though maybe not with anything too strong, you might not make it to the end.
Originally posted on: https://emmaatthemovies.blogspot.com/2020/08/santa-jaws-movie-review.html
Cody makes a Christmas wish to be alone, little does he know that his Christmas present is going to make that wish come true in a very festive and gruesome way.
I very quickly want to get a negative out of the way first. There is very noticeable music playing throughout the film. Now, I'm one of those terrible people that doesn't notice music unless it's brilliantly placed or horrendous, and while this music isn't horrendous it does suffer from being way too familiar. You've got Christmas tunes which work fine but the film has the Home Alone theme/feel about it and I think most people can identify those songs when they pop up anywhere.
This film has a little Inception moment at the beginning and we get a representation of the comic the boys are writing. I'm honestly a little disappointed that we didn't get to see that as a whole film of its own when it brings us the amazing line "See you in jingle hell!" spoken with such heart.
Once we get down to our regular programming it's very easy to sink into the ideas at work, there's nothing over complicated and the characters are easy to place. You get the chance to make predictors/wishes early on for who you want to die, and I was not disappointed... at the same time though I was super angry about Santa Jaws' first kill, BAD SHARK!
The acting isn't bad overall, there are some bits that come across a little cheesy and forced when we keep getting Home Alone-esque pieces thrown in, but at the same time... it's a movie about a Christmas themed shark sooooooo.
I'm not entirely sure that the comic book shop was a necessary inclusion on the whole but I can't argue with the choices the owner made... kudos... I wouldn't have wanted those missed out of the final piece.
Shark movie logic abounds and characters make tremendous leaps in deductions that further the plot. My favourite being about the Christmassy nature of the shark. I don't know how the shark's powers and weaknesses came about it the storyline but, standing ovation to you, I loved it.
I ended up getting an imported shark DVD box set so I could see this, it was definitely worth the effort. (Not the stress of trying to play it, but that's another story.) I can only hope this one hits our screens on SyFy or the Horror Channel, I'm honestly surprised it hasn't already. Santa Jaws is an amusing romp in the creature feature genre, it's a great twist on the classics (shark or Christmas film, take your pick) and for the brave I'm sure you could make a drinking game out of Christmas puns and Home Alone references... though maybe not with anything too strong, you might not make it to the end.
Originally posted on: https://emmaatthemovies.blogspot.com/2020/08/santa-jaws-movie-review.html
Movie Metropolis (309 KP) rated Geostorm (2017) in Movies
Jun 10, 2019
The 90's are back
I’ve got to start by telling you I wasn’t holding out much hope for Geostorm and that’s for quite a few reasons. Firstly, Gerard Butler’s career has been on a bit of a slide recently.
Last year was particularly rough for the Scotsman, with London Has Fallen and Gods of Egypt receiving less than 2 stars here at Movie Metropolis. Secondly, Geostorm has had one of the most turbulent productions of any blockbuster in recent memory.
It actually completed main shooting in 2014 but after a negative audience reaction, it’s release date was pushed back numerous times and costly reshoots were drafted in to sort out the presumed mess. Now, in Autumn 2017 it’s arrived. But what’s it like?
After an unprecedented series of natural disasters, the world’s leaders banded together to create an intricate net of satellites to control the global climate and keep people safe. But now, something is wrong: the system built to protect the planet is attacking it, and it becomes a race against the clock to uncover the real threat before a worldwide geostorm wipes out everything and everyone along with it.
Sounding like something straight from the SyFy channel, Geostorm’s premise is utterly ridiculous but disaster movies have never been particularly well-known for their deep, meaningful and accurate storylines. In fact, some of the very best films in the genre, Deep Impact, Armageddon, Volcano wrestled with significant plot holes – audiences don’t care about that when they can watch the planet getting destroyed.
Morbid, right? Most definitely, but the same applies here. The special effects are so darn good, as a tidal wave obliterates Dubai, and the action interspersed at the right intervals, that the lack of cohesive plot and at times hideous and expositional dialogue really doesn’t matter.
The cinematography by director Dean Devlin (in his first feature film) is really rather good. It’s not ground-breaking but considering 95% of the movie is CGI, he works with green screen well and the script’s twists and turns make it a damn sight more interesting than the majority of 2017’s blockbusters.
“Geostorm channels those brilliantly camp disaster movies from the 80s and 90s beautifully.”
Gerard Butler is actually very decent, but there is a lot more talent on offer here than you would first expect. Ed Harris is always dependable and Andy Garcia plays a President similar to Morgan Freeman’s turn in 1998s Deep Impact. It’s cheesier than a Dairylea triangle, but that’s exactly how disaster films are meant to be.
Geostorm channels those brilliantly camp disaster movies from the 80s and 90s beautifully. Dante’s Peak, Earthquake and Volcano can all be felt here. It takes itself a lot less seriously than 2015’s San Andreas, and has a decent sense of humour to boot.
The scenes on-board the International Space Station are a little dull and to be fair, for a film titled Geostorm, there could be a little more ‘storming’ going on, but it’s a fun, throwaway film that requires nothing but your mind to switch off.
Overall, despite a ridiculously turbulent birth, Geostorm is an honest film. Sure, it’s premise is plagued by plot inconsistencies and the characters aren’t fleshed out enough for us to care about their fates, but it’s a rollercoaster ride of special effects and disaster, which I’m not ashamed to say, I really enjoyed.
https://moviemetropolis.net/2017/10/21/geostorm-review/
Last year was particularly rough for the Scotsman, with London Has Fallen and Gods of Egypt receiving less than 2 stars here at Movie Metropolis. Secondly, Geostorm has had one of the most turbulent productions of any blockbuster in recent memory.
It actually completed main shooting in 2014 but after a negative audience reaction, it’s release date was pushed back numerous times and costly reshoots were drafted in to sort out the presumed mess. Now, in Autumn 2017 it’s arrived. But what’s it like?
After an unprecedented series of natural disasters, the world’s leaders banded together to create an intricate net of satellites to control the global climate and keep people safe. But now, something is wrong: the system built to protect the planet is attacking it, and it becomes a race against the clock to uncover the real threat before a worldwide geostorm wipes out everything and everyone along with it.
Sounding like something straight from the SyFy channel, Geostorm’s premise is utterly ridiculous but disaster movies have never been particularly well-known for their deep, meaningful and accurate storylines. In fact, some of the very best films in the genre, Deep Impact, Armageddon, Volcano wrestled with significant plot holes – audiences don’t care about that when they can watch the planet getting destroyed.
Morbid, right? Most definitely, but the same applies here. The special effects are so darn good, as a tidal wave obliterates Dubai, and the action interspersed at the right intervals, that the lack of cohesive plot and at times hideous and expositional dialogue really doesn’t matter.
The cinematography by director Dean Devlin (in his first feature film) is really rather good. It’s not ground-breaking but considering 95% of the movie is CGI, he works with green screen well and the script’s twists and turns make it a damn sight more interesting than the majority of 2017’s blockbusters.
“Geostorm channels those brilliantly camp disaster movies from the 80s and 90s beautifully.”
Gerard Butler is actually very decent, but there is a lot more talent on offer here than you would first expect. Ed Harris is always dependable and Andy Garcia plays a President similar to Morgan Freeman’s turn in 1998s Deep Impact. It’s cheesier than a Dairylea triangle, but that’s exactly how disaster films are meant to be.
Geostorm channels those brilliantly camp disaster movies from the 80s and 90s beautifully. Dante’s Peak, Earthquake and Volcano can all be felt here. It takes itself a lot less seriously than 2015’s San Andreas, and has a decent sense of humour to boot.
The scenes on-board the International Space Station are a little dull and to be fair, for a film titled Geostorm, there could be a little more ‘storming’ going on, but it’s a fun, throwaway film that requires nothing but your mind to switch off.
Overall, despite a ridiculously turbulent birth, Geostorm is an honest film. Sure, it’s premise is plagued by plot inconsistencies and the characters aren’t fleshed out enough for us to care about their fates, but it’s a rollercoaster ride of special effects and disaster, which I’m not ashamed to say, I really enjoyed.
https://moviemetropolis.net/2017/10/21/geostorm-review/
365Flicks (235 KP) rated Talking Earth (2017) in Movies
Nov 20, 2019
There is definitely a lot to be said about the Independent market right now (its bloody exciting). Every now and then you will come across an absolute gem of a movie and other times you will come across an absolute turdfest. I have been pretty lucky as of late that most of my picks are falling into the former. Now, this could be my ex Video Store clerk elitist personality shining through or maybe that clover my daughter shoved in my face along with a handful of grass really did have four leafs.
However Taking Earth has left me wondering (Dumbfounded even). I’m really not sure which bracket to put this flick in because it has all the hallmarks and some of the effects of a big budget summer blockbuster but the execution of a SyFy Sharknado style movie. I guess what i’m trying to say is that while I give this flick more credit than I feel it deserves I cant quite get to grips with how I felt about it.
Taking Earth is a Alien invasion movie set in the beautiful land of South Africa (Awesome accents and all). That’s about it really, all you need to know is that Aliens have invaded earth and they are looking for one boy in particular. We spend the bulk of the movie with David and Cameron two lads brought together after the invasion but Cameron holds a dangerous secret (Could he be the key to all of this) The duo must make there way to a safe zone while avoiding there hunters.
One of the things I liked about this movie was that it jumps straight in on the action, the invasion has happened and the cat and mouse chase is already in progress, this I liked. However I also kind of hated this because by the end of the flick (No spoilers) it felt like they were strongly hinting at a whole extended universe Before, During and After this movie that my guess is… we may not get to see (although the ending Screams sequel). I loved the fact that the movie was reportedly made for 5 million and to be completely fair to this first time Writer/Director/Editor it looks like it cost so much more, in fact I would say this movie looks better than 90% of those B-Movies we all seem to love these days.
The cast are all doing there best with the dialogue they have and delivering the best of it with such passion that it kind of makes it hard for me to shit on the flick. So this time I wont, but cross me agian!!!.
For me Taking Earth is a soft recommend, mostly because it screams expanded universe, this movie needs a prequel and screams for a sequel just to scratch the surface of the story I believe they want to tell… Would I watch either of them??? Probably not. The shining light is the unknown Cast and the Director are all invested and as a movie lover such as I am, I can not only respect them for it but I can also love them for it. There is a definite audience for this low budget movie with great effects and aspirations so like I say I think you should check it out… At your own risk!!!
Not exactly what I would call a Hidden Gem but by no means a Turdfest
However Taking Earth has left me wondering (Dumbfounded even). I’m really not sure which bracket to put this flick in because it has all the hallmarks and some of the effects of a big budget summer blockbuster but the execution of a SyFy Sharknado style movie. I guess what i’m trying to say is that while I give this flick more credit than I feel it deserves I cant quite get to grips with how I felt about it.
Taking Earth is a Alien invasion movie set in the beautiful land of South Africa (Awesome accents and all). That’s about it really, all you need to know is that Aliens have invaded earth and they are looking for one boy in particular. We spend the bulk of the movie with David and Cameron two lads brought together after the invasion but Cameron holds a dangerous secret (Could he be the key to all of this) The duo must make there way to a safe zone while avoiding there hunters.
One of the things I liked about this movie was that it jumps straight in on the action, the invasion has happened and the cat and mouse chase is already in progress, this I liked. However I also kind of hated this because by the end of the flick (No spoilers) it felt like they were strongly hinting at a whole extended universe Before, During and After this movie that my guess is… we may not get to see (although the ending Screams sequel). I loved the fact that the movie was reportedly made for 5 million and to be completely fair to this first time Writer/Director/Editor it looks like it cost so much more, in fact I would say this movie looks better than 90% of those B-Movies we all seem to love these days.
The cast are all doing there best with the dialogue they have and delivering the best of it with such passion that it kind of makes it hard for me to shit on the flick. So this time I wont, but cross me agian!!!.
For me Taking Earth is a soft recommend, mostly because it screams expanded universe, this movie needs a prequel and screams for a sequel just to scratch the surface of the story I believe they want to tell… Would I watch either of them??? Probably not. The shining light is the unknown Cast and the Director are all invested and as a movie lover such as I am, I can not only respect them for it but I can also love them for it. There is a definite audience for this low budget movie with great effects and aspirations so like I say I think you should check it out… At your own risk!!!
Not exactly what I would call a Hidden Gem but by no means a Turdfest
Gareth von Kallenbach (965 KP) rated Abraham Lincoln: Vampire Hunter (2012) in Movies
Aug 7, 2019
When I first heard about this movie, I was expecting the worst. I’ve been exposed to my fair share of B-type horror movies (I was raised on “Critters,” “Ghoulies,” “Killer Clowns from Outerspace,” and everything else one can imagine as a kid). I laughed at the SyFy channel’s monster movie line-up and was sick unto death of zombie movies. That said, I wasn’t entirely excited for this movie’s premier. My boyfriend, however, was chomping at the bit. He adores B-type
movies and this was no exception. And, to my honest surprise, it wasn’t as awful as I had wholly envisioned in my head.
The movie starts with a young Abraham Lincoln (Benjamin Walker) defending his slave friend, Will Johnson (Anthony Mackie), from abuse at the hands of a slave trader. A scuffle ensues and Abraham’s father is ultimately met face-to-face with “Adam” (Rufus Sewell), a well-known and well-feared trader in the lands. The two exchange heated words with Adam threatening to extract his revenge by some unknown means. What seems later that evening, Abraham’s mother is attacked by Adam as young Abraham watches from the shadows. Adam, as one can guess, is a vampire and leaves Abraham’s mother in such a state she cannot recover. Upon her death, Abraham vows revenge, devoting the next ten years of his life to killing Adam.
As the reader can surmise, Abraham is ill-equipped to face Adam and when the day finally arrives, he finds himself wholly unprepared for the task. Cue the entrance of Henry Sturgess, Vampire Hunter. Saving Abraham from an early demise, Henry (Dominic Cooper) takes the young man under his wing and teaches him the way of vampire hunting. He teaches young Abe that the vampires control the whole of the south, using the slave trade as their means for fresh and easily accessible blood. Having never tolerated slavery of any kind, Abraham is infuriated by this and his desire to eradicate the vampire colony grows.
From there he is bequeathed his infamous axe, its edge lined in silver, and we watch as young Abe grows and matures as a skilled warrior before our eyes. When the time comes, Abraham is sent away on a mission to kill select vampires in a quiet town, vampires who pose as noted professionals and townspersons during the day. As a rule, Henry cautions Abraham not to make any friends or form any kind of attachments. Of course, it’s at this point he meets Mary Todd and that whole theory goes out the window. In addition to his vampire hunting, he also begins his career in politics and as a renowned orator. Given one’s knowledge of history, we can see where this all leads.
I won’t divulge the whole of the story here – I’m sure you can imagine where it goes and what comes of it. That said, aside from the over-the-top fighting scenes and certain drawn out moments (the horse stampede and train fight immediately come to mind), it wasn’t as awful as I had originally envisioned. The movie is entertaining and still
retains a fair amount of the B-movie cheesiness one hopes for in watching it. Obviously, the storyline is wracked with historical inaccuracies and unlikely moments (really, Abe Lincoln survives a horse being thrown at him?), but it’s a B-movie and I wasn’t expecting perfection.
If you’re looking for something that offers sheer entertainment and nothing further, this is a movie for you then. You won’t be blown away by the acting skills, the special effects are decent enough (don’t pay extra for 3-D though – it was awful), and while the movie feels slow and drags at parts, over-all it’s rather entertaining for what it is.
movies and this was no exception. And, to my honest surprise, it wasn’t as awful as I had wholly envisioned in my head.
The movie starts with a young Abraham Lincoln (Benjamin Walker) defending his slave friend, Will Johnson (Anthony Mackie), from abuse at the hands of a slave trader. A scuffle ensues and Abraham’s father is ultimately met face-to-face with “Adam” (Rufus Sewell), a well-known and well-feared trader in the lands. The two exchange heated words with Adam threatening to extract his revenge by some unknown means. What seems later that evening, Abraham’s mother is attacked by Adam as young Abraham watches from the shadows. Adam, as one can guess, is a vampire and leaves Abraham’s mother in such a state she cannot recover. Upon her death, Abraham vows revenge, devoting the next ten years of his life to killing Adam.
As the reader can surmise, Abraham is ill-equipped to face Adam and when the day finally arrives, he finds himself wholly unprepared for the task. Cue the entrance of Henry Sturgess, Vampire Hunter. Saving Abraham from an early demise, Henry (Dominic Cooper) takes the young man under his wing and teaches him the way of vampire hunting. He teaches young Abe that the vampires control the whole of the south, using the slave trade as their means for fresh and easily accessible blood. Having never tolerated slavery of any kind, Abraham is infuriated by this and his desire to eradicate the vampire colony grows.
From there he is bequeathed his infamous axe, its edge lined in silver, and we watch as young Abe grows and matures as a skilled warrior before our eyes. When the time comes, Abraham is sent away on a mission to kill select vampires in a quiet town, vampires who pose as noted professionals and townspersons during the day. As a rule, Henry cautions Abraham not to make any friends or form any kind of attachments. Of course, it’s at this point he meets Mary Todd and that whole theory goes out the window. In addition to his vampire hunting, he also begins his career in politics and as a renowned orator. Given one’s knowledge of history, we can see where this all leads.
I won’t divulge the whole of the story here – I’m sure you can imagine where it goes and what comes of it. That said, aside from the over-the-top fighting scenes and certain drawn out moments (the horse stampede and train fight immediately come to mind), it wasn’t as awful as I had originally envisioned. The movie is entertaining and still
retains a fair amount of the B-movie cheesiness one hopes for in watching it. Obviously, the storyline is wracked with historical inaccuracies and unlikely moments (really, Abe Lincoln survives a horse being thrown at him?), but it’s a B-movie and I wasn’t expecting perfection.
If you’re looking for something that offers sheer entertainment and nothing further, this is a movie for you then. You won’t be blown away by the acting skills, the special effects are decent enough (don’t pay extra for 3-D though – it was awful), and while the movie feels slow and drags at parts, over-all it’s rather entertaining for what it is.
Gareth von Kallenbach (965 KP) rated The Thing (2011) in Movies
Aug 7, 2019
After the success of a videogame based on the original film, rumors of a sequel arose many times but never came to fruition, with creative differences between Universal and John Carpenter cited as the main reason. It was oft-speculated that Carpenter made a deal to write and produce a sequel provided he got to name has director. But when he opted to name himself director the studio balked and the project fell apart. In the aftermath, rumors of a miniseries on the SyfY channel arose along with the possibility of retelling the story with 20-somethings on a tropical island but (thankfully) they never saw the light of day.
Rather than do a sequel or remake, Universal opted to jump start the franchise with a prequel that covers the events leading up to the John Carpenter film. It is set in 1982 at a Norwegian research station in Antarctica shortly before the scientists make an amazing discovery. When they uncover an alien craft that had been buried in the ice for over 100,000 years, as well as a frozen crewmember from the craft, they quickly celebrate the scientific discovery of a lifetime.
Kate Lloyd (Mary Elizabeth Winstead), is recruited by a famed scientist to travel to the desolate continent to research the find. Told only that they are about to research an amazing discovery, Kate and a team of specialists arrive and are absolutely stunned by the magnitude of their discovery. Kate urges caution but is overridden by the expedition leader Dr. Halvorsan (Ulrich Thomsen), who insists on taking a tissue sample of the frozen creature encassed in a block of ice.
Later that evening while celebrating, the very much alive creature escapes from its icy prison and begins to systematically hunt the members of the research team. The creature is eventually trapped and burned which causes some consternation over the loss of the creature for further scientific study, but many in the camp applaud its loss after seeing firsthand the destruction it is capable of.
After a bizarre series of events, Kate makes the startling discovery that the cells of the creature are able to imitate and perfectly replicate any thing that it comes in contact with. As a result, not only is the creature very much alive, but the individuals in the camp may no longer be human. Trapped in a remote location with an advancing winter storm, suspicions and paranoia go through the roof as the survivors are pitted against one another, unsure of who is still human. What follows is a high-octane adventure awash in action and grisly special-effects as the two species are locked in the ultimate battle for survival.
The film has a good supporting cast and Joel Edgerton does solid supporting work as an American helicopter pilot assigned to the camp. Eric Christian Olsen provides a steadying presence as a research assistant but his character is not as developed as it could be. It is known that he and Kate know each other but their past history is undefined which makes their relationship a bit puzzling in the film especially when the survivors begin to pick sides.
While the movie is not going to make fans forget the original, it is a very worthy companion piece. As the film was winding down I found myself checking off a couple of inconsistencies with the original film, but was very pleasantly surprised when this was all explained during the end credits which perfectly synced the end of this film with the opening of John Carpenter’s classic.
In many ways the weakness of film is due to the success of John Carpenter’s previous film, in that the creature is not that much of a mystery this time around. Part of the suspense of the previous film was not knowing how the creature operated nor how it was capable of infecting and replicating numerous individuals.
This time around the suspense is lost due to the familiarity with the creature. As a result, director Matthijs van Heijningen focused his efforts on a more action adventure oriented film that gave very little time for character development. We are not told very much about many of the characters in the film as they simply exist to serve as potential victims for the creature. All one really needs to know is they are scientists or support staff as aside from a handful of characters we’re not really given much reason to care whether they survive.
Visually the film is sharp and it is clear that a lot of attention was paid to replicate the look of the previous film. The shots of vast fields of ice and snow emphasized the remote and isolated setting that the characters find themselves in and served as a reminder that danger lurks all around. The special-effects have obviously been upgraded since 1982 and it was nice to see that the creative elements did not go overboard on CGI effects, and actually used puppetry and animatronics to provide updated creature effects that were still in keeping with the look and tone from the previous film.
While the film is not likely to reach the iconic status of the previous film, it is still a worthy companion piece that has enough action and effects to keep it interesting to fans of the series – just so long as they keep their expectations reasonable and do not expect a film on par with the previous one.
Rather than do a sequel or remake, Universal opted to jump start the franchise with a prequel that covers the events leading up to the John Carpenter film. It is set in 1982 at a Norwegian research station in Antarctica shortly before the scientists make an amazing discovery. When they uncover an alien craft that had been buried in the ice for over 100,000 years, as well as a frozen crewmember from the craft, they quickly celebrate the scientific discovery of a lifetime.
Kate Lloyd (Mary Elizabeth Winstead), is recruited by a famed scientist to travel to the desolate continent to research the find. Told only that they are about to research an amazing discovery, Kate and a team of specialists arrive and are absolutely stunned by the magnitude of their discovery. Kate urges caution but is overridden by the expedition leader Dr. Halvorsan (Ulrich Thomsen), who insists on taking a tissue sample of the frozen creature encassed in a block of ice.
Later that evening while celebrating, the very much alive creature escapes from its icy prison and begins to systematically hunt the members of the research team. The creature is eventually trapped and burned which causes some consternation over the loss of the creature for further scientific study, but many in the camp applaud its loss after seeing firsthand the destruction it is capable of.
After a bizarre series of events, Kate makes the startling discovery that the cells of the creature are able to imitate and perfectly replicate any thing that it comes in contact with. As a result, not only is the creature very much alive, but the individuals in the camp may no longer be human. Trapped in a remote location with an advancing winter storm, suspicions and paranoia go through the roof as the survivors are pitted against one another, unsure of who is still human. What follows is a high-octane adventure awash in action and grisly special-effects as the two species are locked in the ultimate battle for survival.
The film has a good supporting cast and Joel Edgerton does solid supporting work as an American helicopter pilot assigned to the camp. Eric Christian Olsen provides a steadying presence as a research assistant but his character is not as developed as it could be. It is known that he and Kate know each other but their past history is undefined which makes their relationship a bit puzzling in the film especially when the survivors begin to pick sides.
While the movie is not going to make fans forget the original, it is a very worthy companion piece. As the film was winding down I found myself checking off a couple of inconsistencies with the original film, but was very pleasantly surprised when this was all explained during the end credits which perfectly synced the end of this film with the opening of John Carpenter’s classic.
In many ways the weakness of film is due to the success of John Carpenter’s previous film, in that the creature is not that much of a mystery this time around. Part of the suspense of the previous film was not knowing how the creature operated nor how it was capable of infecting and replicating numerous individuals.
This time around the suspense is lost due to the familiarity with the creature. As a result, director Matthijs van Heijningen focused his efforts on a more action adventure oriented film that gave very little time for character development. We are not told very much about many of the characters in the film as they simply exist to serve as potential victims for the creature. All one really needs to know is they are scientists or support staff as aside from a handful of characters we’re not really given much reason to care whether they survive.
Visually the film is sharp and it is clear that a lot of attention was paid to replicate the look of the previous film. The shots of vast fields of ice and snow emphasized the remote and isolated setting that the characters find themselves in and served as a reminder that danger lurks all around. The special-effects have obviously been upgraded since 1982 and it was nice to see that the creative elements did not go overboard on CGI effects, and actually used puppetry and animatronics to provide updated creature effects that were still in keeping with the look and tone from the previous film.
While the film is not likely to reach the iconic status of the previous film, it is still a worthy companion piece that has enough action and effects to keep it interesting to fans of the series – just so long as they keep their expectations reasonable and do not expect a film on par with the previous one.