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Lighthouses have long been the symbol of salvation, warning sailors away from dangerous rocks and shallow waters. Along the Great Lakes, America’s inland seas, lighthouses played a vital role in the growth of the nation. They shepherded settlers traveling by water to places that had no roads. These beacons of light required constant tending even in remote and often dangerous places. Brave men and women battled the elements and loneliness to keep the lights shining. Their sacrifice kept goods and immigrants moving. Seven romances set between 1883 and 1911 bring hope to these lonely keepers and love to weary hearts. The Last Memory by Kathleen Rouser 1899—Mackinac Point Lighthouse Natalie Brooks loses her past to amnesia, and Cal Waterson, the lighthouse keeper who rescues her, didn’t bargain on risking his heart—when her past might change everything.
My Thoughts: This is a collection of short stories "novellas" about lighthouses and their keepers. The authors have given a precise account of the lives that these people led while helping to save the lives of others. The hardships they faced, loneliness, living in a remote area and dealing with the aftermath of shipwrecks.
The stories will draw the reader in and will fall in love with the heroines in the stories. I think of all the stories my favorites were Rose and Natalie. Rose being strong and independent, Natalie has a wonderful outlook on life after losing her memory. The reader will love all the women in the stories, these are the two that I identified with the most.
Living on a small island has given me a love for the lighthouse, and I have visited many on the Eastern Shore. That's one of the reasons I enjoyed these stories and the characters in them. Whenever you visit a lighthouse you try to envision the people that were once living there, this book gives us a wonderful look into some of those lives.
The readers will also learn how important the lighthouse is to people and the ships. It is fascinating to learn the working day of the lighthouse keepers. It was pleasant reading that the writers did make sure that the word of God was written into the stories. God is our lighthouse and we must always remember to look toward the light.
I think that everyone will enjoy this novella.
⭐⭐⭐⭐
My Thoughts: This is a collection of short stories "novellas" about lighthouses and their keepers. The authors have given a precise account of the lives that these people led while helping to save the lives of others. The hardships they faced, loneliness, living in a remote area and dealing with the aftermath of shipwrecks.
The stories will draw the reader in and will fall in love with the heroines in the stories. I think of all the stories my favorites were Rose and Natalie. Rose being strong and independent, Natalie has a wonderful outlook on life after losing her memory. The reader will love all the women in the stories, these are the two that I identified with the most.
Living on a small island has given me a love for the lighthouse, and I have visited many on the Eastern Shore. That's one of the reasons I enjoyed these stories and the characters in them. Whenever you visit a lighthouse you try to envision the people that were once living there, this book gives us a wonderful look into some of those lives.
The readers will also learn how important the lighthouse is to people and the ships. It is fascinating to learn the working day of the lighthouse keepers. It was pleasant reading that the writers did make sure that the word of God was written into the stories. God is our lighthouse and we must always remember to look toward the light.
I think that everyone will enjoy this novella.
⭐⭐⭐⭐
Hazel (1853 KP) rated Minology II The Disquisitive Saga Of Filbert Monkston in Books
Dec 17, 2018
<i>I received this book for free through Goodreads First Reads.</i>
What if scientists have been wrong about the way the human body works? What if there are thousands of tiny creatures controlling each and every organ, making sure everything in the body is in working order? This is the idea that Mark Murphy has based his books upon. These creatures are called min and not only do they help the body to function; they have their own lives to deal with as well.
<i>Minology II: The Disquisitive Saga of Filbert Monkston</i> is the second of the <i>Minology stories</i>. Filbert is a seventeen-year-old min who has grown up in the Gutlands as part of the Kushnick tribe. However he is beginning to question their religion. Why do they have these beliefs? Why do they sacrifice food? An argument with his father sparks off a series of events that cause trouble for many min.
After storming off, Filbert and his friend Gordon come into contact with a strange group of travellers. Not realizing how dangerous they are, Filbert and Gordon get drawn into a trap. Baron Floppy, Filbert’s father, on the other hand, regrets the outburst at his son and is extremely worried when he never returns home. Along with a search party he goes out to find his son. As the story leads up to reuniting the father and son an old mystery is uncovered and finally solved after many years of it being left unanswered.
As with the first <i>Minology</i> book, this is a lighthearted read containing a lot of humour. Many of the min are not the most intelligent of creatures resulting in rather a lot of misunderstandings which can be particularly amusing. The storyline itself can be quite gripping as the mystery unravels.
Although <i>Minology II</i> does not exactly follow on from the previous novel, it would be handy to read the books in order as the first story provides more information about who the min are and a little about the body they are inhabiting.
Overall, <i>Minology II</i> is a good short read, however could have done with another proof read before publication. It is a shame that the writer cannot tell the difference between the words ‘were’ and ‘where’!
What if scientists have been wrong about the way the human body works? What if there are thousands of tiny creatures controlling each and every organ, making sure everything in the body is in working order? This is the idea that Mark Murphy has based his books upon. These creatures are called min and not only do they help the body to function; they have their own lives to deal with as well.
<i>Minology II: The Disquisitive Saga of Filbert Monkston</i> is the second of the <i>Minology stories</i>. Filbert is a seventeen-year-old min who has grown up in the Gutlands as part of the Kushnick tribe. However he is beginning to question their religion. Why do they have these beliefs? Why do they sacrifice food? An argument with his father sparks off a series of events that cause trouble for many min.
After storming off, Filbert and his friend Gordon come into contact with a strange group of travellers. Not realizing how dangerous they are, Filbert and Gordon get drawn into a trap. Baron Floppy, Filbert’s father, on the other hand, regrets the outburst at his son and is extremely worried when he never returns home. Along with a search party he goes out to find his son. As the story leads up to reuniting the father and son an old mystery is uncovered and finally solved after many years of it being left unanswered.
As with the first <i>Minology</i> book, this is a lighthearted read containing a lot of humour. Many of the min are not the most intelligent of creatures resulting in rather a lot of misunderstandings which can be particularly amusing. The storyline itself can be quite gripping as the mystery unravels.
Although <i>Minology II</i> does not exactly follow on from the previous novel, it would be handy to read the books in order as the first story provides more information about who the min are and a little about the body they are inhabiting.
Overall, <i>Minology II</i> is a good short read, however could have done with another proof read before publication. It is a shame that the writer cannot tell the difference between the words ‘were’ and ‘where’!
Ivana A. | Diary of Difference (1171 KP) rated Bright Pink Ink: New & Selected Poems in Books
Feb 3, 2020
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<b><i>‘’I was born to destroy everything you ever loved before me.’’</i></b>
It is very hard for me to judge this work and write a book review. It's hard to tell you what I think because I don't feel like I'm an expert in poetry. I love reading poetry, but I don't read it as much. I love poetry, but maybe I don't understand it.
<b><i>Bright Pink Ink: New and Selected Poems</i></b> has a jolly vibe to it, a lot of love & happiness, emotions of loss, missing loved ones and love, as well as a feminist vibe that is refreshing. It was an enjoyable read.
However, it also holds a little bit if monotony with it, very short poems or poems that are written as prose. I encountered a few repetitive sentences on a few occasions and while I know that repeating a line is common in poetry to straighten the meaning and add rhythm - in this occasion it wasn't pleasurable to read.
<b><i>"Maybe I should tell them about my husband's laugh. A sound that erupts as suns inside me till I float - free as dust." </i></b>
I loved <b><i>‘’A poem from 4/14/2015 read on 6/21/2017’’.</i></b> It is written quite well, with two parallel stories happening while you read, in a different timeline. I really enjoyed it, despite the great annoyance that is the date. The only logical date format I know of is day - month - year.
There were a lot of feminist vibes through the poems, which was pleasantly enjoyable. On this topic, <b><i>"Mortal Gods Demand a Sacrifice"</i></b> was my favourite one.
<b><i>"The moon must've thought you were the sun." </i></b>
Thank you to the author Laura Dinovis Berry for sending me a copy of Bright Pink Ink in exchange for an honest review.
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<img src="https://diaryofdifference.com/wp-content/uploads/2019/08/Book-Review-Banner-3.png"/>;
<b><i>‘’I was born to destroy everything you ever loved before me.’’</i></b>
It is very hard for me to judge this work and write a book review. It's hard to tell you what I think because I don't feel like I'm an expert in poetry. I love reading poetry, but I don't read it as much. I love poetry, but maybe I don't understand it.
<b><i>Bright Pink Ink: New and Selected Poems</i></b> has a jolly vibe to it, a lot of love & happiness, emotions of loss, missing loved ones and love, as well as a feminist vibe that is refreshing. It was an enjoyable read.
However, it also holds a little bit if monotony with it, very short poems or poems that are written as prose. I encountered a few repetitive sentences on a few occasions and while I know that repeating a line is common in poetry to straighten the meaning and add rhythm - in this occasion it wasn't pleasurable to read.
<b><i>"Maybe I should tell them about my husband's laugh. A sound that erupts as suns inside me till I float - free as dust." </i></b>
I loved <b><i>‘’A poem from 4/14/2015 read on 6/21/2017’’.</i></b> It is written quite well, with two parallel stories happening while you read, in a different timeline. I really enjoyed it, despite the great annoyance that is the date. The only logical date format I know of is day - month - year.
There were a lot of feminist vibes through the poems, which was pleasantly enjoyable. On this topic, <b><i>"Mortal Gods Demand a Sacrifice"</i></b> was my favourite one.
<b><i>"The moon must've thought you were the sun." </i></b>
Thank you to the author Laura Dinovis Berry for sending me a copy of Bright Pink Ink in exchange for an honest review.
<a href="https://diaryofdifference.com/">Blog</a>; | <a href="https://www.facebook.com/diaryofdifference/">Facebook</a>; | <a href="https://twitter.com/DiaryDifference">Twitter</a>; | <a href="https://www.instagram.com/diaryofdifference/">Instagram</a>; | <a href="https://www.pinterest.co.uk/diaryofdifference/pins/">Pinterest</a>;
JT (287 KP) rated Out of the Furnace (2013) in Movies
Mar 10, 2020
Cast for so long in the trademark cowl of Batman and posing around Gotham City as the slightly disturbed and flamboyant billionaire Bruce Wayne, Christian Bale is back deep in his gritty acting roots.
Bale plays Pennsylvania steel mill worker Russell, a man living a simplistic hard working way of life. His brother on the other hand, Rodney (Casey Affleck), is back from a tour in Iraq. He’s visibly scared and not in the least bit interested in anymore manual labour. Inciting that the country owes him a something for his sacrifice he gets into debt gambling and desperate for cash to pay off his short fall he takes bare knuckle fist fights organised by loan shark friend John Petty Willem Dafoe.
Things move from bad to worse in a surprise addition to the plot, which sees Russell endure some time behind bars and in the process loses his sick father as well as seeing girlfriend Lena (Zoe Saldana) fall into the arms of local cop Forest Whitaker. When Russell steps outside of prison for the first time he has yet another problem facing him, in the form of local drug kingpin and all round nasty, Harlan DeGroat brilliantly played by Woody Harrelson.
DeGroat is not one to be crossed as even the local police keep their distance but Rodney heads straight into the lion’s den when he accepts a fight and then is propositioned to take a dive during it; something that he is not willing to do.
The relationship between the brothers is enthralling and totally believable. Both Bale and Affleck give controlled and sharp performances feeding off each other as the tension between them rises. The film attempts to broach the subject of the working classes, while at the same time portraying the life of the retired marine who has come back home full of nightmares and is left forgotten only to crumble into himself.
It’s a strong cast, with Harrelson’s villain commanding the screen with gusto while the likes of Saldana, Defoe and Sam Shepard play mere bit parts. But with this much talent on show not everyone can feature front and centre. The film’s setting is a perfect post-industrial stomping ground for battles both in the illegal ring and out of it, while a moody soundtrack is a perfect accompaniment to the narrative that is moving and rough around the edges.
Bale plays Pennsylvania steel mill worker Russell, a man living a simplistic hard working way of life. His brother on the other hand, Rodney (Casey Affleck), is back from a tour in Iraq. He’s visibly scared and not in the least bit interested in anymore manual labour. Inciting that the country owes him a something for his sacrifice he gets into debt gambling and desperate for cash to pay off his short fall he takes bare knuckle fist fights organised by loan shark friend John Petty Willem Dafoe.
Things move from bad to worse in a surprise addition to the plot, which sees Russell endure some time behind bars and in the process loses his sick father as well as seeing girlfriend Lena (Zoe Saldana) fall into the arms of local cop Forest Whitaker. When Russell steps outside of prison for the first time he has yet another problem facing him, in the form of local drug kingpin and all round nasty, Harlan DeGroat brilliantly played by Woody Harrelson.
DeGroat is not one to be crossed as even the local police keep their distance but Rodney heads straight into the lion’s den when he accepts a fight and then is propositioned to take a dive during it; something that he is not willing to do.
The relationship between the brothers is enthralling and totally believable. Both Bale and Affleck give controlled and sharp performances feeding off each other as the tension between them rises. The film attempts to broach the subject of the working classes, while at the same time portraying the life of the retired marine who has come back home full of nightmares and is left forgotten only to crumble into himself.
It’s a strong cast, with Harrelson’s villain commanding the screen with gusto while the likes of Saldana, Defoe and Sam Shepard play mere bit parts. But with this much talent on show not everyone can feature front and centre. The film’s setting is a perfect post-industrial stomping ground for battles both in the illegal ring and out of it, while a moody soundtrack is a perfect accompaniment to the narrative that is moving and rough around the edges.
Neon's Nerd Nexus (360 KP) rated Gretel & Hansel (2020) in Movies
Sep 10, 2020
Something Wicked
Gretel and hansel is everything I hoped it would be & more, a devilsh dive into witchcraft & an utterly nightmarish visual feast for both the eyes & senses. Gretel & Hansel is a new take on the well known Grimm fairytale & for a simple comparison it's much like one of my favourite horror films of all time 2015's The witch. Now I'm guessing that's put some people off already but those who are still with me are in for a delightful treat. Think Suspira if it were boiled in a pot with the witch, hagazussa & it comes at night & you have painted a picture of what to expect here. Extremely slow pacing, constantly lingering ominous dread & a soundtrack that's likely to cause the hairs on your neck to stand up every time it drones. To say this film is absolutely gorgeous is an insult, every single frame is awash with beautifully striking & highly interesting to explore imagery & colour. It's so visually striking & breathtaking I could happily of sat & watched it with no sound & still be as entranced by its wicked ways. However the way these visuals mash with the synth & droning soundtrack honestly kept me glued to the screen seemingly bewitched & fixated in a trance like state. As you can tell these types of films are my passion when it comes to horror, I much prefer the slow lingering constant sense of dread & creepy imagery that lead up to a shocking pay off while also intertwining the kind of depth & philosophy you have to unravel yourself instead of being spoon fed the plot by the characters themselves. This film is no different & as we delve deep into such themes as female empowerment, innocence, sacrifice, responsibility, naivety, addiction & greed as a viewer the web spun for you begins to unravel about what the film is truly trying to say at its core. Sophia Lillis who you may know from IT does wonders here as Gretel & it's her character, acting & attachment that really hooks you & makes every scene with her in feel calming amongst all the oddities going on. I honestly can not praise this film enough & say if your into art house cinema do not hesitate at grabbing this on glorious 4k. A stunning, breathless wonder of a movie to that will leave you feeling body unnerved & your mind shaken.
Neon's Nerd Nexus (360 KP) rated Ad Astra (2019) in Movies
Sep 18, 2019
Through hardships, to the stars.
Ad Astra is the kind of film they dont make anymore. Visually breathtaking, harrowing and it has such a deep pain and sadness to it that i left the theatre with tears in my eyes and a smile on my face. Ad Astra is the first film this year to leave me speechless and I'm actually finding it hard to put into words what I have just experienced. I will try my hardest not to spoil anything as this movie is best if you go into it blind to appreciate it to full effect. What an experience, I can safely say i had goosebumps, chills up my spine, a lump in my throat and on the brink or tears 90% of the runtime. Atmosphere and visual wise what they have accomplished here is not only teeming with beauty but an incredible feel of movies from the past. A cross between Blade Runner, Dune, apocalypse now and 2001 Ad Astra invoked in me the same heightened emotions I felt watching those films for the first time many years ago. Theres a constant sence of wonder, discovery and lingering dread present the entire film keeping you constantly fearful, on edge and floating in a state of happy sadness. Brad Pitt gives the performance of his career every part of his troubled mind playing out on in his facial expressions and behind his eyes. Theres an over arching theme about mental illness, social awkwardness and anxiety here and its truly depressing watching Brads character battle his inner demons while still putting on a brave face while know one else seems to notice or offer advice, comfort or guidance. Theres also a lot about the need for progression regardless of the sacrifice and emotional toll it takes on people and questions about if humanity deserves a future as we become more selfish, destructive and cold. Its primarily a character story about mental struggles, self destruction, burdens, loneliness, pain, legacy and destiny and at times its tuff to stomach watching this character suffer caught between right and wrong, but its always fascinating, relatable and rewarding. Set pieces are cold/disturbing and harrowing not only shocking you but leaving a lasting impression that most horror films struggle to achieve. I urge anyone into film go see this its a modern day masterpiece.
Haley Mathiot (9 KP) rated Spring for Susannah in Books
Apr 27, 2018
Okay. So. I got this in the mail and read it through completely the same day. That's got to be worth something.
I loved the premise of this book. It sounded so sweet, it sounded like it had a lot of potential. And I loved it: up until the halfway mark.
Halfway through, Susannah, seemingly out of nowhere, storms out of the house and tells her husband she's leaving. One minute she was fine, and she was beginning to love him, and the next minute, that horrible smelly house is just too much for her. It made no sense.
Also, their arguments were like that (what few of them they had.) on minute they were fine and the next minute they have a little bickering or frustration with each other, and he's like "if it's that bad for you, we'll get divorced." (not an exact quote, but it was something like that).
Then he left her. It was tolerable up until that point. But then he just snapped, and he left her. The locusts came back and he wouldn't listen to her, he just left and was like "I'll bring you home money because now I can't support you." He went all Edward Cullen on me just as I was really beginning to like him!
And then she found out she was pregnant.
And then he gets captured by Indians.
And then she thinks he's dead and two other guys say they'll marry her.
A little bit of plot overkill, maybe?
I was really disappointed. It would have been so much better if the conflicts were more realistic, and the plot consisted of less events that were more pointed towards the same thing.
Then there was her salvation. She wasn't really a christian before, and her faith didn't seem much improved by the end either. I was hoping for a heartbreaking realization or a sacrifice or a change, and all I saw was "huh I guess he's on to something, okay I'll pray too. God please give me back my husband."
Because of all that, near the end I found myself skimming and reading just the dialogue so I could get to the end. And the very end could have had so much more emotion, so much more response, but it just felt very dead.
I really wish I had loved this book because it sounded so adorable. If only it hadn't turned at that halfway point.
Recommended for ages 15+ for one scene in which the doctor gives some advice to the married couple
I loved the premise of this book. It sounded so sweet, it sounded like it had a lot of potential. And I loved it: up until the halfway mark.
Halfway through, Susannah, seemingly out of nowhere, storms out of the house and tells her husband she's leaving. One minute she was fine, and she was beginning to love him, and the next minute, that horrible smelly house is just too much for her. It made no sense.
Also, their arguments were like that (what few of them they had.) on minute they were fine and the next minute they have a little bickering or frustration with each other, and he's like "if it's that bad for you, we'll get divorced." (not an exact quote, but it was something like that).
Then he left her. It was tolerable up until that point. But then he just snapped, and he left her. The locusts came back and he wouldn't listen to her, he just left and was like "I'll bring you home money because now I can't support you." He went all Edward Cullen on me just as I was really beginning to like him!
And then she found out she was pregnant.
And then he gets captured by Indians.
And then she thinks he's dead and two other guys say they'll marry her.
A little bit of plot overkill, maybe?
I was really disappointed. It would have been so much better if the conflicts were more realistic, and the plot consisted of less events that were more pointed towards the same thing.
Then there was her salvation. She wasn't really a christian before, and her faith didn't seem much improved by the end either. I was hoping for a heartbreaking realization or a sacrifice or a change, and all I saw was "huh I guess he's on to something, okay I'll pray too. God please give me back my husband."
Because of all that, near the end I found myself skimming and reading just the dialogue so I could get to the end. And the very end could have had so much more emotion, so much more response, but it just felt very dead.
I really wish I had loved this book because it sounded so adorable. If only it hadn't turned at that halfway point.
Recommended for ages 15+ for one scene in which the doctor gives some advice to the married couple
Haley Mathiot (9 KP) rated Wildwing in Books
Apr 27, 2018
Wildwing by Emily Whitman
Genre: YA, romance, time travel, historical fiction
ISBN: 9780061724527
Published: September 21st 2010 by Greenwillow Books
Rating: 5
Addy isn't satisfied in her world, with her life, with the mean girls from school always telling her that she's worthless. She wants to be free, be respected, not have to work for her food every night. She knows she's better than what she's been given… and she's determined to find it. So when she stumbles into a time machine that brings her back to the time of castles and lords and falconers, and she is mistaken for a rich lady betrothed to marry the king, she believes she has found exactly what she wants to do.
But she didn't count on falling in love with a falconer, a nobody. If only she hadn't gone along with the lie, she'd be herself, a nobody too, and Will could be hers.
Addy must decide what she wants, and what is more important, and then fight to get home. But in the process she might lose the people she loves.
Wildwing drew me in from the first line and held me captive until the last words. A poor sweet lovable main character who isn't being treated fairly, she makes every girl understand her pain. Her insecurities are ours. She is one of the more relatable female protagonists I've read this year.
One thing I really liked about the story was Addy and Will's relationship. It wasn't based on pure physical attraction—although I'm adding Will to my list of literary crushes—they spent time together, they learned, they talked, they argued. It wasn't a shallow empty relationship, which is why it hurt so much in the end, and why the resolution was so sweet.
The plot started off so simple, and got more complex with every page. Addy's little schemes and ideas didn't always go through, and she had to improvise. It kept my heart pounding and my mind curious. The writing was very good, though nothing extraordinary. The characters were quickly developed, some became my friends and some were despicable.
This was more than a love story with a time machine; it was a beautiful enchanting story about a young girl who finds out for herself what is important, how to sacrifice, and how to truly fight for what she loves.
All in all I adored this story and recommend it to anyone ages 12+. No sex or language.
This review is copyright Haley Mathiot and Night Owl Reviews. Do not copy without permission.
Original review here: http://haleymathiot.blogspot.com/2010/12/review-wildwing.html
Genre: YA, romance, time travel, historical fiction
ISBN: 9780061724527
Published: September 21st 2010 by Greenwillow Books
Rating: 5
Addy isn't satisfied in her world, with her life, with the mean girls from school always telling her that she's worthless. She wants to be free, be respected, not have to work for her food every night. She knows she's better than what she's been given… and she's determined to find it. So when she stumbles into a time machine that brings her back to the time of castles and lords and falconers, and she is mistaken for a rich lady betrothed to marry the king, she believes she has found exactly what she wants to do.
But she didn't count on falling in love with a falconer, a nobody. If only she hadn't gone along with the lie, she'd be herself, a nobody too, and Will could be hers.
Addy must decide what she wants, and what is more important, and then fight to get home. But in the process she might lose the people she loves.
Wildwing drew me in from the first line and held me captive until the last words. A poor sweet lovable main character who isn't being treated fairly, she makes every girl understand her pain. Her insecurities are ours. She is one of the more relatable female protagonists I've read this year.
One thing I really liked about the story was Addy and Will's relationship. It wasn't based on pure physical attraction—although I'm adding Will to my list of literary crushes—they spent time together, they learned, they talked, they argued. It wasn't a shallow empty relationship, which is why it hurt so much in the end, and why the resolution was so sweet.
The plot started off so simple, and got more complex with every page. Addy's little schemes and ideas didn't always go through, and she had to improvise. It kept my heart pounding and my mind curious. The writing was very good, though nothing extraordinary. The characters were quickly developed, some became my friends and some were despicable.
This was more than a love story with a time machine; it was a beautiful enchanting story about a young girl who finds out for herself what is important, how to sacrifice, and how to truly fight for what she loves.
All in all I adored this story and recommend it to anyone ages 12+. No sex or language.
This review is copyright Haley Mathiot and Night Owl Reviews. Do not copy without permission.
Original review here: http://haleymathiot.blogspot.com/2010/12/review-wildwing.html
Haley Mathiot (9 KP) rated Dancing on Broken Glass in Books
Apr 27, 2018
I think this is the best book I've read in a really long time.
Let's start with a critical analysis and break down the text: First, the writing was really good. Like, Dianne Dixon good, or JK Rowling good. It was filled with flowing and descriptive prose and beautiful metaphors. I could probably write a ten-page paper on some of the literary themes in this novel. It wasn't just fiction for the sake of the story: There was so much beauty about the meaning of life and love and commitment and… well, I'll let you read it.
The pacing was excellent. The very first sentence caught me by the hair and dragged me the whole way through the book. I read most of it in one setting, stopping only to readjust the pillow behind my back.
Now for the really important stuff:
The characters in Dancing on Broken Glass were so epic that I truly didn't want this book to end. They were so wonderful, but so terribly and humanly flawed, just like real people are, that I feel like if I saw Mickey or Lily on the street, I'd recognize them right away.
And boy did I relate to some of these characters!
The ending was just superb. It was heartbreaking, but I knew it was destined from the moment I started reading. It was so perfect and fulfilling that it was worth all the emotional turmoil the rest of the novel put me through.
On that note, it wasn't one of those books that are so hard to read that you can only take it in small doses or that it makes you cry, or extremely emotional readers can't handle it. Nor did it have any offensive language or sex scenes (okay there was some mention of sex, but it wasn't explicit in any way). In fact, it was one of the least offensive novels I've read in a very long time. We're talking years.
The romance was better than anything I've read in any teen novel. The relationships were true and realistic to the core. The flawed characters were just as real to me as I am to myself. The message of hope and grief and dedication and sacrifice will stay with me forever. I hope I never forget this story.
Dancing on Broken Glass was an absolutely beautiful novel. Ka Hancock is going on my Author Watch, and this novel is staying on my "re-read" bookshelf. I recommend it to absolutely anyone willing to hear a really good story.
Let's start with a critical analysis and break down the text: First, the writing was really good. Like, Dianne Dixon good, or JK Rowling good. It was filled with flowing and descriptive prose and beautiful metaphors. I could probably write a ten-page paper on some of the literary themes in this novel. It wasn't just fiction for the sake of the story: There was so much beauty about the meaning of life and love and commitment and… well, I'll let you read it.
The pacing was excellent. The very first sentence caught me by the hair and dragged me the whole way through the book. I read most of it in one setting, stopping only to readjust the pillow behind my back.
Now for the really important stuff:
The characters in Dancing on Broken Glass were so epic that I truly didn't want this book to end. They were so wonderful, but so terribly and humanly flawed, just like real people are, that I feel like if I saw Mickey or Lily on the street, I'd recognize them right away.
And boy did I relate to some of these characters!
The ending was just superb. It was heartbreaking, but I knew it was destined from the moment I started reading. It was so perfect and fulfilling that it was worth all the emotional turmoil the rest of the novel put me through.
On that note, it wasn't one of those books that are so hard to read that you can only take it in small doses or that it makes you cry, or extremely emotional readers can't handle it. Nor did it have any offensive language or sex scenes (okay there was some mention of sex, but it wasn't explicit in any way). In fact, it was one of the least offensive novels I've read in a very long time. We're talking years.
The romance was better than anything I've read in any teen novel. The relationships were true and realistic to the core. The flawed characters were just as real to me as I am to myself. The message of hope and grief and dedication and sacrifice will stay with me forever. I hope I never forget this story.
Dancing on Broken Glass was an absolutely beautiful novel. Ka Hancock is going on my Author Watch, and this novel is staying on my "re-read" bookshelf. I recommend it to absolutely anyone willing to hear a really good story.
Ross (3282 KP) rated The Court of Broken Knives in Books
Aug 7, 2018
Finally, well executed, gritty literary fantasy
I had skimmed some reviews of this book after seeing glowing recommendations of it in different facebook groups. I was warned the tone of the narrative was off-putting and very different to the genre. I have read a few authors who try and put a more literary, almost poetic slant on the narrative in fantasy books and I always found it a bit flowery and took me out of the story.
Not so here. I'll admit the tone took me a couple of chapters to get to grips with, but I am so glad I stuck with it. The lyrical poetry contained within the narrative is so good that it adds to the story being told, it puts some emotion into the storytelling, something that is so sorely lacking from many books in third-person narrative.
Descriptions of people, places, feelings, events take on a whole new level of tangibility so rarely felt in fantasy fiction (without going down the Stephen King route of describing everything, and avoiding the Robert Jordan horse/riding dress description pratfalls).
The only place this becomes an issue is at times in the action scenes. On occasion I had to re-read a passage to work out what had actually happened - while I enjoyed the words I had struggled to pick up on what had occurred.
The story itself is not overly elaborate and unfolds before you with little warning. It felt like a natural, flowing journey than a series of events loosely tied together. We have the gritty mercenary company en route to unleash hell on the Empire, the great priestess of the God of living and dying (who has to sacrifice someone every few days to ensure life and death continue to operate properly) and we have the political manoeuvrings of the high lords within the Empirical council. This is all weaved together in the first third of the book to an excellent, surprising conclusion (in what many authors would have filled a whole book with ad nauseum), with the remainder of the book being a journey through wild country while everyone double-crosses everyone else.
This is of the grim-dark sub-genre, which basically means everyone is a bit of a shit, and bad things happen to nice people. There are no heroes here. There are characters you come to rout for (or despise) but you know it is wrong to do so as they are all so nasty and flawed in so many ways, like humanity itself.
Don't be expecting a happy ending!
Not so here. I'll admit the tone took me a couple of chapters to get to grips with, but I am so glad I stuck with it. The lyrical poetry contained within the narrative is so good that it adds to the story being told, it puts some emotion into the storytelling, something that is so sorely lacking from many books in third-person narrative.
Descriptions of people, places, feelings, events take on a whole new level of tangibility so rarely felt in fantasy fiction (without going down the Stephen King route of describing everything, and avoiding the Robert Jordan horse/riding dress description pratfalls).
The only place this becomes an issue is at times in the action scenes. On occasion I had to re-read a passage to work out what had actually happened - while I enjoyed the words I had struggled to pick up on what had occurred.
The story itself is not overly elaborate and unfolds before you with little warning. It felt like a natural, flowing journey than a series of events loosely tied together. We have the gritty mercenary company en route to unleash hell on the Empire, the great priestess of the God of living and dying (who has to sacrifice someone every few days to ensure life and death continue to operate properly) and we have the political manoeuvrings of the high lords within the Empirical council. This is all weaved together in the first third of the book to an excellent, surprising conclusion (in what many authors would have filled a whole book with ad nauseum), with the remainder of the book being a journey through wild country while everyone double-crosses everyone else.
This is of the grim-dark sub-genre, which basically means everyone is a bit of a shit, and bad things happen to nice people. There are no heroes here. There are characters you come to rout for (or despise) but you know it is wrong to do so as they are all so nasty and flawed in so many ways, like humanity itself.
Don't be expecting a happy ending!