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Kristy H (1252 KP) rated Eleanor Oliphant Is Completely Fine in Books
Dec 24, 2017
funny (3 more)
heartbreaking
tender
beautiful
Eleanor Oliphant leads a simple, albeit lonely, life. Up in the morning, head to work, and heads down at the office (with a solo break for lunch and the crossword). She spends her evenings and weekends alone--typically with a book, the TV, and a lot vodka. Every Wednesday evening, she speaks on the phone with her mother (Mummy)-- always a painful conversation as her mother is judgemental and exacting. Then one day, Eleanor and Raymond, the slightly oafish IT guy from her office, save the elderly Sammy, who has fallen on the sidewalk. The act turns out to change Eleanor's life--bringing her into Sammy's life and that of his boisterous family--and involving her more with Raymond, as well. Suddenly, it's almost as if Eleanor and Raymond are friends and Eleanor isn't completely lonely anymore. But can her friendship with Raymond erase the sadness in her life?
This book, oh this book. Wow, what a journey. I'm so very glad I finally picked it up. Where do I even begin? First of all, Honeyman captures the voice of Eleanor perfectly. I was honestly a bit surprised when I started this one. I'd been expecting a slightly quirky character (a la the lead in THE ROSIE PROJECT), but there's far more depth and darkness to Eleanor (and her tale) than I imagined. It took me a little longer to get into the story, but once I was: wow. You can visualize Eleanor and her supporting cast so clearly. Raymond comes across effortlessly too. The plot is striking-- an amazing combination of heartbreaking and tender. My heart truly broke for dear Eleanor at times.
I was intrigued by the fact that there's no real huge story, per se, to this novel--it's just Eleanor finding her way in the world. As mentioned, Eleanor and Raymond assist Sammy, and this jolts Eleanor out of her life built around routine and sameness. Forced to come out of her shell, she suddenly sees some things in a new light--her appearance, her job, her friendships (or lack thereof), her apartment, and more. The way Honeyman presents the world--through Eleanor's eyes--is uncanny. I cannot describe how well she captures her diction and how aghast Eleanor is sometimes by the world around her (dirty books from the library, people who waste her time with conversation, the food people eat and how they eat, etc.).
At the same time, you realize how much Eleanor is formed by her childhood, or lack thereof, and it's just... striking. How Honeyman gets this all across in words is amazing. The unexpected darkness and sadness that comes across in the novel and the added layer of suspense she casts as we ponder Eleanor's tragic childhood: it's chilling. The entire book is mesmerizing and beautiful.
That's not to say the book isn't funny or enjoyable, too. Eleanor is her own person, and she's witty and true to her self, for sure. You will find yourself rooting for her personality quirks (of which there are many) and all. If Eleanor's attempts to understand the world don't tug at your heartstrings, I'm not sure anything will (and I'm pretty tough nut to crack when reading, mind you). I was worried that perhaps the moral would be that Eleanor would have to change herself to find happiness, but no, I don't think that was Honeyman's ultimate intent, even if Eleanor does make some "improvements" along the way. (I won't say more for risk of spoilers.) Also, I loved Raymond, as well; his mother; Glen (!!!!); and so many other parts of the story that made me smile. Seriously, even with its sad parts, this book just makes you happy.
Ultimately, this is lovely book, with beautiful, well-written characters. The tale of Eleanor Oliphant will stay with me for a long time, and I'm so glad I finally decided to read this book. Honeyman is an excellent writer, her depiction of Eleanor is gorgeous and heart-rendering and the few flaws I found with this were so minor, as I was left just awed by the end. One of my favorites so far this year.
This book, oh this book. Wow, what a journey. I'm so very glad I finally picked it up. Where do I even begin? First of all, Honeyman captures the voice of Eleanor perfectly. I was honestly a bit surprised when I started this one. I'd been expecting a slightly quirky character (a la the lead in THE ROSIE PROJECT), but there's far more depth and darkness to Eleanor (and her tale) than I imagined. It took me a little longer to get into the story, but once I was: wow. You can visualize Eleanor and her supporting cast so clearly. Raymond comes across effortlessly too. The plot is striking-- an amazing combination of heartbreaking and tender. My heart truly broke for dear Eleanor at times.
I was intrigued by the fact that there's no real huge story, per se, to this novel--it's just Eleanor finding her way in the world. As mentioned, Eleanor and Raymond assist Sammy, and this jolts Eleanor out of her life built around routine and sameness. Forced to come out of her shell, she suddenly sees some things in a new light--her appearance, her job, her friendships (or lack thereof), her apartment, and more. The way Honeyman presents the world--through Eleanor's eyes--is uncanny. I cannot describe how well she captures her diction and how aghast Eleanor is sometimes by the world around her (dirty books from the library, people who waste her time with conversation, the food people eat and how they eat, etc.).
At the same time, you realize how much Eleanor is formed by her childhood, or lack thereof, and it's just... striking. How Honeyman gets this all across in words is amazing. The unexpected darkness and sadness that comes across in the novel and the added layer of suspense she casts as we ponder Eleanor's tragic childhood: it's chilling. The entire book is mesmerizing and beautiful.
That's not to say the book isn't funny or enjoyable, too. Eleanor is her own person, and she's witty and true to her self, for sure. You will find yourself rooting for her personality quirks (of which there are many) and all. If Eleanor's attempts to understand the world don't tug at your heartstrings, I'm not sure anything will (and I'm pretty tough nut to crack when reading, mind you). I was worried that perhaps the moral would be that Eleanor would have to change herself to find happiness, but no, I don't think that was Honeyman's ultimate intent, even if Eleanor does make some "improvements" along the way. (I won't say more for risk of spoilers.) Also, I loved Raymond, as well; his mother; Glen (!!!!); and so many other parts of the story that made me smile. Seriously, even with its sad parts, this book just makes you happy.
Ultimately, this is lovely book, with beautiful, well-written characters. The tale of Eleanor Oliphant will stay with me for a long time, and I'm so glad I finally decided to read this book. Honeyman is an excellent writer, her depiction of Eleanor is gorgeous and heart-rendering and the few flaws I found with this were so minor, as I was left just awed by the end. One of my favorites so far this year.

Lee (2222 KP) rated Train to Busan (2016) in Movies
Jul 27, 2017
Zombies on a train!
Taking the very simple concept of ‘zombies on a train’, this isn’t just one of the best zombie movies I’ve ever seen, it’s one of the best movies I’ve seen in recent years – period!
This South Korean movie doesn’t waste much time in setting the scene – a banker agrees to take his daughter by train to visit her mother in Busan. But as the train pulls out of the station, a zombie epidemic breaks out. And the last person to rush through the closing train doors appears to be a little bit unwell…
The epidemic quickly spreads throughout the train and those who are left must act quickly to seal off the carriages and try to work out how to make it to their loved ones who they’ve become separated from in other carriages. Like 28 days later, or World War Z, our zombies move quickly and aren’t afraid to climb all over each other in their ravenous pursuit of the living, piling themselves up against glass walls and doors in order to break through, then continuing to chase with broken, contorted limbs. In an interesting twist though, these zombies work on their sense of sight a lot more than smell or hearing, something which works to the advantage of the living as the train rockets through dark tunnels for minutes at a time.
As the living quickly start dwindling in numbers, we’re left with a pretty good and varied selection of characters. Among them – our hero and his young daughter, a man and his pregnant wife, a bunch of high school kids, a couple of elderly sisters and a selfish businessman who’s out for himself. After a brief stop at a supposedly safe station turns out to be overrun by hordes of zombies, the survivors barely make it back onto the train and continue on their way to Busan, rumoured to be a safe haven.
Aside from the highly enjoyable zombie action, there’s plenty of human emotion and sadness, along with some great performances from all involved. This is a highly innovative and serious enjoyable thrill ride and I cannot recommend it enough.
This South Korean movie doesn’t waste much time in setting the scene – a banker agrees to take his daughter by train to visit her mother in Busan. But as the train pulls out of the station, a zombie epidemic breaks out. And the last person to rush through the closing train doors appears to be a little bit unwell…
The epidemic quickly spreads throughout the train and those who are left must act quickly to seal off the carriages and try to work out how to make it to their loved ones who they’ve become separated from in other carriages. Like 28 days later, or World War Z, our zombies move quickly and aren’t afraid to climb all over each other in their ravenous pursuit of the living, piling themselves up against glass walls and doors in order to break through, then continuing to chase with broken, contorted limbs. In an interesting twist though, these zombies work on their sense of sight a lot more than smell or hearing, something which works to the advantage of the living as the train rockets through dark tunnels for minutes at a time.
As the living quickly start dwindling in numbers, we’re left with a pretty good and varied selection of characters. Among them – our hero and his young daughter, a man and his pregnant wife, a bunch of high school kids, a couple of elderly sisters and a selfish businessman who’s out for himself. After a brief stop at a supposedly safe station turns out to be overrun by hordes of zombies, the survivors barely make it back onto the train and continue on their way to Busan, rumoured to be a safe haven.
Aside from the highly enjoyable zombie action, there’s plenty of human emotion and sadness, along with some great performances from all involved. This is a highly innovative and serious enjoyable thrill ride and I cannot recommend it enough.

TacoDave (3805 KP) rated Wonder Park (2019) in Movies
Mar 18, 2019
Kind of inoffensive? (1 more)
Animation is fine
The plot (2 more)
The concept
The execution
Horrible Park
Contains spoilers, click to show
I have five kids. So I've seen a ton of kids' movies. Some are good, some are bad, and some are meh. "Wonder Park" falls completely and stubbornly into the bottom range of Meh. It's not so bad that you hate yourself for watching it, but it isn't even interesting enough to hold your attention for the 80-minute runtime.
"Wonder Park" is about an imaginary amusement park called Wonderland (they never explain the discrepancy in name versus the name of the movie) invented by a young girl. She talks about the park, she draws pictures of it, she makes models of it, and she creates new rides with the help of her mom.
Unfortunately, in a real downer of a plotline, her mom gets sick with an unnamed illness and has to go away to see specialists somewhere. This makes the girl depressed, which makes her stop using her imagination, which makes her stop caring about Wonderland.
Then, in a situation that makes no sense, she hops off of a bus on the way to Math Camp, takes off on her own through the woods, and stumbles onto a real-life version of Wonderland run by real talking animals. Except there's a problem: Wonderland is being destroyed by a big black cloud and a sea of stuffed monkeys.
The girl eventually realizes (duh!) that the black cloud is basically her sadness, and to save the park she has to learn to use her imagination again. So she does. Then she leaves the park, goes back home, and her mom is magically better from the illness and everyone presumably lives happily ever after.
It's a neat concept (kid creates amusement park!) with bad execution, a terrible story, and too much depression for a kids' movie. Plus it wraps up too neatly. And it isn't funny. And I literally almost fell asleep watching it.
If you have to see a family movie, you can do a lot better than this one. I wouldn't even recommend renting it from Redbox. It is that bland and inoffensive.
"Wonder Park" is about an imaginary amusement park called Wonderland (they never explain the discrepancy in name versus the name of the movie) invented by a young girl. She talks about the park, she draws pictures of it, she makes models of it, and she creates new rides with the help of her mom.
Unfortunately, in a real downer of a plotline, her mom gets sick with an unnamed illness and has to go away to see specialists somewhere. This makes the girl depressed, which makes her stop using her imagination, which makes her stop caring about Wonderland.
Then, in a situation that makes no sense, she hops off of a bus on the way to Math Camp, takes off on her own through the woods, and stumbles onto a real-life version of Wonderland run by real talking animals. Except there's a problem: Wonderland is being destroyed by a big black cloud and a sea of stuffed monkeys.
The girl eventually realizes (duh!) that the black cloud is basically her sadness, and to save the park she has to learn to use her imagination again. So she does. Then she leaves the park, goes back home, and her mom is magically better from the illness and everyone presumably lives happily ever after.
It's a neat concept (kid creates amusement park!) with bad execution, a terrible story, and too much depression for a kids' movie. Plus it wraps up too neatly. And it isn't funny. And I literally almost fell asleep watching it.
If you have to see a family movie, you can do a lot better than this one. I wouldn't even recommend renting it from Redbox. It is that bland and inoffensive.

Neon's Nerd Nexus (360 KP) rated Venom (2018) in Movies
May 13, 2019
We arnt Venom
#venom is this years biggest flop. Inconsistent, #boring, generic & makes even #spiderman 3 look good in comparison. What wound me up most is the characters/the acting, every single person in this film underreacts not only to situations but to each others presence too. There's simply no #emotion towards anyone or anything, #sadness, shock, #horror & #panic all feel missing from everyone giving each of them a hollow & cartoonish feel. Characters also lack #motivation for any of their actions making a good chunk of them completely disposable. Tone wise its a mess with the sparce #horrific/#dark scenes edge taken away instantly because they are followed by such a #childish/out of place slapstick #comedy vibe. Infact Venoms tone felt more like watching #Jumanji rather than a 15 certificate #film with most of its runtime feeling like an over simplified dumbed down #family film. There's so many inconsistencies too like relationships going from hostile to fine with no explanation, characters figuring things out first time without having found evidence, people appear out of seemingly nowhere on multiple occasions & nobody ever notices any of the #death/destruction being caused around the city. Its all so obvious that it feels like either huge chunks of the film is either missing or someone was really bad at editing & keeping consistency. Action is poor, forgettable, generic & anticlimactic & the cgi #feels cheap, #lazy & unimaginative like a straight to dvd #movie. Plot is borderline offensive its that basic with so many early visual cues to whats going to happen that its really #inteligence insulting at times. #tomhardy is great as always & really seems like he's giving it his all but the bad writing & awful script kill what #charm & likability his character has completely & the interaction between him & Venom lacks punch & believability too. #Upgrade proved this year that you dont need a big budget to make a great film about losing control of yourself & yet Venom with all its backing doesnt even come close to doing anything right. Last years #life would of made a far better venom movie than this. #wednesdaywisdom #filmcritic #stanlee #mcu #comic #marvel

Kristy H (1252 KP) rated Cruel Beautiful World in Books
Feb 13, 2018
As young girls, Lucy and Caroline come into the care of the older Iris. The girls' parents had died, and they wind up living with Iris, who becomes a sort of adopted mother to the two sisters. Both Lucy and Charlotte are extremely close until high school, when they find themselves drifting apart. Studious Charlotte is focused on getting into college, where she hopes to study to become a vet. Lucy, however, can never quite seem to live up to her sister's academic shadow. That is until she meets a vibrant teacher, William, at her high school. Lucy falls fast for her older English teacher and suddenly finds herself running away to a remote area of Pennsylvania to start over with her new love. Iris and Charlotte, however, are devastated, and cannot give up their search for Lucy. Even worse, Lucy's life of promise and happiness with William may be falling short.
This book is not what I expected, but it was a wonderful (although sometimes haunting) tale. Leavitt creates nuanced, well-developed characters who jump off the page. The book has a poignant sadness that stays with you, even after you've turned the last page. Somehow, I inadvertently read this one directly after [b:The Girls|26893819|The Girls|Emma Cline|https://d2arxad8u2l0g7.cloudfront.net/books/1464528839s/26893819.jpg|42856015], with each tale being set in a similar timeframe, with mentions and allusions to the Manson murders, free love, etc. I actually preferred this novel and its intricate plot and characters, to whom I found myself growing quite attached. The story unfolds from the point of view of Lucy, Charlotte, and Iris, which allows us to get to know each of them. Each is different and beautiful in their own way.
Overall, I loved most of this book. It slowed for me about 3/4 through, but recovered by the end. Some of the characters' actions are frustrating, but it does not take away from its almost poetic nature. Definitely recommend.
I received a copy of this novel from the publisher and LibraryThing (thank you!).
This book is not what I expected, but it was a wonderful (although sometimes haunting) tale. Leavitt creates nuanced, well-developed characters who jump off the page. The book has a poignant sadness that stays with you, even after you've turned the last page. Somehow, I inadvertently read this one directly after [b:The Girls|26893819|The Girls|Emma Cline|https://d2arxad8u2l0g7.cloudfront.net/books/1464528839s/26893819.jpg|42856015], with each tale being set in a similar timeframe, with mentions and allusions to the Manson murders, free love, etc. I actually preferred this novel and its intricate plot and characters, to whom I found myself growing quite attached. The story unfolds from the point of view of Lucy, Charlotte, and Iris, which allows us to get to know each of them. Each is different and beautiful in their own way.
Overall, I loved most of this book. It slowed for me about 3/4 through, but recovered by the end. Some of the characters' actions are frustrating, but it does not take away from its almost poetic nature. Definitely recommend.
I received a copy of this novel from the publisher and LibraryThing (thank you!).

Bookapotamus (289 KP) rated The History of Jane Doe in Books
May 29, 2018
I was really intrigued by the description of this book and happy when I won the chance to read and review it. The History of Jane Doe is an ode to first loves, and a journey through mental illness. It's fun, it's sad, it's heartbreaking while also being heartwarming.
Ray is a high-schooler history-buff in love with Jane. She enters his life and him and his best friend Simon are forever changed. But she hides some deep dark secrets that torment her and Ray has a hard time seeing into her head, as is usually the case when loving someone who is depressed, and he struggles to find his way through her dark past so that they can have a future. This is a history of her life, written by Ray, flipping between the past and present of one devastating day when everything changes.
Michael Belanger writes that he's experienced some painful episodes in his life, and it's evident in how eloquently he decribes feelings of sadness and darkness. I can imagine this book will make quite a few people very sad, as most everyone knows someone who suffers from depression, or anxiety, or other forms of mental illness. But I also think it will probably help just as many. I applaud him for his candor and insights into a rarely talked-about issue.
If you love 13 Reasons Why, or anything by John Green, you will love this story. The witty banter between Ray and Jane, Simon and Mary is refreshing and fun, and it's an interesting look into mental illness, how things in life can trigger it, and change a person, and and exploration of how it affects all those around you, and how even though you may think you are ending your suffering, you are ultimately just passing it on to those who loved you.
What I took away most from this is that even if you feel like you are drowning in darkness and can't see past the shadows, you never know what a light you'll be to someone else.
Ray is a high-schooler history-buff in love with Jane. She enters his life and him and his best friend Simon are forever changed. But she hides some deep dark secrets that torment her and Ray has a hard time seeing into her head, as is usually the case when loving someone who is depressed, and he struggles to find his way through her dark past so that they can have a future. This is a history of her life, written by Ray, flipping between the past and present of one devastating day when everything changes.
Michael Belanger writes that he's experienced some painful episodes in his life, and it's evident in how eloquently he decribes feelings of sadness and darkness. I can imagine this book will make quite a few people very sad, as most everyone knows someone who suffers from depression, or anxiety, or other forms of mental illness. But I also think it will probably help just as many. I applaud him for his candor and insights into a rarely talked-about issue.
If you love 13 Reasons Why, or anything by John Green, you will love this story. The witty banter between Ray and Jane, Simon and Mary is refreshing and fun, and it's an interesting look into mental illness, how things in life can trigger it, and change a person, and and exploration of how it affects all those around you, and how even though you may think you are ending your suffering, you are ultimately just passing it on to those who loved you.
What I took away most from this is that even if you feel like you are drowning in darkness and can't see past the shadows, you never know what a light you'll be to someone else.

Lee (2222 KP) rated The Haunting of Hill House in TV
Oct 20, 2018
Outstanding
I'm not familiar with the book that this Netflix show is based on, but then from what I understand this is meant to be more a 'remix' of the book anyway. All I can say though is, faithful to the book or not, this is without a doubt one of the most incredibly brilliant shows I have seen in a very long time.
The Haunting of Hill House is all about the Crain family, flitting between then, now, yesterday and varying points in their lives. From their early years of living in a haunted house and having to leave quickly one night following their mothers suicide, to adulthood and trying to keep it all together in order to live some kind of normal life. The show takes a little while to settle in and to get comfortable with who is the adult version of which child (there are 5 children in total) and where they're all currently at in their lives, but after that the show just goes from strength to strength. Taking a few episodes to cover each child's story, all the while carefully taking the time occasionally to go back to their childhood life in the house, piecing things together for us. Continuing to add layers to each character and highlighting key points in those early years that subsequently affect their behaviour towards other family members as grown ups. It's like a much darker version of 'This is Us', with added horror and jump scares!
Whenever I read any positive reviews for the movie Hereditary, everything they describe about what made it great for them is totally what I got out of this show. It's the complete opposite to what I got from Hereditary, and I came away from that just feeling angry, frustrated and hugely disappointed. With The Haunting of Hill House though, every episode gripped me, sticking with me for a long time after. Episodes featuring beautifully elaborate long takes draw you into the drama, camera weaving between and around the characters and scenery, creating opportunities for some fantastic effects, especially within the house at night. Perfectly paced storytelling, effective without overly used scares, and some truly heartbreaking sadness at times. I loved it all, from start to finish.
The Haunting of Hill House is all about the Crain family, flitting between then, now, yesterday and varying points in their lives. From their early years of living in a haunted house and having to leave quickly one night following their mothers suicide, to adulthood and trying to keep it all together in order to live some kind of normal life. The show takes a little while to settle in and to get comfortable with who is the adult version of which child (there are 5 children in total) and where they're all currently at in their lives, but after that the show just goes from strength to strength. Taking a few episodes to cover each child's story, all the while carefully taking the time occasionally to go back to their childhood life in the house, piecing things together for us. Continuing to add layers to each character and highlighting key points in those early years that subsequently affect their behaviour towards other family members as grown ups. It's like a much darker version of 'This is Us', with added horror and jump scares!
Whenever I read any positive reviews for the movie Hereditary, everything they describe about what made it great for them is totally what I got out of this show. It's the complete opposite to what I got from Hereditary, and I came away from that just feeling angry, frustrated and hugely disappointed. With The Haunting of Hill House though, every episode gripped me, sticking with me for a long time after. Episodes featuring beautifully elaborate long takes draw you into the drama, camera weaving between and around the characters and scenery, creating opportunities for some fantastic effects, especially within the house at night. Perfectly paced storytelling, effective without overly used scares, and some truly heartbreaking sadness at times. I loved it all, from start to finish.

Gareth von Kallenbach (980 KP) rated Captain Fantastic (2016) in Movies
Aug 6, 2019
Written and directed by Matt Ross, “Captain Fantastic” is perhaps the most beautiful film put out in many years. It tells the story of a family living in the wilderness of the Pacific Northwest, surviving off of the land.
Viggo Mortensen plays Ben, a father who raises his children away from society, training them to be hunters and philosophers. The first scene is of an epic chase of a deer in the forest. In a manner that can only be equated to tribal tradition, the children stalk the animal while covered in black mud. When the eldest son takes down the deer, he is fed its heart and pronounced a man. Although, the film is not filled with scenes aimed at shock value. It has far too much depth to be described in that way.
When tragedy strikes, the family is forced to go into the city and face the rest of the world. Ben and his children stop at a diner in a small town, and everything is bizarre to the kids. They had never heard of soda, and they don’t understand why everyone is so overweight around them.
Quickly though, it becomes clear to them that they are the “strange” ones. When they visit their relatives, Ben is confronted with disdain and concern for how he chooses to raise his children. Everyone is panicked that he is not providing them with an adequate upbringing, while he feels it is the only acceptable path.
Together, they go on a journey that invokes the beauty, wildness, and sadness of being human.
“Captain Fantastic” takes audiences through the spectrum of human emotion, and truly makes one think about what it means to live in society today so far disconnected from our animal roots.
Each character delivers a raw and authentic performance. At moments Ben seems like a lunatic; at other times he seems like he is actually the sanest person on the planet.
The film is beautifully shot in some amazing parts of Washington, inciting nostalgia for Seattleites.
The music is subtle and helps to make the film a riveting experience.
Not just a movie, but a true masterpiece. Though it seems like a massive understatement, I give “Captain Fantastic” 5 out of 5 stars.
Viggo Mortensen plays Ben, a father who raises his children away from society, training them to be hunters and philosophers. The first scene is of an epic chase of a deer in the forest. In a manner that can only be equated to tribal tradition, the children stalk the animal while covered in black mud. When the eldest son takes down the deer, he is fed its heart and pronounced a man. Although, the film is not filled with scenes aimed at shock value. It has far too much depth to be described in that way.
When tragedy strikes, the family is forced to go into the city and face the rest of the world. Ben and his children stop at a diner in a small town, and everything is bizarre to the kids. They had never heard of soda, and they don’t understand why everyone is so overweight around them.
Quickly though, it becomes clear to them that they are the “strange” ones. When they visit their relatives, Ben is confronted with disdain and concern for how he chooses to raise his children. Everyone is panicked that he is not providing them with an adequate upbringing, while he feels it is the only acceptable path.
Together, they go on a journey that invokes the beauty, wildness, and sadness of being human.
“Captain Fantastic” takes audiences through the spectrum of human emotion, and truly makes one think about what it means to live in society today so far disconnected from our animal roots.
Each character delivers a raw and authentic performance. At moments Ben seems like a lunatic; at other times he seems like he is actually the sanest person on the planet.
The film is beautifully shot in some amazing parts of Washington, inciting nostalgia for Seattleites.
The music is subtle and helps to make the film a riveting experience.
Not just a movie, but a true masterpiece. Though it seems like a massive understatement, I give “Captain Fantastic” 5 out of 5 stars.

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