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Ross (3282 KP) rated The Occultist in Books
Feb 12, 2019 (Updated Feb 14, 2019)
Far from original LitRPG but a whole lot of fun
** Thanks to Portal Books and the author for giving me the chance to read this in advance of its release **
The LitRPG genre (the best-known example being Ready Player One) is something of a narrow one. There are only a few levers to pull: the main character's real life scenario, the game mechanics, the main character's chosen "class" in-game and the conflicts therein.
The Occultist looks to mix this up a bit with the main character choosing a less traditional class, of occultist - that is, he learns the ability to summon a variety of demons and spells/abilities to use with them. This would mark The Occultist out from the crowd, if it weren't for Awaken Online already having done almost the exact same. In AO, Jason chooses a dark class and summons zombies, skeletons etc, and a large part of the early stages of this book really bear a very close resemblance to AO. We have the main character's problems at home, leading him to want to escape into the game, and to find a way to make money from his gaming hobby. The chosen in-game path is almost identical. There is an extremely strong, popular player that he wants to compete with.
From early on, I was thinking this book was a rip-off of AO. But the second half of the book is really where the book marks itself apart from AO. Whereas that book's action was focused on large scale strategy in battles, here we are scurrying around in the background picking players off one by one and there are some truly excellent action sequences, where the abilities and spells learned and the demons at Damien's disposal are used to some really creative effects. Damien looks to get some revenge on his nemesis and also to try and "level up" quickly (again, a key component of LitRPG books), and tries to pick off players as they battle other players, or take on perilous dungeons.
A lot of LitRPG books have had a very immersive gaming element, at times it was more like reading a more traditional fantasy book but where the main character was more clear what he was doing and what skills/abilities he was using. Here you are always aware the character is in a game: he "equips" clothes rather than getting dressed, there is no need for eating or sleeping, what can and can't be done, what you get from killing another character etc is so much more in line with games than in other books. This again marked it out from other books, and gave it a very different feel.
Another major selling point of The Occultist is that it doesn't mess around with time dilation (game time running at a much faster rate than real time). I don't see why so many of the other books in this genre feel the need to build this in, as it is then hard to keep it consistent, and doesn't really feel right or necessary at any time.
Also, Damien's real world troubles take more focus than in other books, as he struggles to find somewhere to live and is on the run.
While the book manages to stick to its own rules (what can and can't be done etc), there is one moment where the main character manages to do something he shouldn't be able to do (his spells have a cool down period before they can be used again and at least once this isn't observed), which was slightly frustrating given how hard the author had tried to plan out the action in line with the people involved and their skills and strengths.
My only real gripe with the book is the title of the game/series - Saga Online, which sounds less like an exciting new MMORPG, and more like the web portal for booking a pensioners' cruise!
In summary, not an original idea (but hard to have such a thing in this genre) but a superbly well told, exciting and fun read. I heartily recommend this to anyone who likes fantasy books, games like the Witcher or just anyone looking for some real fun escapism.
The LitRPG genre (the best-known example being Ready Player One) is something of a narrow one. There are only a few levers to pull: the main character's real life scenario, the game mechanics, the main character's chosen "class" in-game and the conflicts therein.
The Occultist looks to mix this up a bit with the main character choosing a less traditional class, of occultist - that is, he learns the ability to summon a variety of demons and spells/abilities to use with them. This would mark The Occultist out from the crowd, if it weren't for Awaken Online already having done almost the exact same. In AO, Jason chooses a dark class and summons zombies, skeletons etc, and a large part of the early stages of this book really bear a very close resemblance to AO. We have the main character's problems at home, leading him to want to escape into the game, and to find a way to make money from his gaming hobby. The chosen in-game path is almost identical. There is an extremely strong, popular player that he wants to compete with.
From early on, I was thinking this book was a rip-off of AO. But the second half of the book is really where the book marks itself apart from AO. Whereas that book's action was focused on large scale strategy in battles, here we are scurrying around in the background picking players off one by one and there are some truly excellent action sequences, where the abilities and spells learned and the demons at Damien's disposal are used to some really creative effects. Damien looks to get some revenge on his nemesis and also to try and "level up" quickly (again, a key component of LitRPG books), and tries to pick off players as they battle other players, or take on perilous dungeons.
A lot of LitRPG books have had a very immersive gaming element, at times it was more like reading a more traditional fantasy book but where the main character was more clear what he was doing and what skills/abilities he was using. Here you are always aware the character is in a game: he "equips" clothes rather than getting dressed, there is no need for eating or sleeping, what can and can't be done, what you get from killing another character etc is so much more in line with games than in other books. This again marked it out from other books, and gave it a very different feel.
Another major selling point of The Occultist is that it doesn't mess around with time dilation (game time running at a much faster rate than real time). I don't see why so many of the other books in this genre feel the need to build this in, as it is then hard to keep it consistent, and doesn't really feel right or necessary at any time.
Also, Damien's real world troubles take more focus than in other books, as he struggles to find somewhere to live and is on the run.
While the book manages to stick to its own rules (what can and can't be done etc), there is one moment where the main character manages to do something he shouldn't be able to do (his spells have a cool down period before they can be used again and at least once this isn't observed), which was slightly frustrating given how hard the author had tried to plan out the action in line with the people involved and their skills and strengths.
My only real gripe with the book is the title of the game/series - Saga Online, which sounds less like an exciting new MMORPG, and more like the web portal for booking a pensioners' cruise!
In summary, not an original idea (but hard to have such a thing in this genre) but a superbly well told, exciting and fun read. I heartily recommend this to anyone who likes fantasy books, games like the Witcher or just anyone looking for some real fun escapism.
Becs (244 KP) rated The Bone Roses in Books
Apr 5, 2019
the writing (4 more)
the protaganists
the antagonists
the plot and background
the development of the story and characters
Fast-paced, page-turner that will leave you wanting more!
You can read more of this review on my blog: bookingwayreads.wordpress.com and Goodreads!
I received a copy to read and review for my honest opinion from The Parliament Press.
TRIGGER WARNINGS: Violence, Gore, Oppression, Discrimination
I don't generally like Western stories but this is also considered Young Adult/ Fantasy so I figured I would give it a try, especially after reading the very intriguing synopsis. But be warned, this story is geared more towards a mature audience as there are a lot of scenes that are more NA then YA. This is book one(1) of the Snow Spark Saga.
Set in a post-apocalyptic West, thirty years into the future after Yellowstone erupts, the United States is reformed. A cruel king named Hyperion has taken control of the entire region and has cut multiple of small settlements off from the trade routes due to those settlements not bowing to him. All because they believe in God and Hyperion wants everyone to worship him. The main settlement that takes place within The Bone Roses is Rondo. In order to survive, the settlements have to have outlaws that are known as rustlers. These outlaws risk their own lives to steal from the capital city, Adonis. If caught, the punishment is torture and death. The main character, Rags, is a rustler with an extremely large bounty on her head.
But Rags runs into a problem when on a raid, the Kingdom Corps (K.C. for short) start chasing her. She manages to slip away with her adopted father Tracker and what neither of them realizes, is that they are being followed. This leads to a whole bunch of other problems down the road.
This fast-paced, page-turner will leave you on your toes until the very end.
Characters:
Rags - the protagonist of the story. Rondo's rustler, she is feared and the best at her role. But she does have a realistic sense to her that allows the reader to really get a feel on her.
Tracker - Rags' mentor and "adopted" father. Very mysterious and seems to have a hidden past.
Matthew - Rags' best friend, the preacher's son. I thought he was going to be a love interest, but he was only seen as a brother/friend to Rags.
Jericho - the preacher. He's seen as Rondo's town leader.
Sadie - a mother figure to Rags and soon-to-be-mother. No major role in the story but does seem to be hiding a past.
Frank - husband of Sadie and soon-to-be-father. No major role in the story.
Hyperion - the wicked king that thinks he's the almighty God.
Henny - Hyperion's second in command, he's to seek out all the rustlers and take care of them. One thing I really love about his character is that you hate but like him. Like he's the antagonist that does things that make you question why you ever put him into the antagonist category and then turns around and does the things that make him a bad guy. (if that makes any sense at all lol)
Hunter Lawrence - the sheriff of Rondo and discriminates against Rags because she isn't a true citizen of Rondo.
Colton - a luresman (someone who's good at negotiating with settlements), but he's an overall mysterious guy that leaves you wondering the same thing as Henny. Is he really bad? Is he really good? Can you trust him? Possible love interest to Rags??
Reasons why I rated it 5 stars:
1. Very intriguing from the beginning - the plot was amazing!
2. No grammatical or spelling errors - the writing was phenomenal!
3. There was not only character development but also story development! The only character that lacked any background was Rags, but she doesn't remember much of anything from before her arrival into Rondo.
4. With the development and plot, the overall story came together rather nicely and it left me wanting more.
5. This is a series that I can't wait to read more of!
"Deny all knowledge - but leave no one behind. Never"
I received a copy to read and review for my honest opinion from The Parliament Press.
TRIGGER WARNINGS: Violence, Gore, Oppression, Discrimination
I don't generally like Western stories but this is also considered Young Adult/ Fantasy so I figured I would give it a try, especially after reading the very intriguing synopsis. But be warned, this story is geared more towards a mature audience as there are a lot of scenes that are more NA then YA. This is book one(1) of the Snow Spark Saga.
Set in a post-apocalyptic West, thirty years into the future after Yellowstone erupts, the United States is reformed. A cruel king named Hyperion has taken control of the entire region and has cut multiple of small settlements off from the trade routes due to those settlements not bowing to him. All because they believe in God and Hyperion wants everyone to worship him. The main settlement that takes place within The Bone Roses is Rondo. In order to survive, the settlements have to have outlaws that are known as rustlers. These outlaws risk their own lives to steal from the capital city, Adonis. If caught, the punishment is torture and death. The main character, Rags, is a rustler with an extremely large bounty on her head.
But Rags runs into a problem when on a raid, the Kingdom Corps (K.C. for short) start chasing her. She manages to slip away with her adopted father Tracker and what neither of them realizes, is that they are being followed. This leads to a whole bunch of other problems down the road.
This fast-paced, page-turner will leave you on your toes until the very end.
Characters:
Rags - the protagonist of the story. Rondo's rustler, she is feared and the best at her role. But she does have a realistic sense to her that allows the reader to really get a feel on her.
Tracker - Rags' mentor and "adopted" father. Very mysterious and seems to have a hidden past.
Matthew - Rags' best friend, the preacher's son. I thought he was going to be a love interest, but he was only seen as a brother/friend to Rags.
Jericho - the preacher. He's seen as Rondo's town leader.
Sadie - a mother figure to Rags and soon-to-be-mother. No major role in the story but does seem to be hiding a past.
Frank - husband of Sadie and soon-to-be-father. No major role in the story.
Hyperion - the wicked king that thinks he's the almighty God.
Henny - Hyperion's second in command, he's to seek out all the rustlers and take care of them. One thing I really love about his character is that you hate but like him. Like he's the antagonist that does things that make you question why you ever put him into the antagonist category and then turns around and does the things that make him a bad guy. (if that makes any sense at all lol)
Hunter Lawrence - the sheriff of Rondo and discriminates against Rags because she isn't a true citizen of Rondo.
Colton - a luresman (someone who's good at negotiating with settlements), but he's an overall mysterious guy that leaves you wondering the same thing as Henny. Is he really bad? Is he really good? Can you trust him? Possible love interest to Rags??
Reasons why I rated it 5 stars:
1. Very intriguing from the beginning - the plot was amazing!
2. No grammatical or spelling errors - the writing was phenomenal!
3. There was not only character development but also story development! The only character that lacked any background was Rags, but she doesn't remember much of anything from before her arrival into Rondo.
4. With the development and plot, the overall story came together rather nicely and it left me wanting more.
5. This is a series that I can't wait to read more of!
"Deny all knowledge - but leave no one behind. Never"
Movie Metropolis (309 KP) rated Red Sparrow (2018) in Movies
Jun 10, 2019
Never entertaining, frequently repugnant
Director Francis Lawrence and Hollywood sweetheart Jennifer Lawrence (they are no relation, I’ve checked) aren’t a new combination when it comes to film-making.
In fact, Francis Lawrence may have kick-started the world’s love affair with the young actress after he directed her in the best Hunger Games movie, Catching Fire.
They both went on to finish the saga with Mockingjay’s two instalments and the rest as they say, is box office magic.
Here though, they both take on a very different project, aimed at a very different group of movie fans. Red Sparrow is the first hard-hitting thriller of 2018. But is it any different from the plethora of films already out there in the genre?
Prima ballerina Dominika Egorova (Jennifer Lawrence) faces a bleak and uncertain future after she suffers an injury that ends her career. She soon turns to Sparrow School, a secret intelligence service that trains exceptional young people to use their minds and bodies as weapons. Egorova emerges as the most dangerous Sparrow after completing the sadistic training process. As she comes to terms with her new abilities, Dominika meets Joel Edgerton’s CIA agent Nate Nash (yes really) who tries to convince her that he is the only person she can trust.
The film starts off very promisingly as the audience are treated to a beautifully choreographed opening that follows Lawrence at the height of her dancing fame and Edgerton as he goes about an assignment. Both characters don’t intertwine at this point, and as the music builds to a crescendo we realise both their nights are about to go very wrong. It’s nicely filmed, if a little Black Swan–esque. Unfortunately, this impressive crescendo signals something else, the start of a downhill slope for Red Sparrow.
For a film marketed as a classy, adults-only thriller, Red Sparrow has very little in the way of class, despite the inclusion of Jennifer Lawrence. Her acting, as usual is sublime, minus her at times dreadful Russian accent and the rest of the cast do their best with Edgerton coming across well, but the rest of the film is just such a mess. Jeremy Irons feels incredibly miscast as a Russian General and the script by Justin Haythe is borderline incomprehensible.
The overuse of graphic violence and sex really does it no favours. There’s only so many times you can watch Lawrence be raped without wondering what the hell the film-makers thought they were doing and one (thankfully consensual) sex scene will have your eyes rolling in the back of your head: not out of pleasure, but out of absurdity.
It really begs the question: why did Lawrence pick such a bizarre choice of role in the first place?
Then there’s the action, or lack thereof. Where films like Atomic Blonde stylised the violence and the action to create a particular aesthetic, Red Sparrow just doesn’t. The limited amount of action that is presented to the audience is lazily filmed and worlds apart from director Francis Lawrence’s excellent work on the Hunger Games series.
Sure, the sets are lavish and the globetrotting that Lawrence gets to do is pleasant enough, but we’ve seen it all before and done much, much better. The production has a very staid quality that isn’t befitting of its director and its leading lady.
The final act twists that piece together everything that has come before is 30 minutes too late. At 140 minutes long, Red Sparrow is an absolute behemoth of a film but there is no reason whatsoever for it to be this long. Had it been thrilling and entertaining it could have gotten away with it – unfortunately it drags continuously from beginning to end.
Overall, Red Sparrow is a real dud that even the talents of Jennifer Lawrence can’t save. Not only is it never entertaining and frequently repugnant, it really begs the question: why did Lawrence pick such a bizarre choice of role in the first place? If it’s to escape her Katniss Everdeen persona she’s succeeded, but this could make movie studios think twice about casting her in projects in the future.
https://moviemetropolis.net/2018/03/07/red-sparrow-review-never-entertaining-frequently-repugnant/
In fact, Francis Lawrence may have kick-started the world’s love affair with the young actress after he directed her in the best Hunger Games movie, Catching Fire.
They both went on to finish the saga with Mockingjay’s two instalments and the rest as they say, is box office magic.
Here though, they both take on a very different project, aimed at a very different group of movie fans. Red Sparrow is the first hard-hitting thriller of 2018. But is it any different from the plethora of films already out there in the genre?
Prima ballerina Dominika Egorova (Jennifer Lawrence) faces a bleak and uncertain future after she suffers an injury that ends her career. She soon turns to Sparrow School, a secret intelligence service that trains exceptional young people to use their minds and bodies as weapons. Egorova emerges as the most dangerous Sparrow after completing the sadistic training process. As she comes to terms with her new abilities, Dominika meets Joel Edgerton’s CIA agent Nate Nash (yes really) who tries to convince her that he is the only person she can trust.
The film starts off very promisingly as the audience are treated to a beautifully choreographed opening that follows Lawrence at the height of her dancing fame and Edgerton as he goes about an assignment. Both characters don’t intertwine at this point, and as the music builds to a crescendo we realise both their nights are about to go very wrong. It’s nicely filmed, if a little Black Swan–esque. Unfortunately, this impressive crescendo signals something else, the start of a downhill slope for Red Sparrow.
For a film marketed as a classy, adults-only thriller, Red Sparrow has very little in the way of class, despite the inclusion of Jennifer Lawrence. Her acting, as usual is sublime, minus her at times dreadful Russian accent and the rest of the cast do their best with Edgerton coming across well, but the rest of the film is just such a mess. Jeremy Irons feels incredibly miscast as a Russian General and the script by Justin Haythe is borderline incomprehensible.
The overuse of graphic violence and sex really does it no favours. There’s only so many times you can watch Lawrence be raped without wondering what the hell the film-makers thought they were doing and one (thankfully consensual) sex scene will have your eyes rolling in the back of your head: not out of pleasure, but out of absurdity.
It really begs the question: why did Lawrence pick such a bizarre choice of role in the first place?
Then there’s the action, or lack thereof. Where films like Atomic Blonde stylised the violence and the action to create a particular aesthetic, Red Sparrow just doesn’t. The limited amount of action that is presented to the audience is lazily filmed and worlds apart from director Francis Lawrence’s excellent work on the Hunger Games series.
Sure, the sets are lavish and the globetrotting that Lawrence gets to do is pleasant enough, but we’ve seen it all before and done much, much better. The production has a very staid quality that isn’t befitting of its director and its leading lady.
The final act twists that piece together everything that has come before is 30 minutes too late. At 140 minutes long, Red Sparrow is an absolute behemoth of a film but there is no reason whatsoever for it to be this long. Had it been thrilling and entertaining it could have gotten away with it – unfortunately it drags continuously from beginning to end.
Overall, Red Sparrow is a real dud that even the talents of Jennifer Lawrence can’t save. Not only is it never entertaining and frequently repugnant, it really begs the question: why did Lawrence pick such a bizarre choice of role in the first place? If it’s to escape her Katniss Everdeen persona she’s succeeded, but this could make movie studios think twice about casting her in projects in the future.
https://moviemetropolis.net/2018/03/07/red-sparrow-review-never-entertaining-frequently-repugnant/
Kristy H (1252 KP) rated Almost Missed You in Books
Feb 13, 2018
Violet and Finn are one of those couples that everyone believes is meant to be. Their story is one entwined with fate. They met once by chance and were reunited years later. Now married, with a young son, everything seems great for the couple. While vacationing in Florida, Violet cannot believe her good fortune. So imagine her shock when she returns from a relaxing nap on the beach to find their hotel room empty: Finn has vanished, and he has taken Bear, their son, with him. Violet has no explanation for this, and the FBI is quickly involved. Meanwhile, Finn's closest friend, Caitlin--who has become Violet's dear friend too--becomes entwined in the disappearance when Finn enlists her help. Will Violet ever see her son again? And why exactly did Finn vanish from that beach?
This novel definitely sucks you in right away. It's confusing and intriguing, as you're completely puzzled as to why Finn would run off and leave his beloved wife (and why would he take their son, too). In the beginning, I did not want to stop reading: the novel was completely addictive. Strawser slowly adds in additional details that thicken the plot, making Caitlin and her husband, George, as much as a part of the story as Finn and Violet. It's told in alternating points of view (Violet, Caitlin, Finn) and time periods, including after the kidnapping incident and before, leading up to Violet and Finn's history together. This effectively builds suspense and can drive you a tad insane, as a chapter in the past ends, leaving you dangling and wanting more details.
The problem for me was that, over time, the characters almost seemed their own worst enemies. Rather than a mystery/suspense novel, the book turns more psychological (nothing necessarily wrong with that) with each character bemoaning their various choices that have led up to this point. And seriously, they've made some stupid choices. It's one of those things where you want to scream: if you'd all just have talked to each other! Communication! Some of the ways of handling things seem awfully impractical for such serious issues (case in point: just about anything Caitlin does with her life, including her way of addressing the kidnapping).
Still, the novel continues to churn out some crazy twists, making it very interesting. The unveiling of Finn's past really carries the book about 3/4 through. You're continually wondering what happened, what he owes various characters, and why on earth he'd want to leave Violet (and take Bear).
As much as I enjoyed this novel and how suspenseful it was, I was frustrated by the characters - none of whom I cared for much at all beyond Violet. (I would have just strangled Finn if possible and potentially even Caitlin.) Again, some communication could have really saved some preposterous plot movements. There are a few times where characters seem to act way out of line for their development, etc. As the book nears a close, it drags on with their in-fighting and psychological messes, versus actual excitement, which was a little disappointing. I felt like we'd been through a lot of excitement for nothing and come out at the end with little but an emotional saga. The ending is awfully pat, too, and makes you think, really?
However, I truly did enjoy most of this book and found it incredibly suspenseful. It's easy to read and draws you in immediately. Even if you don't like all the characters, you'll be intrigued by their predicaments and the entire scenario. I'd certainly be interested in what Strawser comes up with next. 3.5 stars.
I received a copy of this novel from the publisher and Netgalley (thank you!) in return for an unbiased review; it is available everywhere as of 03/28/2017.
<center><a href="http://justacatandabookatherside.blogspot.com/">Blog</a>; ~ <a href="https://twitter.com/mwcmoto">Twitter</a>; ~ <a href="https://www.facebook.com/justacatandabook/">Facebook</a>; ~ <a href="https://plus.google.com/u/0/+KristyHamiltonbooks">Google+</a></center>;
This novel definitely sucks you in right away. It's confusing and intriguing, as you're completely puzzled as to why Finn would run off and leave his beloved wife (and why would he take their son, too). In the beginning, I did not want to stop reading: the novel was completely addictive. Strawser slowly adds in additional details that thicken the plot, making Caitlin and her husband, George, as much as a part of the story as Finn and Violet. It's told in alternating points of view (Violet, Caitlin, Finn) and time periods, including after the kidnapping incident and before, leading up to Violet and Finn's history together. This effectively builds suspense and can drive you a tad insane, as a chapter in the past ends, leaving you dangling and wanting more details.
The problem for me was that, over time, the characters almost seemed their own worst enemies. Rather than a mystery/suspense novel, the book turns more psychological (nothing necessarily wrong with that) with each character bemoaning their various choices that have led up to this point. And seriously, they've made some stupid choices. It's one of those things where you want to scream: if you'd all just have talked to each other! Communication! Some of the ways of handling things seem awfully impractical for such serious issues (case in point: just about anything Caitlin does with her life, including her way of addressing the kidnapping).
Still, the novel continues to churn out some crazy twists, making it very interesting. The unveiling of Finn's past really carries the book about 3/4 through. You're continually wondering what happened, what he owes various characters, and why on earth he'd want to leave Violet (and take Bear).
As much as I enjoyed this novel and how suspenseful it was, I was frustrated by the characters - none of whom I cared for much at all beyond Violet. (I would have just strangled Finn if possible and potentially even Caitlin.) Again, some communication could have really saved some preposterous plot movements. There are a few times where characters seem to act way out of line for their development, etc. As the book nears a close, it drags on with their in-fighting and psychological messes, versus actual excitement, which was a little disappointing. I felt like we'd been through a lot of excitement for nothing and come out at the end with little but an emotional saga. The ending is awfully pat, too, and makes you think, really?
However, I truly did enjoy most of this book and found it incredibly suspenseful. It's easy to read and draws you in immediately. Even if you don't like all the characters, you'll be intrigued by their predicaments and the entire scenario. I'd certainly be interested in what Strawser comes up with next. 3.5 stars.
I received a copy of this novel from the publisher and Netgalley (thank you!) in return for an unbiased review; it is available everywhere as of 03/28/2017.
<center><a href="http://justacatandabookatherside.blogspot.com/">Blog</a>; ~ <a href="https://twitter.com/mwcmoto">Twitter</a>; ~ <a href="https://www.facebook.com/justacatandabook/">Facebook</a>; ~ <a href="https://plus.google.com/u/0/+KristyHamiltonbooks">Google+</a></center>;
Louise (64 KP) rated And I Darken (The Conqueror's Saga #1) in Books
Jul 2, 2018
First I would like to say a massive thank you to Goodreads as I won myself a copy on one of their giveaways( Aren’t they great!)
And I Darken is a new Historical fiction/Re-telling of Vlad the Impaler but gender swapped. Goodreads have it listed as being a fantasy, but there is no magic or any paranormal goings on whatsoever…glad we got that cleared up.
Our story follows Ladislav (Lada) and Radu Dragwyla the descendants of Vlad Dracul, Prince of Wallachia. Vlad is a vile human being and uses his own children for bargaining with the Ottoman Empire, there lives are at risk if he does not keep to the treaties terms. Living in the Ottoman Empire is risky for Lada and Radu, Lada could easily be married off to some suitor for allegiance or killed whichever is easier for the Sultan. Running the grounds they bump into a young boy the same age as them, only to find that he is the Sultan’s son Mehmed. Mehmed is a lonely boy with only his tutors for company so he befriends them both and shares all his education and time with them, which in turn takes them out of the spotlight.
Lada is a very strong character, she is a force to be reckoned with. She is brutal,fierce and just a total badass throughout the book. Being born a woman is one almighty struggle to be taken seriously in the 1400’s. She knows that she is the rightful heir of Wallachia at the young age of 11. She wants to impress her father with her fighting skills and there is a point when she thinks she has, but the only thoughts her father has is marrying her off to a suitor and being a dutiful wife. Lada is very family orientated and has a very unique relationship with her brother Radu but she will never show any emotion as this is a sign of weakness and she is perceived as a cold-hearted bitch.
Radu was always a disappointment to his father, weak,cowardly and clinging to his nursemaids side infuriated Vlad. Radu was the more emotional of siblings, even though he was not great at fighting he had a devious and cunning mind that made him equally as dangerous as Lada.
My feelings towards the characters changed a lot throughout the book at first I thought Lada was just a psychotic child but realised she is trying to prove herself as being fierce. Radu he was very sweet throughout the book and always wanted his sister to just open up and tell him she loved him and for him to tell her his secrets and feelings. The main point is that they are flawed and this is what makes characters great.
Mehmed just annoyed me and he got in the way of Lada’s plans.
The book does contain romance, a love triangle where no one expresses their love for anyone as they are too scared of the consequences or that it will stop them from their goals in life. So the romance is frustrating to say the least.
This book has a lot of political intrigue,so be prepared for wars,treaties,soldiers and their ranks. This is Historical fiction but as in the author’s notes at the end it is not accurate and a lot is made up. Religion is also touched upon, mostly Islam with Christianity but it’s not too in your face or info dumping. The book is nearly 500 pages long! I felt it could have been shorter. I enjoyed the relationship between Radu and Lada,it was a very different set-up from what we are used to. This did take me a little longer to read as in places it was very slow and I found myself getting bored.
This book covers themes such as sibling rivalry, relationships, families, romance, feminism, sexism and politics
<img src="https://images.gr-assets.com/books/1476160834l/22817331.jpg"; width="120" height="180"/>
Now I Rise is the second installment of the And I Darken saga which is due to be released in June 2017 which I will be reading as I am interested in what is going to happen next with Lada.
Overall I rated this 3.5 out of 5 stars
And I Darken is a new Historical fiction/Re-telling of Vlad the Impaler but gender swapped. Goodreads have it listed as being a fantasy, but there is no magic or any paranormal goings on whatsoever…glad we got that cleared up.
Our story follows Ladislav (Lada) and Radu Dragwyla the descendants of Vlad Dracul, Prince of Wallachia. Vlad is a vile human being and uses his own children for bargaining with the Ottoman Empire, there lives are at risk if he does not keep to the treaties terms. Living in the Ottoman Empire is risky for Lada and Radu, Lada could easily be married off to some suitor for allegiance or killed whichever is easier for the Sultan. Running the grounds they bump into a young boy the same age as them, only to find that he is the Sultan’s son Mehmed. Mehmed is a lonely boy with only his tutors for company so he befriends them both and shares all his education and time with them, which in turn takes them out of the spotlight.
Lada is a very strong character, she is a force to be reckoned with. She is brutal,fierce and just a total badass throughout the book. Being born a woman is one almighty struggle to be taken seriously in the 1400’s. She knows that she is the rightful heir of Wallachia at the young age of 11. She wants to impress her father with her fighting skills and there is a point when she thinks she has, but the only thoughts her father has is marrying her off to a suitor and being a dutiful wife. Lada is very family orientated and has a very unique relationship with her brother Radu but she will never show any emotion as this is a sign of weakness and she is perceived as a cold-hearted bitch.
Radu was always a disappointment to his father, weak,cowardly and clinging to his nursemaids side infuriated Vlad. Radu was the more emotional of siblings, even though he was not great at fighting he had a devious and cunning mind that made him equally as dangerous as Lada.
My feelings towards the characters changed a lot throughout the book at first I thought Lada was just a psychotic child but realised she is trying to prove herself as being fierce. Radu he was very sweet throughout the book and always wanted his sister to just open up and tell him she loved him and for him to tell her his secrets and feelings. The main point is that they are flawed and this is what makes characters great.
Mehmed just annoyed me and he got in the way of Lada’s plans.
The book does contain romance, a love triangle where no one expresses their love for anyone as they are too scared of the consequences or that it will stop them from their goals in life. So the romance is frustrating to say the least.
This book has a lot of political intrigue,so be prepared for wars,treaties,soldiers and their ranks. This is Historical fiction but as in the author’s notes at the end it is not accurate and a lot is made up. Religion is also touched upon, mostly Islam with Christianity but it’s not too in your face or info dumping. The book is nearly 500 pages long! I felt it could have been shorter. I enjoyed the relationship between Radu and Lada,it was a very different set-up from what we are used to. This did take me a little longer to read as in places it was very slow and I found myself getting bored.
This book covers themes such as sibling rivalry, relationships, families, romance, feminism, sexism and politics
<img src="https://images.gr-assets.com/books/1476160834l/22817331.jpg"; width="120" height="180"/>
Now I Rise is the second installment of the And I Darken saga which is due to be released in June 2017 which I will be reading as I am interested in what is going to happen next with Lada.
Overall I rated this 3.5 out of 5 stars
Gareth von Kallenbach (971 KP) rated Star Wars: Episode VIII - The Last Jedi (2017) in Movies
Jun 19, 2019
The eagerly anticipated next chapter in the Star Wars saga; “Star Wars: The Last Jedi” has arrived and it is by far one of the best films in the series and a significant upgrade over “Star Wars: The Force Awakens”. The film picks up where the last film concluded as Rey (Daisy Ridley), has located the long in hiding Luke Skywalker (Mark Hamill), and attempts to recruit him to return to fight the evil First Order and train her in the ways of the Force.
At the same time, the First Order has commenced an assault on the retreating forces of the Resistance and this has caused a rift when key members of the command staff are lost/injured leaving Vice Admiral Holdo (Laura Dern) in charge. Her style does not mesh well with the impulsive Poe Damron (Oscar Isaac), and in a move of desperation, he oversees a mission for Finn (John Boyega), and Rose (Kelley Marie Tran), to make a desperate move to allow the forces to escape the relentless assault and pursuit of the First Order.
For many films, the above scenario would be enough to comprise the bulk of the movie but in the case of The Last Jedi, it is simply part of a much larger and far more intricate storyline that is at times much deeper and darker than one would expect from a Star Wars film.
Rey finds Skywalker a broken and bitter man who is consumed with his past failure regarding his Nephew Kylo Ren (Adam Driver), and wants no part of his former glory and praise believing the best thing for the Universe would be for the Jedi to end.
Ren at the same time is a conflicted mess as he is eager to win the approval of his brutal master Snoke (Andy Serkis), while being drawn to Rey who believes he can be redeemed. It is this conflict as well as the tug of war between Snoke, Ren, and General Hux (Domhnall Gleeson), that shows a much more dynamic and complicated connection between the characters as well as drives home their complexity of their relationships and the situations they find themselves in.
The late Carrie Fisher is captivating as General Leia and her presence lifts the scenes she is in. She portrays Leia with a calm yet feisty and determined edge which shows that she is always in control no matter the situation.
The action in the film comes in waves and when it arrives, it is a wonder to behold as the lavish visuals and complex action sequences are dazzling but unlike the Prequels, never once overwhelm the cast as this is first and foremost a character driven story.
The film does put more of an emphasis on the new characters vs the old, but as this was always the plan, it is nice to see that older characters are not shoved aside or given a token cameo, they are still central to the plot just let the younger cast do more of the heavy lifting, but still get plenty of moments to shine.
Writer/Director Rian Johnson has done a masterful job in crafting a new entry into the series that not only entertains, but gives a deeper and dark look at the universe which makes the film easily one of the best Star Wars films ever made. There are sequences that will delight and surprise fans, and when it was over and I could catch my breath and reflect upon what I had just seen, I found myself saying that I could not have asked for a better sequel as it not only entertained thoroughly, but provided plenty of unexpected moments that makes me all the more anxious to see how the new trilogy concludes in 2019. “Star Wars”: The Last Jedi” is the film that fans have been waiting for as it contains all of the best elements of Star Wars and boldly moves the franchise ahead.
http://sknr.net/2017/12/12/star-wars-last-jedi/
At the same time, the First Order has commenced an assault on the retreating forces of the Resistance and this has caused a rift when key members of the command staff are lost/injured leaving Vice Admiral Holdo (Laura Dern) in charge. Her style does not mesh well with the impulsive Poe Damron (Oscar Isaac), and in a move of desperation, he oversees a mission for Finn (John Boyega), and Rose (Kelley Marie Tran), to make a desperate move to allow the forces to escape the relentless assault and pursuit of the First Order.
For many films, the above scenario would be enough to comprise the bulk of the movie but in the case of The Last Jedi, it is simply part of a much larger and far more intricate storyline that is at times much deeper and darker than one would expect from a Star Wars film.
Rey finds Skywalker a broken and bitter man who is consumed with his past failure regarding his Nephew Kylo Ren (Adam Driver), and wants no part of his former glory and praise believing the best thing for the Universe would be for the Jedi to end.
Ren at the same time is a conflicted mess as he is eager to win the approval of his brutal master Snoke (Andy Serkis), while being drawn to Rey who believes he can be redeemed. It is this conflict as well as the tug of war between Snoke, Ren, and General Hux (Domhnall Gleeson), that shows a much more dynamic and complicated connection between the characters as well as drives home their complexity of their relationships and the situations they find themselves in.
The late Carrie Fisher is captivating as General Leia and her presence lifts the scenes she is in. She portrays Leia with a calm yet feisty and determined edge which shows that she is always in control no matter the situation.
The action in the film comes in waves and when it arrives, it is a wonder to behold as the lavish visuals and complex action sequences are dazzling but unlike the Prequels, never once overwhelm the cast as this is first and foremost a character driven story.
The film does put more of an emphasis on the new characters vs the old, but as this was always the plan, it is nice to see that older characters are not shoved aside or given a token cameo, they are still central to the plot just let the younger cast do more of the heavy lifting, but still get plenty of moments to shine.
Writer/Director Rian Johnson has done a masterful job in crafting a new entry into the series that not only entertains, but gives a deeper and dark look at the universe which makes the film easily one of the best Star Wars films ever made. There are sequences that will delight and surprise fans, and when it was over and I could catch my breath and reflect upon what I had just seen, I found myself saying that I could not have asked for a better sequel as it not only entertained thoroughly, but provided plenty of unexpected moments that makes me all the more anxious to see how the new trilogy concludes in 2019. “Star Wars”: The Last Jedi” is the film that fans have been waiting for as it contains all of the best elements of Star Wars and boldly moves the franchise ahead.
http://sknr.net/2017/12/12/star-wars-last-jedi/
Lucy Buglass (45 KP) rated Halloween (2018) in Movies
Jun 20, 2019
Michael’s back, back again
Happy Halloween everyone! What better way to celebrate than with my review of the latest in the Halloween franchise?
40 years after John Carpenter’s iconic horror film, we are greeted with a brand new instalment in Michael Myers’ saga. It feels like a really special moment for horror fans, as we reflect on the original decades later. The opening credits pay homage to the 1978 and provide some nostalgia for long time fans by using the same text and soundtrack that audiences would’ve seen on the big screen back then. This was a great stylistic choice as it really gets you feeling pumped for what’s to come.
The film opens with Myers in a high security facility, where two true crime podcasters attempt to communicate with him in order to learn more about him and the murders he committed. Unsurprisingly, Michael refuses to say anything, providing a seriously uncomfortable moment for the audience. Throughout the film, we don’t see or hear him, and shots of him without the mask are always the back of his head. I would have been very disappointed if they’d decided to show his face throughout, as this sense of facelessness is something that’s always scared me about him. He’s a silent killer, never jumping out and screaming, but hiding in the shadows waiting to strike at any point. Most interactions with Myers are tense, uncomfortable and nail biting. His presence alone has that effect on you.
As ever, it was a joy to see Jamie Lee Curtis reprise her role as original Myers’ victim, Laurie Strode. Throughout the film, Strode’s paranoia is hard to brush off, and actually makes you feel more on edge. It was great seeing how she’d aged, yet refused to move on, and Curtis really brought her to life once again. She was the highlight of the film for me, as she was far from a cowering victim, and someone who wanted Myers dead for good. Having said that, you can tell how much she still fears him and how she’s suffering with long-term PTSD after almost being murdered. Let’s face it, anyone would feel the same way.
Unfortunately, I did find some of the acting a bit cringeworthy and it took away from the overall experience. I know that horror films have a bit of a reputation for terrible acting and dialogue, but I felt like such an important franchise deserved better than that. In my screening there were a few laugh out loud moments, and I don’t think all of them were intentional. One thing I will say is that child actor Jibrail Nantambu is one to watch because he was such a character and brought some genuine humour to the scenes he was in. I hope he goes far. Michael’s handler Dr. Ranbir Sartain is also an interesting character that I won’t say much about, but his development throughout is particularly great.
Admittedly I would’ve preferred less focus on teenagers, families and their dramas, and more on Michael and the actual kills. The film was meant to be about him and Laurie, after all. Whilst I was mostly satisfied by the brutality and some really gruesome moments, I felt it had been hyped up to the point where I expected more. Is that bad? Have I just become desensitised to bloody moments? I’m not quite sure. Having said that, one scene in particular did have me on the edge of my seat so it was still able to provide that adrenaline rush despite all its flaws. I’m still really bloody scared of Michael Myers.
Overall, Halloween is certainly watchable and a great visit to the cinema, especially this evening. Whilst I’m not the world’s biggest Halloween fan and there are certain films in the franchise I haven’t even seen, I still enjoyed this and understood what was going on. If you’re a big horror fan, particularly of the classics, give this a go. It might give you some welcome nostalgia and scares, and maybe that’s enough.
https://lucygoestohollywood.com/2018/10/31/halloween-2018-michaels-back-back-again/
40 years after John Carpenter’s iconic horror film, we are greeted with a brand new instalment in Michael Myers’ saga. It feels like a really special moment for horror fans, as we reflect on the original decades later. The opening credits pay homage to the 1978 and provide some nostalgia for long time fans by using the same text and soundtrack that audiences would’ve seen on the big screen back then. This was a great stylistic choice as it really gets you feeling pumped for what’s to come.
The film opens with Myers in a high security facility, where two true crime podcasters attempt to communicate with him in order to learn more about him and the murders he committed. Unsurprisingly, Michael refuses to say anything, providing a seriously uncomfortable moment for the audience. Throughout the film, we don’t see or hear him, and shots of him without the mask are always the back of his head. I would have been very disappointed if they’d decided to show his face throughout, as this sense of facelessness is something that’s always scared me about him. He’s a silent killer, never jumping out and screaming, but hiding in the shadows waiting to strike at any point. Most interactions with Myers are tense, uncomfortable and nail biting. His presence alone has that effect on you.
As ever, it was a joy to see Jamie Lee Curtis reprise her role as original Myers’ victim, Laurie Strode. Throughout the film, Strode’s paranoia is hard to brush off, and actually makes you feel more on edge. It was great seeing how she’d aged, yet refused to move on, and Curtis really brought her to life once again. She was the highlight of the film for me, as she was far from a cowering victim, and someone who wanted Myers dead for good. Having said that, you can tell how much she still fears him and how she’s suffering with long-term PTSD after almost being murdered. Let’s face it, anyone would feel the same way.
Unfortunately, I did find some of the acting a bit cringeworthy and it took away from the overall experience. I know that horror films have a bit of a reputation for terrible acting and dialogue, but I felt like such an important franchise deserved better than that. In my screening there were a few laugh out loud moments, and I don’t think all of them were intentional. One thing I will say is that child actor Jibrail Nantambu is one to watch because he was such a character and brought some genuine humour to the scenes he was in. I hope he goes far. Michael’s handler Dr. Ranbir Sartain is also an interesting character that I won’t say much about, but his development throughout is particularly great.
Admittedly I would’ve preferred less focus on teenagers, families and their dramas, and more on Michael and the actual kills. The film was meant to be about him and Laurie, after all. Whilst I was mostly satisfied by the brutality and some really gruesome moments, I felt it had been hyped up to the point where I expected more. Is that bad? Have I just become desensitised to bloody moments? I’m not quite sure. Having said that, one scene in particular did have me on the edge of my seat so it was still able to provide that adrenaline rush despite all its flaws. I’m still really bloody scared of Michael Myers.
Overall, Halloween is certainly watchable and a great visit to the cinema, especially this evening. Whilst I’m not the world’s biggest Halloween fan and there are certain films in the franchise I haven’t even seen, I still enjoyed this and understood what was going on. If you’re a big horror fan, particularly of the classics, give this a go. It might give you some welcome nostalgia and scares, and maybe that’s enough.
https://lucygoestohollywood.com/2018/10/31/halloween-2018-michaels-back-back-again/
BankofMarquis (1832 KP) rated Jojo Rabbit (2019) in Movies
Jan 15, 2020
Inventive, funny and poignant
Writer/Director/Actor Taika Waititi is one of the most original voices working in Film/Television today. He skewered the Vampire flick (at the height of the Twilight craze) in WHAT WE DO IN THE SHADOWS. He revived the sagging Thor saga (and some would say the Marvel Cinematic Universe) with a comedic approach to the material in THOR: RAGNAROK, and now with his latest film, JOJO RABBIT, he takes his sense of humor to a subject that is difficult to satire - Adolph Hitler and life in Nazi Germany during WW II.
And, darn it all, if he doesn't pull it off.
As seen through the eyes of a zealous 10 year old Hitler Youth named JoJo, this film follows Jojo's journey from an idealistic follower of all things Nazi Germany to the harsher realities of the world - and what the 3rd Reich means to the world.
Young Roman Griffin Davis does a marvelous job as the titular character slowly changing his character from an all out innocent devotion to Hitler (his imaginary friend as played by Waititi) to a somewhat less innocent soul. His journey is at the heart of this film and he is a winning personality to follow along with. I was drawn into his struggles and was rooting for him to "come to his senses" throughout the course of this film.
Helping him in this journey is his Mother, played in an Oscar nominated turn by Scarlett Johannson. This character has an idealism all of her own and is willing to let her child "get there in his own time". It is a strong turn by Johannson...but Oscar nominated worthy? I'm not sure.
Also joining in for fun, frolic and (by turns) seriousness is the always great Sam Rockwell (Oscar winner for 3 BILLBOARDS...)as a disillusioned German Officer, comedian Stephen Merchant (LOGAN) in an unlikely mostly serious turn as a Nazi who likes to say "Heil Hitler" and Alfie Allen (GAME OF THRONES) as a devoted German soldier (at least devoted to Rockwell's character). Waititi also uses Rebel Wilson sparingly - as she should be used - as another devouted-to-the-cause German citizen.
Adding heft and pathos to this film is Thomasin MacKenzie (THE KING) in a role that would be a spoiler to say what she is playing, but...I WILL say that she needs to succeed in this role for the film to succeed (and she does).
Also, special notice needs to be made of the performance of cherubic Archie Yates (soon to be Kevin in the reboot of the HOME ALONE franchise) as JoJo's friend Yorki - who keeps getting knocked down and steps back up over and over again. I would LOVE to see the film that would have focused on this character (in addition to this film).
And, finally, there is the Writer/Director himself, Taika Waititi as JoJo's imaginary friend, Adolph Hitler. He is all fun loving and gay at the beginning becoming more and more frantic as the film progresses - mimicking the real life events that are happening around him.
Waititi's style in this film is reminiscent of Wes Anderson in such films as THE GRAND BUDAPEST HOTEL and MOONRISE KINGDOM and this works well here, giving this film more of a "fable" than a "realistic" look - and that is important to help set the tone for the events that follow. Waititi has a sure hand on the material (that he wrote) as the Director. He knows the tone he wants to strike and knows how to get there. He is nominated for Adapted Screenplay for his script (deservedly so) and was NOT nominated for Best Director - but his work in this area is just as good.
I did not know what to expect from this film when I walked into it, and I was more than pleasantly surprised. Give this little comedy/drama a try - I think you will be glad you did.
Letter Grade: A
9 stars (out of 10) and you can take that to the Bank(ofMarquis)
And, darn it all, if he doesn't pull it off.
As seen through the eyes of a zealous 10 year old Hitler Youth named JoJo, this film follows Jojo's journey from an idealistic follower of all things Nazi Germany to the harsher realities of the world - and what the 3rd Reich means to the world.
Young Roman Griffin Davis does a marvelous job as the titular character slowly changing his character from an all out innocent devotion to Hitler (his imaginary friend as played by Waititi) to a somewhat less innocent soul. His journey is at the heart of this film and he is a winning personality to follow along with. I was drawn into his struggles and was rooting for him to "come to his senses" throughout the course of this film.
Helping him in this journey is his Mother, played in an Oscar nominated turn by Scarlett Johannson. This character has an idealism all of her own and is willing to let her child "get there in his own time". It is a strong turn by Johannson...but Oscar nominated worthy? I'm not sure.
Also joining in for fun, frolic and (by turns) seriousness is the always great Sam Rockwell (Oscar winner for 3 BILLBOARDS...)as a disillusioned German Officer, comedian Stephen Merchant (LOGAN) in an unlikely mostly serious turn as a Nazi who likes to say "Heil Hitler" and Alfie Allen (GAME OF THRONES) as a devoted German soldier (at least devoted to Rockwell's character). Waititi also uses Rebel Wilson sparingly - as she should be used - as another devouted-to-the-cause German citizen.
Adding heft and pathos to this film is Thomasin MacKenzie (THE KING) in a role that would be a spoiler to say what she is playing, but...I WILL say that she needs to succeed in this role for the film to succeed (and she does).
Also, special notice needs to be made of the performance of cherubic Archie Yates (soon to be Kevin in the reboot of the HOME ALONE franchise) as JoJo's friend Yorki - who keeps getting knocked down and steps back up over and over again. I would LOVE to see the film that would have focused on this character (in addition to this film).
And, finally, there is the Writer/Director himself, Taika Waititi as JoJo's imaginary friend, Adolph Hitler. He is all fun loving and gay at the beginning becoming more and more frantic as the film progresses - mimicking the real life events that are happening around him.
Waititi's style in this film is reminiscent of Wes Anderson in such films as THE GRAND BUDAPEST HOTEL and MOONRISE KINGDOM and this works well here, giving this film more of a "fable" than a "realistic" look - and that is important to help set the tone for the events that follow. Waititi has a sure hand on the material (that he wrote) as the Director. He knows the tone he wants to strike and knows how to get there. He is nominated for Adapted Screenplay for his script (deservedly so) and was NOT nominated for Best Director - but his work in this area is just as good.
I did not know what to expect from this film when I walked into it, and I was more than pleasantly surprised. Give this little comedy/drama a try - I think you will be glad you did.
Letter Grade: A
9 stars (out of 10) and you can take that to the Bank(ofMarquis)
Gareth von Kallenbach (971 KP) rated Fright Night (2011) in Movies
Aug 7, 2019
Twenty-six years ago, “Fright Night” premiered in theaters and went on to become a fondly remembered title amongst horror fans. The movie cleverly combined horror and humor to create a fresh take on the vampire and teen horror genres which had started to grow stale. While the movie spawned a largely forgettable direct to video sequel, the original film has remained popular over the years. So, when I first heard that they were planning on remaking the film I was skeptical as I felt it would be very difficult to match the original film.
Boasting an impressive cast which includes Anton Yelchin, Colin Farrell, David Tennant, Christopher Mintz-Plasse, and Toni Collette, the remake does not try to reinvent the wheel, but instead takes the formula of the original and creates an entirely new entry into the saga.
For those unfamiliar with the series, Yelchin stars as Charlie Brewster, a young man who is trying to balance watching over his single mother, and his growing relationship with a girl way out of his league named Amy (Imogen Poots). He is also wrestling with becoming part of a cooler crowd at the cost of alienating his geeky former best friend, Ed, played by Christopher Mintz-Plasse.
Colin Farrell plays the handsome and suave new next door neighbor who easily charms Charlie’s mom, played by Toni Colette. Unbeknownst to his neighbors, the charming and charismatic Jerry, played by Colin Ferrell, is actually a vampire who’s come to their Las Vegas suburb to continue his nighttime hunts. Ed has become suspicious of the recent disappearances in their community and confides to Charlie that he’s had Jerry under surveillance and knows that he is a vampire.
Needless to say this does not sit well with Charlie, who distances himself further from Ed. But when Ed goes missing, Charlie decides to do some investigating of his own. Charlie turns to a local Vegas performance artist named Peter Vincent (David Tennant), whose vampire-themed show portrays him as an expert in fighting the undead. While at first skeptical over Charlie’s claims, a few devastating confrontations with Jerry and his minions forces Vincent to rethink his role. The two unlikely allies soon find themselves in a deadly race against time to defeat Jerry and save their loved ones before it’s too late.
The film cleverly combines horror and comedy and does a good job of providing some suspenseful moments in between the blood and gore, managing to squeeze in more than a few laughs along the way. While not overly scary, the visual effects work is solid and aside from the converted 3-D is a really enjoyable to watch. The film would’ve been much better had it been shot in 3-D or simply left as a 2-D film as the conversion really didn’t offer anything of value as is often the case in these lab converted efforts.
The cast works very well with one another and Farrell cheekily introduces a few new wrinkles to the vampire lore. I really enjoyed David Tennant’s performance and should they do a sequel I certainly hope that they bring him back. Anton Yelchin gives a reliable performance but I was surprised that Christopher Mintz-Plasse did not have a bigger role but he does have some memorable moments in the film. What really impressed me was that the film did not attempt to do a shot-by-shot remake of the original but instead took the premise of the original and offered a fresh take that easily could have been issued as the third chapter in the series rather than a reboot. While there were nods to the original, outside of the premise it was very much its own film.
The film is not going to set any high marks for new standards in horror nor is the plot fresh and original. It simply knows what its target audience and source material are and sets a course right down the middle without attempting to deviate too much one way or another. “Fright Night” just might be perfect for those looking for a dose of nostalgia and some highly suspenseful, fun entertainment.
Boasting an impressive cast which includes Anton Yelchin, Colin Farrell, David Tennant, Christopher Mintz-Plasse, and Toni Collette, the remake does not try to reinvent the wheel, but instead takes the formula of the original and creates an entirely new entry into the saga.
For those unfamiliar with the series, Yelchin stars as Charlie Brewster, a young man who is trying to balance watching over his single mother, and his growing relationship with a girl way out of his league named Amy (Imogen Poots). He is also wrestling with becoming part of a cooler crowd at the cost of alienating his geeky former best friend, Ed, played by Christopher Mintz-Plasse.
Colin Farrell plays the handsome and suave new next door neighbor who easily charms Charlie’s mom, played by Toni Colette. Unbeknownst to his neighbors, the charming and charismatic Jerry, played by Colin Ferrell, is actually a vampire who’s come to their Las Vegas suburb to continue his nighttime hunts. Ed has become suspicious of the recent disappearances in their community and confides to Charlie that he’s had Jerry under surveillance and knows that he is a vampire.
Needless to say this does not sit well with Charlie, who distances himself further from Ed. But when Ed goes missing, Charlie decides to do some investigating of his own. Charlie turns to a local Vegas performance artist named Peter Vincent (David Tennant), whose vampire-themed show portrays him as an expert in fighting the undead. While at first skeptical over Charlie’s claims, a few devastating confrontations with Jerry and his minions forces Vincent to rethink his role. The two unlikely allies soon find themselves in a deadly race against time to defeat Jerry and save their loved ones before it’s too late.
The film cleverly combines horror and comedy and does a good job of providing some suspenseful moments in between the blood and gore, managing to squeeze in more than a few laughs along the way. While not overly scary, the visual effects work is solid and aside from the converted 3-D is a really enjoyable to watch. The film would’ve been much better had it been shot in 3-D or simply left as a 2-D film as the conversion really didn’t offer anything of value as is often the case in these lab converted efforts.
The cast works very well with one another and Farrell cheekily introduces a few new wrinkles to the vampire lore. I really enjoyed David Tennant’s performance and should they do a sequel I certainly hope that they bring him back. Anton Yelchin gives a reliable performance but I was surprised that Christopher Mintz-Plasse did not have a bigger role but he does have some memorable moments in the film. What really impressed me was that the film did not attempt to do a shot-by-shot remake of the original but instead took the premise of the original and offered a fresh take that easily could have been issued as the third chapter in the series rather than a reboot. While there were nods to the original, outside of the premise it was very much its own film.
The film is not going to set any high marks for new standards in horror nor is the plot fresh and original. It simply knows what its target audience and source material are and sets a course right down the middle without attempting to deviate too much one way or another. “Fright Night” just might be perfect for those looking for a dose of nostalgia and some highly suspenseful, fun entertainment.
The Secret Diary of Hendrik Groen, 83 Years Old
Hendrik Groen and Hester Velmans
8.7
Rate It
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** THE INTERNATIONAL PHENOMENON ** 'There are many laughs in this book but it's so much more than...