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Emma @ The Movies (1786 KP) rated Missing Link (2019) in Movies
Jun 22, 2019 (Updated Sep 25, 2019)
This really isn't a bad little film, it has its fun and implausible action, and you come away with a message of friendship for everyone to ponder on. It's obviously great Easter holiday fodder and it won't bore the parents, which is always half the battle with kids films.
Susan is the last of his kind and desperately wants to find the fabled yeti who he believes to be his distant cousins. He enlists Sir Lionel Frost to help him on his quest after reading about his escapades in finding long lost creatures.
It's a pretty star-studded cast with Zach Galifianakis and Hugh Jackman leading it up. There will be a lot of other voices you recognise, but for the most part they stay in the background.
Both of our leading men are really well cast and give their characters a much needed boost. They get some humour in various places, but I didn't feel like the script was fantastic overall.
Where Lionel and Susan were well cast, Adeline Fortnight really missed the spot for me. From the design of the character to that accent, whose origin was kind of non-descript, I couldn't help wondering why the role went to Zoe Saldana and not Salma Hayek.
Stephen Fry makes a wonderful bad guy. I've always loved his voicework this thankfully did not break that trend and he added some oomph to the proceedings.
The last cast member I want to mention is Emma Thompson as The Elder. I think she suffered the most with the script, "The people we don't want here are leaving! Force them to stay!" I'm sure that line was meant to be amusing, and it definitely could have been, but the way it wasn't backed up with anything to come across that way. She was woefully underused and her scenes were wholly inadequate for such a great talent.
I had to stop and weep for humanity a little, there are some comments on the internet where it appears that people don't get that this is stop-motion animation, with a few saying it all looked too simple. I cannot fault the work that was put into this, it's wonderfully done, even if I'm not a fan of the strangely pointed features. There's a brief glimpse in the trailer of a barroom brawl, look out for the whole scene in the film because it is probably the most impressive piece of work.
Despite my quibbles, this is genuinely a pleasant film to watch and I don't think many people will get to the end and grumble that they've wasted their time. I just worry that it's not quite good enough to be well remembered, it's in danger of being one of those films that makes me go "oh yeah, I remember that one, it's really good."
What you should do
If you're in need of an Easter activity then it's worth the trip to the cinema, and it's certainly worth catching when it's released for home viewing.
Movie thing you wish you could take home
There's nothing in the film I'd particularly like to take home, but I wouldn't mind some of the patience and dedication that those animators must have to produce such wonderfully smooth motion.
Susan is the last of his kind and desperately wants to find the fabled yeti who he believes to be his distant cousins. He enlists Sir Lionel Frost to help him on his quest after reading about his escapades in finding long lost creatures.
It's a pretty star-studded cast with Zach Galifianakis and Hugh Jackman leading it up. There will be a lot of other voices you recognise, but for the most part they stay in the background.
Both of our leading men are really well cast and give their characters a much needed boost. They get some humour in various places, but I didn't feel like the script was fantastic overall.
Where Lionel and Susan were well cast, Adeline Fortnight really missed the spot for me. From the design of the character to that accent, whose origin was kind of non-descript, I couldn't help wondering why the role went to Zoe Saldana and not Salma Hayek.
Stephen Fry makes a wonderful bad guy. I've always loved his voicework this thankfully did not break that trend and he added some oomph to the proceedings.
The last cast member I want to mention is Emma Thompson as The Elder. I think she suffered the most with the script, "The people we don't want here are leaving! Force them to stay!" I'm sure that line was meant to be amusing, and it definitely could have been, but the way it wasn't backed up with anything to come across that way. She was woefully underused and her scenes were wholly inadequate for such a great talent.
I had to stop and weep for humanity a little, there are some comments on the internet where it appears that people don't get that this is stop-motion animation, with a few saying it all looked too simple. I cannot fault the work that was put into this, it's wonderfully done, even if I'm not a fan of the strangely pointed features. There's a brief glimpse in the trailer of a barroom brawl, look out for the whole scene in the film because it is probably the most impressive piece of work.
Despite my quibbles, this is genuinely a pleasant film to watch and I don't think many people will get to the end and grumble that they've wasted their time. I just worry that it's not quite good enough to be well remembered, it's in danger of being one of those films that makes me go "oh yeah, I remember that one, it's really good."
What you should do
If you're in need of an Easter activity then it's worth the trip to the cinema, and it's certainly worth catching when it's released for home viewing.
Movie thing you wish you could take home
There's nothing in the film I'd particularly like to take home, but I wouldn't mind some of the patience and dedication that those animators must have to produce such wonderfully smooth motion.
Gareth von Kallenbach (965 KP) rated The Hummingbird Project (2018) in Movies
Jul 2, 2019
Contemporary technology drama comes to the silver screen in the form of The Hummingbird Project starring Jesse Eisenberg, Alexander Skarsgård, and Salma Hayek. The film’s premise is realistic enough: A pair of insiders at a big Wall Street company defect to start a project for a rival firm – to built a single fiber optic connection between a stock exchange in Kansas City and the New York Stock Exchange. This was realistic enough that my lack of knowledge on the history of Wall Street’s networking had me looking up later to see if there was any truth or basis to portions of the plot. Unfortunately, I can’t seem to find anything referencing a Kansas City Stock Exchange. Unless they were referring to livestock? Because there was a Kansas City Livestock Exchange. Anyway, my biases up front – despite my clear lacking of aforementioned knowledge, I am a tech geek with experience in networking and related technology fields. So, a premise like this has a lot to attract my attention. There is admittedly much to enjoy about dramas regarding our contemporary plights in the realm of technology, because that’s where a lot of work is centered. Gone are the days of building railroads. But our internet infrastructure…
The film does a fairly good job representing the intense difficulty of such a project: it’s something like one thousand miles of straight line to run one fiber optic connection without obstruction. Most people would not think about what goes into making that into reality, which is the draw for most of the film’s conflict. I do however recognize that centering the plot on a large scale construction job of an internet cable doesn’t exactly scream excitement for most people; and this is especially true when the end goal is to shave off one millisecond from their current transaction times. Yet, this arguably ironic dynamic actually ended up being somewhat of a draw for me. Halfway through the film the question arises, “All this for just a millisecond of increased speed?” That’s the point though, and I wish the film would have delved deeper into these kinds of themes. This represents my chief criticism: all of the elements are here for a truly stellar drama but everything is explored at only a shallow or moderate depth. The characters have decent arcs, thrown some difficult challenges and curveballs to overcome, but Jesse Eisenberg’s character only briefly touches on the back-story that truly drives him, and while Alexander Skarsgård‘s character is more fully fleshed out his arc is essentially basic. I do enjoy the role reversal as one would usually expect to see Jesse Eisenberg playing the socially awkward genius programmer and Alexander Skarsgård to play the ambitious go-getter who runs the project, but they take opposite roles to great effect. The actors all do great here for the most part, including the excellent Michael Mando in a supporting role. My only complaint here is the acting dips a bit into melodrama later in the film, but this is mostly attributed to subplots that edge into the unbelievable.
Ironically Hummingbird Project works best at representing its core premise of what most would consider a mundane construction project. The actors do well, and I especially enjoy Alexander Skarsgård‘s portrayal of the lonely genius, but their underlying drama and back-stories are a bit of a mixed bag. Some of it works decently well while other elements do not – particularly late in the film. Sadly the themes at play are a bit too obvious and underexplored, but it is an appreciated attempt to represent a seldom explored aspect of contemporary industry.
The film does a fairly good job representing the intense difficulty of such a project: it’s something like one thousand miles of straight line to run one fiber optic connection without obstruction. Most people would not think about what goes into making that into reality, which is the draw for most of the film’s conflict. I do however recognize that centering the plot on a large scale construction job of an internet cable doesn’t exactly scream excitement for most people; and this is especially true when the end goal is to shave off one millisecond from their current transaction times. Yet, this arguably ironic dynamic actually ended up being somewhat of a draw for me. Halfway through the film the question arises, “All this for just a millisecond of increased speed?” That’s the point though, and I wish the film would have delved deeper into these kinds of themes. This represents my chief criticism: all of the elements are here for a truly stellar drama but everything is explored at only a shallow or moderate depth. The characters have decent arcs, thrown some difficult challenges and curveballs to overcome, but Jesse Eisenberg’s character only briefly touches on the back-story that truly drives him, and while Alexander Skarsgård‘s character is more fully fleshed out his arc is essentially basic. I do enjoy the role reversal as one would usually expect to see Jesse Eisenberg playing the socially awkward genius programmer and Alexander Skarsgård to play the ambitious go-getter who runs the project, but they take opposite roles to great effect. The actors all do great here for the most part, including the excellent Michael Mando in a supporting role. My only complaint here is the acting dips a bit into melodrama later in the film, but this is mostly attributed to subplots that edge into the unbelievable.
Ironically Hummingbird Project works best at representing its core premise of what most would consider a mundane construction project. The actors do well, and I especially enjoy Alexander Skarsgård‘s portrayal of the lonely genius, but their underlying drama and back-stories are a bit of a mixed bag. Some of it works decently well while other elements do not – particularly late in the film. Sadly the themes at play are a bit too obvious and underexplored, but it is an appreciated attempt to represent a seldom explored aspect of contemporary industry.
Darren (1599 KP) rated From Dusk Till Dawn (1996) in Movies
Sep 2, 2019
Thoughts on From Dusk till Dawn
Characters – Seth Gecko has just been sprung from prison by his brother, he wants to get across the border to complete a deal which would see them both have freedom, he is the one that remains in control wanting to keep everything calm, which would mean not leaving a pile of bodies behind them. He does deliver the threats which would see them as a danger, though he does just want things to be simple. Richard or Ritchie is must more of a loose cannon, he is paranoid and this makes him more dangerous, as he will kill people putting their safety at risk. He is protected by his brother, as he doesn’t seem like he is capable of putting a plan together himself. Jacob was a priest that has lost his faith after his wife’s death, he I taking his family on a vacation and gets forced into helping the brothers, he wants to keep them safe, willing to risk his own life to make this happen. Kate and Scott are his children, they are dealing with their own loss the best way they know how to and being supportive to their father. Santanico is the beautiful dancer that will stop a bar with her dance, she is one of the leaders of the vampires who has been waiting for the food in human form.
Performances – George Clooney is great to see in this role, after this we only usually see him in smooth talking roles, rather than a rough criminal, showing he could become any role offered to him. Tarantino in this film is creepy and putting himself in the supporting role does hide any restrictions he might have as an actor. Harvey Keitel is great showing a character that is meant to be hating his life choice, but remaining strong for his children. Juliette Lewis and Ernest Liu are both solid enough in the supporting roles without getting too much more to work with, while Salma Hayek turns heads with her performance.
Story – The story here follows two criminals trying to get to Mexico, the family they force to help them across the border and the bar they find, filled with vampires that they must fight to survive the night. Where this story stands up on its own, is by making it a criminal tory to start with, having no hints of horror or vampires involved, as we just watch the two loose cannons trying to get to safety, by pulling the rug out from under us to thrown us into the horror idea is genius switch of pace for the story. we do have themes going on especially with the Jacob character needing to find his lost faith which finding it will become the big part in fight the vampires. The story also exists in a world where vampire stories do exist, which gives them ideas on how to fight back, which was the main attraction to the 90’s horror stories.
Action/Horror – The action in the film involves the fighting with the vampires, we get to take everything to a new level for this side of the genre, with the blood splatter in the action, which the horror gives us because we vampires which are a staple of horror, but we do focus on the action over the scares.
Settings – The film uses the getting to the location setting of the camper van which does show us the road trip feel to the film, but it is the bar that will be one that is always going to be hard to forget, being a run down biker and trucker bar.
Special Effects – The special effects are some of the best you will see in the vampire genre, it shows that you can get plenty done with practical effects, with the only weakness come from the human to vampire transformations, which look CGI and have dated.
Scene of the Movie – The battle.
That Moment That Annoyed Me – The transformations have dated badly.
Final Thoughts – This is one of the most fun vampire movies you will ever see, it has plenty of blood flying around the screen and will keep you entertained from start to finish.
Overall: Purely entertaining vampire movie.
Characters – Seth Gecko has just been sprung from prison by his brother, he wants to get across the border to complete a deal which would see them both have freedom, he is the one that remains in control wanting to keep everything calm, which would mean not leaving a pile of bodies behind them. He does deliver the threats which would see them as a danger, though he does just want things to be simple. Richard or Ritchie is must more of a loose cannon, he is paranoid and this makes him more dangerous, as he will kill people putting their safety at risk. He is protected by his brother, as he doesn’t seem like he is capable of putting a plan together himself. Jacob was a priest that has lost his faith after his wife’s death, he I taking his family on a vacation and gets forced into helping the brothers, he wants to keep them safe, willing to risk his own life to make this happen. Kate and Scott are his children, they are dealing with their own loss the best way they know how to and being supportive to their father. Santanico is the beautiful dancer that will stop a bar with her dance, she is one of the leaders of the vampires who has been waiting for the food in human form.
Performances – George Clooney is great to see in this role, after this we only usually see him in smooth talking roles, rather than a rough criminal, showing he could become any role offered to him. Tarantino in this film is creepy and putting himself in the supporting role does hide any restrictions he might have as an actor. Harvey Keitel is great showing a character that is meant to be hating his life choice, but remaining strong for his children. Juliette Lewis and Ernest Liu are both solid enough in the supporting roles without getting too much more to work with, while Salma Hayek turns heads with her performance.
Story – The story here follows two criminals trying to get to Mexico, the family they force to help them across the border and the bar they find, filled with vampires that they must fight to survive the night. Where this story stands up on its own, is by making it a criminal tory to start with, having no hints of horror or vampires involved, as we just watch the two loose cannons trying to get to safety, by pulling the rug out from under us to thrown us into the horror idea is genius switch of pace for the story. we do have themes going on especially with the Jacob character needing to find his lost faith which finding it will become the big part in fight the vampires. The story also exists in a world where vampire stories do exist, which gives them ideas on how to fight back, which was the main attraction to the 90’s horror stories.
Action/Horror – The action in the film involves the fighting with the vampires, we get to take everything to a new level for this side of the genre, with the blood splatter in the action, which the horror gives us because we vampires which are a staple of horror, but we do focus on the action over the scares.
Settings – The film uses the getting to the location setting of the camper van which does show us the road trip feel to the film, but it is the bar that will be one that is always going to be hard to forget, being a run down biker and trucker bar.
Special Effects – The special effects are some of the best you will see in the vampire genre, it shows that you can get plenty done with practical effects, with the only weakness come from the human to vampire transformations, which look CGI and have dated.
Scene of the Movie – The battle.
That Moment That Annoyed Me – The transformations have dated badly.
Final Thoughts – This is one of the most fun vampire movies you will ever see, it has plenty of blood flying around the screen and will keep you entertained from start to finish.
Overall: Purely entertaining vampire movie.