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Veronica Pena (690 KP) rated Mr. Right (2016) in Movies
Apr 2, 2020
This film is the best kind. It's funny and lighthearted, the chemistry is great, the plot keeps moving, the cast is phenomenal, what more could you ask for? I think this is definitely one of Anna Kendrick's best roles and Sam Rockwell really stole the show. My favorite character was probably Steve and his gummy bears. He made it even more fun and I love how rational it all feels. Like yeah, she fell for a hitman? What about it?
Definitely a film to keep you laughing.
Definitely a film to keep you laughing.
David McK (3419 KP) rated Guards! Guards! Discworld Novel 8 in Books
Jul 15, 2023
When people ask which Discworld book to start with, I often tell them to skip the first two in the series (The Colour of Magic and The Light Fantastic), then ask in which direction their interests lie.
Reimagining of famous plays/fairytales? Try any in The Witches series.
Primarily murder whodunnits? The Guards.
Of which this is the first.
So this is the one to introduce the reader to Sam Vimes, Nobby Nobbs, Fred Colon and Carrot Ironfoundersson, as well as featuring a prominent role for The Patrician of Ankh-Morpork, and which would lead to perhaps the most-revisited characters in the entire Discworld series - I think Pratchett returned to the Watch a further 7 times, for a total of 8 such novels.
Quick google search: yes, 8 times. Only matched by the Wizards of Unseen University.
Anyway, this is the one that sees a secret society summoning a Dragon in the hopes of installing a puppet ruler to the vacant throne of Ankh-Morpork, before things go awry ...
Reimagining of famous plays/fairytales? Try any in The Witches series.
Primarily murder whodunnits? The Guards.
Of which this is the first.
So this is the one to introduce the reader to Sam Vimes, Nobby Nobbs, Fred Colon and Carrot Ironfoundersson, as well as featuring a prominent role for The Patrician of Ankh-Morpork, and which would lead to perhaps the most-revisited characters in the entire Discworld series - I think Pratchett returned to the Watch a further 7 times, for a total of 8 such novels.
Quick google search: yes, 8 times. Only matched by the Wizards of Unseen University.
Anyway, this is the one that sees a secret society summoning a Dragon in the hopes of installing a puppet ruler to the vacant throne of Ankh-Morpork, before things go awry ...
Secret Files: Sam Peters
Games and Entertainment
App
[ The acclaimed point and click adventure Secret Files Sam Peters has now found its way back onto...
JT (287 KP) rated Moon (2009) in Movies
Mar 10, 2020
The first few shots of Moon feel like any normal run of the mill sci-fi. There’s shots of the space station with the earth off in the distance, shots of computers and consoles and of course shots of a lone astronaut.
Shot in just 33 days Moon is one of the more eye opening sci-fi films for 2009. It has a Space Odyssey feel about it as the camera pans its way through white crisp interiors and what are seemingly chunky and dated equipment.
Even though this is set in 2024 you’d be forgiven it might have been set years earlier.
Astronaut Sam Bell has a quintessentially personal encounter toward the end of his three-year stint on the Moon, where he, working alongside his computer, GERTY, sends back to Earth parcels of a resource that has helped diminish our planet’s power problems.
What starts out as seemingly inauspicious hallucinations, after Sam is involved in a crash in his rover turn into something much more. As we don’t ask ourselves what might be wrong with Sam but who the hell he is?
The script is tight and seeing as Sam is really the only major star alongside talking computer GERTY (voiced by Kevin Spacey) director Duncan Jones does well to build dramatic, emotional and thought provoking moments.
If a 33 day shoot seems small then it has a budget too match as it only cost around $5 million to make, and when you see the shots of the space rover trundling over the Moon’s rough surface you can see exactly what that money might have been used for.
It might not have been up there with many of the biggest blockbusters in 2009 but one thing is for sure, Moon is an enjoyable trip into the unknown.
Shot in just 33 days Moon is one of the more eye opening sci-fi films for 2009. It has a Space Odyssey feel about it as the camera pans its way through white crisp interiors and what are seemingly chunky and dated equipment.
Even though this is set in 2024 you’d be forgiven it might have been set years earlier.
Astronaut Sam Bell has a quintessentially personal encounter toward the end of his three-year stint on the Moon, where he, working alongside his computer, GERTY, sends back to Earth parcels of a resource that has helped diminish our planet’s power problems.
What starts out as seemingly inauspicious hallucinations, after Sam is involved in a crash in his rover turn into something much more. As we don’t ask ourselves what might be wrong with Sam but who the hell he is?
The script is tight and seeing as Sam is really the only major star alongside talking computer GERTY (voiced by Kevin Spacey) director Duncan Jones does well to build dramatic, emotional and thought provoking moments.
If a 33 day shoot seems small then it has a budget too match as it only cost around $5 million to make, and when you see the shots of the space rover trundling over the Moon’s rough surface you can see exactly what that money might have been used for.
It might not have been up there with many of the biggest blockbusters in 2009 but one thing is for sure, Moon is an enjoyable trip into the unknown.
Hazel (2934 KP) rated The Twenty (Major Crimes, Book 2) in Books
May 7, 2023
A definite 5 star read for me and one of my books of 2023 so far ... an absolute cracker!!
I read a lot of crime and psychological thrillers and the odd horror book and it takes a lot to get me going but Sam Holland most definitely got me going with The Twenty. Oh my word!! Why? I hear you ask.
Excellent and interesting characters ... check.
Excellent serial killer ... check.
Gripping story line ... check.
Fast pace ... check.
Twists and turns ... check.
Gruesome scenes that give you the chills ... check.
Tension and suspense in spades ... check.
What more is there to be said? Oh yes, this might be book 2 but don't let that put you off, it can easily be read as a standalone but I would strongly suggest you read book 1, The Echo Man, it's also a cracker!!
Highly recommended to those of you who enjoy a dark, gritty and grisly crime thriller ... you won't go far wrong with Sam Holland and I must thank HarperCollins UK, HarperFiction and NetGalley for enabling me to read and share my thoughts of the brilliant The Twenty.
I can't wait to see what comes next.
I read a lot of crime and psychological thrillers and the odd horror book and it takes a lot to get me going but Sam Holland most definitely got me going with The Twenty. Oh my word!! Why? I hear you ask.
Excellent and interesting characters ... check.
Excellent serial killer ... check.
Gripping story line ... check.
Fast pace ... check.
Twists and turns ... check.
Gruesome scenes that give you the chills ... check.
Tension and suspense in spades ... check.
What more is there to be said? Oh yes, this might be book 2 but don't let that put you off, it can easily be read as a standalone but I would strongly suggest you read book 1, The Echo Man, it's also a cracker!!
Highly recommended to those of you who enjoy a dark, gritty and grisly crime thriller ... you won't go far wrong with Sam Holland and I must thank HarperCollins UK, HarperFiction and NetGalley for enabling me to read and share my thoughts of the brilliant The Twenty.
I can't wait to see what comes next.
Chris Sawin (602 KP) rated Under the Silver Lake (2018) in Movies
Jul 6, 2019
In David Robert Mitchell’s (It Follows) Under the Silver Lake, Andrew Garfield portrays a jobless and lethargic young man named Sam. Apart from his obsession with conspiracy theories and finding obscure messages in common pop culture, Sam typically spies on his topless and bird-loving neighbor. He also blatantly ignores the fact that he’s facing eviction in five days for unpaid rent. His current infatuation is a zine entitled Under the Silver Lake, which seems to mirror what’s currently transpiring in Los Angeles. Sam develops a crush on his new neighbor named Sarah (Riley Keough), who seems to disappear without a trace overnight. What begins as an investigation into Sarah’s current whereabouts evolves into something deeply rooted in the peculiar.
There’s a lot to digest with Under the Silver Lake. Not only is the story constructed on finding clues and deciphering the bizarre, but the film itself is also loaded with homage to famous music, film, and people. Nirvana, The Legend of Zelda, Nintendo Power, and Spider-Man are just a few references in the film and that doesn’t cover the blatant influence of films such as Rear Window or 2001: A Space Odyssey. What you have to ask yourself, and this is probably what makes the film so polarizing, is if what lays between the admiration for popular culture a worthwhile experience?
What you can appreciate is Andrew Garfield’s performance. Sam is so bored with his uneventful existence that he tries to find hidden meaning in everyday items. He is basically a stalker fueled by paranoia and consistent lusting of whatever woman is closest to him. When sex isn’t an option for Sam, he masturbates and somehow this becomes a common theme of the film. The first thing you ever pleasured yourself to is suddenly a conversation piece. Garfield has an unusual demeanor as Sam, but never really comes off as creepy. The method in which the story keeps snowballing into something bigger with more and more connections helps Sam’s case. Sam beats the snot out of a kid who keyed a giant penis ejaculating onto the hood of his black GT Mustang and you only seem to like him more because of it.
The fact of the matter is you also become invested in Sam’s discoveries. Despite what you feel about Under the Silver Lake as a film, it’s still unpredictable and intriguing even with its 139-minute duration. With its abrupt camera movements, a kamikaze squirrel, a serial dog killer on the loose, pets named after soda, the discovery of saltines and orange juice being one of the most unique combinations ever, a gory dream sequence, animated zine stories, people barking like dogs, the map on the back of a cereal box being the answer to everything, a seething hatred for the homeless, a way too impressive piano medley, and an almost unrecognizable Topher Grace as a reliable friend, Under the Silver Lake feels like it is overloaded with these overwhelmingly precise details that don’t necessarily lead to anything substantial.
On first watch, it’s impossible to decipher if Under the Silver Lake is destined to be a cult classic or a misguided neo-noir mystery. David Robert Mitchell knows how to introduce elements of comedy, mystery, and drama, but that final product is what leaves you scratching your head. Maybe this gets better with multiple viewings and you find more Easter eggs with each watch or everything connects differently in your head after knowing what direction the story is headed in. In the meantime though, Under the Silver Lake mostly feels like a nearly two and a half hour session of stoner ramblings that can’t decide whether to be Brick, Inherent Vice, or Southland Tales; even The Homeless King feels like a side story lifted from Terry Gilliam’s The Fisher King.
What’s happening directly in Sam’s world isn’t what matters most in Under the Silver Lake. He’s more worried about Sarah and Los Angeles than he is about not having a job or possibly a place to live in a matter of days. The outside world is far more interesting to Sam because it’s that, “The grass is always greener,” kind of mentality. Sam is consumed by Sarah because she is the one woman in the film he doesn’t get to sleep with. Having everlasting discussions of what your topless neighbor’s parrot is saying is far more humorous than revealing anything remotely personal. Becoming entangled in this crazy spider’s web of a conspiracy is far more interesting than living a boring existence. Sam makes the most out of nothing, literally. Under the Silver Lake is this spellbinding enigma of a film that is equally stimulating as it is mystifying.
There’s a lot to digest with Under the Silver Lake. Not only is the story constructed on finding clues and deciphering the bizarre, but the film itself is also loaded with homage to famous music, film, and people. Nirvana, The Legend of Zelda, Nintendo Power, and Spider-Man are just a few references in the film and that doesn’t cover the blatant influence of films such as Rear Window or 2001: A Space Odyssey. What you have to ask yourself, and this is probably what makes the film so polarizing, is if what lays between the admiration for popular culture a worthwhile experience?
What you can appreciate is Andrew Garfield’s performance. Sam is so bored with his uneventful existence that he tries to find hidden meaning in everyday items. He is basically a stalker fueled by paranoia and consistent lusting of whatever woman is closest to him. When sex isn’t an option for Sam, he masturbates and somehow this becomes a common theme of the film. The first thing you ever pleasured yourself to is suddenly a conversation piece. Garfield has an unusual demeanor as Sam, but never really comes off as creepy. The method in which the story keeps snowballing into something bigger with more and more connections helps Sam’s case. Sam beats the snot out of a kid who keyed a giant penis ejaculating onto the hood of his black GT Mustang and you only seem to like him more because of it.
The fact of the matter is you also become invested in Sam’s discoveries. Despite what you feel about Under the Silver Lake as a film, it’s still unpredictable and intriguing even with its 139-minute duration. With its abrupt camera movements, a kamikaze squirrel, a serial dog killer on the loose, pets named after soda, the discovery of saltines and orange juice being one of the most unique combinations ever, a gory dream sequence, animated zine stories, people barking like dogs, the map on the back of a cereal box being the answer to everything, a seething hatred for the homeless, a way too impressive piano medley, and an almost unrecognizable Topher Grace as a reliable friend, Under the Silver Lake feels like it is overloaded with these overwhelmingly precise details that don’t necessarily lead to anything substantial.
On first watch, it’s impossible to decipher if Under the Silver Lake is destined to be a cult classic or a misguided neo-noir mystery. David Robert Mitchell knows how to introduce elements of comedy, mystery, and drama, but that final product is what leaves you scratching your head. Maybe this gets better with multiple viewings and you find more Easter eggs with each watch or everything connects differently in your head after knowing what direction the story is headed in. In the meantime though, Under the Silver Lake mostly feels like a nearly two and a half hour session of stoner ramblings that can’t decide whether to be Brick, Inherent Vice, or Southland Tales; even The Homeless King feels like a side story lifted from Terry Gilliam’s The Fisher King.
What’s happening directly in Sam’s world isn’t what matters most in Under the Silver Lake. He’s more worried about Sarah and Los Angeles than he is about not having a job or possibly a place to live in a matter of days. The outside world is far more interesting to Sam because it’s that, “The grass is always greener,” kind of mentality. Sam is consumed by Sarah because she is the one woman in the film he doesn’t get to sleep with. Having everlasting discussions of what your topless neighbor’s parrot is saying is far more humorous than revealing anything remotely personal. Becoming entangled in this crazy spider’s web of a conspiracy is far more interesting than living a boring existence. Sam makes the most out of nothing, literally. Under the Silver Lake is this spellbinding enigma of a film that is equally stimulating as it is mystifying.
Veronica Pena (690 KP) rated Charlie's Angels (2019) in Movies
Mar 3, 2020
Personally, I really liked this film. It was funny, the plot moved quickly, the characters were sound and the twist wasn't as noticeable as I originally thought. I am glad I didn't see it in theaters, but I'm glad I watched it overall. I wasn't disappointed. Kristin Stewart's Sabina was probably my favorite character. I thought Sam Claflin was hilarious, though he never fails to make me laugh. Naomi Scott first came on my radar when she was in Lemonade Mouth on the Disney Channel and I loved that film and have loved her since so to see her in a film like this, with a great cast, female-led, directed by a female, I was extremely happy.
This is definitely not a film to make you think, to make you ask questions, nothing deep. It's definitely a fun movie that you can just throw on and not have to work too hard to follow. I really enjoyed it, so take that for what it's worth.
This is definitely not a film to make you think, to make you ask questions, nothing deep. It's definitely a fun movie that you can just throw on and not have to work too hard to follow. I really enjoyed it, so take that for what it's worth.