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Kong: Skull Island (2017)
Kong: Skull Island (2017)
2017 | Action, Sci-Fi
Great action sequences John c reilly Samuel L Jackson (0 more)
Dull characters (0 more)
"is that a monkey?"
There are very few things that I respect more than a movie that is unafraid to embrace its own stupidity. Kong: Skull Island has thinly written characters, extreme tonal dissonance, bad dialogue, and a complete and utter disregard for the talents of Oscar-winning actress Brie Larson, but it’s absolutely glorious in its brazen spectacle. Its thin characters and tonal dissonance don’t matter as much because it thoroughly commits to its premise, and it seems like the movie is one ridiculous–but hilarious–visual gag after another. The bad dialogue is all part of the fun. It’s not trying to be something it’s not, and that’s something I appreciate in any movie, especially a nostalgia-laced B-movie blockbuster about a giant ape.

Some might draw connections to the time era explored or the interplay between man and nature, but the movie succeeds at its main goal: entertain the hell out of the audience. Actors like Tom Hiddleston and Brie Larson are (pretty) pieces of cardboard in this, but seasoned vets like Samuel L. Jackson and John C. Reilly thoroughly understand what it is they’re being asked to do. They both ham it up big time, with Vogt-Roberts’s visual flourishes adding to their performances in beautiful ways throughout. They both give pitch perfect performances that are 100% appropriate for their roles, and Reilly in particular becomes the heart and soul of the story. As an actor, the best response to a movie like this is to embrace the ridiculous, and Jackson and Reilly certainly do.

However, the ridiculous can sometimes move aside to reveal a visually stunning movie with a large heart. The production design is gorgeous, and the classic shot–a character whose back is turned to us, staring up in awe and fear at Kong–is breathtaking. The movie itself has that type of reaction to its own character, to its own force of nature, looking up in wonder and childish glee as Kong destroys another piece of its surroundings. This is big, bold, and confident filmmaking, precisely because the movie understands what it’s not.
  
The Hateful Eight (2015)
The Hateful Eight (2015)
2015 | Action, Western
Violent Clue
I compair this movie to clue, it myserious, has suspense, its funny and overall a great movie. This movie is very very violent, unlike clue, i mean clue is violent, but not like this film. This film is rated R and clue is PG.

The plot: While racing toward the town of Red Rock in post-Civil War Wyoming, bounty hunter John "The Hangman" Ruth (Kurt Russell) and his fugitive prisoner (Jennifer Jason Leigh) encounter another bounty hunter (Samuel L. Jackson) and a man who claims to be a sheriff. Hoping to find shelter from a blizzard, the group travels to a stagecoach stopover located on a mountain pass. Greeted there by four strangers, the eight travelers soon learn that they may not make it to their destination after all.

The hateful eight has a great cast and a great director.

I would highly reccordmend this movie.
  
The Legend of Tarzan (2016)
The Legend of Tarzan (2016)
2016 | Action
I was going to say this is a 2016 retelling of the Tarzan story, except it isn't really.

Instead of the 'usual' Tarzan origin tale, or even of his time in the jungle, this actually is set when he has returned to England and taken up the mantle of Lord Greystoke.

That is, before circumstances lead him to travelling back to the Congo, in the company of Jane (With plenty of flashbacks showing how they first met) and of the American George Williams (played by Samuel L. Jackson), who has his own motives for wanting to visit the Congo.

Yes, I'm well aware of the questionably problematic nature of the Tarzan tale.

it was written over a hundred years ago (exactly 120 as of me writing this, to be precise), however.

The movie does - to its credit - at least try to address some of those concerns.
  
The Hateful Eight (2015)
The Hateful Eight (2015)
2015 | Action, Western
Tarantino has accomplished something I have always thought impossible, created a bad Samuel L. Jackson film. It’s unfortunate, but despite all of the hype and build up for the release of Tarantino’s latest film, I was unable to enjoy the experience no matter how hard I tried.

Film is supposed to transport the audience to another place and time. The fact that the plot of “The Hateful Eight” mostly unfolds during a blizzard in a small cabin makes it a film which relies heavily on the development of its characters and the relationships between them. If this is done well, the audience can become entranced by the story.

But it is a very disappointing lack of character depth that makes the story fall flat. Many people will sit back completely prepared to let Tarantino take them on yet another adventure filled with gore, creativity, and depth. Yet, for many, that moment will never come.

The film starts out with an artistic introduction and some beautiful scenery, but then continues along at a slugs pace. The underdeveloped characters’ recite choppy and unconvincing lines. Samuel L. Jackson delivers his classic sharp tongued speech in the fashion which usually builds up to one of his great freak out moments. But this time, the buildup leads to nothing.
The plot, while attempting to catch the audience by surprise, waits too long and fails at this task as well. Sure, there is some gore of course. However, nothing like the infamous cringe-worthy scenes of Tarantino’s past work.

Personally, I was never fully consumed, and was left trying to enjoy the film out of a feeling of necessity. But no matter how much of a cinematic master Tarantino has proven to be over the years, it is undeniable that this just isn’t his best work.

I give “The Hateful Eight” 2.75 stars. But I really, really did, want to give it five.
  
Unbreakable (2000)
Unbreakable (2000)
2000 | Drama, Mystery, Sci-Fi
Better than I remembered
I havent seen this since it first came out and I remember then not being very impressed, especially when comparing it to The Sixth Sense. It also didn't help that I didn't know much about comics and superheroes back then.

Watching this again, I have realised it is a good film. It has a great concept and an intriguing plot, although is a bit of a slow burner. The big reveal at the end is entirely unexpected (the first time round anyway) and Samuel l Jackson does a great job. It's never going to be as good as The Sixth Sense and it's a completely different type of film. I'd also say that Split is better, but the plot of this is very different to Unbreakable so it's difficult to compare in detail. Unbreakable isn't perfect but it's much better than I remembered.

It has really made me look forward to Glass even more too.
  
Pulp Fiction (1994)
Pulp Fiction (1994)
1994 | Crime

"Pulp Fiction was probably one of the first films I ever saw that really kind of took effect on me. I was about four years old — obviously wasn’t supposed to be seeing that film; my sister kind of sneaked it out and we got to see it. She’s older than me. That was something I always used to watch. I loved the scenes with John Travolta and Samuel L. Jackson; when I was older I could understand a little more. It was funny, me and my sister would have this little running thing where we’d know the lines to Ezekiel 25:17. My sister actually bought me a wallet that had “Bad Mother F**ker” written on it. But yeah, Tarantino. That was where my appreciation of directors began. It was beyond the actors at that point. Everything he’s touched I’ve loved. I became a huge fan of him and his work."

Source
  
The Hitman's Bodyguard (2017)
The Hitman's Bodyguard (2017)
2017 | Action, Comedy
Michael Bryce is a triple A rated executive protection agent. Well... he was, up until he lost one of his high profile clients. Now he's living in the less than luxurious life, with less than A rated clients. What he needs is to get his reputation back, and when his ex appears asking for his help, he could get more than his reputation back.

It's just another job, until he see's who he's supposed to be protecting. Darius Kincaid. Master assassin.

Kincaid needs to get to The Hague to testify against Vladislav Dukhovich, merciless dictator of Belarus. With all the other witnesses dying he's Interpol's last hope. But with Kincaid and Bryce both thinking they know the best way to survive the trip, will they both get there in one piece?



Honestly, I love all the trailers for this film, but this one has the song in it. There's just something catchy about Samuel L. Jackson singing along with a bunch of nuns.

Anyway, to the film. Straight off the bat I'm going to say I loved it. Award winner? Nope. Dramatic master piece? Nope. Hilarious? Abso-motherf***ing-lutely. Reynolds and Jackson play really well off each other all the way through, but for me, the highlight was Salma Hayek. She really was an unexpected gem.

I read views of this online and it made me a little mad... some people just need to lighten up. Some films are just made to be entertaining, and this one had the bases covered... excessive mindless violence, car chases, romance, singing nuns... you couldn't really ask for more... apart from maybe more nudity of Ryan Reynolds. (Just me? Never mind then)

Probably the most entertaining Unlimited screening I've seen, and I think everyone else agreed. I haven't been in a cinema where that many people have been laughing out loud. I honestly think that is a great achievement in a film.

I'll be buying this one on DVD when it comes out, I think everyone should, it'll really brighten up your day and help you relieve some stress... if like me you enjoy seeing random things getting destroyed. (Only on screen, not in real-life, no need to panic!) Possibly not for those of you who don't like swearing though, as Samuel L. Jackson does get to use swearing like punctuation... and the writers were clearly fond of excessive commas.
  
Captain Marvel (2019)
Captain Marvel (2019)
2019 | Action, Adventure
Chemistry between Brie Larson and Samuel L. Jackson (1 more)
As always, END CREDITS SEQUENCE
Rocky first half hour (0 more)
A Marvel-ous "Buddy Cop" film
For those of you who read my reviews regularly know, I am a fan of the films produced in the MARVEL CINEMATIC UNIVERSE. There has been a bit of a hiatus in these films (the last one was ANT MAN AND THE WASP last July) so it was with some excitement that I headed to the multiplex to check out the latest installment in this film franchise.

And...after an opening that paid tribute to the late, great Stan Lee, I settled in for what, I hoped would be a fun time at the movies. I started to become a little concerned in the first half hour of this film as it jumbled things around, trying to tell an origin story of a person who has no memory of where she came from while Jude Law was "man-splaining" the new worlds and the new people that the audience needs to know about it. I was becoming concerned that this film was going to become a "hot mess".

And then came Samuel L. Jackson.

Mr. Jackson is a MOVIE STAR and his presence in this film instantly catapulted it to another level. The star power, energy and pacing of the film improved and (if I am honest with myself) the performance of Brie Larson as Carol Danvers/Captain Marvel improved as well. The film stopped being an "alien Super Hero" film and it become a "buddy cop film" along the lines of LETHAL WEAPON, 48 HOURS and (my personal favorite) MIDNIGHT RUN.

The chemistry between Jackson and Larson is undeniable and they play off of each other very well, bantering and bouncing lines back and forth while chasing - and being chased - by the bad guys. This dynamic raised the level of this film from a "middle of the road" SuperHero film to a fun action/comedy that is in the upper third of the Marvel Cinematic Universe.

Aside from Jackson, Larson (eventually) is terrifically cast as the titular character. She has a difficult balancing act to fulfill in the first 1/2 hour of the film, since her character has no memories, she also was in danger of having no personality. I've heard the word "bland" thrown around to characterize her performance, but I wouldn't quite go there (especially once Jackson shows up and her character's memories start to return). This is a well rounded, fierce performance and I don't think we've really seen the "best" that this character - or Larson's portrayal - has to offer.

Jude Law, Annette Benning(!) Lashana Lynch and Clark Gregg are all "fine" in supporting roles, but they pale in comparison to Larson/Jackson. Only Ben Mendehlson was able to "up" his performance to match these two, so when Jackson/Larson/Mendehlson were on the screen together, things crackled. Oh...and I would be remiss if I didn't mention one of the best feline performances in film in quite some time - GOOSE, the cat (yes, named after the character in TOP GUN). The less I say about this character the better - but it was really fun. The only disappointment for me was the usage of Gemma Chan (CRAZY, RICH ASIANS) as Minn-Erva. She just didn't have much to do, probably because at the time of filming Chan was not much of a "name". I know here character is crucial to some Captain Marvel storylines in the comics, so I am hoping they bring her back and use her more in the future.

But...as for this film...it is a fun romp, with good action and a truly memorable pairing of Jackson/Larson - one that does not disappoint. Stay, of course, for the TWO end credits scene - the first one sets up AVENGERS: ENDGAME and the last one is...

Letter Grade A-

8 (out of 10) stars and you can take that to the Bank(OfMarquis)
  
Kingsman: The Secret Service (2015)
Kingsman: The Secret Service (2015)
2015 | Mystery
Avengers meets John Wick
Having been completely unfamiliar with the source comic book material, I was unsure the tone or visuals I viewed in this film are consistent with that or not, so I just have to judge on their own merits.

Anyone who follows my reviews knows I am not the hugest fan of nonsense or robust excessive CGI in place of good acting story and screenplay, so I have to say this film suffered from a little bit of that. Some of the kill scenes bordered on a little silly, having been done much better and more realistic in John Wick.

Having said that, I was never bored while watching and thought the acting, especially that of Samuel L. Jackson, was pretty good for the most part.

It definitely feels like more style than substance in some parts, but maybe that was the point. I will always side with realism over hyper-realism unless done very well, and I feel this film falls a bit short.