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Karate-Do: My Way of Life
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Linking the time when karate was a strictly Okinawan art of self-defense shrouded in the deepest...
The Treasures of Montezuma HD
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This application doesn't support iOS 8.0 ! Everyone’s favorite match-three game, The Treasures of...
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Hokusai X Manga: Japanese Pop Culture Since 1680
Sabine Schulze and Nora von Achenbach
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Anime and manga are powerful pop-culture phenomena, capturing people's imaginations in the pages of...
Kendo: A Comprehensive Guide to Japanese Swordsmanship
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Master the art of Kendo--Japanese Swordsmanship with this illustrated and comprehensive martial arts...
BookwormLea (3034 KP) rated Annabelle Comes Home (2019) in Movies
Jun 24, 2020
Contains spoilers, click to show
I love the Conjuring series. I find it fascinating. I'm a little obsessed with Ed and Lorraine Warren so I watch anything to do with the universe. After the second Conjuring film, this is my favourite. It takes a lot for a horror to scare me and though it wasn't terrifying it made me jump a lot! That feeling like you're on a rollercoaster dipping down! I love it!!!!
It's set after the Conjuring (or inbetween depending on your source) after the Warren's have the doll secured in their occult museum. Mary Ellen is babysitting Judy, the Warren's daughter (who we learnt in the Conjuring shares her mothers gift) and her friend Danielle, distraught from the death of her father, pays a visit. The events after are pretty much all her fault. I kind of hate her for it despite understanding her reasoning. While the other films focus mainly on the demon Valek or the Annabelle doll demon (with the exception of the many spirits in the first conjuring) this film has a lot of the other never before mentioned spirits that the real Ed and Lorraine have written about. The White Lady, the Samurai, the Black Shuck. I was actually concerned for how they would portray the Werewolf after such disasters as teen wold or an American Werewolf in London but was happily suprised that they made it work quite well. Of course there is a semi happy ending and all is well, Judy gets her birthday and some friends and Danielle has closure but I'm very much looking forward to the third Conjuring: The Devil Made Me Do It. Released this year hopefully!!!!!
It's set after the Conjuring (or inbetween depending on your source) after the Warren's have the doll secured in their occult museum. Mary Ellen is babysitting Judy, the Warren's daughter (who we learnt in the Conjuring shares her mothers gift) and her friend Danielle, distraught from the death of her father, pays a visit. The events after are pretty much all her fault. I kind of hate her for it despite understanding her reasoning. While the other films focus mainly on the demon Valek or the Annabelle doll demon (with the exception of the many spirits in the first conjuring) this film has a lot of the other never before mentioned spirits that the real Ed and Lorraine have written about. The White Lady, the Samurai, the Black Shuck. I was actually concerned for how they would portray the Werewolf after such disasters as teen wold or an American Werewolf in London but was happily suprised that they made it work quite well. Of course there is a semi happy ending and all is well, Judy gets her birthday and some friends and Danielle has closure but I'm very much looking forward to the third Conjuring: The Devil Made Me Do It. Released this year hopefully!!!!!
Kirk Bage (1775 KP) rated High and Low (1963) in Movies
Jan 28, 2021
This movie is often touted as one of the finest non-American crime thrillers out there. It appears on many top 10 lists from renowned directors, and stands untouchable in the pantheon of post WWII Japanese cinema dealing with 20th century issues rather than samurai or traditional religious concepts. Kurasawa is known for masterpieces in both genres, and in this sphere is very much the Hitchcock of the East. The story sees self made entrepreneur Kingo Gondo, played by the ubiquitous Toshirô Mifune, being blackmailed by a kidnapper who believes he has his son, but has taken his chauffeur’s son by mistake. Cue huge moral intrigue and dilemma, leading to a chase and an unexpectedly symbolical climax and resolution.
It plays like two films for the price of one, the first a claustrophobic mood piece with a staged feel, reminding me of Hitchcock’s Rope, and the second a frantic chase movie where the forensic evidence is picked apart in intricate detail, like a less graphic Seven. The print on BFI is not great, so it actually feels older than it is. It is also pretty long at 143 minutes, and feels like it takes an age to get going. Therefore, although some moments and key images have stayed with me, I can’t honestly say I felt gripped or tense in any way. The stakes didn’t feel as high as I would have hoped for, and tonally it is a little uneven. In conclusion, it has much to offer and details in isolation are very impressive, but for me it was something of a let down.
It plays like two films for the price of one, the first a claustrophobic mood piece with a staged feel, reminding me of Hitchcock’s Rope, and the second a frantic chase movie where the forensic evidence is picked apart in intricate detail, like a less graphic Seven. The print on BFI is not great, so it actually feels older than it is. It is also pretty long at 143 minutes, and feels like it takes an age to get going. Therefore, although some moments and key images have stayed with me, I can’t honestly say I felt gripped or tense in any way. The stakes didn’t feel as high as I would have hoped for, and tonally it is a little uneven. In conclusion, it has much to offer and details in isolation are very impressive, but for me it was something of a let down.
Merissa (11765 KP) rated Blood Pact (Youkai Bloodlines #2) in Books
May 7, 2021 (Updated Jul 26, 2023)
BLOOD PACT is the second book in the Youkai Bloodlines series, and we start off with Hiro. He is a geisha, taken in from the street, and now a man of renown because of his voice. When a local thug takes offence at Hiro entertaining a samurai; Hiro's world is torn apart.
This isn't a romance story, per se. It is diving into the world of the mythological, fantastical, and horrible. Hide would do anything for Hiro, apart from showing it! And Hiro has enough heart for both of them. Even Asagi recognises that. Yes, they are in here too, but I don't think life has treated them kindly since last we met. I do so want a HEA for them, back with their maker.
Although this is book two, as Hiro puts it, this is only the beginning. I love where the story is going, plus the character development and supporting cast. You end up with more questions than answers, and it's just perfect for this series. This book is long enough to sink your teeth into (!), and is perfectly paced, giving you action and then a time of rest. Diving into cultural mythology is a bonus for me.
A fantastic addition to the series and absolutely recommended by me. I can't wait to see what happens next.
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
May 7, 2021
This isn't a romance story, per se. It is diving into the world of the mythological, fantastical, and horrible. Hide would do anything for Hiro, apart from showing it! And Hiro has enough heart for both of them. Even Asagi recognises that. Yes, they are in here too, but I don't think life has treated them kindly since last we met. I do so want a HEA for them, back with their maker.
Although this is book two, as Hiro puts it, this is only the beginning. I love where the story is going, plus the character development and supporting cast. You end up with more questions than answers, and it's just perfect for this series. This book is long enough to sink your teeth into (!), and is perfectly paced, giving you action and then a time of rest. Diving into cultural mythology is a bonus for me.
A fantastic addition to the series and absolutely recommended by me. I can't wait to see what happens next.
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
May 7, 2021
Merissa (11765 KP) created a post
Apr 7, 2021
Sudoku world - brainstorming!!
Games and Entertainment
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This is an awesome Sudoku app game that allows you to play an unlimited amount of sudoku puzzles on...
Gareth von Kallenbach (971 KP) rated The Wolverine (2013) in Movies
Aug 6, 2019
In 2009, we were treated to the origin story for one of Marvel’s most beloved characters: The Wolverine. Enthusiasm for the story turned to discord and malcontent for most, but if you had the ability to look past the inadequacies found in most Marvel silver-screen adaptations (as I did), then at least you would have enjoyed seeing the comic come to life.
Here in 2013, Hugh Jackman reprises his role for the 6th time, making his way to Japan to bring about one of the community’s favorite portions of the mythos: the way of the samurai, Muriko, and the Silver Samurai.
The story opens with the bombing of Nagasaki, and Logan’s survival of the atrocity. He saves a Japanese soldier from suicide, and then from the Atomic Bomb.
Fast forward to the present and we have a broken mountain man that was once Logan (Jackman). He lives in the hills, away from people, because he no longer wants to be a soldier. His immortality has become a curse.
After a rousing row with some local hunters, a representative for Yashida (the aforementioned Japanese soldier) talks Logan into going back to Japan to pay his respects to a dying man.
The story spins away from there on a turbulent ride that is equal parts drama and action.
Let’s get to my thoughts.
—————The good ———————-
The cinematography, script, acting, and editing was top-notch. The sets, costumes, effects, stunts and fight scenes were all pleasurably executed. This was a very well-made movie.
—————-The bad ————————
The plot holes were too numerous to be anything but amazingly distracting. Without giving too much away, here are just a few:
During a ceremony, in broad day light, on a huge roof, one of the main secondary characters is lurking. With as many people and security, this was HIGHLY implausible. Laughable, at best.
Ninjas are not a real thing, and they never were. They were a fable; a story told without any factual, historical basis, and their presence cheapened the film.
When the A-bomb was dropped, those who survived the actual explosion still died to the radiation within a certain range. There is no way Yashida would have survived Nagasaki the way the event was portrayed in the film.
At some point, Wolverine loses his ability to heal. It’s never clear if his regenerative powers are fully gone or just suppressed, but he can’t heal well enough to stop bleeding. With this in mind, his survival of so many shots to the body is extremely questionable.
On that same note: if he can’t heal, how did the holes made by the blades extruding from his hands heal up? After every scene in which the blades come out, his hands remain free of blood or marks.
Wolverine was clearly killing people with his claws, which I liked, but there should have been far more limb and torso severing, given how sharp his adamantium blades are and how overwhelmingly strong he is supposed to be.
The Wolverine character has an unmatched sense of smell, but it was never used in the movie, not even once. The opportunity presented itself multiple times.
These are just a few examples, and there were many more jarring discrepancies. There were so many that it detracted from the movie in an unforgivable way. Even this was totally separate from the comic-to-silver-screen transition, for which those remarks are better left to someone more learned in the comic realm.
The part I enjoyed the most came during the last 30 seconds of the film, as part of the credits. It sets up a future film. Enjoy.
All in all, The Wolverine was great. That said, if you have a critical eye, like myself, you will find many faults.
Here in 2013, Hugh Jackman reprises his role for the 6th time, making his way to Japan to bring about one of the community’s favorite portions of the mythos: the way of the samurai, Muriko, and the Silver Samurai.
The story opens with the bombing of Nagasaki, and Logan’s survival of the atrocity. He saves a Japanese soldier from suicide, and then from the Atomic Bomb.
Fast forward to the present and we have a broken mountain man that was once Logan (Jackman). He lives in the hills, away from people, because he no longer wants to be a soldier. His immortality has become a curse.
After a rousing row with some local hunters, a representative for Yashida (the aforementioned Japanese soldier) talks Logan into going back to Japan to pay his respects to a dying man.
The story spins away from there on a turbulent ride that is equal parts drama and action.
Let’s get to my thoughts.
—————The good ———————-
The cinematography, script, acting, and editing was top-notch. The sets, costumes, effects, stunts and fight scenes were all pleasurably executed. This was a very well-made movie.
—————-The bad ————————
The plot holes were too numerous to be anything but amazingly distracting. Without giving too much away, here are just a few:
During a ceremony, in broad day light, on a huge roof, one of the main secondary characters is lurking. With as many people and security, this was HIGHLY implausible. Laughable, at best.
Ninjas are not a real thing, and they never were. They were a fable; a story told without any factual, historical basis, and their presence cheapened the film.
When the A-bomb was dropped, those who survived the actual explosion still died to the radiation within a certain range. There is no way Yashida would have survived Nagasaki the way the event was portrayed in the film.
At some point, Wolverine loses his ability to heal. It’s never clear if his regenerative powers are fully gone or just suppressed, but he can’t heal well enough to stop bleeding. With this in mind, his survival of so many shots to the body is extremely questionable.
On that same note: if he can’t heal, how did the holes made by the blades extruding from his hands heal up? After every scene in which the blades come out, his hands remain free of blood or marks.
Wolverine was clearly killing people with his claws, which I liked, but there should have been far more limb and torso severing, given how sharp his adamantium blades are and how overwhelmingly strong he is supposed to be.
The Wolverine character has an unmatched sense of smell, but it was never used in the movie, not even once. The opportunity presented itself multiple times.
These are just a few examples, and there were many more jarring discrepancies. There were so many that it detracted from the movie in an unforgivable way. Even this was totally separate from the comic-to-silver-screen transition, for which those remarks are better left to someone more learned in the comic realm.
The part I enjoyed the most came during the last 30 seconds of the film, as part of the credits. It sets up a future film. Enjoy.
All in all, The Wolverine was great. That said, if you have a critical eye, like myself, you will find many faults.