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Kim Pook (101 KP) rated The Prodigy (2019) in Movies
Sep 25, 2020
Contains spoilers, click to show
A woman is seen running away from something or someone and ends up being almost hit by an elderly driver, we discover the woman has had her hand cut off, how did this happen? Why did it happen?
Forward to the present day and a pregnant woman is going into early labour, in between scenes of her giving birth we see this guy who gets shot down by police, he is holding a severed hand (remember the lady at the beginning?)....
Within months of baby Miles being born, his mother starts to notice strange things such as not crying during his shots and even saying words. It is put down to him being a genius. However, he is not really a genius at all he noticeably quite evil. This is evident when he squashes a bug in his bare hands at 5 years old, harms his babysitter at age 8, and starts speaking a strange language in his sleep.
One day Miles end up receiving psychiatric help after beating a child in his class with a wrench. Nobody can understand what's going on though and it seems Miles is hearing voices in his head and reacting to what they tell him to do. Miles' mother Sarah is eventually informed that Miles has a spirit living inside of him and that spirit is dangerous, Sarah refuses to believe this at first but after a disturbing situation happens at home she begins to believe that it must be true and after a series of events, finally gets him help to try and rid him of the evil inside of him.
I do find it shocking sometimes what they get young children to say in movies, but especially in this one. Considering the type of movie it is though its understandable and the boy who plays Miles does a fantastic job, down to the facial expressions, so you always know when it is Miles and when it's the spirit.
The movie very much reminds me of 'orphan' - another film with an evil adult/child. The ending was quite a bummer though and makes everything that happened in the movie a complete waste of time. It was interesting watching it unfold though and the end does leave it open for a sequel.
Forward to the present day and a pregnant woman is going into early labour, in between scenes of her giving birth we see this guy who gets shot down by police, he is holding a severed hand (remember the lady at the beginning?)....
Within months of baby Miles being born, his mother starts to notice strange things such as not crying during his shots and even saying words. It is put down to him being a genius. However, he is not really a genius at all he noticeably quite evil. This is evident when he squashes a bug in his bare hands at 5 years old, harms his babysitter at age 8, and starts speaking a strange language in his sleep.
One day Miles end up receiving psychiatric help after beating a child in his class with a wrench. Nobody can understand what's going on though and it seems Miles is hearing voices in his head and reacting to what they tell him to do. Miles' mother Sarah is eventually informed that Miles has a spirit living inside of him and that spirit is dangerous, Sarah refuses to believe this at first but after a disturbing situation happens at home she begins to believe that it must be true and after a series of events, finally gets him help to try and rid him of the evil inside of him.
I do find it shocking sometimes what they get young children to say in movies, but especially in this one. Considering the type of movie it is though its understandable and the boy who plays Miles does a fantastic job, down to the facial expressions, so you always know when it is Miles and when it's the spirit.
The movie very much reminds me of 'orphan' - another film with an evil adult/child. The ending was quite a bummer though and makes everything that happened in the movie a complete waste of time. It was interesting watching it unfold though and the end does leave it open for a sequel.
Night Reader Reviews (683 KP) rated Theta Double Dot in Books
Feb 17, 2020
Honest Review for Free Copy of Book
Theta Double Dot by Alan Dale has it all. Readers will find romance, crime, environmental awareness, and even business espionage within the pages. There is no one that is safe from Theta.
Mark is not doing great at his job. He is overworked and overstressed. His wife won’t let him quit because of the ways it could affect their finances, but Mark wants to, preferably before he gets fired. The company he works for has taken on a huge project in Alaska that appears doomed from the start and they have put Mark at the head of its operation. His wife believes that this project may be a good thing, and besides, they need the money with having a daughter in college (Sarah).
Sarah is having enough problems of her own at college. Almost immediately she finds a young man that she is interested in by the name of John. John convinces her to join the Peaceful Protest group which might not have been the best idea at the time. Another protest group by the name of Theta has been attacking petrochemical plants and have gained the title of terrorists. Seeing as how Sarah’s father is working on a new plant in Alaska, Sarah is being targeted by Theta right alongside the project. Can John protect Sarah and himself from Theta’s grasp before they become victims? What will happen to Sarah’s father, miles from home and facing the immediate threat of Theta?
What I liked best was this book showed two sides of the story (actually closer to three). As far as the Alaska project is concerned it showed the environmental concerns of the activists. What is even more impressive is the impact the plant would have on the indigenous people was illustrated as well. What I didn’t like was that the book jumped around from group to group a little more than what I would have liked. Personal preference would be to start a new chapter each time the focus changed to a new group. This just tends to make the transition a bit easier.
This book would be perfectly fine for adults and young adults alike. There is some mild sexual content but nothing too bad. The technical jargon is probably above most people's heads but so long as readers grasp the basics of what is being said that should not be a problem. I rate this book 3 out of 4. It was a little dry in spots and I found it annoying when I had to backtrack just because I realized too late that the group focus changed again. Although it had a strong plot line that moved along nicely, the jargon was too frequent and over my head.
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Mark is not doing great at his job. He is overworked and overstressed. His wife won’t let him quit because of the ways it could affect their finances, but Mark wants to, preferably before he gets fired. The company he works for has taken on a huge project in Alaska that appears doomed from the start and they have put Mark at the head of its operation. His wife believes that this project may be a good thing, and besides, they need the money with having a daughter in college (Sarah).
Sarah is having enough problems of her own at college. Almost immediately she finds a young man that she is interested in by the name of John. John convinces her to join the Peaceful Protest group which might not have been the best idea at the time. Another protest group by the name of Theta has been attacking petrochemical plants and have gained the title of terrorists. Seeing as how Sarah’s father is working on a new plant in Alaska, Sarah is being targeted by Theta right alongside the project. Can John protect Sarah and himself from Theta’s grasp before they become victims? What will happen to Sarah’s father, miles from home and facing the immediate threat of Theta?
What I liked best was this book showed two sides of the story (actually closer to three). As far as the Alaska project is concerned it showed the environmental concerns of the activists. What is even more impressive is the impact the plant would have on the indigenous people was illustrated as well. What I didn’t like was that the book jumped around from group to group a little more than what I would have liked. Personal preference would be to start a new chapter each time the focus changed to a new group. This just tends to make the transition a bit easier.
This book would be perfectly fine for adults and young adults alike. There is some mild sexual content but nothing too bad. The technical jargon is probably above most people's heads but so long as readers grasp the basics of what is being said that should not be a problem. I rate this book 3 out of 4. It was a little dry in spots and I found it annoying when I had to backtrack just because I realized too late that the group focus changed again. Although it had a strong plot line that moved along nicely, the jargon was too frequent and over my head.
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Gareth von Kallenbach (962 KP) rated Get Him to the Greek (2010) in Movies
Aug 8, 2019
Russell Brand created one of the more memorable characters of 2008 in Forgetting Sarah Marshall with his role as Aldous Snow. Get Him to the Greek is by and large an extension of his role in that movie, but ramped up in the “crazy rock star” department. Jonah Hill, playing the ambitious record company intern Aaron Green tries to bring Aldous Snow from London to Los Angeles to play a show at the Greek Theater. The problem with this simplistic plot is that it doesn’t lead to any character development, and only leads to more jokes. While surprisingly funny in some parts, the characters don’t really make a splash unless they’re doing something ridiculous, which happens quite often.
The main characters, drunk on absinthe in one scene, deliver truly cringe-worthy performances, and I’m not talking about funny cringes. Later on in the film, another scene with another drug is sure to be remembered as one of the funniest bits in the entire film. Unfortunately, this is representative of the entire film. There are hits and misses on nearly every metric you can think of. Rose Byrne and Sean Combs are fantastic in their respective supporting roles, Russell Brand is charmingly hilarious with his rock star attitude, and while Jonah Hill does a good job of showing the anxiety of a responsible guy just trying to handle an irresponsible rock star, he’s still miles away from his scene-stealing performance in Superbad.
In the end, however, Get Him to the Greek just had no closure. The ending was forced, like the director ran out of time, and the lack of character growth really forced the film to rely on a “moral of the story” type of ending, which ended up muddling the film’s ending further. Still, the ending doesn’t detract wholly from the movie. Much like watching a lesser version of Spinal Tap, this movie is still amusing to watch.
The main characters, drunk on absinthe in one scene, deliver truly cringe-worthy performances, and I’m not talking about funny cringes. Later on in the film, another scene with another drug is sure to be remembered as one of the funniest bits in the entire film. Unfortunately, this is representative of the entire film. There are hits and misses on nearly every metric you can think of. Rose Byrne and Sean Combs are fantastic in their respective supporting roles, Russell Brand is charmingly hilarious with his rock star attitude, and while Jonah Hill does a good job of showing the anxiety of a responsible guy just trying to handle an irresponsible rock star, he’s still miles away from his scene-stealing performance in Superbad.
In the end, however, Get Him to the Greek just had no closure. The ending was forced, like the director ran out of time, and the lack of character growth really forced the film to rely on a “moral of the story” type of ending, which ended up muddling the film’s ending further. Still, the ending doesn’t detract wholly from the movie. Much like watching a lesser version of Spinal Tap, this movie is still amusing to watch.
Lee (2222 KP) rated It Comes At Night (2017) in Movies
Jul 14, 2017
Tension packed, slow burner
I headed into ‘It Comes At Night’ in a similar way to when I saw ‘Get Out‘ a few months back – having seen a lot of positive four or five star buzz about it on my news feeds, but without actually seeing the trailer. I skimmed a couple of reviews this time, just to get a rough idea of what I was in for, and one of the words which seemed to crop up on a number of them was ‘unsettling’. Well, that sold it for me! Get Out is my favourite movie of the year so far, and I felt that my enjoyment of seeing that had been greatly improved having not seen the trailer, and with no expectations. So, I went into ‘It Comes At Night’ hoping for a similar experience.
The opening scene sets the tone for what’s to come. A sick old man listens to his daughter Sarah tell him she loves him. She’s wearing a protective gas mask, as are her husband and son. Husband Paul and son Travis then take grandpa out of the cabin they’re in, into the woods where they proceed to wrap him up in a sheet, shoot him in the head, roll him into a ditch and set fire to him. It becomes apparent that we’re in a post apocalyptic world where some kind of plague has taken hold, and Grandpa had unfortunately become infected. We’re not shown any TV news footage, we don’t hear any radio broadcast of any kind and there aren’t any zombies or infected people wandering around. There’s just this small family, out in the middle of nowhere and with no idea what state the rest of the world is currently in or how bad things are. They keep their cabin boarded up, with only one locked door for entry. They lead a lonely, basic existence, taking no chances with whatever is going on out in the rest of the world.
And then one night they’re awoken by somebody breaking in downstairs. A man who claims he thought the place was empty. He claims to be only out scavenging for water for his family. His name is Will and he says that he’s left his wife and young son behind some 50 miles away and is only interested in providing for them. Paul and his family don’t know whether to believe him and this feeling of uncertainty, paranoia and tension is something which takes hold and continues throughout the entire movie. Not knowing if Will is infected or not, they tie him to a tree overnight to see if infection sets in. When it doesn’t, they come to an understanding and agree to go and get Wills family and bring them back to the safety of the cabin. The family seem to integrate well, falling in line with Pauls strict routine of eating, washing and going to the toilet, and all seems to be going well for a while.
Sadly, I think the expectation of an experience similar to ‘Get Out’ affected my overall enjoyment of the movie. Sure I was tense and on edge for pretty much the whole movie, but I guess I was expecting it all to build up to something much more. It did reach a pretty intense finale of sorts, but then it just seemed to fizzle out until the credits rolled and a sense of overall disappointment set in. I don’t think I was the only one either. As I stood to leave the cinema, the guy across the aisle from me, along with a couple of others seated nearby, all kind of looked at each other in disbelief and with a ‘WTF?!’ expression. It was definitely a good movie, which deserves to be seen, but it just didn’t leave that much of a lasting impression on me.
The opening scene sets the tone for what’s to come. A sick old man listens to his daughter Sarah tell him she loves him. She’s wearing a protective gas mask, as are her husband and son. Husband Paul and son Travis then take grandpa out of the cabin they’re in, into the woods where they proceed to wrap him up in a sheet, shoot him in the head, roll him into a ditch and set fire to him. It becomes apparent that we’re in a post apocalyptic world where some kind of plague has taken hold, and Grandpa had unfortunately become infected. We’re not shown any TV news footage, we don’t hear any radio broadcast of any kind and there aren’t any zombies or infected people wandering around. There’s just this small family, out in the middle of nowhere and with no idea what state the rest of the world is currently in or how bad things are. They keep their cabin boarded up, with only one locked door for entry. They lead a lonely, basic existence, taking no chances with whatever is going on out in the rest of the world.
And then one night they’re awoken by somebody breaking in downstairs. A man who claims he thought the place was empty. He claims to be only out scavenging for water for his family. His name is Will and he says that he’s left his wife and young son behind some 50 miles away and is only interested in providing for them. Paul and his family don’t know whether to believe him and this feeling of uncertainty, paranoia and tension is something which takes hold and continues throughout the entire movie. Not knowing if Will is infected or not, they tie him to a tree overnight to see if infection sets in. When it doesn’t, they come to an understanding and agree to go and get Wills family and bring them back to the safety of the cabin. The family seem to integrate well, falling in line with Pauls strict routine of eating, washing and going to the toilet, and all seems to be going well for a while.
Sadly, I think the expectation of an experience similar to ‘Get Out’ affected my overall enjoyment of the movie. Sure I was tense and on edge for pretty much the whole movie, but I guess I was expecting it all to build up to something much more. It did reach a pretty intense finale of sorts, but then it just seemed to fizzle out until the credits rolled and a sense of overall disappointment set in. I don’t think I was the only one either. As I stood to leave the cinema, the guy across the aisle from me, along with a couple of others seated nearby, all kind of looked at each other in disbelief and with a ‘WTF?!’ expression. It was definitely a good movie, which deserves to be seen, but it just didn’t leave that much of a lasting impression on me.