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Neon's Nerd Nexus (360 KP) rated Birds of Prey (And the Fantabulous Emancipation of One Harley Quinn) (2020) in Movies
Feb 8, 2020 (Updated Feb 12, 2020)
SWING BATTER BATTER BATTER!
Birds Of Prey is yet another win for the DC universe and a huge step up from one of the most hated films of all time Suicide Squad. Right off the bat Birds Of Prey is an absolute blast and what you will notice immediately is just the sheer amount of explosive energy it has has to offer. Its this energy that constantly gives you the feeling of being on a rollar coaster travelling through a circus of pure amusement, the visuals are loud, the colour pallet is striking and vibrant, the sound is immersive/atmospheric and the soundtrack brings everything together beautify using old classic songs that have been remixed with a modern day kick which help to really give the film pace. Fight scenes are really fun, violent and also well choreographed with a nice crunch to all the impacts too. Infact fights do all feel very John Wick inspired becoming more of a beautifully synchronised dance routine flowing perfectly like the ice skating scenes from itonya rather than using messy quick cuts. BOP also seemingly borrows from Deadpool too as far as plot, humour and mature content go but im happy to report it works really well and manages to feel much more at home/gritty and adult here and less forced/childish than it is in Deadpool in my opinion. Margot robbie shines as Harley Quinn even more so than she did in suicide squad, she really has got this character down to a T now and its so so satisfying to see her own the screen as her again as she struggles to find her independence and make a name for herself. Ewan Mcgregor is also magnificent in a part that he clearly enjoyed playing beacuse boy was he entertaining as hell as a guy thats almost an obsessive man child whose only feared and powerul because of his status and money. Hes also unpredictable with a spoilt brat like temper and the way the film shifts in tone when he becomes angry can be chilling especially when its mixed with such savage and brutal violence. Plot is fairly basic and not the most intresting but that doesnt matter here because the movie holds its own with the constant thrills/variety it provides and just like a looney tunes carton its such pure addictive madness that it will suck you right in and leave you with a chelsea smile from ear to ear. Possibly the most enjoyable and visually awsome comic book adaptations yet well worth seeing.
Kirk Bage (1775 KP) rated Ghosteen by Nick Cave & The Bad Seeds in Music
Mar 3, 2020 (Updated Aug 6, 2020)
My intention was to listen to this twice through and then tell you what I thought about it. In the past, I have always admired Nick Cave more in theory than in practice. Finding his heavier touches a little too “noisy”. Typified by the 2004 release Abbatoir Blues / The Lyre of Orpheus, where I listened to the latter, gentler side over and over, and largely left the more raucous tracks on the former alone.
Because of this personal preference, I have ended up virtually listening to Ghosteen on loop for a full week, as it leans very definitely towards the softer side of his soul – at times almost ambient dreamscape, washing over you like tired thoughts just before sleep. And, often, that is what it became for me: a night album to drift away to.
It is an album about grief, regret, spirituality and humanism. There is a misconception that it is wholly inspired by the death of Cave’s son Arthur, but, in his own words, it was more the death of band member Conway Savage that allowed the themes and lyrics to become the work.
As always, it is Cave’s poetry that emerges as the backbone and soul of every song. The melodies wash over you, at times indistinguishable as separate tracks, and you begin to feel invited into a man’s heart and mind as he explores mortality, shifting between anger, acceptance, fear and hope, in a segue of sound that feels ultimately like a mood painting, defying criticism.
At times listening feels like an intrusion; like these thoughts are too personal to eavesdrop on. At other times, you feel taken by the hand and invited to look at something beautiful. If you allow yourself to be taken on this journey willingly, your empathy will be coaxed and encouraged, and it will be safe. Sadness is only one part of grief, seems to be the message, and it’s a message I relate to and adore.
Labels such as “art-rock” and “post-punk” get thrown at Cave, in futile efforts to pin him down. I think it best not to try. For me, he is truly one of a handful of musicians alive who can be called an artist without hyperbole. His work has texture and emotion that goes beyond how we normally judge music. Making it ok to not “like” a song, as long as it tells part of the story.
For sure his best work for quite a while. At times, so perfect it seems churlish to judge it at all.
Because of this personal preference, I have ended up virtually listening to Ghosteen on loop for a full week, as it leans very definitely towards the softer side of his soul – at times almost ambient dreamscape, washing over you like tired thoughts just before sleep. And, often, that is what it became for me: a night album to drift away to.
It is an album about grief, regret, spirituality and humanism. There is a misconception that it is wholly inspired by the death of Cave’s son Arthur, but, in his own words, it was more the death of band member Conway Savage that allowed the themes and lyrics to become the work.
As always, it is Cave’s poetry that emerges as the backbone and soul of every song. The melodies wash over you, at times indistinguishable as separate tracks, and you begin to feel invited into a man’s heart and mind as he explores mortality, shifting between anger, acceptance, fear and hope, in a segue of sound that feels ultimately like a mood painting, defying criticism.
At times listening feels like an intrusion; like these thoughts are too personal to eavesdrop on. At other times, you feel taken by the hand and invited to look at something beautiful. If you allow yourself to be taken on this journey willingly, your empathy will be coaxed and encouraged, and it will be safe. Sadness is only one part of grief, seems to be the message, and it’s a message I relate to and adore.
Labels such as “art-rock” and “post-punk” get thrown at Cave, in futile efforts to pin him down. I think it best not to try. For me, he is truly one of a handful of musicians alive who can be called an artist without hyperbole. His work has texture and emotion that goes beyond how we normally judge music. Making it ok to not “like” a song, as long as it tells part of the story.
For sure his best work for quite a while. At times, so perfect it seems churlish to judge it at all.
Warhammer: Vermintide 2
8.3
Rate It
Video Game Watch
Vermintide is back – darker, bloodier and more intense than ever! Warhammer: Vermintide 2 is...
action warhammer
WWE Champions - Action RPG
Games and Entertainment
5.0
Rate It
App
Your WWE dream rivalries are happening live in WWE: Champions, the free action RPG that pits the...
The Better Angels of Our Nature: A History of Violence and Humanity
Book
-Shortlisted for the Samuel Johnson Prize 2012 This acclaimed book by Steven Pinker, author of The...
iZombie - Season 3
8.0
Rate It
TV Season
iZombie is a one-hour drama co-created and executive produced by Rob Thomas and Diane...
From the Fatherland with Love
Ryu Murakami, Charles De Wolf, Ralph McCarthy and Ginny Takemori
Book
An ambitious, epic dystopian novel - part political thriller and part satire. From the Fatherland,...
Emma @ The Movies (1786 KP) rated The Art of Racing in the Rain (2019) in Movies
Jun 20, 2020
Another crying dog movie... just what my life needs.
Denny picks up a golden retriever puppy from a farm and the two become firm friends. Enzo learns all about racing and is a constant fixture at the track, it's going to be the two of them forever feeling the wind in their faces.
Then one day Eve comes along, she's there a lot and it doesn't look like she's leaving. Can Enzo adapt to family life?
The card on the film states "scenes of emotional upset"... accurate, and right from the very start too. This was made by a savage person. Originally I had a quadruple bill planned but I wasn't sure I could do this film followed by The Sun Is Also A Star and come out the other end as anything but a gibbering wreck so I split it out. That was probably one of the most sensible things I've ever done, there was so much crying.
The way they show Enzo reacting to everything is spot on. If you've watched those dog videos on Facebook where they subtitle in what the dog's thinking, it's just like that but Enzo has a much better grasp of the English language and the sultry tones of Kevin Costner. Some of the moments are wonderful and it made me wonder if my dog did any of them, and then I cried a bit more.
Milo Ventimiglia plays out leading human, Denny, and he's very convincing with the obsession Denny has for racing. The flipside with the struggle of having to be a dad came across too and there are some poignant scenes that came off beautifully.
I wasn't overly engaged with Amanda Seyfried as Eve until the midpoint of the film. Perhaps I was indifferent about her on Enzo's behalf, we may never know, but at the point where it all turned I thought she gave a wonderful and respectful performance.
There's not a huge extended cast, but it's filled with talented actors who bring something great to their characters, Kathy Baker and Martin Donovan were particularly good as Eve's parents, though you can't help but hate them.
It's nicely done overall, nothing seems out of place, there weren't any frivolous scenes. The way we get to engage with the racing is brilliantly executed, especially the scene at the beginning where he actually races in the rain, very exciting to watch. It's a lovely crying dog film (at what point do we declare this an actual genre?), is it predictable? Yes, but it's still a nice easy watch if you've got a box of tissues handy.
Originally posted on: https://emmaatthemovies.blogspot.com/2019/08/the-art-of-racing-in-rain-movie-review.html
Denny picks up a golden retriever puppy from a farm and the two become firm friends. Enzo learns all about racing and is a constant fixture at the track, it's going to be the two of them forever feeling the wind in their faces.
Then one day Eve comes along, she's there a lot and it doesn't look like she's leaving. Can Enzo adapt to family life?
The card on the film states "scenes of emotional upset"... accurate, and right from the very start too. This was made by a savage person. Originally I had a quadruple bill planned but I wasn't sure I could do this film followed by The Sun Is Also A Star and come out the other end as anything but a gibbering wreck so I split it out. That was probably one of the most sensible things I've ever done, there was so much crying.
The way they show Enzo reacting to everything is spot on. If you've watched those dog videos on Facebook where they subtitle in what the dog's thinking, it's just like that but Enzo has a much better grasp of the English language and the sultry tones of Kevin Costner. Some of the moments are wonderful and it made me wonder if my dog did any of them, and then I cried a bit more.
Milo Ventimiglia plays out leading human, Denny, and he's very convincing with the obsession Denny has for racing. The flipside with the struggle of having to be a dad came across too and there are some poignant scenes that came off beautifully.
I wasn't overly engaged with Amanda Seyfried as Eve until the midpoint of the film. Perhaps I was indifferent about her on Enzo's behalf, we may never know, but at the point where it all turned I thought she gave a wonderful and respectful performance.
There's not a huge extended cast, but it's filled with talented actors who bring something great to their characters, Kathy Baker and Martin Donovan were particularly good as Eve's parents, though you can't help but hate them.
It's nicely done overall, nothing seems out of place, there weren't any frivolous scenes. The way we get to engage with the racing is brilliantly executed, especially the scene at the beginning where he actually races in the rain, very exciting to watch. It's a lovely crying dog film (at what point do we declare this an actual genre?), is it predictable? Yes, but it's still a nice easy watch if you've got a box of tissues handy.
Originally posted on: https://emmaatthemovies.blogspot.com/2019/08/the-art-of-racing-in-rain-movie-review.html
Ross (3284 KP) rated We Ride The Storm in Books
May 18, 2021
Great Asian-inspired twisting, back-stabbing fantasy
'We Ride the Storm' is an epic fantasy book set in an Asian-inspired world, with savage tribes, in-bred empires and age-old family rivalries.
We see the story unfold through the eyes of three characters: a princess of the Kisian empire (who is the step-daughter of the empire, so a princess in name only); an intriguing assassin and a tribal warrior forced into nomadic life. The plot revolves around a building conflict between the empire and its subjects and neighbours, largely driven by the accidental actions of the aforementioned assassin.
The princess is a well-formed character who quickly moves from plotting with her brother to take their family's rightful place at the head of the empire to siding with the crippled cruel emperor, seeking her own place. Her story is straight out of a Disney film, refused her chance to use her martial skills and forced to marry into power as her only contribution to the family's strength.
The nomadic warrior should have been intriguing, given his initial scene where he is cutting the heads off his fallen comrades and enemies, driven by a religious zeal that a person's head must be removed and properly laid to rest to release their soul. However, he quickly became flat and irritating, his zealous nature making him whiny. His story is the most exciting, though, as his tribe is forced into serving the empire (I think) and put aside their traditionally passive nature in order to secure new lands for themselves.
The final PoV character, the assassin, is by far the most original - she has an extra voice in her head (the background still a mystery), a presence who can inhabit corpses, allowing for some interesting escapes and plans. Her role is slightly comedic, dashing from one job to another across the country, often conflicting jobs, in order to try and release herself from the voice in her head.
The story involves a great amount of plotting and double-crossing, some excellent action scenes and a complex, weaving plot. The only downside for me was remembering who was who, who the empire was, their enemies etc, as different names were sometimes given and I found it hard to remember. Also, some major plot points were initially exposed in fairly throw-away style and later passages made no sense without picking up on them (specifically the voice in the assassin's head, but also aspects of the possession and other events which were easy to miss).
A great read and with a sequel already out, a series I will stick with.
I received a free copy from the publishers and netgalley in exchange for an honest review.
We see the story unfold through the eyes of three characters: a princess of the Kisian empire (who is the step-daughter of the empire, so a princess in name only); an intriguing assassin and a tribal warrior forced into nomadic life. The plot revolves around a building conflict between the empire and its subjects and neighbours, largely driven by the accidental actions of the aforementioned assassin.
The princess is a well-formed character who quickly moves from plotting with her brother to take their family's rightful place at the head of the empire to siding with the crippled cruel emperor, seeking her own place. Her story is straight out of a Disney film, refused her chance to use her martial skills and forced to marry into power as her only contribution to the family's strength.
The nomadic warrior should have been intriguing, given his initial scene where he is cutting the heads off his fallen comrades and enemies, driven by a religious zeal that a person's head must be removed and properly laid to rest to release their soul. However, he quickly became flat and irritating, his zealous nature making him whiny. His story is the most exciting, though, as his tribe is forced into serving the empire (I think) and put aside their traditionally passive nature in order to secure new lands for themselves.
The final PoV character, the assassin, is by far the most original - she has an extra voice in her head (the background still a mystery), a presence who can inhabit corpses, allowing for some interesting escapes and plans. Her role is slightly comedic, dashing from one job to another across the country, often conflicting jobs, in order to try and release herself from the voice in her head.
The story involves a great amount of plotting and double-crossing, some excellent action scenes and a complex, weaving plot. The only downside for me was remembering who was who, who the empire was, their enemies etc, as different names were sometimes given and I found it hard to remember. Also, some major plot points were initially exposed in fairly throw-away style and later passages made no sense without picking up on them (specifically the voice in the assassin's head, but also aspects of the possession and other events which were easy to miss).
A great read and with a sequel already out, a series I will stick with.
I received a free copy from the publishers and netgalley in exchange for an honest review.
Bob Mann (459 KP) rated Stillwater (2021) in Movies
Aug 10, 2021
Matt Damon - solid central performance (1 more)
Intelligent script
Life is Brutal
Positives:
- Matt Damon needs to be the rock at the centre of the movie to hold it all together. The movie lives or dies on believing that he could be a God-fearing oil roughneck and all-round fuck-up. And he does a really good job here in doing that.
- The script excels in a number of ways:
-- it's great in building, and in some cases destroying, the relationships between the characters. In particular, the portrayal of the pseudo-family that develops with Bill, Virginie and Maya is very sweet. A lounge scene, without dialogue, with each looking in turn at each other is glorious;
-- the story isn't handed to you on a plate, but your understanding of what's going on evolves as you watch it;
-- a twist in the story (no spoilers) is unexpected and savage, and requires real concentration to understand!
Negatives:
- Although I appreciated the leisurely introduction of the characters and their relationships, the film was a bit flabby in the telling. At nearly 140 minutes, I think its about 20 minutes too long.
- For balance and a different view, the wife was very upset and cross about the treatment of Maya at one point in the movie. (There are clear repercussions though). And she wasn't a fan of Abigail "Little Miss Sunshine" Breslin's performance (although I personally though it was "OK").
Summary Thoughts on "Stillwater": It's billed as a "Thriller" and although it does have it's moments of tension, it's much more a drama reflecting a flawed father trying to make amends for his failures in the past. As such it might plod a bit for those looking for more of an action-oriented thriller. But I found it thoroughly absorbing overall, and a marked improvement on "Spotlight" by the same director (which seemed to garner praise and Oscar nods from everyone other than me!).
A curiosity for me is the rating for this one.... a "15" certificate in the UK for "Strong Language". I'd assumed that the "15" rating was due to the racist dialogue, present in one particular brief scene. But that seems to be a secondary concern to the BBFC (see their web site). I'm sure they have word-tally counts. But, to me, there wasn't enough bad language in this one to merit the rating: I personally think it should have been a "12A".
But overall this is a solid piece of movie storytelling, whether controversial or otherwise. And Recommended.
(For the full graphical review please check out One Mann's Movies on the web, Facebook or Tiktok. Thanks).
- Matt Damon needs to be the rock at the centre of the movie to hold it all together. The movie lives or dies on believing that he could be a God-fearing oil roughneck and all-round fuck-up. And he does a really good job here in doing that.
- The script excels in a number of ways:
-- it's great in building, and in some cases destroying, the relationships between the characters. In particular, the portrayal of the pseudo-family that develops with Bill, Virginie and Maya is very sweet. A lounge scene, without dialogue, with each looking in turn at each other is glorious;
-- the story isn't handed to you on a plate, but your understanding of what's going on evolves as you watch it;
-- a twist in the story (no spoilers) is unexpected and savage, and requires real concentration to understand!
Negatives:
- Although I appreciated the leisurely introduction of the characters and their relationships, the film was a bit flabby in the telling. At nearly 140 minutes, I think its about 20 minutes too long.
- For balance and a different view, the wife was very upset and cross about the treatment of Maya at one point in the movie. (There are clear repercussions though). And she wasn't a fan of Abigail "Little Miss Sunshine" Breslin's performance (although I personally though it was "OK").
Summary Thoughts on "Stillwater": It's billed as a "Thriller" and although it does have it's moments of tension, it's much more a drama reflecting a flawed father trying to make amends for his failures in the past. As such it might plod a bit for those looking for more of an action-oriented thriller. But I found it thoroughly absorbing overall, and a marked improvement on "Spotlight" by the same director (which seemed to garner praise and Oscar nods from everyone other than me!).
A curiosity for me is the rating for this one.... a "15" certificate in the UK for "Strong Language". I'd assumed that the "15" rating was due to the racist dialogue, present in one particular brief scene. But that seems to be a secondary concern to the BBFC (see their web site). I'm sure they have word-tally counts. But, to me, there wasn't enough bad language in this one to merit the rating: I personally think it should have been a "12A".
But overall this is a solid piece of movie storytelling, whether controversial or otherwise. And Recommended.
(For the full graphical review please check out One Mann's Movies on the web, Facebook or Tiktok. Thanks).
