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Leanne Crabtree (480 KP) rated Shelter in Place in Books
Jan 12, 2021
I bought two chucky paperbacks by Nora Roberts at the same time a few months ago, this and Come Sundown.
This one starts with Simone and her two friends going to the cinema to watch a film together. Simone goes to the toilet and minutes later hears screams and gunshots coming from the room she'd just left. She phones the police as three people go through the mall, killing as many people as they can. Simultaneously, Reed is working at one of the restaurants in the mall and as the shooters begin their killing spree he comes to the rescue of a little boy who's crying for his mum and keeps him safe until the cops arrive and take out the shooters.
Fast forward several years and survivors of the attack start to be killed off one by one and it seems Simone and Reed are on the killers list
I will start by saying that romantic suspense's are not my favourite genre. It has taken me about a month and a half to finish this. The romance definitely felt like an afterthought since it only kicked in about the half way point by which point I was just reading to see them take down the bad guy - whose POV we saw regularly throughout - and whose comeuppance felt like a bit of a disappointment. It all happened within about five pages from them making themselves known to Simone to them being incapacitated.
It's a 500+ page book! The first half was the two main survivors growing up and finding their calling in life - and I was rather bored, hence it taking me over a month to read! - the second half was a really played down romance while the killer made her way through the rest of the survivors on her meandering journey to them on Tranquillity Island.
I normally really enjoy reading Nora Roberts' books but I think I'll stick to her traditional romances and away from romantic suspense's in the future. Come Sundown and this one will be making there way to a charity shop for others to enjoy.
This one starts with Simone and her two friends going to the cinema to watch a film together. Simone goes to the toilet and minutes later hears screams and gunshots coming from the room she'd just left. She phones the police as three people go through the mall, killing as many people as they can. Simultaneously, Reed is working at one of the restaurants in the mall and as the shooters begin their killing spree he comes to the rescue of a little boy who's crying for his mum and keeps him safe until the cops arrive and take out the shooters.
Fast forward several years and survivors of the attack start to be killed off one by one and it seems Simone and Reed are on the killers list
I will start by saying that romantic suspense's are not my favourite genre. It has taken me about a month and a half to finish this. The romance definitely felt like an afterthought since it only kicked in about the half way point by which point I was just reading to see them take down the bad guy - whose POV we saw regularly throughout - and whose comeuppance felt like a bit of a disappointment. It all happened within about five pages from them making themselves known to Simone to them being incapacitated.
It's a 500+ page book! The first half was the two main survivors growing up and finding their calling in life - and I was rather bored, hence it taking me over a month to read! - the second half was a really played down romance while the killer made her way through the rest of the survivors on her meandering journey to them on Tranquillity Island.
I normally really enjoy reading Nora Roberts' books but I think I'll stick to her traditional romances and away from romantic suspense's in the future. Come Sundown and this one will be making there way to a charity shop for others to enjoy.
Ross (3284 KP) rated Legacy of Ash in Books
Dec 21, 2020
Epic but too lengthy
A very ambitious debut novel, epic in scope, cast of characters and plot. However, I found myself struggling to pick it up too often.
The book takes place in an empire with far-from-happy constituent parts and angry neighbours. The heirs of the traitorous Southweald "phoenix" are held captive as figureheads warning off any thoughts of rebellion. Meanwhile, a cliched corrupt council tries to keep the empire safe from impending invasion.
The book is filled with interesting magical creatures and abilities, with a demon, witches, crow-themed goth assassins and ancient spirits. These were at the fore nowhere near often enough, treated as curses and cast aside in favour of political plotting and old fashioned battle.
The first third of the book was awesome: learning about the richness of the world, its history, politics and magic. It really was set up to be an epic story of political intrigue, deception, plotting and underhand nastiness.
Sadly, this all lead to a battle sequence that lasted far too long. It was really like Joe Abercrombie had taken one of the First Law books and shoved The Heroes into the middle of it. I really struggled to get past this long, fairly boring conflict.
The second half of the book then calms down and focuses once again before taking a massive left-turn and changing to something very different.
As with many books of this size, the cast was massive and a number of characters not distinct enough to remember by name. And so many had such promising abilities to offer but were largely absent when they would have been so useful. It was like having a superstar in an amateur dramatic society and leaving them out of most of the script. Having said that, I once saw a pantomime with David Van Day in the cast and it was in everyone's best interests that he was largely absent.
The book finished well, but it was an 800-page book that read like a 1200-page one, taking me 5 weeks to read.
The book takes place in an empire with far-from-happy constituent parts and angry neighbours. The heirs of the traitorous Southweald "phoenix" are held captive as figureheads warning off any thoughts of rebellion. Meanwhile, a cliched corrupt council tries to keep the empire safe from impending invasion.
The book is filled with interesting magical creatures and abilities, with a demon, witches, crow-themed goth assassins and ancient spirits. These were at the fore nowhere near often enough, treated as curses and cast aside in favour of political plotting and old fashioned battle.
The first third of the book was awesome: learning about the richness of the world, its history, politics and magic. It really was set up to be an epic story of political intrigue, deception, plotting and underhand nastiness.
Sadly, this all lead to a battle sequence that lasted far too long. It was really like Joe Abercrombie had taken one of the First Law books and shoved The Heroes into the middle of it. I really struggled to get past this long, fairly boring conflict.
The second half of the book then calms down and focuses once again before taking a massive left-turn and changing to something very different.
As with many books of this size, the cast was massive and a number of characters not distinct enough to remember by name. And so many had such promising abilities to offer but were largely absent when they would have been so useful. It was like having a superstar in an amateur dramatic society and leaving them out of most of the script. Having said that, I once saw a pantomime with David Van Day in the cast and it was in everyone's best interests that he was largely absent.
The book finished well, but it was an 800-page book that read like a 1200-page one, taking me 5 weeks to read.
LeftSideCut (3776 KP) rated Black Christmas (1974) in Movies
Dec 8, 2020
Black Christmas is one of those all timers, a horror film that is ground breaking, brimming with well written characters, and most essentially, is still scary as fuck 40+ years after it's release.
Considered by many to be one of the first modern slasher horrors alongside The Texas Chain Saw Massacre (and predating Halloween by 4 years), it's importance can't be understated, and still remains at the top of the pile in terms of quality.
Straight off the bat, Black Christmas is genuinely unsettling. The largely unseen killer makes his presence known mainly through phone calls, but the things he says, and the tone of his voice is genuinely disturbing, and all too realistic. The couple of glimpses we do get are iconic, namely the underside shot during the infamous glass unicorn scene, and then the goosebump inducing moment where lead character Jess spots a singular eye of his staring at her through a crack in a door. It's honestly horrific. Pair that with other creepy shit, such as the corpse in the rocking chair from the poster, and you have some pretty nightmare inducing stuff.
The Christmas setting also provides an unsettling atmosphere, a time that is mostly considered a happy and festive, soured by all of the unpleasantness going on here, and it's all topped off with a pretty bleak ending.
The characters are great - the mostly female cast are all likable, intelligent, well developed protagonists that you want to see win. Stands outs include Olivia Hussey and Margot Kidder, both great actresses who's early career appearances here bring a touch of class to proceedings. It's always nice to see genre favourite John Saxton too.
The narrative is pretty straight forward stuff - little is revealed about the killer so nothing gets bogged down in exposition, and it's perfectly paced. It's never gets boring, and the dialogue centric scenes are engaging. It also deals with heavy topics such as abortion, toxic masculinity, and manages to be subtly feminist, a quality that propels the movie as a whole even further, especially being a 70s film.
Black Christmas is pretty much perfect in my opinion, and easily stands shoulder to shoulder with Halloween in terms of slasher greatness.
Considered by many to be one of the first modern slasher horrors alongside The Texas Chain Saw Massacre (and predating Halloween by 4 years), it's importance can't be understated, and still remains at the top of the pile in terms of quality.
Straight off the bat, Black Christmas is genuinely unsettling. The largely unseen killer makes his presence known mainly through phone calls, but the things he says, and the tone of his voice is genuinely disturbing, and all too realistic. The couple of glimpses we do get are iconic, namely the underside shot during the infamous glass unicorn scene, and then the goosebump inducing moment where lead character Jess spots a singular eye of his staring at her through a crack in a door. It's honestly horrific. Pair that with other creepy shit, such as the corpse in the rocking chair from the poster, and you have some pretty nightmare inducing stuff.
The Christmas setting also provides an unsettling atmosphere, a time that is mostly considered a happy and festive, soured by all of the unpleasantness going on here, and it's all topped off with a pretty bleak ending.
The characters are great - the mostly female cast are all likable, intelligent, well developed protagonists that you want to see win. Stands outs include Olivia Hussey and Margot Kidder, both great actresses who's early career appearances here bring a touch of class to proceedings. It's always nice to see genre favourite John Saxton too.
The narrative is pretty straight forward stuff - little is revealed about the killer so nothing gets bogged down in exposition, and it's perfectly paced. It's never gets boring, and the dialogue centric scenes are engaging. It also deals with heavy topics such as abortion, toxic masculinity, and manages to be subtly feminist, a quality that propels the movie as a whole even further, especially being a 70s film.
Black Christmas is pretty much perfect in my opinion, and easily stands shoulder to shoulder with Halloween in terms of slasher greatness.
Emma @ The Movies (1786 KP) rated Happy Death Day (2017) in Movies
Sep 25, 2019
Groundhog Day, but a little more kick ass. Theresa wakes up on her birthday on Monday, September 18th in a strangers bed. She heads back to her house dismissing everyone she sees, she throws out her roommate's cupcake, she carries on with her professor, and then gets murdered by a hooded figure wearing the mask of their campus mascot.
Groundhog Day, but a little more kick ass. Theresa wakes up on her birthday on Monday, September 18th in a strangers bed... well you get the idea. She runs through her day, but instead of heading to the tunnel that led to her death the night before (tonight?) she heads back to her sorority house where, you've guessed it, she gets murdered.
As she loops through her birthday over and over she gets to know Carter, the guy who's bedroom she keeps waking up in, and he encourages her to try and work out what's going on in the hopes that she might be able to change the outcome.
Yet another one that I hadn't seen anything about until a couple of days before I saw it... and you know what? It was really entertaining. It's down as a slasher movie, but there's a bit of everything in it. I jumped in my seat, which doesn't happen very often. I just really enjoyed it. I was so wrapped up in it that I didn't even see the twist coming.
My only quibble, and this really isn't a major thing (I noticed it, so for me to do that I guess it is a little bit major), was when she was admitted to hospital. Her professor/doctor/lover (talk about conflict of interest) says that she's showing signs of trauma, which as we and she knows is because of how she died in the last loop. If she's showing signs of that trauma, and she says that she's feeling weaker with each loop... then... well... how does she make it too the end of the movie? Admittedly she's going to be running on a lot of adrenaline, but... well, it bugged me a little.
Groundhog Day, but a little more kick ass. Theresa wakes up on her birthday on Monday, September 18th in a strangers bed... well you get the idea. She runs through her day, but instead of heading to the tunnel that led to her death the night before (tonight?) she heads back to her sorority house where, you've guessed it, she gets murdered.
As she loops through her birthday over and over she gets to know Carter, the guy who's bedroom she keeps waking up in, and he encourages her to try and work out what's going on in the hopes that she might be able to change the outcome.
Yet another one that I hadn't seen anything about until a couple of days before I saw it... and you know what? It was really entertaining. It's down as a slasher movie, but there's a bit of everything in it. I jumped in my seat, which doesn't happen very often. I just really enjoyed it. I was so wrapped up in it that I didn't even see the twist coming.
My only quibble, and this really isn't a major thing (I noticed it, so for me to do that I guess it is a little bit major), was when she was admitted to hospital. Her professor/doctor/lover (talk about conflict of interest) says that she's showing signs of trauma, which as we and she knows is because of how she died in the last loop. If she's showing signs of that trauma, and she says that she's feeling weaker with each loop... then... well... how does she make it too the end of the movie? Admittedly she's going to be running on a lot of adrenaline, but... well, it bugged me a little.
Emma @ The Movies (1786 KP) rated The Girl in the Spider's Web (2018) in Movies
Sep 25, 2019
I'm not sure whether you need to watch the other films in this series being that this is number four in the sequence. I did buy them before this came out but never got round to them. I don't think I've missed out of anything, but you can never be sure.
We get a lot of striking black and white (sort of) shots throughout the film. The snow and dark buildings are very effective. As were the action sequences. You can see a snippet of the home invasion in the trailer and the slow motion leap. I do wonder how many films put them in just because they think it's the done thing. But the whole piece worked well.
I don't really know what it is about her but I'm not a fan of Claire Foy. This is the third film with her in this year and none of them have hit the spot. Out of the three this one in my favourite, there's something a little less irritating about her on-screen presence. Perhaps it's that the character of Lisbeth is naturally awkward.
When I saw Stephen Merchant in the trailer I'm not going to lie, I was a little concerned. I find him amusing and generally enjoy his hop across the pond to movies and TV. Those have mostly got a comedic lean to them though. This roll however had none and I'm not really sure it suited him. He's still got those slightly oddball characteristics that don't really fit in such a serious movie.
Sadly I don't feel like there's much more I want to say about The Girl In The Spider's Web apart from mentioning the James Bond vibes you get from everything from the opening credits to, well, the general feel of the whole thing.
What you should do
It's certainly not a waste of time watching it, definitely catch it when it hits streaming or the TV.
Movie thing you wish you could take home
Some amazing IT/hacking skills wouldn't go amiss in my day to day life.
We get a lot of striking black and white (sort of) shots throughout the film. The snow and dark buildings are very effective. As were the action sequences. You can see a snippet of the home invasion in the trailer and the slow motion leap. I do wonder how many films put them in just because they think it's the done thing. But the whole piece worked well.
I don't really know what it is about her but I'm not a fan of Claire Foy. This is the third film with her in this year and none of them have hit the spot. Out of the three this one in my favourite, there's something a little less irritating about her on-screen presence. Perhaps it's that the character of Lisbeth is naturally awkward.
When I saw Stephen Merchant in the trailer I'm not going to lie, I was a little concerned. I find him amusing and generally enjoy his hop across the pond to movies and TV. Those have mostly got a comedic lean to them though. This roll however had none and I'm not really sure it suited him. He's still got those slightly oddball characteristics that don't really fit in such a serious movie.
Sadly I don't feel like there's much more I want to say about The Girl In The Spider's Web apart from mentioning the James Bond vibes you get from everything from the opening credits to, well, the general feel of the whole thing.
What you should do
It's certainly not a waste of time watching it, definitely catch it when it hits streaming or the TV.
Movie thing you wish you could take home
Some amazing IT/hacking skills wouldn't go amiss in my day to day life.
Kristy H (1252 KP) rated Believe Me in Books
Sep 26, 2019
Claire Wright is young British actress. But she's struggling in New York City--she's in an acting program, but she has no green card and no job or money. So when she's offered questionable work by a law firm, Claire agrees. She serves as a decoy to trap cheating husbands and catch them on tape. But when one of Claire's clients is violently murdered, the police need a suspect. They seem to be considering her husband, whom Claire saw--in the name the job--just that evening. They want Claire to try to lure him into a confession. Claire is sure she can do this: she's a great actress. But soon she's wondering who the police really suspect.
This one got off to a slow start, but once it picked up, it drew me in. After reading Delaney's recent book, THE PERFECT WIFE, which I really enjoyed, I knew I had to go back and read this one. I'm glad I did. It was just a fun, twisted ride, and an enjoyable quick read.
There's no one to really root for in this tale, but that's okay, because the journey is interesting enough to keep you hooked. Claire is a fascinating character: you're never sure how much to trust her, what's she's telling us, or what she's doing. At first, I found the confusion a little off-putting, but I soon learned to go with it and just enjoy the ride. And what a crazy one it is.
"I want to be other people. I've never wanted anything else."
This is a dark, bewildering read with some great twists and turns. There's a literary aspect with the work of the poet Baudelaire woven throughout. Claire is a focused actress and the whole "decoy" idea is turned on its head several times. I don't want to tell more and ruin anything. Just know that this book kept pleasantly surprising me, and I loved that--even when I thought I had things figured out--I was never sure where things were going.
If you're looking for a crazy, quick thriller that will keep you on your toes, you'll definitely enjoy BELIEVE ME. 3.5+ stars.
This one got off to a slow start, but once it picked up, it drew me in. After reading Delaney's recent book, THE PERFECT WIFE, which I really enjoyed, I knew I had to go back and read this one. I'm glad I did. It was just a fun, twisted ride, and an enjoyable quick read.
There's no one to really root for in this tale, but that's okay, because the journey is interesting enough to keep you hooked. Claire is a fascinating character: you're never sure how much to trust her, what's she's telling us, or what she's doing. At first, I found the confusion a little off-putting, but I soon learned to go with it and just enjoy the ride. And what a crazy one it is.
"I want to be other people. I've never wanted anything else."
This is a dark, bewildering read with some great twists and turns. There's a literary aspect with the work of the poet Baudelaire woven throughout. Claire is a focused actress and the whole "decoy" idea is turned on its head several times. I don't want to tell more and ruin anything. Just know that this book kept pleasantly surprising me, and I loved that--even when I thought I had things figured out--I was never sure where things were going.
If you're looking for a crazy, quick thriller that will keep you on your toes, you'll definitely enjoy BELIEVE ME. 3.5+ stars.
Gareth von Kallenbach (980 KP) rated La La Land (2016) in Movies
Jul 12, 2019
Truth be told, I didn’t know what “La La Land” directed by Damien Chazelle; and starring Ryan Gosling, Emma Stone, and featuring John Legend would be about. As soon as I was given the opportunity to see it I watched the trailer to prepare and the moment I finished that trailer I knew I needed to see the entire film. Emma Stone plays Mia, an aspiring actress just trying to make it in the world. While Ryan Gosling Plays Sebastian, a jazz musician who aspires to open his own club and keep jazz alive.
After running into each other multiple time the two fall in love but as their dreams take them in different paths, they fight to stay together. While the story could be considered a love story, it is so much more. The film is captivating through its combination of wardrobe and scenery. The choreography is impeccable and the music stunning. The opening scene really sets up the quality of the film and gets the viewer excited for the other musical numbers, which are equally just as stunning.
I was hesitant when I first saw Emma Stone and Ryan Gosling in a musical, but they did phenomenal. The chemistry and humor on the screen is endearing and captivating, it pulled me into the story of Mia and Sebastian and made me wonder what was going to happen next.
Back to the music, the songs fit the characters and the story so well. They are woven into the scenes making them important to the story line. Also just in case I have not made myself clear already, the music is amazing. The score composed by Justin Hurwitz is a piece of art, and I know I will be buying the soundtrack. Watching this film made me think back to watching Gene Kelly, Ginger Rodgers, and Fred Astaire sing and dance in films. Quite honestly I have not seen this quality of musical film yet, and “La La Land” excites me with the idea of more films being made of this quality. I know I’ll be seeing this film again once it hit’s theatres!
After running into each other multiple time the two fall in love but as their dreams take them in different paths, they fight to stay together. While the story could be considered a love story, it is so much more. The film is captivating through its combination of wardrobe and scenery. The choreography is impeccable and the music stunning. The opening scene really sets up the quality of the film and gets the viewer excited for the other musical numbers, which are equally just as stunning.
I was hesitant when I first saw Emma Stone and Ryan Gosling in a musical, but they did phenomenal. The chemistry and humor on the screen is endearing and captivating, it pulled me into the story of Mia and Sebastian and made me wonder what was going to happen next.
Back to the music, the songs fit the characters and the story so well. They are woven into the scenes making them important to the story line. Also just in case I have not made myself clear already, the music is amazing. The score composed by Justin Hurwitz is a piece of art, and I know I will be buying the soundtrack. Watching this film made me think back to watching Gene Kelly, Ginger Rodgers, and Fred Astaire sing and dance in films. Quite honestly I have not seen this quality of musical film yet, and “La La Land” excites me with the idea of more films being made of this quality. I know I’ll be seeing this film again once it hit’s theatres!
Leanne Crabtree (480 KP) rated When Polly Met Olly in Books
Sep 3, 2019
I've seen this book on Goodreads quite often with friends rating and reviewing it so when I saw it on Netgalley as a "Read Now" and with me looking for good chick-lit writers that I'm going to buy again and again, I thought I'd give this a try.
So we meet Polly--a British ex-pat--who is being interviewed for a job at a successful dating agency. It turns out that Polly isn't so good at the dating thing in real life though, as shown in these quotes:
"Didn't you send him a peach and aubergine emoji with a question mark and a winky face when you were drunk?"
"What about that guy you called Mike for four dates then it turned out his name was Matt."
She gets the job and, quite quickly, she's asked to check out a rival firm who is stealing some of their clients. So Polly goes to the other firm as a possible client and meets Olly, the owner. They seem to have an instant connection, a spark, but Olly turns a little cold and clinical towards the end of her interview. They meet by accident a few more times as Polly explores the area surrounding her new office. We don't see him all that often in the book until near the end, to be honest. She's too busy trying to find the perfect partner and setting up dates for her clients.
As the books name suggests, they do end up together but not before hitting a few bumps along the way. It's on a really slow burn and does come a little out of left field when they finally admit they have feelings for each other but after that, the happiness they feel when they're together was really cute.
I loved the camaraderie between Polly and her friend Gabe, he teases her terribly at times but I had to smile. And her friendship with her boss, too, was pretty cool. They made quite a good team at the whole dating agency thing.
I think this was quite enjoyable and will look out for further releases to see if they're as cute as this one was.
So we meet Polly--a British ex-pat--who is being interviewed for a job at a successful dating agency. It turns out that Polly isn't so good at the dating thing in real life though, as shown in these quotes:
"Didn't you send him a peach and aubergine emoji with a question mark and a winky face when you were drunk?"
"What about that guy you called Mike for four dates then it turned out his name was Matt."
She gets the job and, quite quickly, she's asked to check out a rival firm who is stealing some of their clients. So Polly goes to the other firm as a possible client and meets Olly, the owner. They seem to have an instant connection, a spark, but Olly turns a little cold and clinical towards the end of her interview. They meet by accident a few more times as Polly explores the area surrounding her new office. We don't see him all that often in the book until near the end, to be honest. She's too busy trying to find the perfect partner and setting up dates for her clients.
As the books name suggests, they do end up together but not before hitting a few bumps along the way. It's on a really slow burn and does come a little out of left field when they finally admit they have feelings for each other but after that, the happiness they feel when they're together was really cute.
I loved the camaraderie between Polly and her friend Gabe, he teases her terribly at times but I had to smile. And her friendship with her boss, too, was pretty cool. They made quite a good team at the whole dating agency thing.
I think this was quite enjoyable and will look out for further releases to see if they're as cute as this one was.
Neon's Nerd Nexus (360 KP) rated El Camino: A Breaking Bad Movie (2019) in Movies
Oct 11, 2019
What ar*ehole doesn't like pinapple?
El Camino is an impressive gritty follow up to breaking bad that finally gives fans the closure they've been longing for. Now I liked Breaking Bad (id give it a solid 8/10) but its not something ive ever desired to watch again so when I saw El Camino on Netflix I wasn't that desperate to see it but thank goodness I did because it surpasses the show in every way. Starting off where the show ends yet it feels immediately aparent this movie has a different tone/style to it. Its way more gritty, grainy looking, atmospheric and overall feels much more raw and dark. Theres such an over powering sadness too and as we follow Jesse we see just how traumatised and broken he's become from past events and its hard to not feel really emotionally attached, drained, exhausted for him. Playing out as a kind of character progression movie we follow Jesse as he struggles to survive on his own scared and with nothing but a car. Its his progress and changing as a person that keeps the film incredibly engaging and as we whiteness him mature, grown, learn and adapt in this harsh world we see he becomes stronger and while he might hate Heisenberg he almost has to become and learn from him to be stronger as a person and to ensure his survival. Arron Paul is stunning especialy when Jesse is pushed past his breaking point really nailing a great character change from pathetic insignificant bug into a dangerous calculating intimidating danger. What also makes Jesse great is he still knows where he came from and hes always thankful/appreciative and never forgets what he lost or the people that have helped him and inspired him. Cinematography is simply stunning as is camera work and the chill inducing soundtrack really helps make some really tense scenes too. Highly recomended and with a great thought provoking ending that proves trauma/sadness never really leave us once weve experienced it. El Camino is a very pleasant surprise especially for a netflix movie.
Neon's Nerd Nexus (360 KP) rated Dora and the Lost City of Gold (2019) in Movies
Aug 21, 2019
The last crusade
Dora And The Explorer And The Lost City Of Gold maybe this years biggest shocker. A mix of Tomb Raider & Indiana Jones this one really does hit you right in the nostalgia gland. After not knowing anything about this character what so ever I was seriously expecting to walk out this movie shortly after it began, so imagine my surprise when just 15 minutes in I found myself not only highly entertained but actually full on laughing constantly at all the jokes too. Ok so Im not really sure who this movie is aimed at to be honest as theres not much in here that will apeal to young kids bar the strange inclusion of two horribly animated cgi characters (which I feel didn't fit at all with the look of the film & ruined the overall visual style of the movie). Dora the movie is also so self aware & full of strange adult humour/jokes that seemingly mock its own source material too which found hilarious. This along with how the overall tone was handled made such a fun & fresh aproach for a kids film that made it exciting & enjoyable to watch. Visually its beautiful with such vibrancy & vastness that sets feel alive/exciting to explore. They really captured the sense of adventure & discovery here & although most of the film is just a re-skin of Indiana jones and the last crusade it never felt stale or any less thrilling bringing back the same feelings I had while watching those films way back when I first saw them in my youth. Cast wise everyone one does a smashing job at over acting which only adds to the tone & humour with Michael Pena owning every scene he's in with his energy alone. Miles better than the last Tomb Raider & Indy films & filled with such randomness, strangeness, 4th wall breaking & fun Dora is a film recent Disney movies could learn a thing or to from, its genuinely hilarious, has great production values, a decent sense of threat, positive messages about leaving your comfort zone & a smart self awareness making it a really enjoyable watch. Oh & that Danny Trejo cameo 😂