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Gareth von Kallenbach (980 KP) rated Arthur (2011) in Movies
Aug 7, 2019
Arthur Bach is a spoiled, boyish, alcoholic, New York City playboy with amazing hair and heir to the family business and fortune. He and his faithful sidekick Bitterman travel far and wide to have fun and drink. Well, Arthur drinks, Bitterman drives. He is also very dependent on his nanny Hobson who has been with him since he was born and still takes care of him. One day his mother Vivienne decides she’s had it with his antics, embarrassing her and the family company, so she gives him an ultimatum: either he marries Susan Johnson or he will be cut-off and have to fend for himself on the mean streets of New York City.
Though he doesn’t love Susan, he eventually decides to go along with his mother’s wishes and propose to her. But during this time he also meets the enchanting Naomi, an unlicensed tour guide of Grand Central Terminal who has dreams of being a children’s author. As the wedding day draws nearer and nearer, Arthur and Naomi grow closer and closer. Then tragedy strikes. How this affects Arthur could change his entire life. Does he marry Susan and keep his wealth but gain the world’s scariest father-in-law? Does he choose the mean streets of New York City to be with Naomi? Or do he and Bitterman jump into the Batmobile and drive off into the sunset?
This remake of the 1981 movie Arthur honored the wonderful story that many of us know and love from the original film while still possessing its own unique flair. I believe Dudley Moore would have been very happy with Russell Brand’s excellent performance as Arthur Bach (if you disagree, hold a seance and prove me wrong). Helen Mirren does an amazing job as Hobson and she pretty much owns any scene she is in. Nick Nolte & Jennifer Garner were great as Burt (world’s scariest future father-in-law) and Susan Johnson (Arthur’s total-10-on-the-L.A.-scale) fiancee. Last but not least, I thoroughly enjoyed the performances of: Greta Gerwig as Naomi (Arthur’s love interest), Geraldine James as Vivienne Bach (Arthur’s Mom) and Luis Guzman as Bitterman his faithful sidekick and chauffeur (though I do wish Luis would have been given more screen time). The film definitely kept the audiences attention from start to finish but we were all laughing so much that I have to see it again to hear the jokes that I missed the first time.
If you were sober when you saw the original movie you probably remember the key parts of the story line but if not then this movie will seem like an entirely original movie to you.
Though he doesn’t love Susan, he eventually decides to go along with his mother’s wishes and propose to her. But during this time he also meets the enchanting Naomi, an unlicensed tour guide of Grand Central Terminal who has dreams of being a children’s author. As the wedding day draws nearer and nearer, Arthur and Naomi grow closer and closer. Then tragedy strikes. How this affects Arthur could change his entire life. Does he marry Susan and keep his wealth but gain the world’s scariest father-in-law? Does he choose the mean streets of New York City to be with Naomi? Or do he and Bitterman jump into the Batmobile and drive off into the sunset?
This remake of the 1981 movie Arthur honored the wonderful story that many of us know and love from the original film while still possessing its own unique flair. I believe Dudley Moore would have been very happy with Russell Brand’s excellent performance as Arthur Bach (if you disagree, hold a seance and prove me wrong). Helen Mirren does an amazing job as Hobson and she pretty much owns any scene she is in. Nick Nolte & Jennifer Garner were great as Burt (world’s scariest future father-in-law) and Susan Johnson (Arthur’s total-10-on-the-L.A.-scale) fiancee. Last but not least, I thoroughly enjoyed the performances of: Greta Gerwig as Naomi (Arthur’s love interest), Geraldine James as Vivienne Bach (Arthur’s Mom) and Luis Guzman as Bitterman his faithful sidekick and chauffeur (though I do wish Luis would have been given more screen time). The film definitely kept the audiences attention from start to finish but we were all laughing so much that I have to see it again to hear the jokes that I missed the first time.
If you were sober when you saw the original movie you probably remember the key parts of the story line but if not then this movie will seem like an entirely original movie to you.
Gareth von Kallenbach (980 KP) rated Super (2011) in Movies
Aug 7, 2019
When I first heard about Super, written and directed by James Gunn, my first thought was “Dwight (from The Office) will be a superhero?” However what I saw on the screen was anything but Dwight, it was 75% awesome and 25% “I can’t believe they did that!”
The film begins with Frank (excellently played by Rainn Wilson) happily married to Sarah (Liv Tyler) who is a recovering drug addict. The happiness is shattered when Sarah begins using again, thanks to Jacques the drug dealer (Kevin Bacon) and then one day she disappears. Frank searches for Sarah and eventually finds her under the control of Jacques. Unable to get her away from Jacques, Frank goes to the police for help. Unfortunately because Sarah left on her own accord, no law has been broken (except for the drug stuff) so they are unable to help him.
Frank tries to move on, but without Sarah life seems meaningless. Then in his darkest hour he has a vision of The Holy Avenger (Nathan Fillion). Heeding the vision, Frank becomes The Crimson Bolt, pledges to fight crime and to save Sarah. There is just one small problem – Frank has no idea how to be a superhero. Research is needed, so off to the comic book store he goes, of course, and there he meets Libby (Ellen Page). Libby advises him which comics to read that have superheroes who do not have powers. Armed with this knowledge, The Crimson Bolt officially begins fighting crime in the most unusual of ways and not too long after, Libby becomes Boltie, his trusted, sexy sidekick.
This very entertaining, action-filled, dark comedy has more twists and turns than a game of Chutes and Ladders, and it will keep you glued to the screen until the end. Will they save the city from villainy? Will they save Sarah’s bacon? (Sorry, with Kevin Bacon playing the bad guy I couldn’t resist.)
Super has a different take on the superhero genre than what I’ve seen in past movies. Only Rainn Wilson could have properly portrayed the uniqueness that is Frank/Crimson Bolt and the same goes for Ellen Page in regards to Libby/Boltie (possibly the best sidekick ever). To make a long review short, let me sum up this way, everyone in the movie no matter the length of their part did an amazing job in their role. With that said, my only wish was that the story would have allowed for more screen time for Gregg Henry (Detective John Felkner) and a musical number for Fillion’s Holy Avenger. if you liked Fillion as Captain Hammer in Dr. Horrible’s Singalong Blog, then you’ll love him in this role. But those things would have most likely thrown off the perfect balance of action, humor and character interaction that made this movie so enjoyable.
The film begins with Frank (excellently played by Rainn Wilson) happily married to Sarah (Liv Tyler) who is a recovering drug addict. The happiness is shattered when Sarah begins using again, thanks to Jacques the drug dealer (Kevin Bacon) and then one day she disappears. Frank searches for Sarah and eventually finds her under the control of Jacques. Unable to get her away from Jacques, Frank goes to the police for help. Unfortunately because Sarah left on her own accord, no law has been broken (except for the drug stuff) so they are unable to help him.
Frank tries to move on, but without Sarah life seems meaningless. Then in his darkest hour he has a vision of The Holy Avenger (Nathan Fillion). Heeding the vision, Frank becomes The Crimson Bolt, pledges to fight crime and to save Sarah. There is just one small problem – Frank has no idea how to be a superhero. Research is needed, so off to the comic book store he goes, of course, and there he meets Libby (Ellen Page). Libby advises him which comics to read that have superheroes who do not have powers. Armed with this knowledge, The Crimson Bolt officially begins fighting crime in the most unusual of ways and not too long after, Libby becomes Boltie, his trusted, sexy sidekick.
This very entertaining, action-filled, dark comedy has more twists and turns than a game of Chutes and Ladders, and it will keep you glued to the screen until the end. Will they save the city from villainy? Will they save Sarah’s bacon? (Sorry, with Kevin Bacon playing the bad guy I couldn’t resist.)
Super has a different take on the superhero genre than what I’ve seen in past movies. Only Rainn Wilson could have properly portrayed the uniqueness that is Frank/Crimson Bolt and the same goes for Ellen Page in regards to Libby/Boltie (possibly the best sidekick ever). To make a long review short, let me sum up this way, everyone in the movie no matter the length of their part did an amazing job in their role. With that said, my only wish was that the story would have allowed for more screen time for Gregg Henry (Detective John Felkner) and a musical number for Fillion’s Holy Avenger. if you liked Fillion as Captain Hammer in Dr. Horrible’s Singalong Blog, then you’ll love him in this role. But those things would have most likely thrown off the perfect balance of action, humor and character interaction that made this movie so enjoyable.
Caffeinated Fae (464 KP) rated Get a Life, Chloe Brown (The Brown Sisters #1) in Books
Feb 24, 2020
Enemies to Lovers (4 more)
Sunshine Character with a Grumpy Character
Invisible Illness Representation
Amazing Characters
Great Banter
Best Romance of 2019
I read this book a few months ago, thanks to Libro.fm's influencer program. I saw quite a few of my favorite blogs reviewing/talking about this book, so I knew I had to read it. I've waited a while to write this book review simply because I loved it so much. Get A Life, Chloe Brown is one of those books that will stay with you for a while after. I struggled to write this book review because nothing will do justice to how much I loved this book. I seriously want to shove it into everyone's hands and tell them to read it.
The narration for this book was outstanding. Adjoa Andoh narrated this book to perfection. Her voices, her attitude, everything was executed incredibly well. I always knew who was talking and never once questioned her narration. She brought this story to life & I loved every second of it.
What I loved the most about this book was the banter. Seriously, Talia Hibbert should get an award for verbal sparring. As you all know by now, banter is my catnip & I couldn't help but squee at the interactions between Red & Chloe. The author genuinely made me love each character more than I thought possible. Both Characters were realistic and had their faults. I loved seeing them work through their issues and grow.
I also loved that this book included so many of my favorite tropes. Enemies to lovers is hands down one of my favorite tropes, so when paired with a sunshine character with a grumpy character, I was in heaven. Talia Hibbert also executed the enemies to lover trope incredibly well. This trope is hit, or miss and so many things can go wrong. The fact that this was done to perfection still has me wowed.
I wouldn't do this book justice if I didn't mention that Talia Hibbert also handled invisible illnesses, domestic abuse, and some hard-hitting issues with compassion and accuracy. I loved that Chloe has fibromyalgia, and I genuinely appreciated how accurate it was. I also was thankful that this illness was present but didn't define Chloe. Chloe was three dimensional, and fibromyalgia didn't make up the core basis for who she was. It was beautiful to see Chloe as the main character, and I appreciated how well this story came together.
As you can tell, I loved this book. It's probably one of my all-time favorite books I have read. I loved the banter, the tropes, and the execution. Talia Hibbert should write a master class on banter. I honestly can't wait to dive into her backlist and have bought this book the second I could.
The narration for this book was outstanding. Adjoa Andoh narrated this book to perfection. Her voices, her attitude, everything was executed incredibly well. I always knew who was talking and never once questioned her narration. She brought this story to life & I loved every second of it.
What I loved the most about this book was the banter. Seriously, Talia Hibbert should get an award for verbal sparring. As you all know by now, banter is my catnip & I couldn't help but squee at the interactions between Red & Chloe. The author genuinely made me love each character more than I thought possible. Both Characters were realistic and had their faults. I loved seeing them work through their issues and grow.
I also loved that this book included so many of my favorite tropes. Enemies to lovers is hands down one of my favorite tropes, so when paired with a sunshine character with a grumpy character, I was in heaven. Talia Hibbert also executed the enemies to lover trope incredibly well. This trope is hit, or miss and so many things can go wrong. The fact that this was done to perfection still has me wowed.
I wouldn't do this book justice if I didn't mention that Talia Hibbert also handled invisible illnesses, domestic abuse, and some hard-hitting issues with compassion and accuracy. I loved that Chloe has fibromyalgia, and I genuinely appreciated how accurate it was. I also was thankful that this illness was present but didn't define Chloe. Chloe was three dimensional, and fibromyalgia didn't make up the core basis for who she was. It was beautiful to see Chloe as the main character, and I appreciated how well this story came together.
As you can tell, I loved this book. It's probably one of my all-time favorite books I have read. I loved the banter, the tropes, and the execution. Talia Hibbert should write a master class on banter. I honestly can't wait to dive into her backlist and have bought this book the second I could.
The Letters of Richard Cobden: Volume IV: 1860-1865
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Turkey Crossing
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This is a podcast about education and my attempt to use classroom 2.0 tools in my classroom. I...
Holly Johnson recommended Sgt. Pepper's Lonely Hearts Club Band by The Beatles in Music (curated)
From Day to Day: One Man's Diary of Survival in Nazi Concentration Camps
Odd Nansen and Timothy J. Boyce
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In 1942 Norwegian Odd Nansen was arrested by the Nazis, and he spent the remainder of World War II...
Melanie Caldicott (6 KP) rated 10 Minutes 38 Seconds in This Strange World in Books
Apr 29, 2021
You can also read my review at my blog - https://roamingthroughbooks.wordpress.com
I saw this book reviewed on The Sky Arts Book Club and Shafak was interviewed and I think I fell a little in love. Shafak is a beautiful human being who is currently self-exiled from Turkey to the content of her novels being subject to investigation as part of a legal movement in which writers are frequently prosecuted. A passionate storyteller, who writes openly about human rights, her protagonists are often the fallen, forgotten and marginalised. Needless to say I have been looking forward to reading this ever since.
10 Minutes 38 Seconds in this Strange World is a novel about a murdered street walker, Tequila Leila and the last moments of brain activity that is said to occur after the heart has stopped beating. The memories of her life flood back, often related to taste and smell and we start to learn about the story of her life.
Central to her memories and providing a backbone to her life were The Five, – five people with which she formed close, integral friendships and in the absence of her blood relatives, are Leila’s “family”.
The book is structured around three parts – the first, The Mind telling the stories of her post-mortem memories, the second, The Body about how she was murdered and the impact it has on The Five, and finally, The Soul which is a touching finale in which The Five determine to give Leila the send-off she deserves.
Shafak is such a clever storyteller and is able to illuminate aspects of humanity which is often avoided or ignored, which make us feel uncomfortable, and yet her tenderness and compassion shine through the portrayal of all her characters enabling the reader to walk a mile in the shoes of those who are often forgotten.
For a book centred around death, an issue that rarely sits comfortably with human beings, 10 Minutes 38 Seconds in this Strange World confronts it without fear. She skilfully takes a sex worker’s body which is disregarded in its anonymity by those that are responsible for sweeping up the detritus of the Istanbul streets, and reveals a story of a life, full of tragedy, joy and love.
I love how Elif Shafak takes the stories of all of The Five and transforms the insignificant to the significant through the love they have for Leila and each other. In a society which elevates the rich and famous and makes their voices the loudest and most significant in the world, I loved the truth which was affirmed in this book about what a life of substance really means.
I saw this book reviewed on The Sky Arts Book Club and Shafak was interviewed and I think I fell a little in love. Shafak is a beautiful human being who is currently self-exiled from Turkey to the content of her novels being subject to investigation as part of a legal movement in which writers are frequently prosecuted. A passionate storyteller, who writes openly about human rights, her protagonists are often the fallen, forgotten and marginalised. Needless to say I have been looking forward to reading this ever since.
10 Minutes 38 Seconds in this Strange World is a novel about a murdered street walker, Tequila Leila and the last moments of brain activity that is said to occur after the heart has stopped beating. The memories of her life flood back, often related to taste and smell and we start to learn about the story of her life.
Central to her memories and providing a backbone to her life were The Five, – five people with which she formed close, integral friendships and in the absence of her blood relatives, are Leila’s “family”.
The book is structured around three parts – the first, The Mind telling the stories of her post-mortem memories, the second, The Body about how she was murdered and the impact it has on The Five, and finally, The Soul which is a touching finale in which The Five determine to give Leila the send-off she deserves.
Shafak is such a clever storyteller and is able to illuminate aspects of humanity which is often avoided or ignored, which make us feel uncomfortable, and yet her tenderness and compassion shine through the portrayal of all her characters enabling the reader to walk a mile in the shoes of those who are often forgotten.
For a book centred around death, an issue that rarely sits comfortably with human beings, 10 Minutes 38 Seconds in this Strange World confronts it without fear. She skilfully takes a sex worker’s body which is disregarded in its anonymity by those that are responsible for sweeping up the detritus of the Istanbul streets, and reveals a story of a life, full of tragedy, joy and love.
I love how Elif Shafak takes the stories of all of The Five and transforms the insignificant to the significant through the love they have for Leila and each other. In a society which elevates the rich and famous and makes their voices the loudest and most significant in the world, I loved the truth which was affirmed in this book about what a life of substance really means.
BankofMarquis (1832 KP) rated Hillbilly Elegy (2020) in Movies
Apr 14, 2021
Decent - with 3 strong female performances
Glenn Close is one of the most lauded Actresses of our time and her current streak of 7 Academy Award nominations without a win is a record. It would be ironic, indeed, if she would win her first Oscar with this, her 8th Oscar nomination, this time as Best Supporting Actress in HILLBILLY ELEGY.
Written by Vanessa Taylor and based on the book (and true story) by J.D. Vance, HILLBILLY ELEGY tells the tale of J.D. (naturally enough), who overcomes his impoverished roots and dysfunctional family background to become a star Law Student at Yale.
Gabriel Basso plays J.D. as the Law Student and he is just not charismatic enough to shine in this role especially as he goes up against 3 talented actresses that have PLENTY to sink their considerable acting chops into.
Close plays “Mamaw”, the grandmother of the clan. She is a no-nonsense, pragmatic matriarch that lives and breathes (through cigarette clogged lungs) “Family First”. It’s an interesting and strong performance by Close, but she does teeter into “Granny Clampett” territory at times for me. It’s a good performance…but the one that will finally get Close her Oscar? I don’t think so.
Amy Adams steals the movie as J.D.’s mother (and Mamaw’s daughter), Bev. She is (as we say in these parts) “a whole thing”. Her Bev is self-centered, clawing, desperate and constantly wondering why the world doesn’t give her the things that she is deserved. Nothing is EVER her fault and if you don’t believe me, just ask her. Adams’ performance is the strongest in this film and she never crosses the line into caricature.
One last moment of credit needs to be given to Haley Bennett as J.D.’s sister Lindsay, who is often the one stuck taking care of their Mother. When I first saw Bennett a few years back in 2016 in back to back strong performances in THE GIRL ON THE TRAIN and THE MAGNIFICENT SEVEN, I thought we were watching the emergence of a star. It’s good to see her on the screen again.
Credit for these performances must go the unlikely person helming this film, good ol’, reliable Ron Howard who’s workmanlike Directorial instincts and style lends itself very well to this, often told, type of story. It’s nothing flashy, but gets the job done.
And that pretty much sums up my feelings towards this film “nothing flashy, but gets the job done”, not the greatest film to come out in 2020 - but it is layered with 3 strong female performances by Adams, Bennett and Close so that makes this film one good enough to check out.
Letter Grade: B-
6 stars (out of 10) and you can take that to the Bank(ofMarquis)
Written by Vanessa Taylor and based on the book (and true story) by J.D. Vance, HILLBILLY ELEGY tells the tale of J.D. (naturally enough), who overcomes his impoverished roots and dysfunctional family background to become a star Law Student at Yale.
Gabriel Basso plays J.D. as the Law Student and he is just not charismatic enough to shine in this role especially as he goes up against 3 talented actresses that have PLENTY to sink their considerable acting chops into.
Close plays “Mamaw”, the grandmother of the clan. She is a no-nonsense, pragmatic matriarch that lives and breathes (through cigarette clogged lungs) “Family First”. It’s an interesting and strong performance by Close, but she does teeter into “Granny Clampett” territory at times for me. It’s a good performance…but the one that will finally get Close her Oscar? I don’t think so.
Amy Adams steals the movie as J.D.’s mother (and Mamaw’s daughter), Bev. She is (as we say in these parts) “a whole thing”. Her Bev is self-centered, clawing, desperate and constantly wondering why the world doesn’t give her the things that she is deserved. Nothing is EVER her fault and if you don’t believe me, just ask her. Adams’ performance is the strongest in this film and she never crosses the line into caricature.
One last moment of credit needs to be given to Haley Bennett as J.D.’s sister Lindsay, who is often the one stuck taking care of their Mother. When I first saw Bennett a few years back in 2016 in back to back strong performances in THE GIRL ON THE TRAIN and THE MAGNIFICENT SEVEN, I thought we were watching the emergence of a star. It’s good to see her on the screen again.
Credit for these performances must go the unlikely person helming this film, good ol’, reliable Ron Howard who’s workmanlike Directorial instincts and style lends itself very well to this, often told, type of story. It’s nothing flashy, but gets the job done.
And that pretty much sums up my feelings towards this film “nothing flashy, but gets the job done”, not the greatest film to come out in 2020 - but it is layered with 3 strong female performances by Adams, Bennett and Close so that makes this film one good enough to check out.
Letter Grade: B-
6 stars (out of 10) and you can take that to the Bank(ofMarquis)
Emma @ The Movies (1786 KP) rated Skyfire (2019) in Movies
Mar 28, 2021
On a whim I put this one on, a disaster movie at just an hour and a half long felt like a good way to start my day.
Years after the volcano on Tianhuo Island erupts, businessman Jack Harris builds a paradise resort and theme park in the shadow of the volcano. Because no story that started that way ever ended badly...
Skyfire struck me in a very peculiar way that I want to address later, but for now let me just say that this is a classic sort of disaster movie. A classic with a lot of borrowing.
A state of the art resort is built on an out of the way island. But when disaster strikes, everybody is in danger... If I read that to you and asked you which film I was talking about, what would your answer be? Jurassic Park or Jurassic World? It won't be the only time you find something to reminisce on. I didn't write down all the connections I thought I saw, but if you took Jurassic World, Dante's Peak and Shape Of Water (a little odd I know, but I'm sure you'll see it too) you'll be most of the way there.
I feel like I'm about to do this film a disservice, but I don't really want to talk much about the acting in it. This is nothing against the actors, try all do a good job, chemistry is there, there's the balance of serious and light-hearted... it all works, but it's not the thing that makes this movie for me.
The effects throughout are pretty good on the scale of disaster movies. To look at it all in the heat of the moment it very rarely comes across as unbelievable (which given this scenario is quite impressive), and those scenes that could have crossed over into looking bad are blended in with some great action sequences... so they might be bad, but I really didn't notice.
What sold me on Skyfire is just how well it works visually. In my opinion (I'm going to exercise this phrase more often I think), you don't need to listen to this film to understand what's going on. If you cut out the dialogue and just had the reactions and the ambient sounds you'd still perfectly understand what was going on.
That may say to you it isn't a very complex film, but it makes for a very enjoyable watch, and whole the familiarities did occasionally verge on frustrating I did begin the enjoy the game of spotting them. Mix those things together and it might not become my go to disaster film over Geostorm, but I will absolutely watch it again if the mood takes me.
Originally posted on: https://emmaatthemovies.blogspot.com/2021/03/skyfire-movie-review.html
Years after the volcano on Tianhuo Island erupts, businessman Jack Harris builds a paradise resort and theme park in the shadow of the volcano. Because no story that started that way ever ended badly...
Skyfire struck me in a very peculiar way that I want to address later, but for now let me just say that this is a classic sort of disaster movie. A classic with a lot of borrowing.
A state of the art resort is built on an out of the way island. But when disaster strikes, everybody is in danger... If I read that to you and asked you which film I was talking about, what would your answer be? Jurassic Park or Jurassic World? It won't be the only time you find something to reminisce on. I didn't write down all the connections I thought I saw, but if you took Jurassic World, Dante's Peak and Shape Of Water (a little odd I know, but I'm sure you'll see it too) you'll be most of the way there.
I feel like I'm about to do this film a disservice, but I don't really want to talk much about the acting in it. This is nothing against the actors, try all do a good job, chemistry is there, there's the balance of serious and light-hearted... it all works, but it's not the thing that makes this movie for me.
The effects throughout are pretty good on the scale of disaster movies. To look at it all in the heat of the moment it very rarely comes across as unbelievable (which given this scenario is quite impressive), and those scenes that could have crossed over into looking bad are blended in with some great action sequences... so they might be bad, but I really didn't notice.
What sold me on Skyfire is just how well it works visually. In my opinion (I'm going to exercise this phrase more often I think), you don't need to listen to this film to understand what's going on. If you cut out the dialogue and just had the reactions and the ambient sounds you'd still perfectly understand what was going on.
That may say to you it isn't a very complex film, but it makes for a very enjoyable watch, and whole the familiarities did occasionally verge on frustrating I did begin the enjoy the game of spotting them. Mix those things together and it might not become my go to disaster film over Geostorm, but I will absolutely watch it again if the mood takes me.
Originally posted on: https://emmaatthemovies.blogspot.com/2021/03/skyfire-movie-review.html