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Acanthea Grimscythe (300 KP) rated Bonfire in Books
May 16, 2018
This was first posted on <I><a href="http://theghastlygrimoire.com"; target="new">The Ghastly Grimoire</a></I>.
After completing this book, I think it’s safe to say that my reading slump has finally come to an end. I devoured Krysten Ritter’s debut novel, Bonfire, with a hunger I haven’t felt in months. If you take into account that I’m from a small town of a whopping fifteen hundred people, it’s easier to realize how much I am able to relate to the main character of this book, Abigail Williams. That, and Ritter hits on some nostalgia too, because in a way, Bonfire reads like Erin Brokovich meets Sweet Home Alabama, with distinctly darker notes.
Character development plays a vital role in how a book turns out. If your cast is too flat, it makes the book a total bore. On the other hand, if you’ve got characters that are dynamic and, in the case of several individuals in Bonfire, two-faced, the book is far more likely to entertain. In this area, Ritter has excelled at creating that small-town feel with many of the types of people those living in small towns meet. Let’s face it, even with Abigail moving to Chicago, there’s always those people who get out. Sometimes they come back, sometimes they’re gone for good. (In my case, I chose to come back.)
Plotwise, Ritter keeps the ball rolling. I didn’t feel like the story was dragging at any point. In fact, it’s the way that the story continues to unfold that kept me up until three this morning finishing it. Bonfire plays host to a story within a story, taking the corrupt corporations one step beyond contamination and into a far deeper, far worse crime. Just when things appear over, an entirely new turn keeps the story going. I won’t lie: I nearly bawled last night while I finished reading it.
There is only one aspect of this book that truly miffed me, and it sorta deals with the romance aspect. As many of my readers know, I abhor romance plots. Especially those that seem forced, rather than natural. That said, I really don’t want to divulge any spoilers, but I will say this: for being such a strong, independent character, there are some actions that Abigail Williams takes in this book that simply aren’t natural. They feel incredibly forced and out of character, and I can’t help but think it’s there more as a cop-out for the final twist in the story than going about it in some other clever manner.
That said, after finishing Bonfire, I feel it is safe to say that this debut novel is worth reading. Initially, I nearly forgot I had it until I saw it was one of the options for this month’s Book of the Month Club. Considering I’m very particular, I almost chose it before realizing I already had it technically. So if you’re wanting to pick it up cheap, there you go. (I’m actually still debating grabbing it through Book of the Month Club myself, because hey! I loved it.)
I would like to thank Penguin’s First to Read program for providing me with a copy of this book for the purpose of unbiased review.
After completing this book, I think it’s safe to say that my reading slump has finally come to an end. I devoured Krysten Ritter’s debut novel, Bonfire, with a hunger I haven’t felt in months. If you take into account that I’m from a small town of a whopping fifteen hundred people, it’s easier to realize how much I am able to relate to the main character of this book, Abigail Williams. That, and Ritter hits on some nostalgia too, because in a way, Bonfire reads like Erin Brokovich meets Sweet Home Alabama, with distinctly darker notes.
Character development plays a vital role in how a book turns out. If your cast is too flat, it makes the book a total bore. On the other hand, if you’ve got characters that are dynamic and, in the case of several individuals in Bonfire, two-faced, the book is far more likely to entertain. In this area, Ritter has excelled at creating that small-town feel with many of the types of people those living in small towns meet. Let’s face it, even with Abigail moving to Chicago, there’s always those people who get out. Sometimes they come back, sometimes they’re gone for good. (In my case, I chose to come back.)
Plotwise, Ritter keeps the ball rolling. I didn’t feel like the story was dragging at any point. In fact, it’s the way that the story continues to unfold that kept me up until three this morning finishing it. Bonfire plays host to a story within a story, taking the corrupt corporations one step beyond contamination and into a far deeper, far worse crime. Just when things appear over, an entirely new turn keeps the story going. I won’t lie: I nearly bawled last night while I finished reading it.
There is only one aspect of this book that truly miffed me, and it sorta deals with the romance aspect. As many of my readers know, I abhor romance plots. Especially those that seem forced, rather than natural. That said, I really don’t want to divulge any spoilers, but I will say this: for being such a strong, independent character, there are some actions that Abigail Williams takes in this book that simply aren’t natural. They feel incredibly forced and out of character, and I can’t help but think it’s there more as a cop-out for the final twist in the story than going about it in some other clever manner.
That said, after finishing Bonfire, I feel it is safe to say that this debut novel is worth reading. Initially, I nearly forgot I had it until I saw it was one of the options for this month’s Book of the Month Club. Considering I’m very particular, I almost chose it before realizing I already had it technically. So if you’re wanting to pick it up cheap, there you go. (I’m actually still debating grabbing it through Book of the Month Club myself, because hey! I loved it.)
I would like to thank Penguin’s First to Read program for providing me with a copy of this book for the purpose of unbiased review.
Daniel Boyd (1066 KP) rated the PlayStation 4 version of Need for Speed in Video Games
Apr 13, 2018 (Updated Apr 13, 2018)
Time To Move On
One of the reasons that I love the medium of video games so much, is because there are times that you absolutely do not expect to feel anything for a game that you download on a whim and end up pouring an abundance of hours into it until you have almost earned the platinum trophy without even realising it.
By no means am I saying that this is a masterpiece, but I had downloaded it months ago in a PSN sale and totally forgot about it, then while I was playing through Evil Within 2, I wanted something else to break up the time spent in Union, so I stuck it on as sort of a backburner game. At first I hated it, I cringed at every cheesy cutscene and longed for the old days of the Underground games and Most Wanted (OG version,) but slowly, I came to accept the updated version of NFS and before too long, I was spending more time with NFS than I was with Evil Within 2. In fact, I sort of rushed my way through Evil Within 2 against my better judgement, so that I could spend more time in NFS guilt free.
The game isn't very hard once you get the knack for drifting. Choose the Subaru at the start of the game and pour all of your in game cash into upgrades for the car until you max it out with what you have unlocked at that stage, then save up and buy the 1999 Skyline and max that out with upgrades, then buy the Lamborghini Aventador as soon as you can afford it and you won't be faced with many losses, as long as you don't wipe out too often. You will have to go back and buy a lower horsepower car for certain missions in the game, but other than that, just pour all of your money into upgrades and you are golden. (Note: don't waste your money on the F132 Hotrod. It's the most expensive car in the game, but it's balls compared to the Lambo and can't be upgraded.)
Also, this is my first platinum trophy since Infamous: First Light and is by far my most surprising platinum. (I'm not the trophy whore that I used to be.) I played through the story until the end and levelled up to 50 with very minimal grinding, then I checked the trophy list and saw that I was only 2 arbitrary trophies short of the platinum, so I worked towards them and popped the platinum. For those of you that aren't Playstation gamers or trophy hunters, this may mean nothing to you, but let's just say I sincerely didn't believe that I was going to platinum this game back when I first downloaded it, in fact I would have put money on the fact that I wouldn't.
Overall, this is hot trash, but it's fun. Need For Speed is never going to be what it was in the PS2 days, but if you can accept that and stomach the excessive amount of inane fistbumps and cringey dialogue spouted by the game's stereotypical cool kids, there is an enjoyable game in here.
By no means am I saying that this is a masterpiece, but I had downloaded it months ago in a PSN sale and totally forgot about it, then while I was playing through Evil Within 2, I wanted something else to break up the time spent in Union, so I stuck it on as sort of a backburner game. At first I hated it, I cringed at every cheesy cutscene and longed for the old days of the Underground games and Most Wanted (OG version,) but slowly, I came to accept the updated version of NFS and before too long, I was spending more time with NFS than I was with Evil Within 2. In fact, I sort of rushed my way through Evil Within 2 against my better judgement, so that I could spend more time in NFS guilt free.
The game isn't very hard once you get the knack for drifting. Choose the Subaru at the start of the game and pour all of your in game cash into upgrades for the car until you max it out with what you have unlocked at that stage, then save up and buy the 1999 Skyline and max that out with upgrades, then buy the Lamborghini Aventador as soon as you can afford it and you won't be faced with many losses, as long as you don't wipe out too often. You will have to go back and buy a lower horsepower car for certain missions in the game, but other than that, just pour all of your money into upgrades and you are golden. (Note: don't waste your money on the F132 Hotrod. It's the most expensive car in the game, but it's balls compared to the Lambo and can't be upgraded.)
Also, this is my first platinum trophy since Infamous: First Light and is by far my most surprising platinum. (I'm not the trophy whore that I used to be.) I played through the story until the end and levelled up to 50 with very minimal grinding, then I checked the trophy list and saw that I was only 2 arbitrary trophies short of the platinum, so I worked towards them and popped the platinum. For those of you that aren't Playstation gamers or trophy hunters, this may mean nothing to you, but let's just say I sincerely didn't believe that I was going to platinum this game back when I first downloaded it, in fact I would have put money on the fact that I wouldn't.
Overall, this is hot trash, but it's fun. Need For Speed is never going to be what it was in the PS2 days, but if you can accept that and stomach the excessive amount of inane fistbumps and cringey dialogue spouted by the game's stereotypical cool kids, there is an enjoyable game in here.
Kristy H (1252 KP) rated You Think It, I'll Say It in Books
Apr 19, 2018
Great, satisfying set of stories
This short story collection features ten short stories from author Sittenfeld, featuring a cast of diverse, real characters. Told from a variety of point of views--a bored housewife, a wealthy bachelor, a new mom, and more--they offer pointed and humorous insight into current society.
I typically am not a huge fan of short stories because they don't give me enough information about the characters, and I'm a very character-driven person. But when I saw that Curtis Sittenfeld had a short story collection coming out, I knew I wouldn't be able to resist. She gets a lot of press for Prep, but I feel like American Wife and Eligible are both still so fully ingrained in my brain. I loved them both so much, and they are go-to recommendations when I get the standard, "oh you like to read, what should I read?" question.
But, I digress. Sittenfeld. Short stories. I shouldn't have been surprised, honestly, that her collection would be above the typical fare. I probably enjoyed this set of short stories more than any other I've read in ages. It's so well-written and engaging. As with Sittenfeld's other work, the stories are so wonderfully descriptive, so you can immediately picture the characters and their situations. I felt like I was quickly transported to the setting of each story as soon as it began.
The stories are similar but not repetitive, which was also refreshing, and seem to be real, instead of striving to reach some sort of literary bar that makes them tedious and therefore unreadable. They are about real, relatable characters struggling with misinformed impressions, lingering resentments, and different types of relationships. But - oh hooray - even better, the majority of the stories didn't leave me with that unfinished feeling. They are honestly fascinating, and I enjoyed how they all start (I enjoyed them all the way through too, of course, but it seemed like each had a bit of a common thread in its beginning). I could have read more about each story's characters, sure, but I didn't feel frustrated when they ended, which was so amazing and different for me.
I really liked each and every story. For instance, there's "Vox Clamantis in Deserto" which begins with a woman (girl?) who idolizes a fellow college student from afar in line at the post office. Two of the stories, "Plausible Deniability" and "The Prairie Wife," had actual twists and surprises, which was so much fun. And some of the longing that came across in these characters was very touching and heartfelt. I have a soft spot for slightly nerdy high school/college kids, even once they're all grown up, and for slightly fatigued moms, so these stories were my cup of tea.
Overall, this was a great set of short stories. They are filled with real people set in complicated yet enjoyable and interesting situations. They are easy-to-read and don't leave you wanting for more--except maybe more stories. This only cements my feeling that I'll continue to read (and adore) anything Ms. Sittenfeld writes.
I received a copy of this story collection from the publisher and Netgalley in return for an unbiased review.
I typically am not a huge fan of short stories because they don't give me enough information about the characters, and I'm a very character-driven person. But when I saw that Curtis Sittenfeld had a short story collection coming out, I knew I wouldn't be able to resist. She gets a lot of press for Prep, but I feel like American Wife and Eligible are both still so fully ingrained in my brain. I loved them both so much, and they are go-to recommendations when I get the standard, "oh you like to read, what should I read?" question.
But, I digress. Sittenfeld. Short stories. I shouldn't have been surprised, honestly, that her collection would be above the typical fare. I probably enjoyed this set of short stories more than any other I've read in ages. It's so well-written and engaging. As with Sittenfeld's other work, the stories are so wonderfully descriptive, so you can immediately picture the characters and their situations. I felt like I was quickly transported to the setting of each story as soon as it began.
The stories are similar but not repetitive, which was also refreshing, and seem to be real, instead of striving to reach some sort of literary bar that makes them tedious and therefore unreadable. They are about real, relatable characters struggling with misinformed impressions, lingering resentments, and different types of relationships. But - oh hooray - even better, the majority of the stories didn't leave me with that unfinished feeling. They are honestly fascinating, and I enjoyed how they all start (I enjoyed them all the way through too, of course, but it seemed like each had a bit of a common thread in its beginning). I could have read more about each story's characters, sure, but I didn't feel frustrated when they ended, which was so amazing and different for me.
I really liked each and every story. For instance, there's "Vox Clamantis in Deserto" which begins with a woman (girl?) who idolizes a fellow college student from afar in line at the post office. Two of the stories, "Plausible Deniability" and "The Prairie Wife," had actual twists and surprises, which was so much fun. And some of the longing that came across in these characters was very touching and heartfelt. I have a soft spot for slightly nerdy high school/college kids, even once they're all grown up, and for slightly fatigued moms, so these stories were my cup of tea.
Overall, this was a great set of short stories. They are filled with real people set in complicated yet enjoyable and interesting situations. They are easy-to-read and don't leave you wanting for more--except maybe more stories. This only cements my feeling that I'll continue to read (and adore) anything Ms. Sittenfeld writes.
I received a copy of this story collection from the publisher and Netgalley in return for an unbiased review.
Daniel Boyd (1066 KP) rated The Mule (2018) in Movies
Feb 7, 2019 (Updated Feb 7, 2019)
"You See, My Mule Don't Like People Laughing..."
I saw The Mule last night and thought it was excellent. Clint Eastwood directs and stars as a 90 year old drug mule working for the Cartel after losing his horticultural business due to the rise of online shopping. Clint is the crux that this whole movie is relying in as it's director and main protagonist and he carries off the task with ease. He plays this character of Earl with a charm and warmth that he has rarely been seen portraying in any of his other harsher, grumpier characters in movies like Gran Torino and Million Dollar Baby. It is clear that age has not slowed him down a bit and he doesn't miss a beat here, pulling off an extremely well told if unlikely story.
The rest of the cast are pretty great too. I have read some complaints from other reviewers who feel that Bradley Cooper and Michael Pena are underused here in their roles as the DEA agents leading the investigation to catch this mule. In my opinion though, there is an art to the more subtle performances that the two give here and they work well, never detracting from the main character whom this story is built around. Andy Garcia is also great playing the cartel boss that Earl is driving for. I would say that more could have been done with the talent of Laurence Fishburne's and Clifton Collins Jr's characters, but the actors themselves were solid in their respective roles.
The movie is also very well shot, even though this is the first time in a good number of years that Clint has not worked with his long time collaborator behind the lens Tom Stern, instead opting for Yves Belanger. The choices made for the soundtrack also work well in the film as they not only all manage to line up with what is going on at that certain point in the movie's plot, but they also add to the overall tone and desired feel that the story is conveying.
The only negative that I took away was Julio's odd character motivation when his character first showed up. Right from the get go, he seemed to only have a deep-seated resentment for Earl, even though he had literally just met him. Unfortunately, there is never really any reason given for it either, it's not like he would be jealous of this elderly drug mule and the rest of the Cartel crew seem totally fine with having Earl driving for them. The motivation for his immediate despising of Earl just didn't make much sense and seemed fairly jarring and uncalled for at first. Although it made sense by the end of the film for the sake of that character's story arc, it just felt a bit weird when we first meet the character and he has such a strong hatred for this harmless old man.
Overall, The Mule is a solid movie that tells a story that is unbelievably based on a real 90 year old man that transported a huge quantity of drugs for the Cartel. Clint tells this story with a tenderness and charm that I wasn't really expecting going in and I thoroughly enjoyed it. Sad to see the academy ignore this film, especially since they usually recognise Clint's efforts. Regardless, this is a great watch and if you are a fan of Clint's other movies, then this is a must see.
The rest of the cast are pretty great too. I have read some complaints from other reviewers who feel that Bradley Cooper and Michael Pena are underused here in their roles as the DEA agents leading the investigation to catch this mule. In my opinion though, there is an art to the more subtle performances that the two give here and they work well, never detracting from the main character whom this story is built around. Andy Garcia is also great playing the cartel boss that Earl is driving for. I would say that more could have been done with the talent of Laurence Fishburne's and Clifton Collins Jr's characters, but the actors themselves were solid in their respective roles.
The movie is also very well shot, even though this is the first time in a good number of years that Clint has not worked with his long time collaborator behind the lens Tom Stern, instead opting for Yves Belanger. The choices made for the soundtrack also work well in the film as they not only all manage to line up with what is going on at that certain point in the movie's plot, but they also add to the overall tone and desired feel that the story is conveying.
The only negative that I took away was Julio's odd character motivation when his character first showed up. Right from the get go, he seemed to only have a deep-seated resentment for Earl, even though he had literally just met him. Unfortunately, there is never really any reason given for it either, it's not like he would be jealous of this elderly drug mule and the rest of the Cartel crew seem totally fine with having Earl driving for them. The motivation for his immediate despising of Earl just didn't make much sense and seemed fairly jarring and uncalled for at first. Although it made sense by the end of the film for the sake of that character's story arc, it just felt a bit weird when we first meet the character and he has such a strong hatred for this harmless old man.
Overall, The Mule is a solid movie that tells a story that is unbelievably based on a real 90 year old man that transported a huge quantity of drugs for the Cartel. Clint tells this story with a tenderness and charm that I wasn't really expecting going in and I thoroughly enjoyed it. Sad to see the academy ignore this film, especially since they usually recognise Clint's efforts. Regardless, this is a great watch and if you are a fan of Clint's other movies, then this is a must see.
Kristy H (1252 KP) rated The Greatest Love Story Ever Told in Books
Mar 12, 2019
Enjoyable book about two fun and interesting people.
In 2000, Megan Mullally and Nick Offerman meet on the set of a play. And the rest, as they say, is history. Their book is the story of their relationship--telling the story of how they met, from each's first impressions of one another and ranging across their courtship, wedding, work, and romance. The book covers such topics as family, past romances, religion, theater, and more.
I love both Megan and Nick immensely, so I was extremely excited when I saw they had a book coming out. My library copy arrived a day after publication, so I hadn't even had a chance to read many reviews. I didn't realize that most of the book is in interview/oral history-type format, so when you read the actual book, it just flips between Megan and Nick chatting back and forth. This takes a little getting used to and while I'm not a big audiobook fan (personal preference, my brain wanders too much), I think this is one that would be *fantastic* in audio form. I'm stalking our public library, waiting for them to get an audio copy for my wife. There are a few chapters that are written out, and I enjoyed those a bit more.
"To my way of thinking, it's an illustration of a relationship that the reader might find surprisingly normal. When all you have by which to judge a relationship are some grippingly cute Instagram videos, it might not occur to one that there's a lot of banal real life." ~Nick
So mostly, this book is just Nick and Megan talking. Because it's Nick and Megan, it's still pretty darn enjoyable. They cover certain topics in various chapters, so it can get a bit repetitive in places (we learn multiple times that Nick's family is salt of the earth and Megan's was, well, not). Still, it's fascinating to learn how the two met, a bit about their various careers (not as much as I would have liked--there are no funny Will and Grace or Parks and Recs anecdotes here), and a lot about their pasts.
The best part is that the book makes you smile--it's clearly apparent how much Nick and Megan love each other. I enjoyed learning more about both of them and how they spend their life together. Megan shares a fun Meryl Streep story, I loved her even more because apparently she's a hermit who loves to read (ME TOO MEGAN LET'S BE FRIENDS), and they are a couple who likes to hang out and do puzzles with their dogs. Life goals at its best.
"It's a wonder that I ever had a boyfriend in my entire life, because all I really like to do is read. I don't even know how I ever met another human."
"All I ever want to do is read. I only leave the house under duress."
Overall, this is fun book about two fun and interesting people. If you're an audiobook fan--even a little bit--I bet you'd enjoy it more in that format. If you like Megan or Nick, you'll find something to enjoy in this one. If you're looking for a chronological history with lots of tidbits about their careers, this isn't that book. But if you want some insight into Megan and Nick as people, this is a worthwhile read.
I love both Megan and Nick immensely, so I was extremely excited when I saw they had a book coming out. My library copy arrived a day after publication, so I hadn't even had a chance to read many reviews. I didn't realize that most of the book is in interview/oral history-type format, so when you read the actual book, it just flips between Megan and Nick chatting back and forth. This takes a little getting used to and while I'm not a big audiobook fan (personal preference, my brain wanders too much), I think this is one that would be *fantastic* in audio form. I'm stalking our public library, waiting for them to get an audio copy for my wife. There are a few chapters that are written out, and I enjoyed those a bit more.
"To my way of thinking, it's an illustration of a relationship that the reader might find surprisingly normal. When all you have by which to judge a relationship are some grippingly cute Instagram videos, it might not occur to one that there's a lot of banal real life." ~Nick
So mostly, this book is just Nick and Megan talking. Because it's Nick and Megan, it's still pretty darn enjoyable. They cover certain topics in various chapters, so it can get a bit repetitive in places (we learn multiple times that Nick's family is salt of the earth and Megan's was, well, not). Still, it's fascinating to learn how the two met, a bit about their various careers (not as much as I would have liked--there are no funny Will and Grace or Parks and Recs anecdotes here), and a lot about their pasts.
The best part is that the book makes you smile--it's clearly apparent how much Nick and Megan love each other. I enjoyed learning more about both of them and how they spend their life together. Megan shares a fun Meryl Streep story, I loved her even more because apparently she's a hermit who loves to read (ME TOO MEGAN LET'S BE FRIENDS), and they are a couple who likes to hang out and do puzzles with their dogs. Life goals at its best.
"It's a wonder that I ever had a boyfriend in my entire life, because all I really like to do is read. I don't even know how I ever met another human."
"All I ever want to do is read. I only leave the house under duress."
Overall, this is fun book about two fun and interesting people. If you're an audiobook fan--even a little bit--I bet you'd enjoy it more in that format. If you like Megan or Nick, you'll find something to enjoy in this one. If you're looking for a chronological history with lots of tidbits about their careers, this isn't that book. But if you want some insight into Megan and Nick as people, this is a worthwhile read.
BankofMarquis (1832 KP) rated Everybody Knows (Todos Lo Saben) (2018) in Movies
Mar 13, 2019 (Updated Mar 13, 2019)
Excellent acting from Bardem and (especially) Cruz
I have always liked, but not loved, the English language movies that Penelope Cruz and Javier Bardem have been a part of. Part of the issue, I think, is that even though they are dynamic, charismatica and GOOD LOOKING screen presences that embody the very definitioni of the term "MOVIE STAR", they are working in a language that is not their native language, so something, I think, gets lost in translation. So, it was with some excitement that I checked out the Spanish language thriller EVERYBODY KNOWS (Spanish Title: TODOS LO SOBEN).
And...I wasn't disappointed. Both Bardem and (especially) Cruz shine in this familial thriller. Cruz stars as Laura, a native of Spain now living in Argentina. She (and her 2 children) come back to her small village outside of Madrid for the wedding of her younger sister. When a bad thing happens on this trip, Laura must find a way out while dealing with lingering family matters and pressures that come to the fore due to the stress of the situation.
Without putting too much of a fine point on this, Cruz is stunning. Not only is she a beautiful woman who commands the screen whenever she is on, but as her character becomes more and more physically and emotionally torn with "the situation" her raw emotions come out and you see a very real portrayal of a mother who will do anything for her children. This performance is (was?) Academy Award worthy - it is that good. This is a strong actress at the top of her game.
She is more than matched on screen by the less showey, nuanced - yet fun, at times - performance of her real life husband, Javier Bardem, who plays a person from Lara's past that is drawn into the events. Bardem won an Oscar for playing the mysterious, scary hitman, Anton Chigurh in NO COUNTRY FOR OLD MAN. This was a a character who barely spoke. In this film, he plays a lively, extroverted fun-loving person who's whole personae is called into question, quite the contrast to the English language characters I have, heretofore, known him for.
Iranian Director Asghar Farhadi (best known for THE SEPARATION) does a good job driving the story - once it gets started - he is sure handed in handling both the suspense/action moments of this movie as well as the family drama during the "many people talking around a table" scenes. This film led off the Cannes Film Festival last year and was greatly lauded.
It's not a perfect film. My friend who saw the movie with me stated (correctly) that he had never seen a movie that "started so poorly but corrected itself and finished as an excellent film" like this one did. The first 1/2 hour to 45 minutes of this 2 hour and 15 minute film is filled with introducing the myriad of characters associated with this family (and the mystery that enfolds), but it is a scattershot approach to film making and character introduction and Farhadi misses the mark more than he hits the mark during this period.
But once the mystery unfolds - and Cruz and Bardem's characters (and acting) kicks into high gear - things get quite good, quite tense and quite engrossing. Well worth the time to check it out.
Letter Grade B+: (C for the first 45 minutes, A for the last hour and a half)
7 1/2 (out of 10) stars and you can take that to the Bank(ofMarquis)
And...I wasn't disappointed. Both Bardem and (especially) Cruz shine in this familial thriller. Cruz stars as Laura, a native of Spain now living in Argentina. She (and her 2 children) come back to her small village outside of Madrid for the wedding of her younger sister. When a bad thing happens on this trip, Laura must find a way out while dealing with lingering family matters and pressures that come to the fore due to the stress of the situation.
Without putting too much of a fine point on this, Cruz is stunning. Not only is she a beautiful woman who commands the screen whenever she is on, but as her character becomes more and more physically and emotionally torn with "the situation" her raw emotions come out and you see a very real portrayal of a mother who will do anything for her children. This performance is (was?) Academy Award worthy - it is that good. This is a strong actress at the top of her game.
She is more than matched on screen by the less showey, nuanced - yet fun, at times - performance of her real life husband, Javier Bardem, who plays a person from Lara's past that is drawn into the events. Bardem won an Oscar for playing the mysterious, scary hitman, Anton Chigurh in NO COUNTRY FOR OLD MAN. This was a a character who barely spoke. In this film, he plays a lively, extroverted fun-loving person who's whole personae is called into question, quite the contrast to the English language characters I have, heretofore, known him for.
Iranian Director Asghar Farhadi (best known for THE SEPARATION) does a good job driving the story - once it gets started - he is sure handed in handling both the suspense/action moments of this movie as well as the family drama during the "many people talking around a table" scenes. This film led off the Cannes Film Festival last year and was greatly lauded.
It's not a perfect film. My friend who saw the movie with me stated (correctly) that he had never seen a movie that "started so poorly but corrected itself and finished as an excellent film" like this one did. The first 1/2 hour to 45 minutes of this 2 hour and 15 minute film is filled with introducing the myriad of characters associated with this family (and the mystery that enfolds), but it is a scattershot approach to film making and character introduction and Farhadi misses the mark more than he hits the mark during this period.
But once the mystery unfolds - and Cruz and Bardem's characters (and acting) kicks into high gear - things get quite good, quite tense and quite engrossing. Well worth the time to check it out.
Letter Grade B+: (C for the first 45 minutes, A for the last hour and a half)
7 1/2 (out of 10) stars and you can take that to the Bank(ofMarquis)
BankofMarquis (1832 KP) rated Dumbo (2019) in Movies
Apr 5, 2019
In a word...bland
There are many words that you can use to describe films by Tim Burton: Gothic, Bizarre, Dark, Interesting, SteamPunk, Unique, Visual.
With the live action DUMBO, you can add another word to describe a Tim Burton film: Bland.
Based on the 1941 animated classic character of Walt Disney, DUMBO tells the tale of an animal, shamed for having a deformity...over-large ears...but when the young elephant discovers that these ears can save the circus he is in - and will help reunite him with his mother - a journey to redemption begins.
Sounds like a pretty good premise for a film, right? Unfortunately, this isn't really the theme of this film. Unlike other Disney "live action" versions of classic animated films (BEAUTY AND THE BEAST, the upcoming ALADDIN and THE LION KING), DUMBO is a live action remake only in the fact that Director Burton uses the baby elephant, separated from his mother, with over large ears who can fly. This film shows no signs of the earlier, beloved, children's film. It eliminates the songs (except as background music) and it tacks on a family drama of a returning army veteran (who's wife died while he was away) and his 2 children and a rival circus trying to steal the famed flying elephant.
Is it a children's movie? Is it a Tim Burton eerie, scary, visual delight? Well...yes...and no...on both parts and that's the problem of this film. Burton straddles a line between the two, never committing to a fun, stylistic children's film (like PADDINGTON 2) or an eerie, bizarre Tim Burton film (many, many to name but the closest I can come is BIG FISH). He restrains himself to the bland middle and it shows.
He has assembled a strong ensemble of actors to populate this world - Colin Farrell, Danny DeVito, Eva Green, Michael Keaton and Alan Arkin are all in this film - and are all bland. While, at times, this film felt every minute of it's 1 hour and 52 minute run time, I was longing for more from each of these characters, fleshing out what was the BEGINNING of interesting characters, but never getting past that. Each one of these characters are bland, bland, bland and you can see each actor trying harder and harder to push some sort of character to the screen, but never succeeding.
The only interesting characters, ironically enough, is that of Dumbo and his mother, Mrs. Jumbo. These are 2 CGI, non-speaking characters but they say more in facial expressions and movements than all of the human characters combined.
And that's the other problem with this film. Much like another Disney Live Action film, TOMORROWLAND, a large part of this film is given to showing the world that is lavishly made by the Director, Production Designer, Art Director and Cinematographer - and it is impressive indeed - but the action and characters inhabiting this world are...well...bland and that makes for a lackluster film.
One thing to note - this film is not scary, nor is it overly sad (things that I heard that this film was), so I'd be interested to hear if you have younger children (ages 7-10, say) and they saw the film - did they enjoy it? I think they just might.
I didn't, I thought this film was bland.
Letter Grade: B- (for the interesting visuals put up on the screen)
6 stars (out of 10) and you can take that to the Bank(ofMarquis)
With the live action DUMBO, you can add another word to describe a Tim Burton film: Bland.
Based on the 1941 animated classic character of Walt Disney, DUMBO tells the tale of an animal, shamed for having a deformity...over-large ears...but when the young elephant discovers that these ears can save the circus he is in - and will help reunite him with his mother - a journey to redemption begins.
Sounds like a pretty good premise for a film, right? Unfortunately, this isn't really the theme of this film. Unlike other Disney "live action" versions of classic animated films (BEAUTY AND THE BEAST, the upcoming ALADDIN and THE LION KING), DUMBO is a live action remake only in the fact that Director Burton uses the baby elephant, separated from his mother, with over large ears who can fly. This film shows no signs of the earlier, beloved, children's film. It eliminates the songs (except as background music) and it tacks on a family drama of a returning army veteran (who's wife died while he was away) and his 2 children and a rival circus trying to steal the famed flying elephant.
Is it a children's movie? Is it a Tim Burton eerie, scary, visual delight? Well...yes...and no...on both parts and that's the problem of this film. Burton straddles a line between the two, never committing to a fun, stylistic children's film (like PADDINGTON 2) or an eerie, bizarre Tim Burton film (many, many to name but the closest I can come is BIG FISH). He restrains himself to the bland middle and it shows.
He has assembled a strong ensemble of actors to populate this world - Colin Farrell, Danny DeVito, Eva Green, Michael Keaton and Alan Arkin are all in this film - and are all bland. While, at times, this film felt every minute of it's 1 hour and 52 minute run time, I was longing for more from each of these characters, fleshing out what was the BEGINNING of interesting characters, but never getting past that. Each one of these characters are bland, bland, bland and you can see each actor trying harder and harder to push some sort of character to the screen, but never succeeding.
The only interesting characters, ironically enough, is that of Dumbo and his mother, Mrs. Jumbo. These are 2 CGI, non-speaking characters but they say more in facial expressions and movements than all of the human characters combined.
And that's the other problem with this film. Much like another Disney Live Action film, TOMORROWLAND, a large part of this film is given to showing the world that is lavishly made by the Director, Production Designer, Art Director and Cinematographer - and it is impressive indeed - but the action and characters inhabiting this world are...well...bland and that makes for a lackluster film.
One thing to note - this film is not scary, nor is it overly sad (things that I heard that this film was), so I'd be interested to hear if you have younger children (ages 7-10, say) and they saw the film - did they enjoy it? I think they just might.
I didn't, I thought this film was bland.
Letter Grade: B- (for the interesting visuals put up on the screen)
6 stars (out of 10) and you can take that to the Bank(ofMarquis)
Heather Cranmer (2721 KP) rated We Were Liars in Books
May 20, 2019
I feel like I went into We Were Liars by E. Lockhart blind. The synopsis intrigued me, but it didn't really give anything away. I just wish I had known more about this book because while it wasn't a bad read, it was just a mediocre read, and it didn't really have much to do with lying at all.
Cadence (Cady for short) is a Sinclair. She is part of a very rich family. In fact, they have their own island. She, her cousins Mirren and Johnny, and their friend Gat, nicknamed "The Liars," all vacation there with their families every summer. The Liars are all the same age, and during Summer 15 (when the Liars were 15 years old), Cady has an accident which leaves her with temporary amnesia. As she slowly gets her memory back, she learns some very harsh and painful truths about what really happened that summer.
We Were Liars never explains why the teens were nicknamed The Liars. I did find out that a deleted scene from the book explains how they got the name. I think this scene should have been left in since I feel it was relevant to the book. Most of the plot is about Cady looking back over her summers with the Liars and her summers since the eventful Summer 15. I will say that I never saw that major plot twist coming! When I read it, I was left with my mouth hanging open. I will say We Were Liars had one of the best plot twists I've read. Well done to E. Lockhart for that! This book does not have a cliffhanger ending, so all questions are answered and things are explained quite well.
The pacing is what lets this book down. I found it to be very slow. Most of the time, I was just reading about the boring lives of rich, privileged teenagers. Everything was so mundane. It just droned on and on for the most part. Luckily, the chapters are quite short, so I soldiered on. I'm glad I did because the section marked "The Truth" was really good! This is the section that contained the plot twist and when the book actually went at a decent pace. I just wish I didn't have to read through 75 percent of the book for the pacing to pick up.
While the pacing was slow, I did feel that the characters were well written. I enjoyed reading about everything from the perspective of Cady. I feel that she was the most interesting. I enjoyed watching her grow up throughout her teenage years and her feelings about everything. I also adored her feelings for Gat. I loved Gat's philosophy about everything. I felt he was very mature and wise beyond his years. Johnny and Mirren were also interesting in their own way. I felt that Johnny was the humorous one and Mirren the more serious out of the Liars. I enjoyed reading about how the Liars felt about their parents' and aunts' greed and how it was the downfall of everything.
Trigger warnings for We Were Liars include mentions of the phrase sexual intercourse (although there was no sex), kissing, arson, death, underage drinking, and greed.
Overall, We Were Liars is a decent read although it is a forgettable one. The plot twist is what really saved this book from being too boring. I would recommend We Were Liars by E. Lockhart simply for that amazing plot twist!
Cadence (Cady for short) is a Sinclair. She is part of a very rich family. In fact, they have their own island. She, her cousins Mirren and Johnny, and their friend Gat, nicknamed "The Liars," all vacation there with their families every summer. The Liars are all the same age, and during Summer 15 (when the Liars were 15 years old), Cady has an accident which leaves her with temporary amnesia. As she slowly gets her memory back, she learns some very harsh and painful truths about what really happened that summer.
We Were Liars never explains why the teens were nicknamed The Liars. I did find out that a deleted scene from the book explains how they got the name. I think this scene should have been left in since I feel it was relevant to the book. Most of the plot is about Cady looking back over her summers with the Liars and her summers since the eventful Summer 15. I will say that I never saw that major plot twist coming! When I read it, I was left with my mouth hanging open. I will say We Were Liars had one of the best plot twists I've read. Well done to E. Lockhart for that! This book does not have a cliffhanger ending, so all questions are answered and things are explained quite well.
The pacing is what lets this book down. I found it to be very slow. Most of the time, I was just reading about the boring lives of rich, privileged teenagers. Everything was so mundane. It just droned on and on for the most part. Luckily, the chapters are quite short, so I soldiered on. I'm glad I did because the section marked "The Truth" was really good! This is the section that contained the plot twist and when the book actually went at a decent pace. I just wish I didn't have to read through 75 percent of the book for the pacing to pick up.
While the pacing was slow, I did feel that the characters were well written. I enjoyed reading about everything from the perspective of Cady. I feel that she was the most interesting. I enjoyed watching her grow up throughout her teenage years and her feelings about everything. I also adored her feelings for Gat. I loved Gat's philosophy about everything. I felt he was very mature and wise beyond his years. Johnny and Mirren were also interesting in their own way. I felt that Johnny was the humorous one and Mirren the more serious out of the Liars. I enjoyed reading about how the Liars felt about their parents' and aunts' greed and how it was the downfall of everything.
Trigger warnings for We Were Liars include mentions of the phrase sexual intercourse (although there was no sex), kissing, arson, death, underage drinking, and greed.
Overall, We Were Liars is a decent read although it is a forgettable one. The plot twist is what really saved this book from being too boring. I would recommend We Were Liars by E. Lockhart simply for that amazing plot twist!
Amanda (96 KP) rated The Tattooist of Auschwitz in Books
May 29, 2019
“If you wake up in the morning, it is a good day.”
So I thought about it, and I’ve decided to write my review for this book. I’ve never read books that center around The Holocaust. I never thought I would, because I’ve seen several movies and just the sheer graphics of it alone made me sad. I know this was supposed to be based on a true story, but I went into it with the mindset that it wasn’t true, because most times, some of those stories are fabricated for drama purposes. I’ve read that even Heather Morris added some things to the story for that reason, so again, I saw it as just another story.
The story centers around Lale who is transferred to Auschwitz, but is given the job as a tattooist. From the descriptions, he has to use a really awful needle and has to press down hard enough for the numbers to be seen and never removed – a highly painful process that he has to perform even on children. Then one day, he tattoos a lady that catches his eye, Gita, and from then on he plans to love her and marry her WHEN they get out of Auschwitz.
Off the bat, something about the writing kind of bothered. I couldn’t quite pin point what it was. I read somewhere that this book was originally written as a screen play and I think that was it. To me, the style had a vagueness to it that made it feel like some parts I was reading something from an old story book from when I was in high school. I’m not saying that style was terrible. This particular writing style is not my favorite to read.
I liked the premise of the story. I can’t begin to imagine what it was truly like in those camps. I can’t comment on it either, but like I said, I also didn’t go into this book thinking it was all a true story about these two people. So, there were some bits of the story that I had a hard time believing, but then again, I’m not sure if it was a true part or a fabrication part.
All in all, the story wasn’t bad. I felt so horribly for Lale having to have that job, but he survived, and Gita. The remembering of their families and wondering if they are alive or dead struck me a bit. I know I’ve said this, but I can’t imagine that kind of pain. I feel horrible whenever Lale thought of his mother.
“His mother he can see perfectly. But how do you say goodbye to your mother? The person who gave you breath, who taught you how to live?”
You can’t, that’s the answer.
The book didn’t live up to the hype, in my opinion, but Morris wrote a nice and moving story in the end. I know there are some other stories like this. One of my Twitter friends recommend the Librarian of Auschwitz, so perhaps I will see about that book.
I don’t believe I’ll be seeking out the sequel to this book. I do hope it’s better than the first, but the story is still good.
So I thought about it, and I’ve decided to write my review for this book. I’ve never read books that center around The Holocaust. I never thought I would, because I’ve seen several movies and just the sheer graphics of it alone made me sad. I know this was supposed to be based on a true story, but I went into it with the mindset that it wasn’t true, because most times, some of those stories are fabricated for drama purposes. I’ve read that even Heather Morris added some things to the story for that reason, so again, I saw it as just another story.
The story centers around Lale who is transferred to Auschwitz, but is given the job as a tattooist. From the descriptions, he has to use a really awful needle and has to press down hard enough for the numbers to be seen and never removed – a highly painful process that he has to perform even on children. Then one day, he tattoos a lady that catches his eye, Gita, and from then on he plans to love her and marry her WHEN they get out of Auschwitz.
Off the bat, something about the writing kind of bothered. I couldn’t quite pin point what it was. I read somewhere that this book was originally written as a screen play and I think that was it. To me, the style had a vagueness to it that made it feel like some parts I was reading something from an old story book from when I was in high school. I’m not saying that style was terrible. This particular writing style is not my favorite to read.
I liked the premise of the story. I can’t begin to imagine what it was truly like in those camps. I can’t comment on it either, but like I said, I also didn’t go into this book thinking it was all a true story about these two people. So, there were some bits of the story that I had a hard time believing, but then again, I’m not sure if it was a true part or a fabrication part.
All in all, the story wasn’t bad. I felt so horribly for Lale having to have that job, but he survived, and Gita. The remembering of their families and wondering if they are alive or dead struck me a bit. I know I’ve said this, but I can’t imagine that kind of pain. I feel horrible whenever Lale thought of his mother.
“His mother he can see perfectly. But how do you say goodbye to your mother? The person who gave you breath, who taught you how to live?”
You can’t, that’s the answer.
The book didn’t live up to the hype, in my opinion, but Morris wrote a nice and moving story in the end. I know there are some other stories like this. One of my Twitter friends recommend the Librarian of Auschwitz, so perhaps I will see about that book.
I don’t believe I’ll be seeking out the sequel to this book. I do hope it’s better than the first, but the story is still good.
Debbiereadsbook (1788 KP) rated His Steady Heart in Books
May 30, 2019
Independent reviewer for Archaeolibrarian, I was gifted my copy of this book.
I’m gonna jump straight in here, cos, well, because it’s my review and I can.
If you follow my reviews, you’ll know I have a particular dislike of several things.
First Person
Present Tense
Single Point of View.
So, when I started this book, and found it first person AND present tense, I got all ansty and twitchy and thought, nope, not doing it. THEN I realised it was single point of view, and my twitchiness went sky high and . . . .
bloody hell if I did not bloody LOVE this book!
Ashley or Buck, depending on who addresses him, was 22 years old when he first met Pippin and now, some 15 years (I was a bit unclear on that) later, he is still looking out for the little 6 year old boy who wormed his way into his heart. Now though, the little boy is all man, and when Pippin’s mother throws him under a bus (not literally, mind you!) of course Ashley will step up to look after the young man. But Pippin is proud, and won’t just take Ashley’s care, he must give back. The big bear of a man is Pippin’s idea of heaven, he just has to reach out and take him.
This has to be the sweetest, cutest CLEANEST book I've read in a long time, and I inhaled this book. I mean, I sat down, and didn’t move til I was done. It is only short, took me just over an hour but I really LOVED!
Ashley is the sweetest bear of a man, and no one can see that, except Pippin. Pippin sees Ashley, deep down, that he isn’t anyone’s “daddy”. He wants to look after people, yes, but PIPPIN is at the top of that very short list. PIPPIN is the one he realises he wants, even as he fights his attraction to the smaller man. PIPPIN tells Ashley he wants him, too, but not just for a quick lay. Pippin wants his first time to be special, and ASHLEY is that special man for Pippin.
I didn’t like what Pippin’s mum does to him, but you kinda saw that one coming like a train wreck and you can’t do anything to stop it.
The only thing, the one thing I cannot forgive is that Pippin doesn’t get a say! I wanted desperately to hear from him, even if it does make it first person/present tense/MULTI point of view (cos that would be my idea of Hell!) I NEEDED Pippin and I don’t get him. And I wanted to know, just what it was about Ashley that pushed his buttons, what he thought when Ashley’s ex turned up (and I LOVED how Pippin reacted to that!) and I wanted to know how he felt about his mum, and what she was doing to him.
That’s the only reason I gave it 4 stars and not 5 stars, was because I did not get Pippin and I really needed him.
I’ve not read anything by this author before, but if they are all this good, I’d gladly inhale a few more!
4 sweet, cute, warm and so bloody fuzzies stars
**same worded review will appear elsewhere**
I’m gonna jump straight in here, cos, well, because it’s my review and I can.
If you follow my reviews, you’ll know I have a particular dislike of several things.
First Person
Present Tense
Single Point of View.
So, when I started this book, and found it first person AND present tense, I got all ansty and twitchy and thought, nope, not doing it. THEN I realised it was single point of view, and my twitchiness went sky high and . . . .
bloody hell if I did not bloody LOVE this book!
Ashley or Buck, depending on who addresses him, was 22 years old when he first met Pippin and now, some 15 years (I was a bit unclear on that) later, he is still looking out for the little 6 year old boy who wormed his way into his heart. Now though, the little boy is all man, and when Pippin’s mother throws him under a bus (not literally, mind you!) of course Ashley will step up to look after the young man. But Pippin is proud, and won’t just take Ashley’s care, he must give back. The big bear of a man is Pippin’s idea of heaven, he just has to reach out and take him.
This has to be the sweetest, cutest CLEANEST book I've read in a long time, and I inhaled this book. I mean, I sat down, and didn’t move til I was done. It is only short, took me just over an hour but I really LOVED!
Ashley is the sweetest bear of a man, and no one can see that, except Pippin. Pippin sees Ashley, deep down, that he isn’t anyone’s “daddy”. He wants to look after people, yes, but PIPPIN is at the top of that very short list. PIPPIN is the one he realises he wants, even as he fights his attraction to the smaller man. PIPPIN tells Ashley he wants him, too, but not just for a quick lay. Pippin wants his first time to be special, and ASHLEY is that special man for Pippin.
I didn’t like what Pippin’s mum does to him, but you kinda saw that one coming like a train wreck and you can’t do anything to stop it.
The only thing, the one thing I cannot forgive is that Pippin doesn’t get a say! I wanted desperately to hear from him, even if it does make it first person/present tense/MULTI point of view (cos that would be my idea of Hell!) I NEEDED Pippin and I don’t get him. And I wanted to know, just what it was about Ashley that pushed his buttons, what he thought when Ashley’s ex turned up (and I LOVED how Pippin reacted to that!) and I wanted to know how he felt about his mum, and what she was doing to him.
That’s the only reason I gave it 4 stars and not 5 stars, was because I did not get Pippin and I really needed him.
I’ve not read anything by this author before, but if they are all this good, I’d gladly inhale a few more!
4 sweet, cute, warm and so bloody fuzzies stars
**same worded review will appear elsewhere**