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Cthulhu (5 KP) rated the PlayStation 4 version of Layers of Fear in Video Games
Sep 2, 2018
Disturbing Story (2 more)
Easy movement mechanics
Appealing creepy visuals
Not that scary (2 more)
Too easy
Cliché at times
Good Plot and Visuals, but not that Scary
Contains spoilers, click to show
When I started this game, I was expecting really good quality scares. Unfortunately, this game did not really "scare" me. It was mostly just pop scares with some loud creepy noises here and there. I don't mind a few pop scares, but I was hoping for more creative ways to get scared from a game. The game adds a lot of creepy whispers, running baby dolls, and lights that mysteriously go out-- which was all a bit too cliché for me. *Spoiler- you only see the main "ghost" a few times and I wish there were most instances where it was included.*
Now onto the good part. While the game didn't scare me, I found the plot and ending to be very surprising. It was definitely creative and something new I haven't seen in a game before. You have to pay attention to all readable items and you have to piece it together, but once you figure out what's going on, it's pretty messed up- which is exactly what I was looking for!
The game's mechanics, movements, and how you get around feels a lot like the game PT. I really loved PT and I enjoyed how this game made a similar feel. Every room is different and you don't know what's going to be in it. Most rooms you have to solve puzzles to get to the next one. Some of the puzzles felt a bit too easy for me, but I didn't really mind too much since there were a lot of rooms to get through. I wish some were a bit harder though. Movement wise, there's no fighting and it's all walk and interact with an object here and there. I enjoyed it since it let me focus on the story.
Visually, I liked how creepy the atmosphere was. It was interesting because while a lot of what you saw was "gross looking", there were bits of color and beauty in it from the dad being an artist. I thought the game was beautiful just from that aspect. I loved finding the art in all of the creepy surroundings. Sometimes it got a bit repetitive-- a pretty normal looking room then the next room is all destroyed and in shambles, but for the most part it was interesting to look at.
Overall I really did enjoy this game. It was fun to play for the plot and the visuals, but I wouldn't necessarily play it for the scares or the puzzles. This game is probably for you though if you do like pop scares.
Now onto the good part. While the game didn't scare me, I found the plot and ending to be very surprising. It was definitely creative and something new I haven't seen in a game before. You have to pay attention to all readable items and you have to piece it together, but once you figure out what's going on, it's pretty messed up- which is exactly what I was looking for!
The game's mechanics, movements, and how you get around feels a lot like the game PT. I really loved PT and I enjoyed how this game made a similar feel. Every room is different and you don't know what's going to be in it. Most rooms you have to solve puzzles to get to the next one. Some of the puzzles felt a bit too easy for me, but I didn't really mind too much since there were a lot of rooms to get through. I wish some were a bit harder though. Movement wise, there's no fighting and it's all walk and interact with an object here and there. I enjoyed it since it let me focus on the story.
Visually, I liked how creepy the atmosphere was. It was interesting because while a lot of what you saw was "gross looking", there were bits of color and beauty in it from the dad being an artist. I thought the game was beautiful just from that aspect. I loved finding the art in all of the creepy surroundings. Sometimes it got a bit repetitive-- a pretty normal looking room then the next room is all destroyed and in shambles, but for the most part it was interesting to look at.
Overall I really did enjoy this game. It was fun to play for the plot and the visuals, but I wouldn't necessarily play it for the scares or the puzzles. This game is probably for you though if you do like pop scares.
Chris Sawin (602 KP) rated Drag Me to Hell (2009) in Movies
Jun 20, 2019
Christine Brown seems to have everything going well for her at this point in her life. She has a boyfriend who cares about her and loves her unconditionally, a great job at the bank as a loan officer with more than enough room for advancement in the company, and speaking of, it's between her and one other employee for the vacant assistant manager position. One day though, a strange looking gypsy shows up at Christine's bank asking for another extension before they foreclose on her home. After talking it over with her boss, it's up to Christine to decide on approving the loan and she comes to the conclusion of denying it. Mrs. Ganush begs and pleads with Christine, but Christine won't budge on her decision. After feeling like Christine wronged her by denying her pleas, Mrs. Ganush puts a curse on her and unless Christine can find some sort of loophole, she'll be going to hell in three days.
This is Sam Raimi's return to the horror genre, in case you hadn't heard that in the trailer or anything else promoting the film. Drag Me To Hell has already had such an overwhelmingly positive response when it comes to feedback and the truth of the matter is that the film is genuinely that entertaining. Not only did Sam Raimi return to the horror genre, but he did it so flawlessly and without missing a beat. He's on top of his game and, dare I say, the best he's ever been. The film only seemed to get better as it progressed. It's somehow capable of combining comedy, suspense, romance, and horror all into one amazing final product. A film that can do something like make you laugh out loud one minute, scare you the next, gross you out after that, and tear at your heartstrings is something special. And it's not like the film does that one time and calls it quits. It goes through that cycle (laugh, scare, gross, heartwarming) over and over again throughout the film. Sam Raimi has struck cinematic gold.
Drag Me To Hell is a hell of a lot of fun. It truly has something to offer anyone looking for a good time at the movies. Not only is the film based on an original story, but it's an original story that is worth being told, worth listening to, and incredibly entertaining. Originality seems to be extinct when it comes to horror these days. It's just so refreshing to see a film that not only isn't a remake, but drenches itself in the fact that it offers something new. Sam Raimi has delivered a cinematic feature that has rejuvenated what we once referred to as "the horror film." Let's hope that other filmmakers can tread the same path that he has paved the way with.
This is Sam Raimi's return to the horror genre, in case you hadn't heard that in the trailer or anything else promoting the film. Drag Me To Hell has already had such an overwhelmingly positive response when it comes to feedback and the truth of the matter is that the film is genuinely that entertaining. Not only did Sam Raimi return to the horror genre, but he did it so flawlessly and without missing a beat. He's on top of his game and, dare I say, the best he's ever been. The film only seemed to get better as it progressed. It's somehow capable of combining comedy, suspense, romance, and horror all into one amazing final product. A film that can do something like make you laugh out loud one minute, scare you the next, gross you out after that, and tear at your heartstrings is something special. And it's not like the film does that one time and calls it quits. It goes through that cycle (laugh, scare, gross, heartwarming) over and over again throughout the film. Sam Raimi has struck cinematic gold.
Drag Me To Hell is a hell of a lot of fun. It truly has something to offer anyone looking for a good time at the movies. Not only is the film based on an original story, but it's an original story that is worth being told, worth listening to, and incredibly entertaining. Originality seems to be extinct when it comes to horror these days. It's just so refreshing to see a film that not only isn't a remake, but drenches itself in the fact that it offers something new. Sam Raimi has delivered a cinematic feature that has rejuvenated what we once referred to as "the horror film." Let's hope that other filmmakers can tread the same path that he has paved the way with.
Jason Patrick (12 KP) rated It (2017) in Movies
Oct 24, 2017
Directing (2 more)
Acting
Score and Soundtrack
Much more than a Horror film...
While this film is a little lackluster in the scare department, it makes up for it with almost other aspect in the film! While the scares are good and tense, its nowhere near as scarey as the marketing makes it out to be. The tone of the film ranges from a horror, to a coming of age story, and some slight comic relief. The best thing about this film is the kids and their chemestry together on screen. Their performances are solid and you actually believe their friendship with each other. The director does such a great job making you care for the kids that when one of them is in danger, you actually worry for them. Skarsgard is also perfect as Pennywise with just the right balance of creepyness. The films score is also worth noting. Just like the film itself, the score isnt just your typical horror score. It ranges anywhere from scary, to sweet and at times somber. Overall, if you're expecting to be terrified as the marketing implies, then you might be disapointed. But if you watch the film expecting some decent scares with some emotional weight as well, then I believe you'll find yourself enjoying the film quite a bit.
Sarah (126 KP) rated The Haunting of Hill House- Season 1 in TV
Feb 18, 2019
Surpassed Expectations
I started watching this alone, as I'd heard so many people talking about how good it was and how scary it was - I didn't expect much, as I don't scare easily (I tend to prefer scary books over scary films, as the frights can be a little predictable on screen, whereas your own imagination can conjure up the things that are truly terrifying!), but I wanted to see what all the fuss was about.
After the first three episodes, I was so enthralled by the story, I roped my husband in and started watching from the beginning again.
There were moments where I was unable to tear myself away from the screen, even though I didn't want to look! Parts where my husband and I both almost jumped out of our skins, and by the very end of the series, I think I'd run the gamut of human emotion. I think the most surprising thing of all was just how moving the series was; a few times, I'd been close to tears and in the final episode I was bawling my eyes out!
It is, without a doubt, a must-watch series on Netflix - in fact, it's one of the best shows I've seen of late - but be prepared to hold your breath, hide behind the cushions, and have the tissues ready for the finale.
After the first three episodes, I was so enthralled by the story, I roped my husband in and started watching from the beginning again.
There were moments where I was unable to tear myself away from the screen, even though I didn't want to look! Parts where my husband and I both almost jumped out of our skins, and by the very end of the series, I think I'd run the gamut of human emotion. I think the most surprising thing of all was just how moving the series was; a few times, I'd been close to tears and in the final episode I was bawling my eyes out!
It is, without a doubt, a must-watch series on Netflix - in fact, it's one of the best shows I've seen of late - but be prepared to hold your breath, hide behind the cushions, and have the tissues ready for the finale.
Jesters_folly (230 KP) rated Elvira, Mistress of the Dark (1988) in Movies
Oct 27, 2019
Horror movie hostess Elvira dreams of hosting a show in Vegas. When she receives saying that her Great Aunt had died she thinks her dreams have come true. Once she arrives at Fallwell, Massachusetts for the reading of the will she finds that things won’t be as easy as she had hoped. As the town turns against her and family secrets are uncovered Elvira needs to find a way to stop her great Uncles plan.
Elvira, Mistress of the Dark brings a backstory to Cassandra Pearson's character Elvira, gothic late night horror hostess. The film starts during one of Elvira’s shows when she receives a telegram telling her to go the reading of a will for a dead relative and, in the events that follow she finds out that she really is a witch.
Elvira is odd in the fact that it is almost in the style of an 80’s teen movie but it isn’t quite one. There are a few teens in the cast but the film does focus on Elvira and other people in the town.
Elvira, Mistress of the dark is rated 15 and is a comedy with a couple of scenes of peril and one jump scare. A lot of the humour focuses on Elvira’s rather ample bosom but in a quite tasteful way, it’s not a ‘Sex comedy’.
Elvira, Mistress of the Dark brings a backstory to Cassandra Pearson's character Elvira, gothic late night horror hostess. The film starts during one of Elvira’s shows when she receives a telegram telling her to go the reading of a will for a dead relative and, in the events that follow she finds out that she really is a witch.
Elvira is odd in the fact that it is almost in the style of an 80’s teen movie but it isn’t quite one. There are a few teens in the cast but the film does focus on Elvira and other people in the town.
Elvira, Mistress of the dark is rated 15 and is a comedy with a couple of scenes of peril and one jump scare. A lot of the humour focuses on Elvira’s rather ample bosom but in a quite tasteful way, it’s not a ‘Sex comedy’.
Andy K (10823 KP) rated The Babadook (2014) in Movies
Dec 11, 2019
Minimalist Creep
Wow was I surprised by this. My daughters have been after me for a while to watch, but I have to not being a big fan of modern CGI horror like The Conjuring, Insidious, etc. I made the mistake of including this film in that group and I was wrong.
Modern audiences have grown short attention spans even having film studios get rid of opening film credits, so it is refreshing these days when a film takes its time and leaves something to our imagination. I have written in several reviews the last few years that just because modern filmmakers can do something, doesn't mean they should. Modern CGI effects leave virtually nothing a movie maker can accomplish with enough imagination are computer work done to it; however, I still maintain the "Jaws" theory of the less you show the audience the more they have to used their own imaginations and therefore the film's "Babadook" becomes even more scary.
I loved the way the creature was shown mostly in shadow and not really given a good glimpse most of the way through. Even when it presents itself, you don't really get a good look at it and a lot of the scare is also through creepy, haunting sound effects.
I guess I will have to listen to my daughters from now on!
Modern audiences have grown short attention spans even having film studios get rid of opening film credits, so it is refreshing these days when a film takes its time and leaves something to our imagination. I have written in several reviews the last few years that just because modern filmmakers can do something, doesn't mean they should. Modern CGI effects leave virtually nothing a movie maker can accomplish with enough imagination are computer work done to it; however, I still maintain the "Jaws" theory of the less you show the audience the more they have to used their own imaginations and therefore the film's "Babadook" becomes even more scary.
I loved the way the creature was shown mostly in shadow and not really given a good glimpse most of the way through. Even when it presents itself, you don't really get a good look at it and a lot of the scare is also through creepy, haunting sound effects.
I guess I will have to listen to my daughters from now on!
Rickey A. Mossow Jr. (689 KP) rated Relic (2020) in Movies
Jul 14, 2020 (Updated Jul 14, 2020)
A Little Something Different
Sometimes horror movies aren't about the jump scare, the killer hunting its prey, or the gory violence. Sometimes it's about the horrors we face in our lives on a daily basis, both personally and through those around us. Relic works beautifully as a horror movie. Sure, the place is slow and as the story unfolds you don't think to expect much. You're not scared so much as waiting through most of the film. Waiting for something to happen. Waiting to see how it will unfold into this frightening moment to give you that fix of scaredness you're jonesing for. The first hour plods along, unfolding the story. Then, the final 30 minutes quickly hits you with the climactic final scenes, culminating in one of the grotesquely emotional and beautiful final scenes I've ever seen in a horror movie. And maybe that's the point. Maybe the true horrors in life aren't men In masks. Maybe the truly scarring things we face just slowly grind day to day with us as we go through our mundane, everyday lives. They're always there, in the background and the back of our minds, waiting for their moment. And, in the end, we can choose to embrace the unstoppable and unchangeable or allow it to haunt and destroy us.
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