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Jason Patrick (12 KP) rated It (2017) in Movies
Oct 24, 2017
Directing (2 more)
Acting
Score and Soundtrack
Much more than a Horror film...
While this film is a little lackluster in the scare department, it makes up for it with almost other aspect in the film! While the scares are good and tense, its nowhere near as scarey as the marketing makes it out to be. The tone of the film ranges from a horror, to a coming of age story, and some slight comic relief. The best thing about this film is the kids and their chemestry together on screen. Their performances are solid and you actually believe their friendship with each other. The director does such a great job making you care for the kids that when one of them is in danger, you actually worry for them. Skarsgard is also perfect as Pennywise with just the right balance of creepyness. The films score is also worth noting. Just like the film itself, the score isnt just your typical horror score. It ranges anywhere from scary, to sweet and at times somber. Overall, if you're expecting to be terrified as the marketing implies, then you might be disapointed. But if you watch the film expecting some decent scares with some emotional weight as well, then I believe you'll find yourself enjoying the film quite a bit.
Sarah (126 KP) rated The Haunting of Hill House- Season 1 in TV
Feb 18, 2019
Surpassed Expectations
I started watching this alone, as I'd heard so many people talking about how good it was and how scary it was - I didn't expect much, as I don't scare easily (I tend to prefer scary books over scary films, as the frights can be a little predictable on screen, whereas your own imagination can conjure up the things that are truly terrifying!), but I wanted to see what all the fuss was about.
After the first three episodes, I was so enthralled by the story, I roped my husband in and started watching from the beginning again.
There were moments where I was unable to tear myself away from the screen, even though I didn't want to look! Parts where my husband and I both almost jumped out of our skins, and by the very end of the series, I think I'd run the gamut of human emotion. I think the most surprising thing of all was just how moving the series was; a few times, I'd been close to tears and in the final episode I was bawling my eyes out!
It is, without a doubt, a must-watch series on Netflix - in fact, it's one of the best shows I've seen of late - but be prepared to hold your breath, hide behind the cushions, and have the tissues ready for the finale.
After the first three episodes, I was so enthralled by the story, I roped my husband in and started watching from the beginning again.
There were moments where I was unable to tear myself away from the screen, even though I didn't want to look! Parts where my husband and I both almost jumped out of our skins, and by the very end of the series, I think I'd run the gamut of human emotion. I think the most surprising thing of all was just how moving the series was; a few times, I'd been close to tears and in the final episode I was bawling my eyes out!
It is, without a doubt, a must-watch series on Netflix - in fact, it's one of the best shows I've seen of late - but be prepared to hold your breath, hide behind the cushions, and have the tissues ready for the finale.
Jesters_folly (230 KP) rated Elvira, Mistress of the Dark (1988) in Movies
Oct 27, 2019
Horror movie hostess Elvira dreams of hosting a show in Vegas. When she receives saying that her Great Aunt had died she thinks her dreams have come true. Once she arrives at Fallwell, Massachusetts for the reading of the will she finds that things won’t be as easy as she had hoped. As the town turns against her and family secrets are uncovered Elvira needs to find a way to stop her great Uncles plan.
Elvira, Mistress of the Dark brings a backstory to Cassandra Pearson's character Elvira, gothic late night horror hostess. The film starts during one of Elvira’s shows when she receives a telegram telling her to go the reading of a will for a dead relative and, in the events that follow she finds out that she really is a witch.
Elvira is odd in the fact that it is almost in the style of an 80’s teen movie but it isn’t quite one. There are a few teens in the cast but the film does focus on Elvira and other people in the town.
Elvira, Mistress of the dark is rated 15 and is a comedy with a couple of scenes of peril and one jump scare. A lot of the humour focuses on Elvira’s rather ample bosom but in a quite tasteful way, it’s not a ‘Sex comedy’.
Elvira, Mistress of the Dark brings a backstory to Cassandra Pearson's character Elvira, gothic late night horror hostess. The film starts during one of Elvira’s shows when she receives a telegram telling her to go the reading of a will for a dead relative and, in the events that follow she finds out that she really is a witch.
Elvira is odd in the fact that it is almost in the style of an 80’s teen movie but it isn’t quite one. There are a few teens in the cast but the film does focus on Elvira and other people in the town.
Elvira, Mistress of the dark is rated 15 and is a comedy with a couple of scenes of peril and one jump scare. A lot of the humour focuses on Elvira’s rather ample bosom but in a quite tasteful way, it’s not a ‘Sex comedy’.
Andy K (10823 KP) rated The Babadook (2014) in Movies
Dec 11, 2019
Minimalist Creep
Wow was I surprised by this. My daughters have been after me for a while to watch, but I have to not being a big fan of modern CGI horror like The Conjuring, Insidious, etc. I made the mistake of including this film in that group and I was wrong.
Modern audiences have grown short attention spans even having film studios get rid of opening film credits, so it is refreshing these days when a film takes its time and leaves something to our imagination. I have written in several reviews the last few years that just because modern filmmakers can do something, doesn't mean they should. Modern CGI effects leave virtually nothing a movie maker can accomplish with enough imagination are computer work done to it; however, I still maintain the "Jaws" theory of the less you show the audience the more they have to used their own imaginations and therefore the film's "Babadook" becomes even more scary.
I loved the way the creature was shown mostly in shadow and not really given a good glimpse most of the way through. Even when it presents itself, you don't really get a good look at it and a lot of the scare is also through creepy, haunting sound effects.
I guess I will have to listen to my daughters from now on!
Modern audiences have grown short attention spans even having film studios get rid of opening film credits, so it is refreshing these days when a film takes its time and leaves something to our imagination. I have written in several reviews the last few years that just because modern filmmakers can do something, doesn't mean they should. Modern CGI effects leave virtually nothing a movie maker can accomplish with enough imagination are computer work done to it; however, I still maintain the "Jaws" theory of the less you show the audience the more they have to used their own imaginations and therefore the film's "Babadook" becomes even more scary.
I loved the way the creature was shown mostly in shadow and not really given a good glimpse most of the way through. Even when it presents itself, you don't really get a good look at it and a lot of the scare is also through creepy, haunting sound effects.
I guess I will have to listen to my daughters from now on!
Rickey A. Mossow Jr. (689 KP) rated Relic (2020) in Movies
Jul 14, 2020 (Updated Jul 14, 2020)
A Little Something Different
Sometimes horror movies aren't about the jump scare, the killer hunting its prey, or the gory violence. Sometimes it's about the horrors we face in our lives on a daily basis, both personally and through those around us. Relic works beautifully as a horror movie. Sure, the place is slow and as the story unfolds you don't think to expect much. You're not scared so much as waiting through most of the film. Waiting for something to happen. Waiting to see how it will unfold into this frightening moment to give you that fix of scaredness you're jonesing for. The first hour plods along, unfolding the story. Then, the final 30 minutes quickly hits you with the climactic final scenes, culminating in one of the grotesquely emotional and beautiful final scenes I've ever seen in a horror movie. And maybe that's the point. Maybe the true horrors in life aren't men In masks. Maybe the truly scarring things we face just slowly grind day to day with us as we go through our mundane, everyday lives. They're always there, in the background and the back of our minds, waiting for their moment. And, in the end, we can choose to embrace the unstoppable and unchangeable or allow it to haunt and destroy us.
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