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LeftSideCut (3778 KP) rated Black Widow (2021) in Movies
Jul 16, 2021
It should have happened way sooner, but finally, Black Widow is here, and in short, it's pretty damn good.
There are many questions that hang over the future of the MCU and the direction that they are going. With so many cogs in motion via the various limited series on Disney+ and the impending multiverse, this first theatrical realease of phase four is a welcome and grounded change of pace, focusing on a story set in a time period we've already seen before, more specifically, set between the events of Civil War and Infinity War.
Natasha Romanoff is a rich character. Her backstory has been teased a handful of times throughout the series, but her big moment in the spotlight really gets into it. The narrative is nicely paced, fairly dialogue heavy in places, but allows the story arc space to breathe. The set pieces peppered throughout are decent, including a stupidly entertaining finale, but they never detract from the many character moments between Natasha and her "family".
The cast are absolutely solid. Scarlett Johansson is Natasha Romanoff through and through. Her presence in the MCU all this time has been a welcome one. She is bolstered by a stacked supporting cast also. Florence Pugh is great as usual, and a fine addition to the ever growing MCU roster, as is David Harbour. It's always a pleasure to see Rachel Weisz in anything. Same for Ray Winstone, even when he's playing an awful shitpiece.
A couple of minore gripes - The Taskmaster we get here is certainly not the Taskmaster comic fans may be familiar with. The way they are slipped into the narrative makes sense, but I hope the "real" Taskmaster is out there somewhere. The version we have here is parallel to the version of Deadpool we saw in X-Men Origins: Wolverine, essentially a mute henchman which is a shame.
I also wasn't a huge fan of some of the editing, especially in the more action heavy segments, but it's not enough to de-rail what is a triumphant and overdue solo effort for a truly beloved character.
If this is indeed the last time we see Scarlett Johansson's Black Widow (which I'm sceptical about, what with the multiverse incoming and all that), then it's a fitting send off.
There are many questions that hang over the future of the MCU and the direction that they are going. With so many cogs in motion via the various limited series on Disney+ and the impending multiverse, this first theatrical realease of phase four is a welcome and grounded change of pace, focusing on a story set in a time period we've already seen before, more specifically, set between the events of Civil War and Infinity War.
Natasha Romanoff is a rich character. Her backstory has been teased a handful of times throughout the series, but her big moment in the spotlight really gets into it. The narrative is nicely paced, fairly dialogue heavy in places, but allows the story arc space to breathe. The set pieces peppered throughout are decent, including a stupidly entertaining finale, but they never detract from the many character moments between Natasha and her "family".
The cast are absolutely solid. Scarlett Johansson is Natasha Romanoff through and through. Her presence in the MCU all this time has been a welcome one. She is bolstered by a stacked supporting cast also. Florence Pugh is great as usual, and a fine addition to the ever growing MCU roster, as is David Harbour. It's always a pleasure to see Rachel Weisz in anything. Same for Ray Winstone, even when he's playing an awful shitpiece.
A couple of minore gripes - The Taskmaster we get here is certainly not the Taskmaster comic fans may be familiar with. The way they are slipped into the narrative makes sense, but I hope the "real" Taskmaster is out there somewhere. The version we have here is parallel to the version of Deadpool we saw in X-Men Origins: Wolverine, essentially a mute henchman which is a shame.
I also wasn't a huge fan of some of the editing, especially in the more action heavy segments, but it's not enough to de-rail what is a triumphant and overdue solo effort for a truly beloved character.
If this is indeed the last time we see Scarlett Johansson's Black Widow (which I'm sceptical about, what with the multiverse incoming and all that), then it's a fitting send off.
Movie Metropolis (309 KP) rated Ghost in the Shell (2017) in Movies
Jun 10, 2019
Turning the beloved Ghost in the Shell manga franchise into a Hollywood film that’ll please picky Western audiences was always going to be a tough job for director Rupert Sanders (Snow White & the Huntsman).
Casting the central lead, The Major, proved even more difficult. When Scarlett Johansson’s name was attached to play the role, Hollywood was once again accused of white-washing, a tag lobbied at Gods of Egypt last year. The finished product is now in cinemas around the globe, but is it the disaster many predicted?
In the near future, Major (Scarlett Johansson) is the first of her kind: a human who has been cyber-enhanced to create a perfect soldier devoted to stopping the world’s most dangerous criminals. When terrorism reaches a new level that includes the ability to hack into people’s minds and control them, Major is uniquely qualified to stop it. As she prepares to face a new enemy, Major finds truths about her past that changes her view on the world forever.
The greatest accolade that can be given to Ghost in the Shell is that its pre-release detractors haven’t stopped people from going to see it. The cinema was busy on its opening night, with many itching to see how such a universally loved manga could be fine-tuned for a Western palate.
Visually; the film is absolutely stunning and is best viewed on the biggest screen possible. Each frame is dripping with detail and the naturally heavy use of CGI doesn’t detract from creating a vibrant metropolis that feels every bit alive.
The story is simple to follow and easy to enjoy. It’s exciting, emotional and boosted by a fine, if slightly uninspiring performance from Johansson. The rest of the cast can also be described as fine, with only Juliette Binoche’s mother-like Dr. Ouélet creating any sort of lasting impact.
And this is Ghost in the Shell’s fundamental weakness. Outside of Binoche, the rest of the cast are largely forgettable and that’s a real shame considering the characters in its excellent source material were, for want of a better word, magical. Even the villain is devoid any sort of tyranny.
Thankfully though, the impressive set design and well-choreographed action sequences mask the disappointing array of characters well and steamroll this thrilling adventure to a very satisfying conclusion. It’s also accompanied by a gorgeous soundtrack by Clint Mansell and Lorne Balfe that compliments the futuristic nature of the film beautifully.
Sitting in the theatre, it felt at times like I was watching an updated version of Total Recall, and that’s no bad thing. Comparing it to a cult classic is probably what director Rupert Sanders was trying to achieve and despite its poor characters, Ghost in the Shell has every opportunity to succeed as a film we look back on in 30 years and think “hey, that’s actually pretty good”.
Overall, Ghost in the Shell is one hell of a good-looking film. Couple this with impressive special effects and a rollercoaster ride of a story and you have a big screen experience that’s great for 106 minutes, but probably won’t have any lasting impact once the end credits roll.
https://moviemetropolis.net/2017/03/31/not-without-its-faults-ghost-in-the-shell-review/
Casting the central lead, The Major, proved even more difficult. When Scarlett Johansson’s name was attached to play the role, Hollywood was once again accused of white-washing, a tag lobbied at Gods of Egypt last year. The finished product is now in cinemas around the globe, but is it the disaster many predicted?
In the near future, Major (Scarlett Johansson) is the first of her kind: a human who has been cyber-enhanced to create a perfect soldier devoted to stopping the world’s most dangerous criminals. When terrorism reaches a new level that includes the ability to hack into people’s minds and control them, Major is uniquely qualified to stop it. As she prepares to face a new enemy, Major finds truths about her past that changes her view on the world forever.
The greatest accolade that can be given to Ghost in the Shell is that its pre-release detractors haven’t stopped people from going to see it. The cinema was busy on its opening night, with many itching to see how such a universally loved manga could be fine-tuned for a Western palate.
Visually; the film is absolutely stunning and is best viewed on the biggest screen possible. Each frame is dripping with detail and the naturally heavy use of CGI doesn’t detract from creating a vibrant metropolis that feels every bit alive.
The story is simple to follow and easy to enjoy. It’s exciting, emotional and boosted by a fine, if slightly uninspiring performance from Johansson. The rest of the cast can also be described as fine, with only Juliette Binoche’s mother-like Dr. Ouélet creating any sort of lasting impact.
And this is Ghost in the Shell’s fundamental weakness. Outside of Binoche, the rest of the cast are largely forgettable and that’s a real shame considering the characters in its excellent source material were, for want of a better word, magical. Even the villain is devoid any sort of tyranny.
Thankfully though, the impressive set design and well-choreographed action sequences mask the disappointing array of characters well and steamroll this thrilling adventure to a very satisfying conclusion. It’s also accompanied by a gorgeous soundtrack by Clint Mansell and Lorne Balfe that compliments the futuristic nature of the film beautifully.
Sitting in the theatre, it felt at times like I was watching an updated version of Total Recall, and that’s no bad thing. Comparing it to a cult classic is probably what director Rupert Sanders was trying to achieve and despite its poor characters, Ghost in the Shell has every opportunity to succeed as a film we look back on in 30 years and think “hey, that’s actually pretty good”.
Overall, Ghost in the Shell is one hell of a good-looking film. Couple this with impressive special effects and a rollercoaster ride of a story and you have a big screen experience that’s great for 106 minutes, but probably won’t have any lasting impact once the end credits roll.
https://moviemetropolis.net/2017/03/31/not-without-its-faults-ghost-in-the-shell-review/
Andy K (10821 KP) rated Marriage Story (2019) in Movies
Dec 7, 2019
A bad movie disguised as a good movie
Wow what a disappointment.
I would say for a movie without out of the ordinary cinematography, art direction, costumes, lighting locations, sets or soundtrack; it had better have a good screenplay. And it didn't. I found the dialogue to be unbelievable, corny and not the way real people talk. I'll forgive this on occasion if I am listening to screenplay prose, like Tarantino maybe, where I don't care if his characters go on and on about nothing because the way they say it is so interesting. Here there is none of that.
Divorce is not a pleasant subject and the portrayal of their profession in this film makes them out to be all scum sucking horrible people. I know acting in the best interest of their clients is what they are supposed to do, but the way they twist every conversation or nonchalant occurrence between two people into something that happens to their client's advantage is just horrible.
While watching I was trying to decide if these reasons were why I was not enjoying and that was just not the case.
It's poor writing. The scene that everyone is talking about where Scarlett Johansson and Adam Driver yell at each other and become increasingly emotional at the same time is all right, but honestly I felt overacting. I kind of felt that way through the entire film to be honest.
Not sure why this is getting all the accolades it is and am hoping it gets snubbed during awards season (but not likely).
What a disappointment...
I would say for a movie without out of the ordinary cinematography, art direction, costumes, lighting locations, sets or soundtrack; it had better have a good screenplay. And it didn't. I found the dialogue to be unbelievable, corny and not the way real people talk. I'll forgive this on occasion if I am listening to screenplay prose, like Tarantino maybe, where I don't care if his characters go on and on about nothing because the way they say it is so interesting. Here there is none of that.
Divorce is not a pleasant subject and the portrayal of their profession in this film makes them out to be all scum sucking horrible people. I know acting in the best interest of their clients is what they are supposed to do, but the way they twist every conversation or nonchalant occurrence between two people into something that happens to their client's advantage is just horrible.
While watching I was trying to decide if these reasons were why I was not enjoying and that was just not the case.
It's poor writing. The scene that everyone is talking about where Scarlett Johansson and Adam Driver yell at each other and become increasingly emotional at the same time is all right, but honestly I felt overacting. I kind of felt that way through the entire film to be honest.
Not sure why this is getting all the accolades it is and am hoping it gets snubbed during awards season (but not likely).
What a disappointment...
Avengers: Endgame (2019)
8.9
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LeftSideCut (3778 KP) rated The Avengers (2012) in Movies
Sep 17, 2020
The first Avengers movie is a real treat - it was at the time of the release and it is now. In 2012, the culmination of the first handful of MCU movies was just glorious, seeing all these heroes together for the first time. Now in 2020, we've become accustomed to that, spoilt by the more recent Infinity War and Endgame, it's easy to forget just how special Avengers is in it's comparative humbleness, especially for people who grew up reading these stories in comic books.
The main bulk of the cast, comprised of Robert Downey Jr, Chris Hemsworth, Chris Evans, Scarlett Johansson, Mark Ruffalo (in his first appearance as Bruce Banner/Hulk), Samuel L. Jackson, and Jeremy Renner all bounce off of each other so naturally. The balance of dramatic moments and back and forth humour on display laid the blueprint for many MCU films to come, most notably Guardians of the Galaxy.
Tom Hiddleston steps up his game from the first Thor film and gives us an instantly iconic villain in Loki, one that has only been rivalled since by Thanos in terms of character development and story.
The set pieces are fantastic as well, most memorably, the Hulk and Thor battle on the Helicarrier, and of course the huge and ridiculous final show down in Manhattan, and the CGI still looks great 8 years down the line. A big event movie such as this was only made possible by introducing the individual characters slowly over a number of years, and it's proof that patience pays off. A formula that Marvel Studios have since mastered.
I know that none of these films are The Shawshank Redemption or Citizen Kane, but fuck me, films like Avengers Assemble (it's UK title) are so stupidly entertaining, and everything a kid who grew up reading comics could possibly want.
The main bulk of the cast, comprised of Robert Downey Jr, Chris Hemsworth, Chris Evans, Scarlett Johansson, Mark Ruffalo (in his first appearance as Bruce Banner/Hulk), Samuel L. Jackson, and Jeremy Renner all bounce off of each other so naturally. The balance of dramatic moments and back and forth humour on display laid the blueprint for many MCU films to come, most notably Guardians of the Galaxy.
Tom Hiddleston steps up his game from the first Thor film and gives us an instantly iconic villain in Loki, one that has only been rivalled since by Thanos in terms of character development and story.
The set pieces are fantastic as well, most memorably, the Hulk and Thor battle on the Helicarrier, and of course the huge and ridiculous final show down in Manhattan, and the CGI still looks great 8 years down the line. A big event movie such as this was only made possible by introducing the individual characters slowly over a number of years, and it's proof that patience pays off. A formula that Marvel Studios have since mastered.
I know that none of these films are The Shawshank Redemption or Citizen Kane, but fuck me, films like Avengers Assemble (it's UK title) are so stupidly entertaining, and everything a kid who grew up reading comics could possibly want.
BankofMarquis (1832 KP) rated Black Widow (2021) in Movies
Jul 19, 2021
A Winning Return for the MCU
The Marvel Cinematic Universe is back!
With the much delayed premiere of BLACK WIDOW, the MCU returns with a fun romp that is part family drama, part action adventure - and all MCU.
Starring Scarlett Johansson, of course, as the titular character, BLACK WIDOW takes place after CAPTAIN AMERICA: CIVIL WAR and before AVENGERS: INFINITY WAR. Natasha Romanoff, aka Black Widow, teams up with her “other” family to stop a team of enemy assasins.
But, it’s not the plot that we care about in these types of movies, it’s the characters and the action. And this film brings both in abundance.
Let’s start with the characters - the 4 main “family” members - Johansson (Black Widow), Florence Pugh (Yelena), David Harbour (Alexei) and Rachel Weisz (Melina) are wonderful to spend time with. These are characters that I want to see on the screen and their interactions - though sometimes confrontational - is filled with friendship, respect and love. This is something that other “universes” don’t quite get as well as the MCU and it shows.
Johannson, of course, is terrific as Black Widow. She has this character down and if this is her last go around as this character, she’ll got out with her head held high. David Harbour (STRANGER THINGS) is the comic relief of this film as his (somewhat) overweight superhero RED GUARDIAN, tries to fit into his old costume (reminiscent of MR. INCREDIBLE) while Rachel Weisz (Oscar winner for THE CONSTANT GARDNER) is the grounding/realistic character.
But all 3 of these take a back seat to the terrific Florence Pugh (Oscar nominated for LITTLE WOMEN a few year’s back) as the “little sister” of Black Widow. She and Johannson have terrific chemistry together and the writers/directors give Pugh most of the good lines that will lead the audience to be won over by her character.
The only blemish I have in the performances of this film is Ray Winstone’s rather “average” performance as the main bad guy in this film. I don’t fault Winstone’s performance, I think that it is because the part is underwritten or, worst yet, an afterthought of the writers.
Director Cate Shortland (LORE) does a good job keeping the film moving while interspersing the family drama with the action and the humor at a brisk enough clip to keep your interest for the full 134 minutes of this film. It’s a good return to the MCU and one that will keep you coming back for more.
Which is EXACTLY what the MCU wishes you to do.
Letter Grade: A-
8 stars (out of 10) and you can take that to the Bank(ofMarquis)
With the much delayed premiere of BLACK WIDOW, the MCU returns with a fun romp that is part family drama, part action adventure - and all MCU.
Starring Scarlett Johansson, of course, as the titular character, BLACK WIDOW takes place after CAPTAIN AMERICA: CIVIL WAR and before AVENGERS: INFINITY WAR. Natasha Romanoff, aka Black Widow, teams up with her “other” family to stop a team of enemy assasins.
But, it’s not the plot that we care about in these types of movies, it’s the characters and the action. And this film brings both in abundance.
Let’s start with the characters - the 4 main “family” members - Johansson (Black Widow), Florence Pugh (Yelena), David Harbour (Alexei) and Rachel Weisz (Melina) are wonderful to spend time with. These are characters that I want to see on the screen and their interactions - though sometimes confrontational - is filled with friendship, respect and love. This is something that other “universes” don’t quite get as well as the MCU and it shows.
Johannson, of course, is terrific as Black Widow. She has this character down and if this is her last go around as this character, she’ll got out with her head held high. David Harbour (STRANGER THINGS) is the comic relief of this film as his (somewhat) overweight superhero RED GUARDIAN, tries to fit into his old costume (reminiscent of MR. INCREDIBLE) while Rachel Weisz (Oscar winner for THE CONSTANT GARDNER) is the grounding/realistic character.
But all 3 of these take a back seat to the terrific Florence Pugh (Oscar nominated for LITTLE WOMEN a few year’s back) as the “little sister” of Black Widow. She and Johannson have terrific chemistry together and the writers/directors give Pugh most of the good lines that will lead the audience to be won over by her character.
The only blemish I have in the performances of this film is Ray Winstone’s rather “average” performance as the main bad guy in this film. I don’t fault Winstone’s performance, I think that it is because the part is underwritten or, worst yet, an afterthought of the writers.
Director Cate Shortland (LORE) does a good job keeping the film moving while interspersing the family drama with the action and the humor at a brisk enough clip to keep your interest for the full 134 minutes of this film. It’s a good return to the MCU and one that will keep you coming back for more.
Which is EXACTLY what the MCU wishes you to do.
Letter Grade: A-
8 stars (out of 10) and you can take that to the Bank(ofMarquis)
Lee (2222 KP) rated Jojo Rabbit (2019) in Movies
Dec 17, 2019
During the opening credits of Jojo Rabbit, we're treated to The Beatles singing "I Want to Hold Your Hand" while documentary footage plays showing crowds of Germans going absolutely nuts for Hitler, sieg-heiling and cheering for him. It's a fairly good indication of the kind of humour you can expect from Jojo Rabbit and writer/director Taika Waititi, who hit the big time after directing 'Thor Ragnarok', but has previously been responsible for a wide range of brilliantly quirky movies such as 'What We Do in the Shadows' and 'Hunt for the Wilderpeople'.
We begin by meeting 10 year old German boy, Johannes 'Jojo' Betzler (Roman Griffin Davis), as he nervously prepares to head off to Nazi youth camp in order to fulfill his dream of serving Adolf Hitler. Heading up the camp is one-eyed Captain Klenzendorf (Sam Rockwell), aided by a bunch of inept instructors, including Fraulein Rahm (Rebel Wilson) and Finkel (Alfie Allen). At the camp, boys get to play with knives and hand grenades, girls are taught the importance of having babies (Fraulein Rahm has given birth to 18!), while all of the children are taught about the evil monsters that are the Jews. Accompanying Jojo at the camp are best friend Yorki (a brilliant Archie Yates, soon to be starring in the recently announced remake of Home Alone) and Jojo's imaginary friend Hitler (Taika Waititi). When Jojo refuses to wring the neck of rabbit during a lesson on killing (earning him the nickname Jojo Rabbit), and is hospitalised following an unfortunate incident with a grenade, he is forced to leave the camp behind, returning home to be with his mother Rosie (Scarlett Johansson).
While his mother is out during the day, Jojo discovers a teenage Jewish girl named Elsa (Thomasin McKenzie) hiding out in the wall-space of his sisters bedroom. Jojo is initially shocked, and repulsed, by this hideous Jew, even more so when he discovers that it was his mother who was responsible for hiding her. As time goes on though, Jojo and Elsa begin to form a friendship, with Elsa feeding Jojo a series of made up ridiculous stories and tales regarding the origins and ways of Jews so that Jojo can write a book about them. All the while, Rosie remains completely unaware that Jojo knows anything of Elsa. The bumbling, goofy Hitler occasionally shows up too when Jojo needs words of encouragement, or when times are tough, and provides us with some welcome light relief. More humour is provided in the form of various smaller characters, including gestapo member Stephen Merchant and his team during what is essentially a pretty serious and dramatic scene as they show up and ransack Jojo's house.
But Jojo Rabbit is a movie about relationships. The Jojo/Hitler dynamic begins to take a backseat as things start to get more serious and we focus more on the bond between Jojo and his mother, and the relationship between Jojo and Elsa, as the final months of the war play out. The child actors in Jojo Rabbit are all outstanding and we also get to see a wonderfully different side to Scarlett Johansson. Sam Rockwell is hilarious and Rebel Wilson is just, well, Rebel Wilson! Occasionally though, we are dealt an unexpected gut punch, and it's fair to say that you'll be crying at Jojo Rabbit just as much as you'll be laughing. If I'm honest, I really wasn't expecting that side to Jojo Rabbit and it did more for me and my enjoyment of the movie than the comedy did, which wasn't really as laugh out loud as I thought it would be. Overall though, Jojo Rabbit is simply wonderful - funny, heartbreaking, sad and poignant - and unlike anything you've ever seen before.
We begin by meeting 10 year old German boy, Johannes 'Jojo' Betzler (Roman Griffin Davis), as he nervously prepares to head off to Nazi youth camp in order to fulfill his dream of serving Adolf Hitler. Heading up the camp is one-eyed Captain Klenzendorf (Sam Rockwell), aided by a bunch of inept instructors, including Fraulein Rahm (Rebel Wilson) and Finkel (Alfie Allen). At the camp, boys get to play with knives and hand grenades, girls are taught the importance of having babies (Fraulein Rahm has given birth to 18!), while all of the children are taught about the evil monsters that are the Jews. Accompanying Jojo at the camp are best friend Yorki (a brilliant Archie Yates, soon to be starring in the recently announced remake of Home Alone) and Jojo's imaginary friend Hitler (Taika Waititi). When Jojo refuses to wring the neck of rabbit during a lesson on killing (earning him the nickname Jojo Rabbit), and is hospitalised following an unfortunate incident with a grenade, he is forced to leave the camp behind, returning home to be with his mother Rosie (Scarlett Johansson).
While his mother is out during the day, Jojo discovers a teenage Jewish girl named Elsa (Thomasin McKenzie) hiding out in the wall-space of his sisters bedroom. Jojo is initially shocked, and repulsed, by this hideous Jew, even more so when he discovers that it was his mother who was responsible for hiding her. As time goes on though, Jojo and Elsa begin to form a friendship, with Elsa feeding Jojo a series of made up ridiculous stories and tales regarding the origins and ways of Jews so that Jojo can write a book about them. All the while, Rosie remains completely unaware that Jojo knows anything of Elsa. The bumbling, goofy Hitler occasionally shows up too when Jojo needs words of encouragement, or when times are tough, and provides us with some welcome light relief. More humour is provided in the form of various smaller characters, including gestapo member Stephen Merchant and his team during what is essentially a pretty serious and dramatic scene as they show up and ransack Jojo's house.
But Jojo Rabbit is a movie about relationships. The Jojo/Hitler dynamic begins to take a backseat as things start to get more serious and we focus more on the bond between Jojo and his mother, and the relationship between Jojo and Elsa, as the final months of the war play out. The child actors in Jojo Rabbit are all outstanding and we also get to see a wonderfully different side to Scarlett Johansson. Sam Rockwell is hilarious and Rebel Wilson is just, well, Rebel Wilson! Occasionally though, we are dealt an unexpected gut punch, and it's fair to say that you'll be crying at Jojo Rabbit just as much as you'll be laughing. If I'm honest, I really wasn't expecting that side to Jojo Rabbit and it did more for me and my enjoyment of the movie than the comedy did, which wasn't really as laugh out loud as I thought it would be. Overall though, Jojo Rabbit is simply wonderful - funny, heartbreaking, sad and poignant - and unlike anything you've ever seen before.
Phillip McSween (751 KP) rated Under the Skin (2014) in Movies
Feb 9, 2018
Hoped For More
Under the Skin was doing just fine...until it took a strange direction that I really couldn't get behind. I can't explain it without ruining the movie so I won't. I'm not saying it's not worth watching at least once. However, even if you end up liking it, your appreciation for the film may not be immediate.
I say that because it took me awhile to digest some of the messages sprinkled throughout the film because I was too busy trying to focus on what was actually happening plot-wise. The film preaches that we are victims of our own desires, the things we should probably stay away from but can't. When we don't get the things that we want, we would rather destroy those things than treat them as a loss and move on. How many times have you heard, "I didn't want that job anyway" or "I hate that team. They win too much"? If we can't have the good thing, then no one should have it.
With strong messages like these, It's a wonder the film wasn't better. Overall, it just felt like a puzzle with missing pieces. You're guessing continuously, expecting things to fall into place at some point, but they never do. Again, not a bad film...it just could have been so much more. I expected more excitement and intrigue from a film about an alien female roaming Scotland streets luring men into her van.
For what it's worth, the film does a great job of grabbing your attention and curiosity immediately, setting a tone that demands your attention. Scarlett Johansson was great in her role as Laura the alien life form. You can't help but relate to her struggle of trying to blend in while trying to complete her mission at the same time. Perhaps that was another message: We shouldn't try and change who we are to fit in with social norms. A few tweaks could have made this film a lot better. Overall I give Under the Skin a 75.
I say that because it took me awhile to digest some of the messages sprinkled throughout the film because I was too busy trying to focus on what was actually happening plot-wise. The film preaches that we are victims of our own desires, the things we should probably stay away from but can't. When we don't get the things that we want, we would rather destroy those things than treat them as a loss and move on. How many times have you heard, "I didn't want that job anyway" or "I hate that team. They win too much"? If we can't have the good thing, then no one should have it.
With strong messages like these, It's a wonder the film wasn't better. Overall, it just felt like a puzzle with missing pieces. You're guessing continuously, expecting things to fall into place at some point, but they never do. Again, not a bad film...it just could have been so much more. I expected more excitement and intrigue from a film about an alien female roaming Scotland streets luring men into her van.
For what it's worth, the film does a great job of grabbing your attention and curiosity immediately, setting a tone that demands your attention. Scarlett Johansson was great in her role as Laura the alien life form. You can't help but relate to her struggle of trying to blend in while trying to complete her mission at the same time. Perhaps that was another message: We shouldn't try and change who we are to fit in with social norms. A few tweaks could have made this film a lot better. Overall I give Under the Skin a 75.
