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Five Nights at Freddy's
Games
7.0
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This is the official mobile port of Five Nights at Freddys! NOTE: This game requires at least 512...
Blair's Halloween Boutique
Games and Education
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How long haven't you been to Blair's Boutique? How's her shop going? It will absolutely surprise you...
Super Phantom Cat 2
Games and Entertainment
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Meet Ari. He's on a journey to rescue his sister, Ina, who has been kidnapped in the mysterious...
The Drop-Dead Temple of Doom (The Alvarez Family Murder Mysteries)
10.0
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A MOUTHFUL OF POISON FROG…. WHERE’S THE LAW OF THE JUNGLE? Ace detective Lee Alvarez is...
Cozy Mystery archeology Private Detective
LeftSideCut (3778 KP) rated Run (2020) in Movies
Oct 10, 2021
For starters, the general premise of Run is a scary one. In a world where everything seems to be getting more tempestuous by the day, it can be difficult to place your trust in other humans, but if there is one person you should be able to trust unconditionally, it's your own mother. It becomes rapidly apparent during the runtime just how much control Diane (Sarah Paulson) has over her daughter Chloe's (Kiera Allen) day-to-day life. When Chloe begins to suspect that things aren't quite what they seem, shit quickly hits the fan. What follows is a thriller that touches upon how damaging and overbearing love can be.
There are some genuinely tense moments sprinkled throughout, and some scenes that are quite uncomfortable to watch (with a few creepy shots thrown in for good measure). It wears it's inspirations on its sleeve - Misery is a clear influence here, both thematically and visually, but it feels like there is homage being paid rather than any ripping off.
The main issue I had was with the pacing. There isn't really much of a build up before Chloe starts to figure out that there's some fuckery afoot - kudos for getting straight to it - but it results in a narrative that takes forever to get to its climax. This is a minor gripe, thanks in no small part to the two lead actresses. I love Sarah Paulson in American Horror Story - even in that shows' low points, she always remains a constant positive - so I'm always happy to see her in other projects. Kiera Allen is the show stealer though, and the two have them share a great dynamic that really bolsters all the other positives.
In short, Aneesh Chaganty has crafted a tight and tense thriller with Run, and after this and Searching, I look forward to whatever he next brings to the table.
There are some genuinely tense moments sprinkled throughout, and some scenes that are quite uncomfortable to watch (with a few creepy shots thrown in for good measure). It wears it's inspirations on its sleeve - Misery is a clear influence here, both thematically and visually, but it feels like there is homage being paid rather than any ripping off.
The main issue I had was with the pacing. There isn't really much of a build up before Chloe starts to figure out that there's some fuckery afoot - kudos for getting straight to it - but it results in a narrative that takes forever to get to its climax. This is a minor gripe, thanks in no small part to the two lead actresses. I love Sarah Paulson in American Horror Story - even in that shows' low points, she always remains a constant positive - so I'm always happy to see her in other projects. Kiera Allen is the show stealer though, and the two have them share a great dynamic that really bolsters all the other positives.
In short, Aneesh Chaganty has crafted a tight and tense thriller with Run, and after this and Searching, I look forward to whatever he next brings to the table.
Hazel (2934 KP) rated The Collaborator's Daughter in Books
Apr 16, 2023
This is something a little bit different to what a normally read but I enjoyed it nonetheless.
Set in two timeliness - 2010 and 1944 - the story is written from the point of view of Fran (Safranka) in Sussex in 2010 and her father, Branko in Dubrovnik in 1944. Fran was born in Dubrovnik but left with her mother when she was just a baby and never knew her father but was always told he was a hero.
Fran is now in her 60's; her stepfather has recently passed away having lost her mother a number of years earlier. With her son having grown up with his own family and having found out that her father's remains have been found in a mass grave containing fascists and collaborators from World War II; Fran decides to return to her country of birth to learn more about her father and to find out what she wants to do with the rest of her life now she has no one left to care for.
I loved the characters and particularly the fact that they were of an older generation which was a refreshing change proving that it's never too late to change your life although it remains a scary concept. I loved the setting and the descriptions of Dubrovnik which really made me want to visit. I found the sections set in 1944 were my favourite parts, I wish they had been longer and more in depth however, the author has explained why this was very difficult due to the lack of information available.
Overall, an enjoyable read and whilst I don't usually like a book that has quite such a focus on romance, it did work well with this particular story and it made for a gentle and easy read.
My thanks go to HarperCollins UK, One More Chapter and NetGalley for enabling me to read and share my thoughts of The Collaborator's Daughter.
Set in two timeliness - 2010 and 1944 - the story is written from the point of view of Fran (Safranka) in Sussex in 2010 and her father, Branko in Dubrovnik in 1944. Fran was born in Dubrovnik but left with her mother when she was just a baby and never knew her father but was always told he was a hero.
Fran is now in her 60's; her stepfather has recently passed away having lost her mother a number of years earlier. With her son having grown up with his own family and having found out that her father's remains have been found in a mass grave containing fascists and collaborators from World War II; Fran decides to return to her country of birth to learn more about her father and to find out what she wants to do with the rest of her life now she has no one left to care for.
I loved the characters and particularly the fact that they were of an older generation which was a refreshing change proving that it's never too late to change your life although it remains a scary concept. I loved the setting and the descriptions of Dubrovnik which really made me want to visit. I found the sections set in 1944 were my favourite parts, I wish they had been longer and more in depth however, the author has explained why this was very difficult due to the lack of information available.
Overall, an enjoyable read and whilst I don't usually like a book that has quite such a focus on romance, it did work well with this particular story and it made for a gentle and easy read.
My thanks go to HarperCollins UK, One More Chapter and NetGalley for enabling me to read and share my thoughts of The Collaborator's Daughter.
Gypsy Freak (All the Pretty Monsters #2)
8.0
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What's it like to be a monster in a town full of monsters, who don't know you're a...
Daniel Boyd (1066 KP) rated It (2017) in Movies
Oct 4, 2017
The cast are great (1 more)
Good tonal balance of horror and comedy
Sloppy technical elements (1 more)
Predictable jumpscares
Time To Float!
Contains spoilers, click to show
The 2017 remake of IT has been highly anticipated by Stephen King fans around the world and being a huge fan of King myself and growing up reading his stuff meant I was looking forward to seeing this. I also loved the original 1990 version when I was younger, so I was really hoping that this wouldn’t suck. Spoilers are going to follow for anyone that cares.
Let’s go through what I liked first of all. The movie opens with the tragic and brutal death of Georgie Denborough. Just like the book, he follows his paper sailboat down a storm drain, where he first encounters IT. This first appearance of Bill Skarsgard as Pennywise sets the tone for the rest of the movie, unflinching and horrifying. I felt that this intro was extremely effective in setting up what the audience could expect from this adaption, both tonally and visually.
I thought that the child actors in the movie where phenomenal, much better than I had anticipated. They all do a great job with the material they are given and each manage to bring some range to their roles. I liked the visuals for the most part and appreciated the use of mostly practical effects, my highlights being the headless burning boy in the library and when Pennywise’s entire head opens up to consume Beverly.
I enjoyed the fact that the movie served as both a coming of age story and as a horror movie. Stranger Things was clearly inspired by the original IT and this version is clearly inspired by Stanger Things, which was nice to see as a fan of both series. I liked how the movie was about kids, but dealt with adult themes in a mature manner. I also admire how the movie worked in a fair amount of comedic moments whilst still remaining frightening. Another thing that I appreciated was the few moments of subtle creepyness that the film sprinkled throughout, such as the kids TV show that was heard in the background talking about how ‘you should dance along with the clown,’ and encouraging you to be violent etc, I thought that this was a really nice touch. Also, during the library scene where Ben is flipping through the history book, I think IT took the form of the librarian, as the librarian is really creepily staring at Ben from the background of the scene, which really freaked me out when I noticed it. I also liked how some of the jumpscares worked, but unfortunately not all of them did.
Now onto what I didn’t like; my biggest issue with this movie is how formulaic it ends up feeling by around the halfway mark. With each new member of the losers club we are introduced to, we find out what the kid is scared of, then IT appears to them as the aforementioned fear, then we get a jumpscare and the scene cuts away, the next kid is introduced and the same thing happens again. This occurs repeatedly about eight times and by the fifth or sixth time it isn’t scary any longer. The worst thing that a horror movie can be is to become predictable and I’m sorry to say that this is what happens here. It ends up feeling like a checklist:
1. A child is introduced into the movie. Check
2. Some exposition is given for why they are scared of a certain thing. Check
3. IT takes the form of said fear and scares the kid. Check
4. Jumpscare happens and we abruptly cut to the next scene. Check
5. Rinse and repeat.
Some of the jumpscares do work though. Although the jumpscare during the projector screen was very obviously telegraphed, the fact that Pennywise was so huge in that scene took me by surprise, which was a nice touch. Also the scene I mentioned earlier with the headless boy in the library was well structured in the sense that once the boy was chasing Ben through the library you thought you had seen the scare, but when Pennywise leapt out from nowhere it was a genuine surprise.
The sound design is another element of the movie that I had a love/hate relationship with. For me, good sound design is essential to any worthwhile horror movie. I thought that the score used in the film was fantastic; the varied pieces perfectly complemented the tone of each scene they were used in. I also thought that some of the sound effects were well implemented in places. At other points though, the audio just annoyed me. The most egregious example of this was after Beverly smacked her dad across the head and IT appears behind her and grabs her. The sound that occurs here is ear piercingly loud, to the point that it was uncomfortable. It’s not scary, it’s not enjoyable, it’s just obnoxiously loud. It also comes across as lazy; it’s as if in post production someone decided that that scene wasn’t scary enough, so as a quick fix they just put in a painfully loud noise.
Another technical element that bothered me in places was the lighting. Don’t get me wrong, I enjoyed how a lot of the scenes took place in broad daylight, meaning we could see IT in all of his terrifying glory and in some scenes the lack of lighting added a sense of dread and helped with the film’s tone, but at times it obscured what was going on and shrouded too much of the environment and characters in darkness, to the point where you were having to squint to see what was going on.
Overall, this is a decent adaption. Bill Skarsgard does a fantastic job as Pennywise, the actors playing the kids are all great and the movie does have some effective scares. I was just taken out of it too many times though, due to the predictable nature of the repeated jumpscare sequences and some really poorly implemented technical elements.
Let’s go through what I liked first of all. The movie opens with the tragic and brutal death of Georgie Denborough. Just like the book, he follows his paper sailboat down a storm drain, where he first encounters IT. This first appearance of Bill Skarsgard as Pennywise sets the tone for the rest of the movie, unflinching and horrifying. I felt that this intro was extremely effective in setting up what the audience could expect from this adaption, both tonally and visually.
I thought that the child actors in the movie where phenomenal, much better than I had anticipated. They all do a great job with the material they are given and each manage to bring some range to their roles. I liked the visuals for the most part and appreciated the use of mostly practical effects, my highlights being the headless burning boy in the library and when Pennywise’s entire head opens up to consume Beverly.
I enjoyed the fact that the movie served as both a coming of age story and as a horror movie. Stranger Things was clearly inspired by the original IT and this version is clearly inspired by Stanger Things, which was nice to see as a fan of both series. I liked how the movie was about kids, but dealt with adult themes in a mature manner. I also admire how the movie worked in a fair amount of comedic moments whilst still remaining frightening. Another thing that I appreciated was the few moments of subtle creepyness that the film sprinkled throughout, such as the kids TV show that was heard in the background talking about how ‘you should dance along with the clown,’ and encouraging you to be violent etc, I thought that this was a really nice touch. Also, during the library scene where Ben is flipping through the history book, I think IT took the form of the librarian, as the librarian is really creepily staring at Ben from the background of the scene, which really freaked me out when I noticed it. I also liked how some of the jumpscares worked, but unfortunately not all of them did.
Now onto what I didn’t like; my biggest issue with this movie is how formulaic it ends up feeling by around the halfway mark. With each new member of the losers club we are introduced to, we find out what the kid is scared of, then IT appears to them as the aforementioned fear, then we get a jumpscare and the scene cuts away, the next kid is introduced and the same thing happens again. This occurs repeatedly about eight times and by the fifth or sixth time it isn’t scary any longer. The worst thing that a horror movie can be is to become predictable and I’m sorry to say that this is what happens here. It ends up feeling like a checklist:
1. A child is introduced into the movie. Check
2. Some exposition is given for why they are scared of a certain thing. Check
3. IT takes the form of said fear and scares the kid. Check
4. Jumpscare happens and we abruptly cut to the next scene. Check
5. Rinse and repeat.
Some of the jumpscares do work though. Although the jumpscare during the projector screen was very obviously telegraphed, the fact that Pennywise was so huge in that scene took me by surprise, which was a nice touch. Also the scene I mentioned earlier with the headless boy in the library was well structured in the sense that once the boy was chasing Ben through the library you thought you had seen the scare, but when Pennywise leapt out from nowhere it was a genuine surprise.
The sound design is another element of the movie that I had a love/hate relationship with. For me, good sound design is essential to any worthwhile horror movie. I thought that the score used in the film was fantastic; the varied pieces perfectly complemented the tone of each scene they were used in. I also thought that some of the sound effects were well implemented in places. At other points though, the audio just annoyed me. The most egregious example of this was after Beverly smacked her dad across the head and IT appears behind her and grabs her. The sound that occurs here is ear piercingly loud, to the point that it was uncomfortable. It’s not scary, it’s not enjoyable, it’s just obnoxiously loud. It also comes across as lazy; it’s as if in post production someone decided that that scene wasn’t scary enough, so as a quick fix they just put in a painfully loud noise.
Another technical element that bothered me in places was the lighting. Don’t get me wrong, I enjoyed how a lot of the scenes took place in broad daylight, meaning we could see IT in all of his terrifying glory and in some scenes the lack of lighting added a sense of dread and helped with the film’s tone, but at times it obscured what was going on and shrouded too much of the environment and characters in darkness, to the point where you were having to squint to see what was going on.
Overall, this is a decent adaption. Bill Skarsgard does a fantastic job as Pennywise, the actors playing the kids are all great and the movie does have some effective scares. I was just taken out of it too many times though, due to the predictable nature of the repeated jumpscare sequences and some really poorly implemented technical elements.
Gareth von Kallenbach (980 KP) rated Annabelle Comes Home (2019) in Movies
Jun 28, 2019
Not The Best In The Series But Entertains
One of the most intriguing yet often exaggerated lines in movie history is “based on actual events”. I’ve always had a fascination with supernatural thrillers that came with this tag line, whether it’s a movie like Amityville Horror or The Exorcism of Emily Rose. None of these are more popular than The Conjuring series, based on two real life demonologists Ed and Lorraine Warren. Whether you believe in ghosts and haunted houses or not, these films always played on the notion that the events “could” possibly happen…even if they were exaggerated for Hollywood audiences. Annabelle Comes Home breaks the trend of previous Conjuring movies by not bothering to pretend that it’s based on any of the “actual” events from the previous films. So how does it stack up to its predecessors?
The movie begins with Ed and Lorraine Warren retrieving Annabelle and taking the scary doll home to lock her away in the now infamous artifact room. The dolls presence is so evil, that it takes not only blessings by a priest but being locked away in a case made up of glass from an old church to keep it’s evil at bay. Not only is the display case locked, but a sign is placed upon it, warning any who may enter not to release the doll within. Several pad locks later the Warrens feel comfortable that the evil within is contained.
A year passes and both Ed and Lorraine are called away on business, entrusting the care of their young daughter Judy (McKenna Grace) to her responsible babysitter Mary Ellen (Madison Iseman). Mary Ellen’s friend Daniela (Katie Sarife) blackmails Mary Ellen into allowing her to come over and stay with her and Judy in the Warren’s household. Using an opportunity when both Judy and Mary Ellen are out of the house, Daniela finds the artifact room (and the keys necessary to open it), and what at first appears to be idle curiosity, quickly turns into an attempt to utilize the artifacts in the room to reach out to her recently deceased father. It is in this attempt that Daniela unknowingly releases the evil in the room when she opens the case that Annabelle is in (it’s not like there was a BIG sign warning her not to do so).
Annabelle in her search for a soul, releases the full power and evil of all the artifacts in the room. Everything from an empty suit of Samurai armor to a wedding dress the drives the wearer insane is on display. Even a werewolf is released upon the world hunting an unwary suitor of Mary Ellen’s who happens to be at the wrong place at the wrong time. It’s up to this band of babysitters and children to restore order to the house and find a way to contain the evil that has been brought upon the world.
Annabelle Comes Home starts out fairly slow and takes awhile to build the tension. The first hour of the movie is mainly the interaction between the family and friends, and introductions to the various artifacts that are in the room. It’s not until the second half of the film when things really begin to take off. When the movie finally hits its creepy stride, it has plenty of genuine scares and intense moments, but focuses on several of the iconic artifacts and their affect on the individuals in the house.
While each of the artifacts has its own unique and interesting characteristics, we are hit with a barrage of items that are each going after one of the guests in the house. Whether it’s the television that can predict the future, or the locket that allows communication with the dead, it’s a lot to keep track of and tends to lose focus on the main plot. The movie attempts to cram every noticeable item from its previous films and give it some main purpose in the plot. In fact, the creepiest of all the artifacts Annabelle, takes on the role of evil puppet master controlling the artifacts which means less screen time and scares for her. Personally, Annabelle is scary enough to carry her own film (she has in previous installments), but in this film she is relegated to a side character, where the haunted artifacts take center stage.
The area I feel the movie loses the most is in the “believability” state. Remember that the Conjuring universe is based on real people, and on their actual encounters. Unfortunately, at no point in this film does one believe that any of these supernatural events could be mistaken for reality. It’s what I feel is the difference between a supernatural thriller and simply a monster movie. Much like other supernatural films, it’s about what you don’t see, rather than what you do, and Annabelle Comes Home unfortunately relies too much on its visuals leaving little to the viewers imagination. Imagining what a demon could look like is scarier than what Hollywood can dream up and show on the screen.
Ultimately Annabelle Comes home is a good movie which should have been great. It forgoes much of what made the series popular and replaces it with some goofy scenes and special effects. The artifacts are interesting, which makes the movie enjoyable, but not scary. I went in with hopes that I’d leave at least a little unnerved, looking under my covers, or turning the numerous dolls around that adorn my wife’s doll room. Unfortunately, I left feeling as though I’d simply been given a tour of the artifact room, with one night of scares that would disappear the next morning, as if from a bad dream. If you are looking to be scared, this movie likely won’t do that. If you are looking for an interesting movie with deeper background into the artifacts that have adorned the Warrens room for the past films, then this is the film for you.
3 out of 5 stars
http://sknr.net/2019/06/20/annabelle-comes-home/
The movie begins with Ed and Lorraine Warren retrieving Annabelle and taking the scary doll home to lock her away in the now infamous artifact room. The dolls presence is so evil, that it takes not only blessings by a priest but being locked away in a case made up of glass from an old church to keep it’s evil at bay. Not only is the display case locked, but a sign is placed upon it, warning any who may enter not to release the doll within. Several pad locks later the Warrens feel comfortable that the evil within is contained.
A year passes and both Ed and Lorraine are called away on business, entrusting the care of their young daughter Judy (McKenna Grace) to her responsible babysitter Mary Ellen (Madison Iseman). Mary Ellen’s friend Daniela (Katie Sarife) blackmails Mary Ellen into allowing her to come over and stay with her and Judy in the Warren’s household. Using an opportunity when both Judy and Mary Ellen are out of the house, Daniela finds the artifact room (and the keys necessary to open it), and what at first appears to be idle curiosity, quickly turns into an attempt to utilize the artifacts in the room to reach out to her recently deceased father. It is in this attempt that Daniela unknowingly releases the evil in the room when she opens the case that Annabelle is in (it’s not like there was a BIG sign warning her not to do so).
Annabelle in her search for a soul, releases the full power and evil of all the artifacts in the room. Everything from an empty suit of Samurai armor to a wedding dress the drives the wearer insane is on display. Even a werewolf is released upon the world hunting an unwary suitor of Mary Ellen’s who happens to be at the wrong place at the wrong time. It’s up to this band of babysitters and children to restore order to the house and find a way to contain the evil that has been brought upon the world.
Annabelle Comes Home starts out fairly slow and takes awhile to build the tension. The first hour of the movie is mainly the interaction between the family and friends, and introductions to the various artifacts that are in the room. It’s not until the second half of the film when things really begin to take off. When the movie finally hits its creepy stride, it has plenty of genuine scares and intense moments, but focuses on several of the iconic artifacts and their affect on the individuals in the house.
While each of the artifacts has its own unique and interesting characteristics, we are hit with a barrage of items that are each going after one of the guests in the house. Whether it’s the television that can predict the future, or the locket that allows communication with the dead, it’s a lot to keep track of and tends to lose focus on the main plot. The movie attempts to cram every noticeable item from its previous films and give it some main purpose in the plot. In fact, the creepiest of all the artifacts Annabelle, takes on the role of evil puppet master controlling the artifacts which means less screen time and scares for her. Personally, Annabelle is scary enough to carry her own film (she has in previous installments), but in this film she is relegated to a side character, where the haunted artifacts take center stage.
The area I feel the movie loses the most is in the “believability” state. Remember that the Conjuring universe is based on real people, and on their actual encounters. Unfortunately, at no point in this film does one believe that any of these supernatural events could be mistaken for reality. It’s what I feel is the difference between a supernatural thriller and simply a monster movie. Much like other supernatural films, it’s about what you don’t see, rather than what you do, and Annabelle Comes Home unfortunately relies too much on its visuals leaving little to the viewers imagination. Imagining what a demon could look like is scarier than what Hollywood can dream up and show on the screen.
Ultimately Annabelle Comes home is a good movie which should have been great. It forgoes much of what made the series popular and replaces it with some goofy scenes and special effects. The artifacts are interesting, which makes the movie enjoyable, but not scary. I went in with hopes that I’d leave at least a little unnerved, looking under my covers, or turning the numerous dolls around that adorn my wife’s doll room. Unfortunately, I left feeling as though I’d simply been given a tour of the artifact room, with one night of scares that would disappear the next morning, as if from a bad dream. If you are looking to be scared, this movie likely won’t do that. If you are looking for an interesting movie with deeper background into the artifacts that have adorned the Warrens room for the past films, then this is the film for you.
3 out of 5 stars
http://sknr.net/2019/06/20/annabelle-comes-home/
Heather Cranmer (2721 KP) rated The Midnight Side in Books
Jun 7, 2018
(This review can be found on my blog <a href="http://themisadventuresofatwentysomething.blogspot.com/">The (Mis)Adventures of a Twenty-Something Year Old Girl</a>).
When I read the blurb for The Midnight Side by Natasha Mostert, I thought I was in for a scary ghost story. However, it's not really scary, and there's not much ghost in it. While it wasn't a fantastic read, it was still a decent one.
Isabelle (Isa for short) and Alette are cousins who have always been fairly close. As children, they would lucid dream together. When Alette dies in a car accident, Isabelle flies over from South Africa to England since she was Alette's sole beneficiary. Alette leaves three envelopes for Isabelle asking her for to do a big favor. Things become a bit more complicated when Isabelle develops romantic feelings for Alette's ex. Unknowingly, Alette has put Isabelle in danger. Will Isabelle make it out alive or will she suffer the same fate as Alette?
I don't really get the title. To me, it doesn't really seem to fit the book at all. Nothing special takes place at midnight, so the title is a bit misleading and confusing.
I'm not a fan of the cover at all. Besides showing Big Ben which is in London where the story takes place, the cover doesn't relate to the book at all.
I felt the world building was believable. There's been documented cases of lucid dreaming and receiving telephone calls from the dead. Besides the supernatural aspects, the rest of the world building was believable as well. The only thing I found a bit hard to believe was that Isabelle would develop romantic feelings for Alette's ex after she told her how he treated her. Plus, Alette was not only Isabelle's cousin, but they were like best friends. I suppose it does happen in real life, but it was a bit too instant to be 100% believable.
The pacing was a bit hit and miss throughout the first two-thirds of the book, but when it got to the last third of the book, the pacing steadied out, and I was hooked until the very end of the book.
I was a little bit confused with the story line. In my opinion, it was as if the book couldn't decide if it wanted to be more of a paranormal story or a psychological thriller. Alette leaves Isabelle instructions on how to bring her ex-husband's company crashing down. Isabelle must decide if she wants to comply with her deceased cousin's wish or listen to her heart. During this, Isabelle keeps receiving calls from Alette from the other side as well as Alette appearing in her dreams during lucid dreaming. There is a plot twist that I never saw coming. There's also no cliff hanger ending.
I thought the characters were all well developed. Even if Alette was a bit selfish, I still admired her determination. Isabelle is more of a follower instead of a leader which is why she does what Alette wants her to do. I started off not liking Justin, but by the middle of the book or so, I realized what a large heart he really had. Michael seemed like a good friend, but to me, he seemed to be a bit too...caring if that makes sense.
As for the dialogue, I felt that it flowed very well. In fact, I wish there would've been more dialogue instead of description. I think that having more dialogue would've made this book a bit better. I don't remember any swearing in this book, and the violence is mild.
Overall, The Midnight Side is a decent read. I think it would've been better with more dialogue and less description. I would've also liked more paranormal elements in the book, but that's just a personal preference.
I'd recommend this book to those aged 18+ who are fans of the psychological thriller as horror fans probably won't be too impressed.
<b>I'd give The Midnight Side by Natasha Mostert a 3.5 out of 5.</b>
(I received a free ecopy of this title from the publisher through Netgalley in exchange for a fair and honest review).
When I read the blurb for The Midnight Side by Natasha Mostert, I thought I was in for a scary ghost story. However, it's not really scary, and there's not much ghost in it. While it wasn't a fantastic read, it was still a decent one.
Isabelle (Isa for short) and Alette are cousins who have always been fairly close. As children, they would lucid dream together. When Alette dies in a car accident, Isabelle flies over from South Africa to England since she was Alette's sole beneficiary. Alette leaves three envelopes for Isabelle asking her for to do a big favor. Things become a bit more complicated when Isabelle develops romantic feelings for Alette's ex. Unknowingly, Alette has put Isabelle in danger. Will Isabelle make it out alive or will she suffer the same fate as Alette?
I don't really get the title. To me, it doesn't really seem to fit the book at all. Nothing special takes place at midnight, so the title is a bit misleading and confusing.
I'm not a fan of the cover at all. Besides showing Big Ben which is in London where the story takes place, the cover doesn't relate to the book at all.
I felt the world building was believable. There's been documented cases of lucid dreaming and receiving telephone calls from the dead. Besides the supernatural aspects, the rest of the world building was believable as well. The only thing I found a bit hard to believe was that Isabelle would develop romantic feelings for Alette's ex after she told her how he treated her. Plus, Alette was not only Isabelle's cousin, but they were like best friends. I suppose it does happen in real life, but it was a bit too instant to be 100% believable.
The pacing was a bit hit and miss throughout the first two-thirds of the book, but when it got to the last third of the book, the pacing steadied out, and I was hooked until the very end of the book.
I was a little bit confused with the story line. In my opinion, it was as if the book couldn't decide if it wanted to be more of a paranormal story or a psychological thriller. Alette leaves Isabelle instructions on how to bring her ex-husband's company crashing down. Isabelle must decide if she wants to comply with her deceased cousin's wish or listen to her heart. During this, Isabelle keeps receiving calls from Alette from the other side as well as Alette appearing in her dreams during lucid dreaming. There is a plot twist that I never saw coming. There's also no cliff hanger ending.
I thought the characters were all well developed. Even if Alette was a bit selfish, I still admired her determination. Isabelle is more of a follower instead of a leader which is why she does what Alette wants her to do. I started off not liking Justin, but by the middle of the book or so, I realized what a large heart he really had. Michael seemed like a good friend, but to me, he seemed to be a bit too...caring if that makes sense.
As for the dialogue, I felt that it flowed very well. In fact, I wish there would've been more dialogue instead of description. I think that having more dialogue would've made this book a bit better. I don't remember any swearing in this book, and the violence is mild.
Overall, The Midnight Side is a decent read. I think it would've been better with more dialogue and less description. I would've also liked more paranormal elements in the book, but that's just a personal preference.
I'd recommend this book to those aged 18+ who are fans of the psychological thriller as horror fans probably won't be too impressed.
<b>I'd give The Midnight Side by Natasha Mostert a 3.5 out of 5.</b>
(I received a free ecopy of this title from the publisher through Netgalley in exchange for a fair and honest review).