Sign up
Search
Advanced search settings

Search only in certain items:

Search results
All (2224)
Content
People
Apps
Books
Orbs
Movies
Music
Podcasts
Shows
Tabletop Games
Tech
TV
Video Games
YouTube Channels
Videos
40x40

ClareR (6106 KP) rated Light Years in Books

Nov 13, 2018  
Light Years
Light Years
Kass Morgan | 2018 | LGBTQ+, Science Fiction/Fantasy, Young Adult (YA)
8
8.0 (1 Ratings)
Book Rating
A new YA Science Fiction series
This is a new YA Science Fiction series, following 4 students at the Quatra Fleet Academy - an academy that has only just allowed students from planets other than the main Tridian planet. This book centres around themes of friendship, prejudice and subterfuge.
Students are split in to teams, where they man their own practice craft, and there is someone from pretty much each of the planets in their system: Cormack is from Deva, and has taken his dead brothers place, unbeknownst to the academy; Vesper is the daughter of a Tridian Commander and teacher at the academy. She is finding it difficult to live up to her mothers expectations; Arran is from Chetire, and is very intelligent, something that caused him untold trouble at home; and Orelia, who says she's from Loos, but hides a greater secret.
This is a great start to a new series, lots of diversity, excitement, and a fast read. It sets up the next book really well, with a very interesting ending - what a cliffhanger!!
Many thanks to NetGalley and Hodder and Stoughton for my copy of this book to read and honestly review.
  
40x40

Roger Corman recommended Avatar (2009) in Movies (curated)

 
Avatar (2009)
Avatar (2009)
2009 | Action, Comedy, Mystery
7.6 (84 Ratings)
Movie Favorite Watch

"You know, I would pick Jim Cameron’s picture, Avatar, as a fifth. It’s the only new picture, I think, that can be up there in that group. Jim Cameron, one of our graduates — who started making low-budget science fiction pictures for us — went and jumped ahead and here’s Avatar, the most expensive science fiction picture ever made. Jim’s a technical genius, and the fact that he single-handedly brought back 3D — which had been up there, in and out a few times; in the ’50s and then forgotten — and he used it beautifully and sensitively. So many times when a director’s working with 3D you have the shot of the arrow coming out of the screen, shooting straight at the audience, and effects like that; he deliberately stayed away from that type of effect and just showed you the 3D world. And the use of computer graphics, green screen, motion capture and so forth for the blue-skinned people on the planet — I just thought it all came together as a brilliant film, both technically, in the way he used 3D, and in the beauty of the picture itself."

Source