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ClareR (6106 KP) rated The Immortalists in Books
May 6, 2018
Do we have a choice or is it all dates?
Starting in 1969, four siblings visit a fortune teller who tells them the exact day that they will each die. This is about how they decide to live their lives knowing that date. Each pet of the book follows a separate sibling, starting with the one who dies the youngest. Each subsequent part takes up after the previous sibling dies.
I really liked this: I liked how the author describes their lives and decisions. I felt that it made them more human and not just another story. I like these family dramas though, and the chance to peek into someone else’s life.
This is definitely not a fantasy or science fiction book though. I did think there was a possibility that it might be when I first read the synopsis, but it’s definitely set in our world. AIDS, depression, obsession, OCD: these people have real life struggles.
It wasn’t always a comfortable read, but I thoroughly enjoyed it.
I really liked this: I liked how the author describes their lives and decisions. I felt that it made them more human and not just another story. I like these family dramas though, and the chance to peek into someone else’s life.
This is definitely not a fantasy or science fiction book though. I did think there was a possibility that it might be when I first read the synopsis, but it’s definitely set in our world. AIDS, depression, obsession, OCD: these people have real life struggles.
It wasn’t always a comfortable read, but I thoroughly enjoyed it.
Awix (3310 KP) rated Quatermass and the Pit (1967) in Movies
Feb 13, 2018
The best of the Quatermass films keeps all the unsettling ideas of Nigel Kneale's original TV scripts and adds Hammer's talent for coming up with smart casting and polished production values. Weird projectile turns up buried under London; the authorities initially assume it's an unexploded bomb from the Second World War, but the presence of fossil ape skeletons in and around the object indicates otherwise, as does a history of hauntings in the area going back hundreds of years. Professor Quatermass begins to suspect that this is a relic of a highly unusual alien invasion that happened before man had even evolved...
Pretty much a perfect fusion of horror and science fiction, giving a convincing extraterrestrial rationale for various paranormal and demonic phenomena; thoughtful and disturbing rather than actually scary. Andrew Keir rocks the joint as Professor Q but is well-supported by everyone else. The sequence in which London is transformed in the final reel is also very well done. Sets the standard for intelligent British SF movies; rather influential in its own way, too.
Pretty much a perfect fusion of horror and science fiction, giving a convincing extraterrestrial rationale for various paranormal and demonic phenomena; thoughtful and disturbing rather than actually scary. Andrew Keir rocks the joint as Professor Q but is well-supported by everyone else. The sequence in which London is transformed in the final reel is also very well done. Sets the standard for intelligent British SF movies; rather influential in its own way, too.
Sean Farrell (9 KP) rated The First Fifteen Lives of Harry August in Books
Mar 15, 2018
What an amazing book! I was intrigued by the rather minimal plot synopsis on the jacket and so had to check this book out, and I am very glad I did. I found the principal character of Harry August to be engaging and interesting and quite enjoyed all the ancillary characters as well, but it was the plot that really hooked me on this one. Without giving anything away I'll just say that it involves reincarnation, time travel, quantum physics, espionage, world history, revenge, and in its own weird way, love. It is somewhat unfair to pigeonhole the book into the science fiction category, as it is really somewhat more of a cat-and-mouse suspense story, although seeing as the plot spans several decades, repeatedly, it does seem as though sci-fi could be the best fit. No matter where you would categorize though, this is easily my favorite read of the year so far, and quite possibly one of my favorite books of all time. Absolutely brilliant.
Suswatibasu (1703 KP) rated Annihilation (2018) in Movies
Mar 15, 2018 (Updated Mar 15, 2018)
Last scene was the only good scene
I may be able to speak for many who saw this film and thought what the heck was that about? Natalie Portman, a biologist, ventures into unknown territory after her husband, played by Oscar Isaac, mysteriously reappears after a year completely oblivious to where he had been. In a bid to seek answers, she teams up with a group of women for what can only be described as a suicide mission.
This may have gone far past Philip K. Dick territory in bizarreness. Most of the film felt inconsequential, with strange atmospheric music, and confusing sequences of events. It definitely seemed like the director tried incredibly hard to create an intelligent science fiction thriller in the same vein as @Solaris (2002) or @Arrival (2016), but the weak plot just seemed to refract his overall intention (see what I did there?)
The last few scenes were probably the most gripping, and rather unnerving. But unfortunately two scenes does not make a film.
This may have gone far past Philip K. Dick territory in bizarreness. Most of the film felt inconsequential, with strange atmospheric music, and confusing sequences of events. It definitely seemed like the director tried incredibly hard to create an intelligent science fiction thriller in the same vein as @Solaris (2002) or @Arrival (2016), but the weak plot just seemed to refract his overall intention (see what I did there?)
The last few scenes were probably the most gripping, and rather unnerving. But unfortunately two scenes does not make a film.
Erika Kehlet (21 KP) rated The 6th Extinction (Sigma Force, #10) in Books
Feb 21, 2018
I enjoyed the story and the exotic locations the story takes place across the globe from the Sierra Nevada Mountains in California, to the remote tepuis of Brazil, and all the way to Antarctica. It was a very fast-paced thriller, with less investigation and more diving-right-in-and-doing than some of the other books in this series. The returning characters from previous novels were a nice surprise, but I wont names in case you are a fan of the series and havent read this one yet. Jenna, Nikko, and Drake were nice additions to the team, and I wouldnt mind seeing them pop up again in future volumes. I do wish that Seichan had a bigger part in this one though.
As always with James Rollinss books, be sure to read / listen to the Notes to the Reader at the end of the novel. He always explains what out of the book is science, and what is fiction. In this novel particularly, that is the scariest part of all.
As always with James Rollinss books, be sure to read / listen to the Notes to the Reader at the end of the novel. He always explains what out of the book is science, and what is fiction. In this novel particularly, that is the scariest part of all.
Awix (3310 KP) rated Blade Runner (1982) in Movies
Nov 25, 2019 (Updated Nov 26, 2019)
Cult thriller from Ridley Scott. In present-day Los Angeles, investigator Harrison Ford finds himself obliged to hunt down and destroy four androids who have illegally returned to Earth from colonies in outer space. Yes, yes: I know it's a timeless classic and a visionary piece of science fiction (if not a particularly accurate piece of prognostication), but it's not a film I've ever found myself able to particularly warm to.
One of the prettiest and most visually dense films you will ever see, of course, but Ridley Scott seems much more interested in the film's visual impact than the actual story (even so, much of the imagery is rather clunky). Harrison Ford doesn't get much to do in his drab and perfunctory section of the plot - the film only really comes to life when it concerns Rutger Hauer's oddly sympathetic homicidal android, who ends up dominating the movie. Most of the book's quirky sense of melancholy disappears, though. For all its strengths it just feels rather superficial and hollow to me.
One of the prettiest and most visually dense films you will ever see, of course, but Ridley Scott seems much more interested in the film's visual impact than the actual story (even so, much of the imagery is rather clunky). Harrison Ford doesn't get much to do in his drab and perfunctory section of the plot - the film only really comes to life when it concerns Rutger Hauer's oddly sympathetic homicidal android, who ends up dominating the movie. Most of the book's quirky sense of melancholy disappears, though. For all its strengths it just feels rather superficial and hollow to me.
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