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LeftSideCut (3776 KP) rated The Matrix (1999) in Movies
Sep 3, 2021
Put simply, The Matrix is almost the perfect action/science-fiction/mind fuck movie. It has a deliciously dystopian concept that leans into the state of the real world today (well, 1999 to be exact but it still works now). It has an aesthetic style that still looks incredible, and was unarguably ahead of its time. This includes some truly inspired set pieces. It has a fantastic cast of actors playing well realised characters, from the tranquil nature of the good guys, to the uncomfortably sinister Terminator-esque agents. It has an instantly recognisable music score. Everything about it just flows, and two+ hours fly by in no time.
Sure, The Matrix was the catalyst for countless copycats and IRL edgelords (I remember seeing this back in 2000 as a humble 12 year old, thinking it was the coolest fucking thing ever, before having my perceptions unceremoniously shattered by the influx of middle aged men walking around my tiny countryside hometown in leather dusters) but it did it first, and looked good doing it. I can even get past the blaring breakbeat music, because it's The Matrix dammit.
All these years later, a fair chunk of the dialogue is cheesy as all hell, and occasionally a little cringey, but other than that, it still stands the test of time.
Also, Rage Against the Machine.
Sure, The Matrix was the catalyst for countless copycats and IRL edgelords (I remember seeing this back in 2000 as a humble 12 year old, thinking it was the coolest fucking thing ever, before having my perceptions unceremoniously shattered by the influx of middle aged men walking around my tiny countryside hometown in leather dusters) but it did it first, and looked good doing it. I can even get past the blaring breakbeat music, because it's The Matrix dammit.
All these years later, a fair chunk of the dialogue is cheesy as all hell, and occasionally a little cringey, but other than that, it still stands the test of time.
Also, Rage Against the Machine.
Merissa (13154 KP) rated Chalice (Planetary Submissives #1) in Books
May 8, 2023
This is a perfect coffee break book that dabbles with BDSM but doesn't go into too much detail, whilst it is put in a science fiction backdrop.
Chalice is a four-elemental mage but his magic is out of control. In a world where magic users are paired off into dominant and submissive roles, it is usually the strong magic user who is dominant, except in this case. Chalice is a submissive and isn't getting the support he needs at home. This means that he is increasing the risk of his magic being completely out of control, followed by disaster. He decides to strike out on his own and find himself a Master. He finds Terrin - a Master that goes through submissives like water through a sieve. He is intrigued by Chalice though, and is determined to make him his own. These two are more like Partners than D/s, but still, it is a quick, fun and steamy read.
I thoroughly enjoyed this novella, complete with the quick world and character-building. I am hoping for more from this series. Smoothly paced and with a hint of things to come, definitely recommended.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book; the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Dec 5, 2015
Chalice is a four-elemental mage but his magic is out of control. In a world where magic users are paired off into dominant and submissive roles, it is usually the strong magic user who is dominant, except in this case. Chalice is a submissive and isn't getting the support he needs at home. This means that he is increasing the risk of his magic being completely out of control, followed by disaster. He decides to strike out on his own and find himself a Master. He finds Terrin - a Master that goes through submissives like water through a sieve. He is intrigued by Chalice though, and is determined to make him his own. These two are more like Partners than D/s, but still, it is a quick, fun and steamy read.
I thoroughly enjoyed this novella, complete with the quick world and character-building. I am hoping for more from this series. Smoothly paced and with a hint of things to come, definitely recommended.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book; the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Dec 5, 2015
The Fortune Keeper (Tofana #3)
Book
Count your nights by stars, not shadows ~ Italian Proverb Winter in Renaissance Venice Mia...
Historical Fiction Renaissance Italy
Ericksen (Gen-Heirs: The Guardians of Sziveria, #5)
10.0
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Book
Wintervail will bring more than gifts and snow… Evidence of an assassin has gone missing, along...
Paranormal Romance Science Fiction Series
Merissa (13154 KP) rated The Spaceman's Omega in Books
Nov 22, 2022
THE SPACEMAN'S OMEGA is the first book in what appears will be a series. It tells of Alen, a Volardi, coming to Earth for various reasons. One of which is to resuscitate Omega One - a science fiction TV show that bombed due to Brandon being pushed out of the closet.
Although enjoyable, I found the interaction between Alen and Brandon quite forced in places, and their relationship was full of exceedingly swift about-turns. It made for some disjointed reading. I found descriptions of events and people were repeated constantly, along with other smaller details that weren't really necessary to the general story arc.
There is a lot going on in this book - US government, Volardi secrets and plans, male pregnancy, not forgetting Alen and Brandon themselves.
This was a good way to start the series but it didn't push every button for me as I found myself distracted between one or the other things mentioned above. It seems as though Thomas' story is next which I look forward to reading, to see if things have smoothed out.
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Although enjoyable, I found the interaction between Alen and Brandon quite forced in places, and their relationship was full of exceedingly swift about-turns. It made for some disjointed reading. I found descriptions of events and people were repeated constantly, along with other smaller details that weren't really necessary to the general story arc.
There is a lot going on in this book - US government, Volardi secrets and plans, male pregnancy, not forgetting Alen and Brandon themselves.
This was a good way to start the series but it didn't push every button for me as I found myself distracted between one or the other things mentioned above. It seems as though Thomas' story is next which I look forward to reading, to see if things have smoothed out.
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
The Game Warden's Mate (The Hunt #1)
8.0
Rate It
Book
The Hunter. As the new Game Warden, Xrez Ym’ihla brings patrons from across the galaxy to track...
Science Fiction Romance
Into The Churn
10.0
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Book
Seventeen-year-old Ezren Hart interns in her mother’s terraforming lab, studying Belethea’s...
Young Adult Science Fiction Adventure Action Romance
Among Us (Dyson Bridge #2)
Book
She's in the most dangerous place in the world. Prof. Meridia Vail, a member of the Bridgeway...
Science Fiction
Gareth von Kallenbach (980 KP) rated Gravity (2013) in Movies
Jun 19, 2019
We’ve long been spoiled by depictions of space in most science fiction, or at least in popular science fiction. A frontier, a futuristic ocean of sorts for maritime-type traversal. It’s hardly ever depicted as a particularly dangerous place. That’s exactly why Alfanso Cuaron’s Gravity is so incredibly refreshing and surprisingly so at that. All he really had to do was set out to depict a story in space that highlights how dangerous it really is. And boy does he succeed. Gravity is not only intriguing in its science, but also an incredibly gripping thriller.
The premise is focused and simple for the betterment of the film. Sandra Bullock plays Ryan Stone, a scientist who is on her first space walk installing new components onto the Hubble telescope. She is accompanied by George Clooney’s character, Kowalski, an experienced astronaut who’s calm in crisis helps guide the frightened Bullock through the following events. A massive accident leaves the characters stranded in space with no way home, periled by the hazards that go with being stuck in the abyss.
At its core, Gravity is a survival thriller movie. There is no villain other than the environment, no schemes or whacky plot twists. It’s reminiscent of a film like Cast Away, albeit quicker in pace because survival is more immediately at stake. The film takes so much into account, impressively, about the kinds of hazards one might face in a crisis that leaves them stuck in orbit. Oxygen, debris, structural damage, even how objects interact with one another or move in zero gravity. Most films in space neglect the ‘no sound in space’ rule, largely because of how awkward it would be to watch a Star Wars battle with no sound. But this film follows the rule, for the most part, and just that tiny detail alone adds so much to the anxiety of the situation. Watching speeding debris silently obliterate an entire space station while only hearing the internal suit audio of the protagonist might be the most frightening and memorable moments of any science fiction thriller I have seen in years.
Alfonso Cuaron is no stranger to striking imagery and near masterful shooting of important scenes. He has done so in his previous works, like Children of Men and Harry Potter and the Prisoner of Azkaban. He does so again through the action in Gravity. Although I will say a few visual metaphors in Gravity are a bit heavy handed in how they refer to the back story of the protagonist; yet nevertheless they end up having quite an impact despite arguable cheesiness.
The two leads do great in their roles; not hugely surprising considering Clooney and Bullock are established actors with great works under their belts. But at the same time both characters are light in their characterization, perhaps even ‘one-note’, particularly the case for Clooney. I do not necessarily think this is a bad thing, because it keeps the action of the film focused on the survival and the intensity of the situation. But, when those quieter scenes come by to pad the action, leaving the characters to mingle, I can’t help but feel like the drama is a little forced. There to give the audience someone to care about and desire to not die in space, and only for that purpose. Even if it’s forced, the personal struggle of Bullock’s character is admittedly compelling and you do want to see her make it out alive. Both the writing an acting for her character do an excellent job portraying her as someone overcoming an extremely difficult situation that she’s ill-equipped to deal with.
I’m not usually a fan of 3D, I think it’s often distracting and gimmicky. But this is one film that the 3D effect soars in. In the non-action moments it is nearly unnoticeable. And in those sequences where vessels are exploding spectacularly, space debris splintering in every direction, the 3D effect adds an extra layer of chaos and intensity around the characters’ fate. I seldom recommend going to see a film in 3D, but this is one I thoroughly recommend doing so.
Gravity is a pure focused thriller that tackles an environment so rich with possibility for great survival storytelling. Forget all the safe depictions of space like Star Wars and Star Trek, because this will make you as frightened of being stuck in space as Jaws did of being out in open water. It’s not perfect, certainly, as its drama ultimately draws too much attention to itself as a device of the plot, feeling a bit forced. Nevertheless, the superb acting on the parts of both leads ends up overcoming the potential shallowness of the characterization and makes you care about their survival – an absolute necessity in a film like this. The situations dealt with not only feel realistic, but are so excellently shot that the intensity is simply stunning.
http://sknr.net/2013/10/04/gravity/
The premise is focused and simple for the betterment of the film. Sandra Bullock plays Ryan Stone, a scientist who is on her first space walk installing new components onto the Hubble telescope. She is accompanied by George Clooney’s character, Kowalski, an experienced astronaut who’s calm in crisis helps guide the frightened Bullock through the following events. A massive accident leaves the characters stranded in space with no way home, periled by the hazards that go with being stuck in the abyss.
At its core, Gravity is a survival thriller movie. There is no villain other than the environment, no schemes or whacky plot twists. It’s reminiscent of a film like Cast Away, albeit quicker in pace because survival is more immediately at stake. The film takes so much into account, impressively, about the kinds of hazards one might face in a crisis that leaves them stuck in orbit. Oxygen, debris, structural damage, even how objects interact with one another or move in zero gravity. Most films in space neglect the ‘no sound in space’ rule, largely because of how awkward it would be to watch a Star Wars battle with no sound. But this film follows the rule, for the most part, and just that tiny detail alone adds so much to the anxiety of the situation. Watching speeding debris silently obliterate an entire space station while only hearing the internal suit audio of the protagonist might be the most frightening and memorable moments of any science fiction thriller I have seen in years.
Alfonso Cuaron is no stranger to striking imagery and near masterful shooting of important scenes. He has done so in his previous works, like Children of Men and Harry Potter and the Prisoner of Azkaban. He does so again through the action in Gravity. Although I will say a few visual metaphors in Gravity are a bit heavy handed in how they refer to the back story of the protagonist; yet nevertheless they end up having quite an impact despite arguable cheesiness.
The two leads do great in their roles; not hugely surprising considering Clooney and Bullock are established actors with great works under their belts. But at the same time both characters are light in their characterization, perhaps even ‘one-note’, particularly the case for Clooney. I do not necessarily think this is a bad thing, because it keeps the action of the film focused on the survival and the intensity of the situation. But, when those quieter scenes come by to pad the action, leaving the characters to mingle, I can’t help but feel like the drama is a little forced. There to give the audience someone to care about and desire to not die in space, and only for that purpose. Even if it’s forced, the personal struggle of Bullock’s character is admittedly compelling and you do want to see her make it out alive. Both the writing an acting for her character do an excellent job portraying her as someone overcoming an extremely difficult situation that she’s ill-equipped to deal with.
I’m not usually a fan of 3D, I think it’s often distracting and gimmicky. But this is one film that the 3D effect soars in. In the non-action moments it is nearly unnoticeable. And in those sequences where vessels are exploding spectacularly, space debris splintering in every direction, the 3D effect adds an extra layer of chaos and intensity around the characters’ fate. I seldom recommend going to see a film in 3D, but this is one I thoroughly recommend doing so.
Gravity is a pure focused thriller that tackles an environment so rich with possibility for great survival storytelling. Forget all the safe depictions of space like Star Wars and Star Trek, because this will make you as frightened of being stuck in space as Jaws did of being out in open water. It’s not perfect, certainly, as its drama ultimately draws too much attention to itself as a device of the plot, feeling a bit forced. Nevertheless, the superb acting on the parts of both leads ends up overcoming the potential shallowness of the characterization and makes you care about their survival – an absolute necessity in a film like this. The situations dealt with not only feel realistic, but are so excellently shot that the intensity is simply stunning.
http://sknr.net/2013/10/04/gravity/