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Bob Mann (459 KP) rated Oxygen (2021) in Movies
Sep 28, 2021
A taut mystery horror/thriller that goes off in surprising directions!
You can recognize a ‘lockdown-produced movie’ a mile off. Typically it focuses on a handful of players, who are mostly socially isolated. Here is a classic example. Yet by doing that, the director is forced to focus in on character and dialogue. As such, some of these ‘small’ movies that reign in the director’s excesses are far better as a result.
“Oxygen” is a case in point. When I saw that the film was directed by Alexandre Aja – the man behind the OTT “Piranha 3D” and the equally OTT popcorn-croc movie “Crawl” from 2 years ago, I feared the worst. But this an intriguing little movie that mystifies and jolts in equal measure.
There is probably no such thing anymore as a truly novel thriller or science fiction film. And this draws recognisably from a host of other movies: I personally recognised elements from “Room“, “Solaris”, “Moon” and “Gravity” in there. But the closest similarity is definitely to the Ryan Reynolds 2010 thriller “Buried” which features a very similar initial set-up. If “Oxygen” were to have pulled out an ending like that film (if you haven’t watched it yet – do so!) then it would have been a mini-classic.
Positives:
No spoilers here, but this is a ‘small’ mystery movie that goes off in a VERY surprising direction. The script is genuinely unpredictable.
Mélanie Laurent gives a strong performance as the heroine near the end of her tether.
Although this is a French film, don’t let that put you off. Netflix gives options of the original French, French with subtitles and an English dub. And the English dubbing is so good that it took me until some sub-titles for text written in French before I realised it was dubbed!
Negatives:
After the long drip-drip-drip of context, I found the ending to be something of a disappointment. Too twee.
I found something morally dubious about the ‘re-routing’ request near the end of the movie. (Although, I’m sure given the options, I would probably do the same!)
If you don’t like jump scares, you are likely to spill a lot of hot drinks while watching this one!
“Oxygen” is a case in point. When I saw that the film was directed by Alexandre Aja – the man behind the OTT “Piranha 3D” and the equally OTT popcorn-croc movie “Crawl” from 2 years ago, I feared the worst. But this an intriguing little movie that mystifies and jolts in equal measure.
There is probably no such thing anymore as a truly novel thriller or science fiction film. And this draws recognisably from a host of other movies: I personally recognised elements from “Room“, “Solaris”, “Moon” and “Gravity” in there. But the closest similarity is definitely to the Ryan Reynolds 2010 thriller “Buried” which features a very similar initial set-up. If “Oxygen” were to have pulled out an ending like that film (if you haven’t watched it yet – do so!) then it would have been a mini-classic.
Positives:
No spoilers here, but this is a ‘small’ mystery movie that goes off in a VERY surprising direction. The script is genuinely unpredictable.
Mélanie Laurent gives a strong performance as the heroine near the end of her tether.
Although this is a French film, don’t let that put you off. Netflix gives options of the original French, French with subtitles and an English dub. And the English dubbing is so good that it took me until some sub-titles for text written in French before I realised it was dubbed!
Negatives:
After the long drip-drip-drip of context, I found the ending to be something of a disappointment. Too twee.
I found something morally dubious about the ‘re-routing’ request near the end of the movie. (Although, I’m sure given the options, I would probably do the same!)
If you don’t like jump scares, you are likely to spill a lot of hot drinks while watching this one!
Dune: A Game of Conquest and Diplomacy
Tabletop Game
Take part in one of the most famous science-fiction stories of all time. Dune: A Game of Conquest...
Ali A (76 KP) rated The Meadows in Books
Sep 11, 2023
Trigger Warnings: conversion therapy, homophobia
Every youth hopes to get a letter to attend one of the places where only the best and brightest go to be even better and brighter: the Estuary, the Glades, the Meadows…
When Eleanor is accepted to go to the Meadows, it means her escape from the Cove and a hard life by the sea. But, though the Meadows is filled with beautiful and wonderful things, it hoards dark secrets: its purpose is to reform its students from their attractions, to show them that the way of life is only possible through their way. Maybe Eleanor starts to believe, but then she meets Rose, and everything changes.
A year after leaving the Meadows, Eleanor and her friends are on the outside, living back in society - but not everything is as they hoped. Eleanor is an adjudicator, someone who makes sure former students haven’t strayed from the lives they were trained to live. But the past isn’t letting go of Eleanor and as secrets unravel, Eleanor must fight against everything she has been taught to be, especially if she can find the girl that she lost.
I originally was interested in this title when I saw it on BookishFirst because it was being marketed as “a queer, YA Handmaid's Tale meets Never Let Me Go” and I was all about that. I also love a good dystopian novel so this was really right up my alley.
That being said, I absolutely loved and devoured this novel over the course of the weekend when I didn’t have the interruption of work. The world building is intriguing and the “perfect” society is everything but (aren’t they all). The characters were also complex and engrossing - even the ones I wasn’t the biggest fans of, I still wanted them to succeed.
I absolutely recommend this book to those not only those who love dystopian novels, but those who want a page turning science fiction with queer characters.
*Thank you Dial Books and BookishFirst for an ARC copy of this book in exchange for an honest review
Every youth hopes to get a letter to attend one of the places where only the best and brightest go to be even better and brighter: the Estuary, the Glades, the Meadows…
When Eleanor is accepted to go to the Meadows, it means her escape from the Cove and a hard life by the sea. But, though the Meadows is filled with beautiful and wonderful things, it hoards dark secrets: its purpose is to reform its students from their attractions, to show them that the way of life is only possible through their way. Maybe Eleanor starts to believe, but then she meets Rose, and everything changes.
A year after leaving the Meadows, Eleanor and her friends are on the outside, living back in society - but not everything is as they hoped. Eleanor is an adjudicator, someone who makes sure former students haven’t strayed from the lives they were trained to live. But the past isn’t letting go of Eleanor and as secrets unravel, Eleanor must fight against everything she has been taught to be, especially if she can find the girl that she lost.
I originally was interested in this title when I saw it on BookishFirst because it was being marketed as “a queer, YA Handmaid's Tale meets Never Let Me Go” and I was all about that. I also love a good dystopian novel so this was really right up my alley.
That being said, I absolutely loved and devoured this novel over the course of the weekend when I didn’t have the interruption of work. The world building is intriguing and the “perfect” society is everything but (aren’t they all). The characters were also complex and engrossing - even the ones I wasn’t the biggest fans of, I still wanted them to succeed.
I absolutely recommend this book to those not only those who love dystopian novels, but those who want a page turning science fiction with queer characters.
*Thank you Dial Books and BookishFirst for an ARC copy of this book in exchange for an honest review
ClareR (5542 KP) rated Beautiful Shining People in Books
Aug 5, 2023
“”Beautiful, shining kami in the sky. All different. All unique. Just like us”…After that, whenever we went camping, I would always tell my parents I couldn’t wait until nightfall so I could see the beautiful shining people in the sky.”
I honestly didn’t know what to expect when I started reading this, but I quickly realised that I was loving what I was reading. I do like both speculative and science fiction, so I knew we’d be off to a good start.
This is so much more though. It’s about relationships, both with others and oneself. It’s about loneliness, feeling cut off from others and trying to make a connection.
Both John, a young American tech genius, and Neotnia, are loners. Neither of them want to be alone. John is trying to escape his past and his past self, and Neotnia wants to find her past. They’re both very caring, likeable characters, Neotnia in particular, especially in her interactions with the elderly residents of a home she volunteers at.
My particular favourite was the cafe owner and Neotnia’s guardian - Goeido. He has an interesting and sad past as a Sumo, and this is probably the reason why he is so protective towards Neotnia.
Some of the themes have their place in our society too. The rise of AI, tense relationships between superpowers, terrorist attacks, deep fakes, cyber attacks, fake news - all of these affect us today.
Tokyo as a setting was inspired. All of the AI and robots didn’t seem out of place. I mean, we expect them there, don’t we? Robots taking your order in a fast food restaurant and helping you with directions in the street seem not too far a reach of the imagination in Japan (you can probably tell I’ve never been there!).
The last chapter or so, was so powerful. It was sad and explained all of what had gone before. It was emotional, and the ending was perfect.
Many, many thanks to Orenda for sending me a copy as a part of their book club. I’m really glad I read it!
I honestly didn’t know what to expect when I started reading this, but I quickly realised that I was loving what I was reading. I do like both speculative and science fiction, so I knew we’d be off to a good start.
This is so much more though. It’s about relationships, both with others and oneself. It’s about loneliness, feeling cut off from others and trying to make a connection.
Both John, a young American tech genius, and Neotnia, are loners. Neither of them want to be alone. John is trying to escape his past and his past self, and Neotnia wants to find her past. They’re both very caring, likeable characters, Neotnia in particular, especially in her interactions with the elderly residents of a home she volunteers at.
My particular favourite was the cafe owner and Neotnia’s guardian - Goeido. He has an interesting and sad past as a Sumo, and this is probably the reason why he is so protective towards Neotnia.
Some of the themes have their place in our society too. The rise of AI, tense relationships between superpowers, terrorist attacks, deep fakes, cyber attacks, fake news - all of these affect us today.
Tokyo as a setting was inspired. All of the AI and robots didn’t seem out of place. I mean, we expect them there, don’t we? Robots taking your order in a fast food restaurant and helping you with directions in the street seem not too far a reach of the imagination in Japan (you can probably tell I’ve never been there!).
The last chapter or so, was so powerful. It was sad and explained all of what had gone before. It was emotional, and the ending was perfect.
Many, many thanks to Orenda for sending me a copy as a part of their book club. I’m really glad I read it!
Hazel (1853 KP) rated Blood for Blood (Wolf By Wolf #2) in Books
Dec 17, 2018
<i>This eBook was provided by the publisher via NetGalley in exchange for an honest review </i>
Ryan Graudin blew readers away with her alternate historical novel <i>Wolf by Wolf</i>. Now it is time to conclude the imaginative narrative with the highly anticipated sequel, <i>Blood for Blood. </i>Continuing from the precise moment Yael pulled the trigger on the Führer’s doppelgänger, the reader is thrown into a lively story of twists and turns, where danger lives around every corner.
To recap, it is 1956 and Hitler has won the war. Germany, or Germania, is ruling over Europe and many countries in Asia and Africa. Yael is a Jewish girl who a doctor experimented on whilst she was detained in a concentration camp. As a result of the brutal medical treatment, Yael is a successful result of the Doppelgänger Project – she can now change her physical appearance and anatomy at will.<i> Wolf by Wolf</i> focused on Yael and the resistance’s attempt to win a prestigious motorcycle race in order to get close to the Führer and end his life. As it turns out, Yael is not the only person with this skin shifting ability.
On the run with the entire world knowing her secret, Yael is desperate to make contact with the resistance leaders and continue with their plot to assassinate Hitler. However, unable to leave innocent people to suffer at the hands of the National Socialists, Yael ends up being accompanied and hindered by two Aryan boys, Luka and Felix. Yet with no way of knowing who can be trusted, Yael is taking a fatal risk by helping others instead of saving herself.
Despite circumstances, the blossoming romance that began to advance toward the end of the first book continues to feature in <i>Blood for Blood</i> as characters begin to rely on and trust each other. Nonetheless, constant plot developments obstruct all thoughts of a happy ending. Clever twists and gradually emerging truths prevent any opportunity for rest or safety.
<i>Wolf by Wolf </i>was an exciting, new concept for young adult readers, answering a “what if” question about the second world war. Yet the historical setting – albeit fictional – was impeded by the focus on the Axis Tour as characters raced from Germania to Tokyo. In contrast, <i>Blood for Blood</i> leaves all distractions behind, giving full attention to the life and danger under Hitler’s dictatorship. Despite Germany/Germania’s triumphant win, war is still raging throughout Europe. Anyone not meeting the Aryan description is at risk of death or deportment. Strictly speaking, the situation described must look similar, if not the same, as the true result of Nazi ruling.
Ryan Graudin is a formidable writer with the ability to make fiction seem like reality. Despite the added science fiction twist, the imaginative scenario is so well researched and planned that it becomes almost believable. Graudin comes at the story from so many directions, evidencing the effort put into creating the thrilling plot. It is one thing to be able to string words together, but to make them come alive it takes a genius.
<i>Blood for Blood</i> is by far the better of the two novels, making it the perfect conclusion to a fantastic two-part story. Beginning with explosive action and not stopping until its heart-wrenching conclusion, <i>Blood for Blood</i> will satisfy readers of all ages and genres. Those who have read <i>Wolf by Wolf</i> definitely must get their hands on this amazing sequel. You will not be disappointed.
Ryan Graudin blew readers away with her alternate historical novel <i>Wolf by Wolf</i>. Now it is time to conclude the imaginative narrative with the highly anticipated sequel, <i>Blood for Blood. </i>Continuing from the precise moment Yael pulled the trigger on the Führer’s doppelgänger, the reader is thrown into a lively story of twists and turns, where danger lives around every corner.
To recap, it is 1956 and Hitler has won the war. Germany, or Germania, is ruling over Europe and many countries in Asia and Africa. Yael is a Jewish girl who a doctor experimented on whilst she was detained in a concentration camp. As a result of the brutal medical treatment, Yael is a successful result of the Doppelgänger Project – she can now change her physical appearance and anatomy at will.<i> Wolf by Wolf</i> focused on Yael and the resistance’s attempt to win a prestigious motorcycle race in order to get close to the Führer and end his life. As it turns out, Yael is not the only person with this skin shifting ability.
On the run with the entire world knowing her secret, Yael is desperate to make contact with the resistance leaders and continue with their plot to assassinate Hitler. However, unable to leave innocent people to suffer at the hands of the National Socialists, Yael ends up being accompanied and hindered by two Aryan boys, Luka and Felix. Yet with no way of knowing who can be trusted, Yael is taking a fatal risk by helping others instead of saving herself.
Despite circumstances, the blossoming romance that began to advance toward the end of the first book continues to feature in <i>Blood for Blood</i> as characters begin to rely on and trust each other. Nonetheless, constant plot developments obstruct all thoughts of a happy ending. Clever twists and gradually emerging truths prevent any opportunity for rest or safety.
<i>Wolf by Wolf </i>was an exciting, new concept for young adult readers, answering a “what if” question about the second world war. Yet the historical setting – albeit fictional – was impeded by the focus on the Axis Tour as characters raced from Germania to Tokyo. In contrast, <i>Blood for Blood</i> leaves all distractions behind, giving full attention to the life and danger under Hitler’s dictatorship. Despite Germany/Germania’s triumphant win, war is still raging throughout Europe. Anyone not meeting the Aryan description is at risk of death or deportment. Strictly speaking, the situation described must look similar, if not the same, as the true result of Nazi ruling.
Ryan Graudin is a formidable writer with the ability to make fiction seem like reality. Despite the added science fiction twist, the imaginative scenario is so well researched and planned that it becomes almost believable. Graudin comes at the story from so many directions, evidencing the effort put into creating the thrilling plot. It is one thing to be able to string words together, but to make them come alive it takes a genius.
<i>Blood for Blood</i> is by far the better of the two novels, making it the perfect conclusion to a fantastic two-part story. Beginning with explosive action and not stopping until its heart-wrenching conclusion, <i>Blood for Blood</i> will satisfy readers of all ages and genres. Those who have read <i>Wolf by Wolf</i> definitely must get their hands on this amazing sequel. You will not be disappointed.
Gareth von Kallenbach (962 KP) rated In Time (2011) in Movies
Aug 7, 2019
t is said that time is money and in the new film “In Time” this statement takes on an entirely new meaning. In the future we learn that humans have been genetically created to stop aging at the age of 25. Once they reach this selected age, a clock starts to count down from one year. People can obtain more time via work, stealing it from others, or being gifted more time but once their clock hits zero, they expire or “Time Out” as it is called.
As the film opens, we are introduced to Will Salas (Justin Timberlake), a man who is three years past twenty five who lives at home with his mother (Olivia Wilde). Will starts each day with barely enough time on his clock for another day, so he dutifully heads off to work each day to earn more time. As does his mother and everyone he knows since workers are paid at the end of their shifts by having more time added to their accounts. Many need to work daily in order to see the next day. To stop working is to die and since everything from food to rent and clothing is paid for in time from an individual’s account, they often have to make the choice between a transaction or more hours of life.
One evening after work, Will encounters a man named Henry (Matt Bomer), with over 100 years remaining on his clock and cautions the man that in this area he is likely to attract thieves. Will’s warnings go unheeded and soon a group of thugs arrive forcing Will to whisk the man away to safety. During their night in hiding, the man tells Will that after living for over a century, he is tired of the way the system is and how the rich can live forever while the working poor suffer just to live another day.
Will awakens the next morning to find the man gone and that his clock has now been credited the 100 years. Will locates the man just in time to watch him time out with a smile as he watches the sun rise. Flush with new wealth, Will plans to move his mother out of the slums and into a better life but when tragedy strikes, Will decides to move to where the wealth is as to take them for all he can.
Will soon finds himself in a high stakes card game at a casino and in a desperate move finds himself wealthier than he ever imagined. His actions impress very wealthy banking magnet Philippie Weiss (Vincent Kartheiser), who introduces him to his daughter Sylvia (Amanda Seyfried). Will and Sylvia hit it off as she is intrigued by someone who came into money rather than being born with it and imagines what life would be like with some excitement.
Will and Sylvia soon have their worlds turned upside down when Will is suspected in the death of Henry and find themselves on the run from a Timekeeper named Raymond (Cillian Murphy), who wants to bring Will to justice. In a rapid series of events, Will and Sylvia must contend with Raymond, criminals, and a series of unsavory characters to regain their lost time before it is to late so they can implement their master plan to truly make a difference.
The film has some great social commentary and a great cast but is hindered by trying to be too many things. It works well as a science fiction film with elements of action and romance. Sadly the film goes off course by having Will and Sylvia act as a modern day Robin Hood duo taking on the powers-that-be to save the downtrodden masses. While it is a noble effort it derailed the momentum of the story as much of the tension and mystery of the story was lost. If one is wanted by thugs and the authorities, I would think that knocking over one high profile time bank after another would not be the way to keep a low profile.
That being said, despite the flaws, the film works and I found myself thinking about the characters and the setting they lived in days after the I screened the film. I had been concerned that the film would be nothing more than a knockoff of “Logan’s Run” but thankfully the film had enough new content to keep it fresh and interesting. In many ways, “In Time” is science fiction at its best as it allows for timely social commentary and provides a disturbing look at many age old debates on society’s endless quests for wealth, power, and youth.
As the film opens, we are introduced to Will Salas (Justin Timberlake), a man who is three years past twenty five who lives at home with his mother (Olivia Wilde). Will starts each day with barely enough time on his clock for another day, so he dutifully heads off to work each day to earn more time. As does his mother and everyone he knows since workers are paid at the end of their shifts by having more time added to their accounts. Many need to work daily in order to see the next day. To stop working is to die and since everything from food to rent and clothing is paid for in time from an individual’s account, they often have to make the choice between a transaction or more hours of life.
One evening after work, Will encounters a man named Henry (Matt Bomer), with over 100 years remaining on his clock and cautions the man that in this area he is likely to attract thieves. Will’s warnings go unheeded and soon a group of thugs arrive forcing Will to whisk the man away to safety. During their night in hiding, the man tells Will that after living for over a century, he is tired of the way the system is and how the rich can live forever while the working poor suffer just to live another day.
Will awakens the next morning to find the man gone and that his clock has now been credited the 100 years. Will locates the man just in time to watch him time out with a smile as he watches the sun rise. Flush with new wealth, Will plans to move his mother out of the slums and into a better life but when tragedy strikes, Will decides to move to where the wealth is as to take them for all he can.
Will soon finds himself in a high stakes card game at a casino and in a desperate move finds himself wealthier than he ever imagined. His actions impress very wealthy banking magnet Philippie Weiss (Vincent Kartheiser), who introduces him to his daughter Sylvia (Amanda Seyfried). Will and Sylvia hit it off as she is intrigued by someone who came into money rather than being born with it and imagines what life would be like with some excitement.
Will and Sylvia soon have their worlds turned upside down when Will is suspected in the death of Henry and find themselves on the run from a Timekeeper named Raymond (Cillian Murphy), who wants to bring Will to justice. In a rapid series of events, Will and Sylvia must contend with Raymond, criminals, and a series of unsavory characters to regain their lost time before it is to late so they can implement their master plan to truly make a difference.
The film has some great social commentary and a great cast but is hindered by trying to be too many things. It works well as a science fiction film with elements of action and romance. Sadly the film goes off course by having Will and Sylvia act as a modern day Robin Hood duo taking on the powers-that-be to save the downtrodden masses. While it is a noble effort it derailed the momentum of the story as much of the tension and mystery of the story was lost. If one is wanted by thugs and the authorities, I would think that knocking over one high profile time bank after another would not be the way to keep a low profile.
That being said, despite the flaws, the film works and I found myself thinking about the characters and the setting they lived in days after the I screened the film. I had been concerned that the film would be nothing more than a knockoff of “Logan’s Run” but thankfully the film had enough new content to keep it fresh and interesting. In many ways, “In Time” is science fiction at its best as it allows for timely social commentary and provides a disturbing look at many age old debates on society’s endless quests for wealth, power, and youth.
Rachel King (13 KP) rated The Bronze and the Brimstone in Books
Feb 11, 2019
This book is the sequel to The Lens and the Looker: Book #1 of the Verona Series (History Camp: the Verona Trilogy) and opens with the main character, Hansum, in a dream. This is actually rather confusing, as I don't realize he is dreaming until afterwards, and it seems like a poorly-timed ploy to re-introduce the reader to what has occurred so far in the series.
Early in the book, Hansum is separated from his friends, but not before he manages to marry Guillietta in secret. What bugs me about this is how Guillietta's father still treats him like a child, even though he is certainly entitled to be treated as an adult by this time. Hansum exhibits a certain level of maturity that few seem to recognize or respect. Once Hansum is moved to a private estate, his story exchanges with the rest of his friends in alternating sections.
The drama that occurs between Shamira and the artist is quite transparent to me. I am not sure if the author intended for the reader to discern the artist's true intentions so easily, but the artist's lack of talent combined with obvious lies and an obsessive interest in the lookers made it apparent what he was really about. I can only feel sorry for Shamira in her first foray into the realm of romance.
Hansum does well at creatively avoiding an engagement to Lady Beatrice, but I had to wonder how long he would be successful at this. With Hansum's almost constant protectiveness over the genie, Pan, I also wondered how long he would really be able to keep up the ruse.
With a greater focus on the technological advancements that Hansum is introducing, and less of a focus on the relationship-building of the first book in the series, this book was better written and a more enjoyable read for me. The author's evident strengths lie in his knowledge of the technology used in the series and the history of 14th-century Verona, so when those are brought to the forefront, the writing is quite intriguing. I still feel that the author is trying to do too much with this novel and trying to appeal to a too-large audience with everything from romance, history, suspense, political intrigue, and technology, to numerous science fiction themes, but it is better written than the first book in the series.
Early in the book, Hansum is separated from his friends, but not before he manages to marry Guillietta in secret. What bugs me about this is how Guillietta's father still treats him like a child, even though he is certainly entitled to be treated as an adult by this time. Hansum exhibits a certain level of maturity that few seem to recognize or respect. Once Hansum is moved to a private estate, his story exchanges with the rest of his friends in alternating sections.
The drama that occurs between Shamira and the artist is quite transparent to me. I am not sure if the author intended for the reader to discern the artist's true intentions so easily, but the artist's lack of talent combined with obvious lies and an obsessive interest in the lookers made it apparent what he was really about. I can only feel sorry for Shamira in her first foray into the realm of romance.
Hansum does well at creatively avoiding an engagement to Lady Beatrice, but I had to wonder how long he would be successful at this. With Hansum's almost constant protectiveness over the genie, Pan, I also wondered how long he would really be able to keep up the ruse.
With a greater focus on the technological advancements that Hansum is introducing, and less of a focus on the relationship-building of the first book in the series, this book was better written and a more enjoyable read for me. The author's evident strengths lie in his knowledge of the technology used in the series and the history of 14th-century Verona, so when those are brought to the forefront, the writing is quite intriguing. I still feel that the author is trying to do too much with this novel and trying to appeal to a too-large audience with everything from romance, history, suspense, political intrigue, and technology, to numerous science fiction themes, but it is better written than the first book in the series.
Rachel King (13 KP) rated Quatrain in Books
Feb 11, 2019
This book is four short stories that each take place in a different world of Shinn's creation. I am only familiar with two of those worlds, so I read the corresponding stories first, starting with Flight. This story was interesting as it gave me a peek into the corruption that was occurring at Windy Point with the Archangel Raphael, and how the lesser people viewed the angels at this time. The ending was slightly disappointing, but I understand that Shinn could not cause any major drama regarding Raphael since this story is meant to be a prequel to Archangel (Samaria, Book 1).
The second story I read was Flame, which centered around Senneth, the mystic who wields fire, with appearances by several of the other characters that appear in the Twelve Houses series, starting with Mystic and Rider (The Twelve Houses, Book 1). I enjoyed this story because it gave me an idea of what Senneth did when she was a lone nomad, as well as how the people of Gillengaria reacted when a new mystic was discovering her abilities. I can't imagine being in such a situation and not reacting similarly. This story also shows how Senneth and Tayse first meet and her first thoughts at this meeting, which is intriguing enough that I hope she writes more in the Twelve Houses series.
The third story I read was Gold, based in the world from her book, Summers at Castle Auburn, which I have not read. This story centers around a princess living in the land of Alora for a time, which is strikingly similar to the concepts of the world of Fae, and how she fights to resist the allure. I enjoyed this story so much that I intend to read the book it is based on to get more of the tantalizing story between Orlain and Zara. This was my favorite short story of the book.
I read maybe two pages of the story Blood before I lost interest and shut the book. This story is based on her previous work Heart of Gold, which is a science fiction title. I have very little interest in this genre, and I did not feel compelled to read this particular story, which is not to say that the story was bad. It's just not my cup of tea.
The second story I read was Flame, which centered around Senneth, the mystic who wields fire, with appearances by several of the other characters that appear in the Twelve Houses series, starting with Mystic and Rider (The Twelve Houses, Book 1). I enjoyed this story because it gave me an idea of what Senneth did when she was a lone nomad, as well as how the people of Gillengaria reacted when a new mystic was discovering her abilities. I can't imagine being in such a situation and not reacting similarly. This story also shows how Senneth and Tayse first meet and her first thoughts at this meeting, which is intriguing enough that I hope she writes more in the Twelve Houses series.
The third story I read was Gold, based in the world from her book, Summers at Castle Auburn, which I have not read. This story centers around a princess living in the land of Alora for a time, which is strikingly similar to the concepts of the world of Fae, and how she fights to resist the allure. I enjoyed this story so much that I intend to read the book it is based on to get more of the tantalizing story between Orlain and Zara. This was my favorite short story of the book.
I read maybe two pages of the story Blood before I lost interest and shut the book. This story is based on her previous work Heart of Gold, which is a science fiction title. I have very little interest in this genre, and I did not feel compelled to read this particular story, which is not to say that the story was bad. It's just not my cup of tea.
Sassy Brit (97 KP) rated Become The Force: 9 Lessons on Living as a Master Jedi in Books
Jun 5, 2019
Become the Force: 9 Lessons on How to Live as a Jediist Master (For Everyone Who Loves Star Wars) is written by Daniel M. Jones, Theresa Cheung.
Yes, I know what you are thinking! On the surface this does seem a bit of a giggle, but underneath it’s full of light goodness and that is simply a mix of being a good person over a bad person, and seeing the light side as opposed to the dark.
Disclosure: I am a Star Wars fan and I admit to taking a stand and putting my religion down as a Jedi Knight back in the last census of 2001. (Yep, I was one of those naughty people). Partly because of the protest but also partly because I’d always fancied myself as a Jedi Knight and it seemed a bit of a laugh at the time to say my religion was Jediism.
But that’s just it, whether you can truly classify it as a religion or not, this is more about a philosophy of being kind to yourself and each other. Many such teachings have been clearly taken from a mixture of Zen like “religions” as a way to understand your ‘self’ and to help make positive changes in our fast-moving, often stressful world.
In many ways I’d love to follow this path, yet I do see how some may never actually take this seriously, purely on account that some of these philosophies are based on the films, although not as heavily as some groups are. Yes there are other sects that differ and are more about the films than the mindfulness.
And that’s just what it is, mindfulness, living in the present and CBT techniques.
Believing in an energy force which surrounds us and is in all living things may sound like something out of a science fiction book, but it’s not. We are all living, breathing energy.
The author discusses spiritualist principles and ideas from great thinkers throughout history – from Plato to modern day Alan Watts (who proposed that Buddhism could be thought of as a form of psychotherapy and not a religion), and of course it goes without saying, our great philosopher Yoda, too!
I’m impressed at how this book has been put together, and that it is not as crazy as I first thought it might be! lol
Yes, I know what you are thinking! On the surface this does seem a bit of a giggle, but underneath it’s full of light goodness and that is simply a mix of being a good person over a bad person, and seeing the light side as opposed to the dark.
Disclosure: I am a Star Wars fan and I admit to taking a stand and putting my religion down as a Jedi Knight back in the last census of 2001. (Yep, I was one of those naughty people). Partly because of the protest but also partly because I’d always fancied myself as a Jedi Knight and it seemed a bit of a laugh at the time to say my religion was Jediism.
But that’s just it, whether you can truly classify it as a religion or not, this is more about a philosophy of being kind to yourself and each other. Many such teachings have been clearly taken from a mixture of Zen like “religions” as a way to understand your ‘self’ and to help make positive changes in our fast-moving, often stressful world.
In many ways I’d love to follow this path, yet I do see how some may never actually take this seriously, purely on account that some of these philosophies are based on the films, although not as heavily as some groups are. Yes there are other sects that differ and are more about the films than the mindfulness.
And that’s just what it is, mindfulness, living in the present and CBT techniques.
Believing in an energy force which surrounds us and is in all living things may sound like something out of a science fiction book, but it’s not. We are all living, breathing energy.
The author discusses spiritualist principles and ideas from great thinkers throughout history – from Plato to modern day Alan Watts (who proposed that Buddhism could be thought of as a form of psychotherapy and not a religion), and of course it goes without saying, our great philosopher Yoda, too!
I’m impressed at how this book has been put together, and that it is not as crazy as I first thought it might be! lol
Hazel (1853 KP) rated The Calling (Endgame #1) in Books
Dec 7, 2018
<i>This eBook was provided by the publisher via NetGalley in exchange for an honest review</i>
The result of collaboration between James Frey and Nils Johnson-Shelton is this first book in a dystopian series, <i>Endgame: The Calling</i>. Twelve teenage descendants of ancient cultures from across the world have been trained to represent humanity in a game that will determine the future of the world. The only way to win is to discover three keys and be the last player left alive. These young people are not just playing for their own lives for if they die their entire family line will be wiped out.
<i>Endgame: The Calling</i> focuses on discovering the first key, Earth Key. After meeting each other in China, each of the twelve is given a clue to solve that will help lead them in the right direction. Although there can only be one winner, a couple of the player decide to help each other out, but is there really anyone who can be trusted?
<i>Endgame</i> reminds me of <i>The Hunger Games</i> by Suzanne Collins but on a much larger scale, and also a more adult version. The entire planet is the games’ arena, which does not bode well for a lot of the world’s inhabitants. That is one of the things I disliked about this book, the unnecessary deaths of innocents. There was a lot of gruesome murder, which admittedly is the point of <i>Endgame</i>, but some of it was uncalled-for.
I did not particularly care for the writing style and formatting of the text. It was often confusing to work out who was saying or doing what. Another thing I did not like was that there was not an obvious protagonist. It is hard to know whether there is a particular character we should be rooting for or whether they should all be regarded as equal.
For a science fiction, dystopian novel <i>Endgame</i> is an interesting idea, fast paced and full of action. Unfortunately the events, names and puzzles leave the reader feeling bewildered, and the gruesome scenes rather disgusted.
Overall I think this book would appeal to an audience who loves a lot of brutal action and solving things. It requires the reader to be able to think rather than sit back and enjoy. Personally, I am not bothered about reading the next in the series.
The result of collaboration between James Frey and Nils Johnson-Shelton is this first book in a dystopian series, <i>Endgame: The Calling</i>. Twelve teenage descendants of ancient cultures from across the world have been trained to represent humanity in a game that will determine the future of the world. The only way to win is to discover three keys and be the last player left alive. These young people are not just playing for their own lives for if they die their entire family line will be wiped out.
<i>Endgame: The Calling</i> focuses on discovering the first key, Earth Key. After meeting each other in China, each of the twelve is given a clue to solve that will help lead them in the right direction. Although there can only be one winner, a couple of the player decide to help each other out, but is there really anyone who can be trusted?
<i>Endgame</i> reminds me of <i>The Hunger Games</i> by Suzanne Collins but on a much larger scale, and also a more adult version. The entire planet is the games’ arena, which does not bode well for a lot of the world’s inhabitants. That is one of the things I disliked about this book, the unnecessary deaths of innocents. There was a lot of gruesome murder, which admittedly is the point of <i>Endgame</i>, but some of it was uncalled-for.
I did not particularly care for the writing style and formatting of the text. It was often confusing to work out who was saying or doing what. Another thing I did not like was that there was not an obvious protagonist. It is hard to know whether there is a particular character we should be rooting for or whether they should all be regarded as equal.
For a science fiction, dystopian novel <i>Endgame</i> is an interesting idea, fast paced and full of action. Unfortunately the events, names and puzzles leave the reader feeling bewildered, and the gruesome scenes rather disgusted.
Overall I think this book would appeal to an audience who loves a lot of brutal action and solving things. It requires the reader to be able to think rather than sit back and enjoy. Personally, I am not bothered about reading the next in the series.