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Suswatibasu (1701 KP) rated Shot in the Dark in TV

Nov 25, 2017 (Updated Nov 26, 2017)  
Shot in the Dark
Shot in the Dark
2017 | Crime, Documentary
Great for the first few episodes
For fans of @Nightcrawler (2014), this is the real-life version following the journeys of three stringers, competing to out-shoot each other. From fires, crashes to shootings and industrial accidents, it's life and death on a daily basis, but at what cost?

Howard Raishbrook of RMG News attempts to ward off competition from his more successful counterparts Scott Lane of LoudLabs and Zak Holman of OnScene, in this cutthroat industry where morals seem sparse. While not as completely corrupt as Jake Gyllenhaal's character in Nightcrawler, Scott and Zak seem closer to his personality, with nothing off the table. In between are internal battles with Raishbrook's twin brother becoming a news story himself, the monopoly of the industry squeezing out smaller companies such as RMG, and how close each of them get to sudden death every night.

It's a great series, but after four episodes it begins to wear you down quite quickly and the images end up appearing no different to one another (I should know, we used to use stringers in the newsroom every day). As a result, it has a desensitising effect, and the series' initial lure begins to wear thin. The show could have been cut down by four episodes to remain interesting.
  
The Miseducation of Evie Epworth
The Miseducation of Evie Epworth
Matson Taylor | 2020 | Contemporary, Fiction & Poetry, Humor & Comedy
10
10.0 (1 Ratings)
Book Rating
The Miseducation of Evie Epworth came along at just the right time for me. Another lockdown was looming, things weren’t looking wholly optimistic, and along came Evie, hurtling down a country lane in a red MG. Actually, this has to be one of the most laugh-out-loud, followed-by-a-gasp openings I’ve ever read. And it didn’t stop there. Evie is a breath of much needed fresh air. She reminded me of the hope that you have as a young person, embarking on your grown up life as you leave formal education.

The dreaded Christine (soon to be Evie’s stepmother) makes such a good baddie (or a baddie you love to hate!). She’s a pleasure to hate, to be honest - but I’m afraid I did feel sorry for her - she just wanted a way out of the life she’d been given. Mrs Scott-Pam, Evie’s beloved next door neighbour, and her estranged daughter, Caroline, are just the people to help Evie out of her predicament - and the rest of the cast of colourful characters are just perfect.

I’m so glad there will be more of Evie in the future, and I can’t wait to read more.

Many thanks to The Pigeonhole for serialising this book, and to Matson Taylor for reading along, commenting, answering our questions and generally talking with us about all things Evie related. I really did have the best time 😊
  
Ant-Man and the Wasp (2018)
Ant-Man and the Wasp (2018)
2018 | Action, Sci-Fi
Solid and Light
The micro-sized superhero is back on a new adventure with old friends.

Acting: 10

Beginning: 10
Ant-Man and the Wasp gets off to a solid start that grabs your attention from jump. The players are re-introduced fairly quickly and it’s not long before you remember why you missed this portion of the Marvel Cinematic Universe. While I felt there were definitely some big shoes to fill following behind and an Avengers film (and we all remember how that started, sorry Hulk), the first ten minutes left a big smile on my face.

Characters: 10
The gang is back and in full effect. Scott Lang (Paul Rudd) is just a man trying to live out his house arrest sentence so he can be free to spend more time with his daughter. He packs a hilarity and sincerity that I’ve come to appreciate in all of Rudd’s roles. He is a star…but this film wouldn’t survive without Luis (Michael Pena). He’s frantic, clueless, and gives out way too many details every chance he gets. He innocently has no filter and it makes for some serious rib-splitting moments. Just thinking about it now makes me want to go back for a rewatch.

Cinematography/Visuals: 10
Hands-down some of the best special effects you will see in a Marvel film. I have immense respect for the larger-than-life setpieces they create when the characters are ant-sized. It’s like an entirely different world a la Honey I Shrunk the Kids. The transition from large-to-small and vice versa is seamless, making for perfect action sequences.

Conflict: 10
The film has everything you could want from an action standpoint. Car chases? Check. Fight scenes? Top notch. Superhero action? Yes please!


I’ve seen some critics come down on the fact that the villain was less of a threat than previous Marvel films, but I believe the villain matched perfectly with the overall tone of this sequel. Besides, how do you follow up on Thanos? You go completely in the opposite direction. Last thing to note: Ghost wasn’t exactly a slouch. She kicked some serious butt throughout and had some great scenes.

Genre: 7
I think this has more to do with where the genre has come rather than a knock on the film itself. In a genre where the stakes are higher than ever, the screen is packed with stars, and more films are driving a point home with an actual message, Ant-Man and the Wasp is more of a light-hearted romp that doesn’t serve to take itself too seriously. It’s a fun film that does fun better than most.

Memorability: 9
Perfect blend of action and comedy. The film succeeds by staying in its lane and doing what it does best. The action sequences are creative and fresh while the storytelling comes at you in such a hilarious way, it makes itself stand out. No spoilers, just know you’re in for a treat.

Pace: 10

Plot: 7

Resolution: 10

Overall: 93
Looking for some good family fun that will keep you entertained and laughing. Don’t miss Ant-Man and the Wasp. Hands down one of the best films I have seen in 2018.