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Hazel (1853 KP) rated Not If I See You First in Books
Dec 14, 2018
3.5 Stars
<i>This eBook was provided by the publisher via NetGalley in exchange for an honest review </i>
Eric Lindstrom’s ironically named <i>Not If I See You First</i> is a story narrated by a blind teenaged girl, Parker Grant. Parker has had to deal with a lot in her short life - the accident that killed her mother and left her blind; the recent death of her father; however she seems to be coping fine. But there is one incident she will never get over, one person she will never forgive.
Being blind, Parker has memorized voices, the number of steps to get from one place to another and the layout of the areas she frequents. So when her high school merges with another there is a lot of unfamiliarity to get used to. What she is not prepared for is the reappearance of Scott, a boy who broke her heart a couple of years ago.
Parker’s coping mechanisms, both with blindness and grief, result in a hardened personality, unfeeling and caring. She has become unintentionally selfish. Literally and figuratively blind to everyone else’s emotions. Realising this, Parker tries to turn things around, but can her friends forgive her? Can Scott?
It is interesting reading from the point of view of a blind person. For a start there is a lack of physical description. It is difficult to conjure up a complete image of the various settings, almost as if the reader is blind as well. It also challenges stereotypical ideals. Just because someone is blind does not mean they cannot look after themselves.
Despite her hostile demeanor, Parker is an admirable character. She does not let her disability hold her back and sticks with the things she is passionate about, for instance running.
The problem I had with this novel is that Parker seemed to care more about her history with Scott than she did with her father’s death a couple of months previously. I am aware there was a point to this, but even after Parker’s emotions begin to flow she is still more focused on romantic relationships than anything else.
Targeted at young adults, <i>Not If I See You First</i> will appeal to those that enjoy contemporary romance. Nevertheless, be aware that it has an ambivalent ending, rather than the happily-ever-after that you may be yearning for.
<i>This eBook was provided by the publisher via NetGalley in exchange for an honest review </i>
Eric Lindstrom’s ironically named <i>Not If I See You First</i> is a story narrated by a blind teenaged girl, Parker Grant. Parker has had to deal with a lot in her short life - the accident that killed her mother and left her blind; the recent death of her father; however she seems to be coping fine. But there is one incident she will never get over, one person she will never forgive.
Being blind, Parker has memorized voices, the number of steps to get from one place to another and the layout of the areas she frequents. So when her high school merges with another there is a lot of unfamiliarity to get used to. What she is not prepared for is the reappearance of Scott, a boy who broke her heart a couple of years ago.
Parker’s coping mechanisms, both with blindness and grief, result in a hardened personality, unfeeling and caring. She has become unintentionally selfish. Literally and figuratively blind to everyone else’s emotions. Realising this, Parker tries to turn things around, but can her friends forgive her? Can Scott?
It is interesting reading from the point of view of a blind person. For a start there is a lack of physical description. It is difficult to conjure up a complete image of the various settings, almost as if the reader is blind as well. It also challenges stereotypical ideals. Just because someone is blind does not mean they cannot look after themselves.
Despite her hostile demeanor, Parker is an admirable character. She does not let her disability hold her back and sticks with the things she is passionate about, for instance running.
The problem I had with this novel is that Parker seemed to care more about her history with Scott than she did with her father’s death a couple of months previously. I am aware there was a point to this, but even after Parker’s emotions begin to flow she is still more focused on romantic relationships than anything else.
Targeted at young adults, <i>Not If I See You First</i> will appeal to those that enjoy contemporary romance. Nevertheless, be aware that it has an ambivalent ending, rather than the happily-ever-after that you may be yearning for.
Debbiereadsbook (1202 KP) rated Glow (Pleasure Seekers #3) in Books
Jun 26, 2024
There are sparks flying, right from that first meeting in the men's locker room!
Independent reviewer for Archaeolibrarian, I was gifted my copy of this book.
This is book 3 in the Pleasure Seekers trilogy, but it can be read as a stand alone. BUT, people?? READ the other books, OK?? Cos they set the scene for Scott to be the last man standing, and that man falls fast and hard and he never saw it coming!
Scott is looking for love, but his latest date was another washout. He really feels left out now Tyler and Eddie are loved up. A theft at work brings him face to face with Prin, from the IT department. Then Scott must stay focussed or he might not see the one thing he has been looking for, is right under his nose.
I loved Thrill, and I really liked Kicks, but I think Scott and Prin might be my favourite couple!
There are sparks flying, right from that first meeting in the men's locker room, and they fly through the whole book, even when Scott messes up (accidentally!) and puts Prin in a difficult position. This is really the only drama between these two, and that's why I tagged it low angst.
There is a good deal of other drama though! The theft and who is doing it, Prin's friend Colin and what's happening to him, and we also get to catch up with Tyler and Eddie and their other halves. At this point, they are all just about living together in the shared flat, so it's hard not to catch up with them!
But I loved what happens at the end. Prin gets some closure with his family. He needed that, he really did.
It's always sad to see a series end, especially one I've thoroughly loved. But hey, maybe Parker will write a follow up, kind of an epilogue in a whole book, just so we can see how the guys are getting on!
5 full and shiny stars
*same worded review will appear elsewhere
This is book 3 in the Pleasure Seekers trilogy, but it can be read as a stand alone. BUT, people?? READ the other books, OK?? Cos they set the scene for Scott to be the last man standing, and that man falls fast and hard and he never saw it coming!
Scott is looking for love, but his latest date was another washout. He really feels left out now Tyler and Eddie are loved up. A theft at work brings him face to face with Prin, from the IT department. Then Scott must stay focussed or he might not see the one thing he has been looking for, is right under his nose.
I loved Thrill, and I really liked Kicks, but I think Scott and Prin might be my favourite couple!
There are sparks flying, right from that first meeting in the men's locker room, and they fly through the whole book, even when Scott messes up (accidentally!) and puts Prin in a difficult position. This is really the only drama between these two, and that's why I tagged it low angst.
There is a good deal of other drama though! The theft and who is doing it, Prin's friend Colin and what's happening to him, and we also get to catch up with Tyler and Eddie and their other halves. At this point, they are all just about living together in the shared flat, so it's hard not to catch up with them!
But I loved what happens at the end. Prin gets some closure with his family. He needed that, he really did.
It's always sad to see a series end, especially one I've thoroughly loved. But hey, maybe Parker will write a follow up, kind of an epilogue in a whole book, just so we can see how the guys are getting on!
5 full and shiny stars
*same worded review will appear elsewhere
Darren (1599 KP) rated Eight Legged Freaks (2002) in Movies
Jun 20, 2019
Contains spoilers, click to show
Story: Eight Legged Freaks starts by showing us the Mike Parker (Terra) visiting Joshua the spider expert of the town who has been feeding his spiders enlarged crickets and of course they now escape. One week later when Mike goes to return his mother Sheriff Samantha Parker (Wuhrer) stops the visit because of waste being dumped into the local watering hole.
With this we get to see the rebellious teenage daughter Ashley (Johansson) who is dating bad boy biker Bret (Czuchry) step-son of Mayor Wade (Rippy) who is trying to cover up the fact the town is nearly broke. Chris McCormick (Arquette) a local who returned to town after his father’s death refusing to sell the mine in a deal which could save the town.
When Mike makes it back to Joshua’s he learns of the super-sized spiders that have been released into this small town, the resident must now fight against the spiders that have infested the town.
Thoughts on Eight Legged Freaks
Characters/Performance – Chris McCormick returns to his hometown to claim what is his, the mine, he also needs to make up for the mistakes he has made and this gives him the perfect chance too. Sheriff Parker is a single mother of two trying to keep the local community together and being the former love interest of Chris. Mike is the expert on everything going on playing out as the reminder to all the different spiders attacking styles. Ashley is the bad girl daughter of Samantha who is mostly trying to discover who she is. We have the rest of the town which includes the conspiracy crazed radio host, the greedy mayor the comic relief deputy.
Performance wise, David Arquette is great in this leading role managing the comedy side of everything as well as the action horror when needed. Kari Wuhrer fits the part of sexy sheriff very well too. Both Scott Terra and Scarlett Johansson are good choices too. The rest of the actors all give good performances to fit the films mentality.
Story – Small town gets invaded by giant spiders thanks to cost cutting measures. We do have a reluctantly hero needing to help save the day but otherwise this is everything you need in a creature feature, plenty of potential victims, plenty of creature and plenty of laughs.
Action/Comedy/Horror – The action is all big and plans into the idea of the comedy being used in the creature feature side of the film.
Settings – The small town setting helps with the story telling here because they have no communication with the outside world after the attack starts and not many escape routes of places to hide.
Special Effects – We have a mix of practical and CGI here which all help create the low budget feel behind this film and while moments have dated other parts are all fun.
Final Thoughts – This is by far one of my favourite creature features out there, it is fun, over the top and filled with perfect comic timing, never trying to be serious.
Overall: Purely fun creature feature.
https://moviesreview101.com/2018/10/27/a-z-halloween-horror-eight-legged-freaks-2002/
With this we get to see the rebellious teenage daughter Ashley (Johansson) who is dating bad boy biker Bret (Czuchry) step-son of Mayor Wade (Rippy) who is trying to cover up the fact the town is nearly broke. Chris McCormick (Arquette) a local who returned to town after his father’s death refusing to sell the mine in a deal which could save the town.
When Mike makes it back to Joshua’s he learns of the super-sized spiders that have been released into this small town, the resident must now fight against the spiders that have infested the town.
Thoughts on Eight Legged Freaks
Characters/Performance – Chris McCormick returns to his hometown to claim what is his, the mine, he also needs to make up for the mistakes he has made and this gives him the perfect chance too. Sheriff Parker is a single mother of two trying to keep the local community together and being the former love interest of Chris. Mike is the expert on everything going on playing out as the reminder to all the different spiders attacking styles. Ashley is the bad girl daughter of Samantha who is mostly trying to discover who she is. We have the rest of the town which includes the conspiracy crazed radio host, the greedy mayor the comic relief deputy.
Performance wise, David Arquette is great in this leading role managing the comedy side of everything as well as the action horror when needed. Kari Wuhrer fits the part of sexy sheriff very well too. Both Scott Terra and Scarlett Johansson are good choices too. The rest of the actors all give good performances to fit the films mentality.
Story – Small town gets invaded by giant spiders thanks to cost cutting measures. We do have a reluctantly hero needing to help save the day but otherwise this is everything you need in a creature feature, plenty of potential victims, plenty of creature and plenty of laughs.
Action/Comedy/Horror – The action is all big and plans into the idea of the comedy being used in the creature feature side of the film.
Settings – The small town setting helps with the story telling here because they have no communication with the outside world after the attack starts and not many escape routes of places to hide.
Special Effects – We have a mix of practical and CGI here which all help create the low budget feel behind this film and while moments have dated other parts are all fun.
Final Thoughts – This is by far one of my favourite creature features out there, it is fun, over the top and filled with perfect comic timing, never trying to be serious.
Overall: Purely fun creature feature.
https://moviesreview101.com/2018/10/27/a-z-halloween-horror-eight-legged-freaks-2002/
BankofMarquis (1832 KP) rated Alien (1979) in Movies
Feb 22, 2020
This classic holds up very, very well more than 40 years later
I convinced my cynical 19 year old to watch an "ancient" film (her phrase) - so I was careful with my choice. I know she likes horror, so thought I would try to see if she could be scared the old fashioned way and pulled the 1979 Sci-Fi/Horror classic ALIEN off the shelves to show her.
It scared the crap outta her.
Directed by Ridley Scott (more on him later) Alien tells the tale of a working-class deep space vehicle, returning home with a full cargo when they intercept a distress call at a distant, non-descript planet, they go to investigate and...
As told by Ridley Scott, based on a script and story by Dan O'Bannon, Alien is a masterwork in suspense and mood. Scott takes his time telling this story, setting up the feel and atmosphere, showing a gritty, working-man's vessel (and not a sleek silver and chrome shiny ship) where the people inside the craft are not heroes, but working class stiff's just trying to make a buck.
What surprised me this time around seeing this film is how deliberate (some would say slow) that the pacing of this film is - but, darn it all, if it doesn't work. The tension slowly builds so when violence/action happens it explodes and seems all the bigger due to the fact that it is coming out of silence.
The cast - a group of relative unknowns at the time - is stellar. In the DVD commentary, Director Scott said he spent quite a bit of time casting this film to ensure he had the right mix - and his work shows on screen. The 7 actors in this film work well together - and each one of them brings a real character to the screen that is interesting to watch.
Tom Skerrit (the film version of M*A*S*H) as laconic, laid back Captain Dallas and Yaphet Kotto (the villain in the James Bond flick LIVE AND LET DIE) as gruff, looking-for-a-buck mechanic Parker were the most well known of the 7 at the time of the release of the film - and they do bring some star power to the proceedings, but are met, evenly, by others like former child star Veronica Cartwright (Alfred Hitchcock's THE BIRDS), veteran character Actor Harry Dean Stanton ( THE ROSE) and John Hurt (THE ELEPHANT MAN). All 3 bring interesting characters - and faces - to the proceedings.
But...for me 2 the standouts in this cast is IAN HOLM (TIME BANDITS) as Science Officer Ash - a character with some "quirks" (to put it mildly) and, of course Sigourney Weaver (GHOSTBUSTERS) in her star making role as 3rd officer Ripley. I don't want to spoil anything in this film, but Weaver's Ripley is the type of strong female character - fighting the typical, chauvinistic male hierarchy - that was heretofore unknown/rarely seen in film and is the prototype of these types of characters to this day. Weaver's performance and the writing and direction of this character is that strong/groundbreaking that it continues to influence writing and filmmaking all these years later.
The 8th character in this film is the look and feel of the ship - the Nostromo - and the look and feel of the titular Alien character as brought to life in an Oscar winning effort in Visual Effects for the team of H.R. Giger, Carlo Rambaldi, Brian Johnson, Nick Allder and Dennis Ayling (based on drawings by Giger). This is truly remarkable, bravura and groundbreaking design and filmmaking - one that holds up very well more than 40 years later - made all the more astounding when you realize that these are all practical effects (CGI had not be invented yet) and the filmmakers had to rely on puppetry, editing, performance and what you don't see (but your mind thinks you do) to fill in the gaps.
It all works tremendously well - if you haven't seen this in awhile, do yourself a favor and watch it again. If you have never seen it, well...you are in for a treat.
Letter Grade: A+
10 Stars (out of 10) and you can take that to the Bank(ofMarquis)
It scared the crap outta her.
Directed by Ridley Scott (more on him later) Alien tells the tale of a working-class deep space vehicle, returning home with a full cargo when they intercept a distress call at a distant, non-descript planet, they go to investigate and...
As told by Ridley Scott, based on a script and story by Dan O'Bannon, Alien is a masterwork in suspense and mood. Scott takes his time telling this story, setting up the feel and atmosphere, showing a gritty, working-man's vessel (and not a sleek silver and chrome shiny ship) where the people inside the craft are not heroes, but working class stiff's just trying to make a buck.
What surprised me this time around seeing this film is how deliberate (some would say slow) that the pacing of this film is - but, darn it all, if it doesn't work. The tension slowly builds so when violence/action happens it explodes and seems all the bigger due to the fact that it is coming out of silence.
The cast - a group of relative unknowns at the time - is stellar. In the DVD commentary, Director Scott said he spent quite a bit of time casting this film to ensure he had the right mix - and his work shows on screen. The 7 actors in this film work well together - and each one of them brings a real character to the screen that is interesting to watch.
Tom Skerrit (the film version of M*A*S*H) as laconic, laid back Captain Dallas and Yaphet Kotto (the villain in the James Bond flick LIVE AND LET DIE) as gruff, looking-for-a-buck mechanic Parker were the most well known of the 7 at the time of the release of the film - and they do bring some star power to the proceedings, but are met, evenly, by others like former child star Veronica Cartwright (Alfred Hitchcock's THE BIRDS), veteran character Actor Harry Dean Stanton ( THE ROSE) and John Hurt (THE ELEPHANT MAN). All 3 bring interesting characters - and faces - to the proceedings.
But...for me 2 the standouts in this cast is IAN HOLM (TIME BANDITS) as Science Officer Ash - a character with some "quirks" (to put it mildly) and, of course Sigourney Weaver (GHOSTBUSTERS) in her star making role as 3rd officer Ripley. I don't want to spoil anything in this film, but Weaver's Ripley is the type of strong female character - fighting the typical, chauvinistic male hierarchy - that was heretofore unknown/rarely seen in film and is the prototype of these types of characters to this day. Weaver's performance and the writing and direction of this character is that strong/groundbreaking that it continues to influence writing and filmmaking all these years later.
The 8th character in this film is the look and feel of the ship - the Nostromo - and the look and feel of the titular Alien character as brought to life in an Oscar winning effort in Visual Effects for the team of H.R. Giger, Carlo Rambaldi, Brian Johnson, Nick Allder and Dennis Ayling (based on drawings by Giger). This is truly remarkable, bravura and groundbreaking design and filmmaking - one that holds up very well more than 40 years later - made all the more astounding when you realize that these are all practical effects (CGI had not be invented yet) and the filmmakers had to rely on puppetry, editing, performance and what you don't see (but your mind thinks you do) to fill in the gaps.
It all works tremendously well - if you haven't seen this in awhile, do yourself a favor and watch it again. If you have never seen it, well...you are in for a treat.
Letter Grade: A+
10 Stars (out of 10) and you can take that to the Bank(ofMarquis)