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Sarah (7798 KP) rated Scream (1996) in Movies
Nov 1, 2018
A truly classic slasher
While I know that most will say that the classic slasher films are the likes of Halloween, Friday the 13th etc and I’d agree in that they really helped move the genre along, for me Scream is the true classic. Not only is it beyond witty, it’s full of humour and plays wonderfully on the entire horror movie genre.
I love this film because of how it pokes so much fun at your stereotypical slasher films, not least because Sidney isn’t your average damsel in distress and is a very strong protagonist. All of the characters in fact are well developed, likeable and well acted, but I have to admit, my favourites would either have to be Randy or Stu as they’re both highly entertaining. The references to other horror films bring an entirely different spin and completely modernises the slasher genre. This is such a slick, fun and surprisingly unpredictable film that keeps you guessing right to the end. It’s fairly gory and the large amount of humour doesn’t detract from the fact that this is still a horror film. It may not be massively scary, but it’s still very creepy and delivers some classic horror lines alongside an iconic villain in Ghostface. There’s not many films that could get away with killing off their most famous star in the opening scene, and I think anyone watching this for the first time now would still be shocked at this.
Without a doubt, my all time favourite horror film.
I love this film because of how it pokes so much fun at your stereotypical slasher films, not least because Sidney isn’t your average damsel in distress and is a very strong protagonist. All of the characters in fact are well developed, likeable and well acted, but I have to admit, my favourites would either have to be Randy or Stu as they’re both highly entertaining. The references to other horror films bring an entirely different spin and completely modernises the slasher genre. This is such a slick, fun and surprisingly unpredictable film that keeps you guessing right to the end. It’s fairly gory and the large amount of humour doesn’t detract from the fact that this is still a horror film. It may not be massively scary, but it’s still very creepy and delivers some classic horror lines alongside an iconic villain in Ghostface. There’s not many films that could get away with killing off their most famous star in the opening scene, and I think anyone watching this for the first time now would still be shocked at this.
Without a doubt, my all time favourite horror film.
Lost Connections
7.0
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From the New York Times bestselling author of Chasing the Scream, a radically new way of thinking...
Timon of Athens
William Shakespeare and Nicholas Walton
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A tragicomedy, a satire on materialism and a scream of pain and injustice, Timon of Athens depicts...
LeftSideCut (3778 KP) rated Fear Street Part One: 1994 (2021) in Movies
Jul 3, 2021
From it's very Scream-esque cold open, to it's Intruder style finale, Fear Street: 1994 is an unabashed love letter to the slasher genre that benefits from a cast of likable characters, and doesn't shy away from the gory stuff.
The group of friends that the narrative revolves around share some decent chemistry. The vibe that surrounds them isn't to dissimilar to the characters in Scary Stories or even Stranger Things. They're written to be rooted for, which makes all the more impact when the final third comes knocking and the body count piles up. The various killers on the loose are clearly inspired by other slasher icons, but the multiple-killer aspect makes them interesting enough, even if it's just surface level, and the overarching narrative to do with witchcraft is intriguing.
Unfortunately, the pacing is a bit off. 1994 really takes it's time to get to where it wants to be, and the first half drags in places. It also falls into the Suicide Squad trap of spaffing out well known songs, one after another, without any reprieve. One of my absolute pet peeves in modern movies by the way, but thankfully, this doesn't last for the whole runtime.
Overall, 1994 is a fun, if flawed horror ride, with some solid gore to boot, that will surely offer something for any slasher fans out there. Genuinely looking forward to the next two installments over the coming weeks, and it's always a bonus when horror in general gets a big push from the likes of Netflix.
The group of friends that the narrative revolves around share some decent chemistry. The vibe that surrounds them isn't to dissimilar to the characters in Scary Stories or even Stranger Things. They're written to be rooted for, which makes all the more impact when the final third comes knocking and the body count piles up. The various killers on the loose are clearly inspired by other slasher icons, but the multiple-killer aspect makes them interesting enough, even if it's just surface level, and the overarching narrative to do with witchcraft is intriguing.
Unfortunately, the pacing is a bit off. 1994 really takes it's time to get to where it wants to be, and the first half drags in places. It also falls into the Suicide Squad trap of spaffing out well known songs, one after another, without any reprieve. One of my absolute pet peeves in modern movies by the way, but thankfully, this doesn't last for the whole runtime.
Overall, 1994 is a fun, if flawed horror ride, with some solid gore to boot, that will surely offer something for any slasher fans out there. Genuinely looking forward to the next two installments over the coming weeks, and it's always a bonus when horror in general gets a big push from the likes of Netflix.
Jesters_folly (230 KP) rated Freaky (2021) in Movies
Jul 3, 2021
Freaky is an ode to 80's slashers by way of 'Freaky Friday', hence the title.
Blissfield has an urban ledged, the Blissfield Butcher, who strikes every few years at the school prom. Due to an antient Aztec knife, the Butcher swaps bodies with Millie, a high school girl who only has 24 hours to switch back.
Like I said, Freaky pay homage to the 80's, the obvious is the 'body swap' aspect and the title, both of which are references to 'Freaky Friday'.
The references don't stop there though, the film references most of the popular slashers, mostly through the weapons the killer uses, there's everything from an ice hook to a chain saw, there is even a quick nod to the Cenobites.
The film starts by following a lot of the slasher tropes, a small party and a killer. The film changes pace when Millie and the Butcher swap bodies and, until the end the kill count is relatively low. The slasher references run all through the film in a similar stile to 'Scream' and 'A Cabin in the Wood' even becoming slightly self aware with lines like 'Your Black! I'm Gay! We are so dead'. This doesn't/. take away from the film though.
Like i said, most of the kills are at the start and end of the film with most of the action being Millie trying to avoid being arrested whilst finding a way back to her own body but it is a good film and well worth a watch if you don't need your slashers to serious.
Blissfield has an urban ledged, the Blissfield Butcher, who strikes every few years at the school prom. Due to an antient Aztec knife, the Butcher swaps bodies with Millie, a high school girl who only has 24 hours to switch back.
Like I said, Freaky pay homage to the 80's, the obvious is the 'body swap' aspect and the title, both of which are references to 'Freaky Friday'.
The references don't stop there though, the film references most of the popular slashers, mostly through the weapons the killer uses, there's everything from an ice hook to a chain saw, there is even a quick nod to the Cenobites.
The film starts by following a lot of the slasher tropes, a small party and a killer. The film changes pace when Millie and the Butcher swap bodies and, until the end the kill count is relatively low. The slasher references run all through the film in a similar stile to 'Scream' and 'A Cabin in the Wood' even becoming slightly self aware with lines like 'Your Black! I'm Gay! We are so dead'. This doesn't/. take away from the film though.
Like i said, most of the kills are at the start and end of the film with most of the action being Millie trying to avoid being arrested whilst finding a way back to her own body but it is a good film and well worth a watch if you don't need your slashers to serious.
Xanderath (690 KP) rated 47 Meters Down: Uncaged (2019) in Movies
May 19, 2020
Contains spoilers, click to show
I love shark movies as much as the next guy. But this is poor by anyones anyones standard. It's slow to start with little to nothing happening and uninteresting characters. By the time they get to the "suspense" I'm already bored, I'm waiting for an oversized tooth fest of glorious sharkness. But what is delivered is sub par, new character shows up to immediately be taken out. Also the amount these 4 girls scream and heavy breather youd think they would be out of oxygen in 5 minutes. But carrying on they engage more drama being trapped under water with less oxygen than they started, exciting. So to provide suspense they find a safe pocket of air and one girl goes off to find help. Classic of course, so she finds a new character, who is immediately taken out. Seems the movie has a theme going here. Moving on they try to escape the cave systems and eventually find the dad character and they're gonna escape. But wait, pointless selfishness overcomes the group as the one individual who started the problems then costs them their chance to escape and the only saving grace is she dies as a result. After that there are some more unbelievable deaths, I suppose they're meant to shock you but honestly they're so daft it's just confusing an pointless. The ending is the best part they're saved no they're not they're saved etc and she fights a shark with a shark tooth. Otherwise its dull drawn out and predictable. Would not recommend.
Race Kings
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Experience thrilling new racing gameplay, and compete against 100% live real-time opponents. A NEW...
Darren (1599 KP) rated Scream 3 (2000) in Movies
Oct 31, 2019
Characters – Sidney is now living off the map, helping women in need of a helping hand, when the killer tracks her down, she comes to help from her hiding where she will come face to face with the true killer. Dewey is now working on the set of the Stab films, he is helping one of the stars of the film understand her character and gets stuck into the investigation this time. Gale isn’t as cut throat as she once was, her career didn’t go as well as it could have, she must put up with the needy actress who is playing her in the film. Detective Mark Kincaid is the cop assigned to try and track down the killer willing to push boundaries to uncover the truth. We get a string of actors that will be playing to the roles of the characters in the franchise, with Jennifer Jolie preparing to be Gale being the highlight of these and if not the whole movie. Our suspect list is long which only adds to the mystery we might be seeing through the film.
Performances – Neve Campbell, Courteney Cox and David Arquette all return and give good performances through the film, they don’t build on what we know from them, Parker Posey however steals the whole movie, every scene she is in we want to see more from her. This film does suffer from having too many actors which does stop giving the stars the time required to truly shine.
Story – The story follows the production of the third ‘Stab’ movie which is from the series of films that are based on the events of the Scream films, that starts getting its own body count from a new killer with connections to Sidney’s mother. This could easily be considered the weakest story of the three so far in the franchise, this is mostly because of the idea of being on the film set with the actors and real people gets overly complicated and takes away from the suspense we previously experience. As for the twists we learn the rules that make things feel like a larger scale operation which even after seeing the previous film do fit together much like what many of the 80s slashers did.
Horror/Mystery – The horror in the film comes from the slasher side of things which are all routine enough and work for the film, with the mystery coming from just who is truly behind the murders.
Settings – Setting the film in Hollywood, mostly in and around a film set makes us relive the moments we have gotten to know through the years and most importantly show us how a film could be getting made.
Special Effects – The effects in the movie continue the style we have seen before, it gives us the blood we need to make look real without being over the top.
Scene of the Movie – The continuing reference to how difficult Scream 2 was to make.
That Moment That Annoyed Me – Some of the supporting characters, mostly the actors don’t get much screen time.
Final Thoughts – This is the third part of one of the greatest horror trilogies, it continues to show us behind the curtain of horror movies with a twist we didn’t know about to keep the story feeling fresh throughout the film.
Overall: This is how to make a trilogy.
Performances – Neve Campbell, Courteney Cox and David Arquette all return and give good performances through the film, they don’t build on what we know from them, Parker Posey however steals the whole movie, every scene she is in we want to see more from her. This film does suffer from having too many actors which does stop giving the stars the time required to truly shine.
Story – The story follows the production of the third ‘Stab’ movie which is from the series of films that are based on the events of the Scream films, that starts getting its own body count from a new killer with connections to Sidney’s mother. This could easily be considered the weakest story of the three so far in the franchise, this is mostly because of the idea of being on the film set with the actors and real people gets overly complicated and takes away from the suspense we previously experience. As for the twists we learn the rules that make things feel like a larger scale operation which even after seeing the previous film do fit together much like what many of the 80s slashers did.
Horror/Mystery – The horror in the film comes from the slasher side of things which are all routine enough and work for the film, with the mystery coming from just who is truly behind the murders.
Settings – Setting the film in Hollywood, mostly in and around a film set makes us relive the moments we have gotten to know through the years and most importantly show us how a film could be getting made.
Special Effects – The effects in the movie continue the style we have seen before, it gives us the blood we need to make look real without being over the top.
Scene of the Movie – The continuing reference to how difficult Scream 2 was to make.
That Moment That Annoyed Me – Some of the supporting characters, mostly the actors don’t get much screen time.
Final Thoughts – This is the third part of one of the greatest horror trilogies, it continues to show us behind the curtain of horror movies with a twist we didn’t know about to keep the story feeling fresh throughout the film.
Overall: This is how to make a trilogy.
Kara Skinner (332 KP) rated Claiming Her Highway in Books
Sep 10, 2019
Contains spoilers, click to show
Genre: Historical
Words: 17,970
Average Goodreads Rating: 3.8/5 stars
My rating: 2/5 stars
Cass runs one of the greatest band of highwaymen around. Despite being a woman, she’s respected by her crew, and every night they return to camp richer than they were and she can enjoy being in the arms of her second-in-command, Will Carpenter. But that all changes when Will accepts a position in the King’s Guard. Cass knows Will wants more than what she can give him. He wants marriage and kids, as well as honest work instead of thieving. But Cass doesn’t know if she can ever give him up.
Claiming Her Highwayman is free on Smashwords.
I found myself underwhelmed by this story. When it starts, Will and Cass are already a couple, and the chemistry between them already feels forced, as well as the heist they’re about to go on. It’s like a bad first draft that hasn’t developed into something greater yet. Cass and Will feel more like paper dolls than people and unfortunately, I never get that attached to them. They just don’t have the chemistry.
It doesn’t help that my suspension of disbelief took a huge beating when Will’s offered a job with the King’s Guard, as the princess’s personal guard. He’s a highwayman! Since when do they let criminals guard princesses? Um, never. Not only that, but he’s still in contact with his old gang, and he’s not even in training to be a soldier! He just is. Apparently the standards for becoming a member of the King’s Guard is really low.
It would make a hell of a lot more sense to me if there was a scarcity of guards for some reason, like the country was at war, and that’s why they’re turning to criminals to keep up with the demand of soldiers. That would flesh out the plot, too. But nope. Apparently we’re supposed to accept that a robber can become a princess’s bodyguard easily after mugging her with his gang of bandits. Oh, and he almost becomes her husband. Because every king wants his little girl to marry a common criminal.
Despite everything wrong with the story, I like Will’s and Cass’s characters. Even though Will only exists to be Cass’s lover, he’s got some pretty charming lines in the story. His need to protect her is incredibly sexy.
Cass’s character is a little more complex. She’s strong and independent, and she knows what she wants in life. She’s the type of girl who would be bored to death in most respectable professions for a woman, instead enjoying being a bandit. But I hated her when Bryce, one of her men, attacked her in her tent. All she did to defend herself was bide her time until she could scream for help
What. The. Fuck.
She’s a damn gang leader and she doesn’t know how to defend herself against one man who gets too handsy? Please. That’s fucking ludicrous, and all of my respect for her is just gone because of that one scene. How the hell did she become a leader in the first place if she needs to scream like a damn damsel whenever she gets attacked? Not cool.
This book really didn’t do much for me. While it’s all right, it’s not that good. The characters aren’t good, and neither is the writing. I suggest you look elsewhere for your historical romance bad boy.
Words: 17,970
Average Goodreads Rating: 3.8/5 stars
My rating: 2/5 stars
Cass runs one of the greatest band of highwaymen around. Despite being a woman, she’s respected by her crew, and every night they return to camp richer than they were and she can enjoy being in the arms of her second-in-command, Will Carpenter. But that all changes when Will accepts a position in the King’s Guard. Cass knows Will wants more than what she can give him. He wants marriage and kids, as well as honest work instead of thieving. But Cass doesn’t know if she can ever give him up.
Claiming Her Highwayman is free on Smashwords.
I found myself underwhelmed by this story. When it starts, Will and Cass are already a couple, and the chemistry between them already feels forced, as well as the heist they’re about to go on. It’s like a bad first draft that hasn’t developed into something greater yet. Cass and Will feel more like paper dolls than people and unfortunately, I never get that attached to them. They just don’t have the chemistry.
It doesn’t help that my suspension of disbelief took a huge beating when Will’s offered a job with the King’s Guard, as the princess’s personal guard. He’s a highwayman! Since when do they let criminals guard princesses? Um, never. Not only that, but he’s still in contact with his old gang, and he’s not even in training to be a soldier! He just is. Apparently the standards for becoming a member of the King’s Guard is really low.
It would make a hell of a lot more sense to me if there was a scarcity of guards for some reason, like the country was at war, and that’s why they’re turning to criminals to keep up with the demand of soldiers. That would flesh out the plot, too. But nope. Apparently we’re supposed to accept that a robber can become a princess’s bodyguard easily after mugging her with his gang of bandits. Oh, and he almost becomes her husband. Because every king wants his little girl to marry a common criminal.
Despite everything wrong with the story, I like Will’s and Cass’s characters. Even though Will only exists to be Cass’s lover, he’s got some pretty charming lines in the story. His need to protect her is incredibly sexy.
Cass’s character is a little more complex. She’s strong and independent, and she knows what she wants in life. She’s the type of girl who would be bored to death in most respectable professions for a woman, instead enjoying being a bandit. But I hated her when Bryce, one of her men, attacked her in her tent. All she did to defend herself was bide her time until she could scream for help
What. The. Fuck.
She’s a damn gang leader and she doesn’t know how to defend herself against one man who gets too handsy? Please. That’s fucking ludicrous, and all of my respect for her is just gone because of that one scene. How the hell did she become a leader in the first place if she needs to scream like a damn damsel whenever she gets attacked? Not cool.
This book really didn’t do much for me. While it’s all right, it’s not that good. The characters aren’t good, and neither is the writing. I suggest you look elsewhere for your historical romance bad boy.
Andy K (10821 KP) rated Halloween (2018) in Movies
Mar 24, 2019
Why does Halloween always look like such fun in the movies?
Whenever you watch any scary movie revolving around Halloween, they always make it look like so much fun where every neighborhood is all decked out and many children are bustling from house to house getting their treats when in reality Halloween is almost non existent any more. The handful of trick-or-treaters we usually get is almost not worth it and it is always over before dusk.
Anyways, finally saw this film tonight and I was pleasantly surprised by it.
Yes, of course, it was very predictable in parts with its dopey unintelligent characters; however, there was enough new ideas and homages to previous films for me to recommend.
Laurie Strode has really seen it all. This film finds her hardened by the events 40 years ago and estranged from her family since she can think of nothing more than getting even and finishing what Michael started all those years ago. As usual, Michael comes home to roost on another Halloween night and only Laurie and family seem up to the task of stopping another sadistic killing rampage from everyone's favorite "Captain Kirk" wannabe.
If it wasn't for Jamie Lee Curtis, this movie probably would've been a letdown. She was born to play the "scream queen" role, although this time looked more like Sarah Connor all brazen and tough with her own home base fortress equipped with a weapon arsenal.
I wonder if Michael is done for good this time? Doubtful.
Anyways, finally saw this film tonight and I was pleasantly surprised by it.
Yes, of course, it was very predictable in parts with its dopey unintelligent characters; however, there was enough new ideas and homages to previous films for me to recommend.
Laurie Strode has really seen it all. This film finds her hardened by the events 40 years ago and estranged from her family since she can think of nothing more than getting even and finishing what Michael started all those years ago. As usual, Michael comes home to roost on another Halloween night and only Laurie and family seem up to the task of stopping another sadistic killing rampage from everyone's favorite "Captain Kirk" wannabe.
If it wasn't for Jamie Lee Curtis, this movie probably would've been a letdown. She was born to play the "scream queen" role, although this time looked more like Sarah Connor all brazen and tough with her own home base fortress equipped with a weapon arsenal.
I wonder if Michael is done for good this time? Doubtful.
