Don't Say a Word (2002)
7.3
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Ruthless crook Patrick Koster (Sean Bean) and his partner capture young Jessie Conrad (Skye McCole...
Scorpion - Season 1
10.0
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TV Season
A group of geniuses working to avert near catastrophic situations and solve the occassional crime.
The Fountain (2006)
8.0
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A man (Hugh Jackman) travels through time on a quest for immortality and to save the woman (Rachel...
Matthew Krueger (10051 KP) rated Don't Say a Word (2002) in Movies
May 4, 2021
The plot: Ruthless crook Patrick Koster (Sean Bean) and his partner capture young Jessie Conrad (Skye McCole Bartusiak) and hold her for an unusual ransom. Koster wants Jessie's therapist father, Nathan (Michael Douglas), to somehow coax traumatized teen Elisabeth (Brittany Murphy) into divulging a mysterious code number that will lead the criminals to a hidden jewel worth a fortune. Unfortunately, it may be impossible to convince the delusional Elisabeth to cooperate: she hasn't spoken in 10 years.
Its a really good film, highly recordmend it.
RWBY
7.6
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TV Show
Team RWBY (Ruby, Weiss, Belladonna and Yang) trains at Beacon Academy, to fight crime and monsters...
Rooster Teeth RWBY Grimm
TheDefunctDiva (304 KP) rated The Boondock Saints (1999) in Movies
Sep 26, 2017
Connor and Murphy (played by Sean Patrick Flanery and Norman Reedus), fall into the
profession of murdering bad guys quite by accident. Initially, the fact that they killed a Russian crime lord, and his associate, after a bar fight seems a coincidental act of self-defense. They are hailed, at first, as heroes. They somehow continue to avoid prosecution, though from the beginning they are being pursued by FBI agent Paul Smecker. They start targeting the crime lords on purpose, and they eventually end up being hunted by a more ominous figure, the legendary hitman Il Duce.
Willem Dafoe gets an A for awesome in my book for his performance as FBI agent Paul Smecker. Smecker is a homosexual, and he is not apologetic about it. In fact, he draws attention to his orientation in many scenes. Particularly memorable is the moment where he corrects an officer’s use of the word “symbology” by hissing a pronounced s: “ssssymbolism.” Later in the film, Dafoe even gets the opportunity to use his feminine wiles by dressing in drag, a visual experience which I promise is as disconcerting as it sounds.
The presentation of Smecker’s crime scene explanations was particularly impressive. The crime scene was shown first, and the events that created it unfolded in retrospect as Smecker described the scene. Enhanced by the intensity of the score, Dafoe offered a memorable narration of an epic shootout, during which he resembles an insane conductor.
The writing in this film was great, with witty one-liners throughout to break the tension. There were several moments in the film where one wonders if the brothers’ success is due to dumb luck or divinity. The MacManus twins certainly seem to believe that their cause is a righteous one.
I must also acknowledge the score, by Jeff Danna, which beautifully compliments the opening sequence and the rest of the film. The score even includes a variation of a hymn, infused with a beat you can dance to.
I love a good revenge film, and this is one for the ages. To sum up my complex feelings about the vigilante-style justice in this film, I must end with a quote by Connor MacManus: "I'm strangely comfortable with it."