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From the author of Girls on Fire comes a psychologically riveting novel centered around a woman with...
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Beautiful, intelligent and wealthy, Ivana Lowell seemed to have it all. Part of the Guinness...
Dancing with Elephants
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Want to enjoy the life you are living, even as you face major life challenges? Is your mind...
Indie Saint: An Urban Fantasy Adventure (Words of Power #1)
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Jane's young. She's broke. Oh, and she just discovered she has supernatural powers so bizarre they...
The Old Dragon’s Head
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Covered in Flour: 1968: A Young Boy's Perspective on School, Family, and Changing Times
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Sassy Brit (97 KP) rated Chakra Wisdom Oracle: How to Read the Cards for Yourself and Others in Books
Jun 5, 2019
Unfortunately, this whole book is built around a set of Tarot style 49 mystical fable cards, revealed to Tori, which do not come with this book. It also focuses on The Chakra Wisdom Oracle Toolkit, which I also do not own. But there is an iPhone app! You can also go online and try them out there for free (an online shuffler).
I really must get these cards… they look gorgeous and after reading all about them I am definitely curious. I also quite like the idea of the toolkit too. Chakra Wisdom Oracle Toolkit: A 52-week journey of self-discovery with the lost fables.
The book itself explains what the cards mean and how to interpret them. You learn about the Great Servant and the 17 Great Spirits of the Council, which all relate to chakra coloured cards, with different aspects and teachings on. It’s written in a concise and well laid out format. There are also some handy quick reference tables to help simplify the teachings, plus reading techniques and meditative journaling are also covered.
With 320 pages, it is quite full on, which in my eyes is a good thing. It doesn’t skimp on detail. Plus, if you visit Tori’s website there are now courses you can take up to train you how to use these cards even further, and more in depth.
I can recommend this book to anyone who is already a fan of spiritual guides and tarot cards, or if this is something that just appeals to you, (there’s a reason for that) just try it out and see. If you’re dedicated enough you can learn so much more by repeated use to better your understanding of what these cards are telling you and how to read them fully.
Lisbon Map and Walks, Full Version
Travel and Navigation
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Lose Yourself Without Getting Lost. This handy application presents you several self-guided city...
Lucy Buglass (45 KP) rated Border (2018) in Movies
Jun 20, 2019
The film follows Tina (Eva Melander), a woman who works for the Swedish Border Control. She has a unique talent to sniff out contraband, so she’s an asset to the rest of the team. This ability confuses many around her, and this becomes a central part of Tina’s self-discovery later on in the film. Alongside her ability, Tina suffers from facial deformities which makes her an outcast in society.
Tina’s life changes when she meets a man named Vore (Eero Milonoff), who looks just like her. At first, she suspects him of something, but following an inspection, lets him pass through. The two of them have frequent encounters throughout the film, with Vore helping Tina to understand who she is. As she’s embarking on this journey, Tina is assigned to a child pornography case, with the authorities believing her ability can help them find the perpetrator.
Border is dark both in its narrative and its visuals, as you seldom see the sunlight throughout the entire film. It feels gritty, dirty and bleak, reflecting this incredibly harrowing case that Tina has to try and solve. Even her own home is depressing; living in a tiny cabin-like home with a man named Roland who trains dogs. Tina’s relationship with Roland is confusing to the audience, and she barely spends any time at home, opting to take walks outside instead. She is an incredibly lonely, isolated character until Vore comes along.
The film’s visuals really stood out to me, I loved the ethereal fantasy elements even when bad things are happening. Since Tina spends a lot of her time outdoors, her encounters with wildlife and nature are beautifully shot. These moments seem to be the only ones that bring Tina real joy, and the cinematography reflects this. The film’s bleakness can often feel too much at times, but it’s entirely appropriate given the story. Despite Tina’s eventual self-discovery, this is not a happy film.
Tina and Vore’s animalistic behaviour may be uncomfortable for some audiences, and it was for me too. The film relies on long, purely diegetic scenes that bring us closer to the action than we may have liked. Their relationship is raw, functional and sometimes aggressive, often making it difficult to like the characters. Despite this, I still liked Tina as a character and wanted her to find happiness.
Border is just under two hours in length, but feels much longer due to Abbasi’s use of lingering shots. I did find myself feeling a little frustrated with this at times, but the beauty of the cinematography made up for it. The story is as twisted as it is captivating, and by the end of the film you’re left in a stunned silence trying to process what you just saw. It’s the kind of film that leaves you feeling exhausted afterwards.
This happened to be my first real exploration of Nordic cinema, and I’m certainly interested to see what other films are out there. Border is a unique and harrowing story that points fun at Nordic relations, and is certainly worth the watch. Having said that, I’m not sure I could go through it again.
https://jumpcutonline.co.uk/review-border-2019/