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Soldier Girl
8.0
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A sequel to "The Hopscotch Summer " Molly Fox has grown up in the back streets of Birmingham at the...
The Last Roman: Abyss (The Last Roman #2)
6.0
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The much-anticipated sequel to The Last Roman: Exile Can all sins be forgiven? Marcus...
David McK (3414 KP) rated Jumanji: The Next Level (2019) in Movies
Nov 4, 2021
Direct sequel to 2017s 'Jumanji: Welcome to the Jungle'; itself a quasi remake of the 1995 original updating it to a more modern audience in which the cursed game is now a video game cartridge rather than a boardgame.
Anyway, this mainly follows the same characters as in the previous entry but also introduces a few new 'real life' characters into the mix (portrayed by Danny DeVito and Danny Glover), with those characters then also getting sucked into the game.
As before, most of the comedy comes from watching the in-game characters (still portrayed by Jack Black, Karen Gillan, Kevin Hart and Dwayne 'The Rock' Johnson) doing imitations of their 'real life' counterparts, with Jack Black again stealing the show with his imitations!
Anyway, this mainly follows the same characters as in the previous entry but also introduces a few new 'real life' characters into the mix (portrayed by Danny DeVito and Danny Glover), with those characters then also getting sucked into the game.
As before, most of the comedy comes from watching the in-game characters (still portrayed by Jack Black, Karen Gillan, Kevin Hart and Dwayne 'The Rock' Johnson) doing imitations of their 'real life' counterparts, with Jack Black again stealing the show with his imitations!
David McK (3414 KP) rated Good Omens - Season 2 in TV
Oct 22, 2023 (Updated Oct 22, 2023)
I was one of those who wandered how they would do a second season of a show based on a single book, when the entirety of that book had been covered in season one.
The answer, it turns out, is that Gaiman and Pratchett had ideas for a sequel, which nothing ever came off.
Gaiman is one of the showrunners here (as he was in season 1).
This, even more than that earlier season, concentrates on the pairing of the angel Aziraphale and the demon Crowley, with lots of flashes of the two of them throughout the years since the Creation, and here trying to uncover just why the Archangel Gabriel has arrived at Aziraphale's bookshop with absolutely no memory at all.
The answer, it turns out, is that Gaiman and Pratchett had ideas for a sequel, which nothing ever came off.
Gaiman is one of the showrunners here (as he was in season 1).
This, even more than that earlier season, concentrates on the pairing of the angel Aziraphale and the demon Crowley, with lots of flashes of the two of them throughout the years since the Creation, and here trying to uncover just why the Archangel Gabriel has arrived at Aziraphale's bookshop with absolutely no memory at all.
David McK (3414 KP) rated Alice Through the Looking Glass (2016) in Movies
Apr 10, 2022
Well, that was weird.
Surreal, maybe.
Sequel to 2010s 'Alice in Wonderland' which, truth be told, I don't really remember all that much about other than it included the Jabberwock, and that it took liberties with source material.
As I'm not all that familiar with the source material here (Alice through the Looking Glass), I can't really comment on that aspect here (although I have heard that it only has the name in common).
Still heavily relies on the visual aspect, with Johnny Depp again doing his weird and wacky sthick, and with Helena Bonham Carter also returning as the Queen of Hearts alongside the likes of Anne Hathaway, the late (great) Alan Rickman and Sacha Baron Cohen being introduced as Time.
Surreal, maybe.
Sequel to 2010s 'Alice in Wonderland' which, truth be told, I don't really remember all that much about other than it included the Jabberwock, and that it took liberties with source material.
As I'm not all that familiar with the source material here (Alice through the Looking Glass), I can't really comment on that aspect here (although I have heard that it only has the name in common).
Still heavily relies on the visual aspect, with Johnny Depp again doing his weird and wacky sthick, and with Helena Bonham Carter also returning as the Queen of Hearts alongside the likes of Anne Hathaway, the late (great) Alan Rickman and Sacha Baron Cohen being introduced as Time.
LeftSideCut (3778 KP) rated Hellraiser: Deader (2005) in Movies
Apr 27, 2022
Not gonna lie, I spent a lot of this film completely zoned out, I was that bored. The seventh installment in the Hellraiser series has some decent ideas, and a few creepy moments here and there, but it's not enough to raise Deader above the extreme monotony presented. All of the dialogue is typical mid 00s edgelord tripe, and it's just all round difficult to focus on as a result.
It's not all bad - Kari Wuhwer is a likable enough protagonist, and the closing 5 minutes are gloriously Hellraiser-esque, but it's ultimately another sequel that feels like a completely different project with Pinhead thrown in at the last minute to sell more copies. Still more enjoyable that Hellseeker though. It's the little victories.
It's not all bad - Kari Wuhwer is a likable enough protagonist, and the closing 5 minutes are gloriously Hellraiser-esque, but it's ultimately another sequel that feels like a completely different project with Pinhead thrown in at the last minute to sell more copies. Still more enjoyable that Hellseeker though. It's the little victories.
David McK (3414 KP) rated Avatar: The Way of Water (2021) in Movies
Jan 8, 2023
2021 sequel to the 2009(!) original, which was the first movie - I felt - to really make 3d feel like part of the experience rather than a gimmick.
The less said about 'Unobtainium' the better, however.
That might be why that resource is NOT mentioned at all in this, with the humans again returning to Pandora but now in search of a new resource instead, and with Jake Sully and his family initially fleeing from those settlers (to join a tribe of sea-people) before events lead them to fight back.
Yes, the story (this time around) is perhaps even more basic than the first time. That might be because this is part 2 of (projected) 5.
The effects, however?
Absolutely mind blowing.
The less said about 'Unobtainium' the better, however.
That might be why that resource is NOT mentioned at all in this, with the humans again returning to Pandora but now in search of a new resource instead, and with Jake Sully and his family initially fleeing from those settlers (to join a tribe of sea-people) before events lead them to fight back.
Yes, the story (this time around) is perhaps even more basic than the first time. That might be because this is part 2 of (projected) 5.
The effects, however?
Absolutely mind blowing.
Matt Biedrzycki (195 KP) rated Avatar: The Way of Water (2021) in Movies
Dec 25, 2022 (Updated Feb 7, 2024)
The storyline is held together nicely but one thing is a lot of going on (1 more)
The character development.
Good sequel
I went in with high expectations because of the first movie being very great. And this one the story was good. It just had a lot of different parts going on that became a little difficult to follow and a little out of pieces that had to fit together. I would suggest the movie and I think my problem was I just had really high expectations for it and then didn't meet those high expectations the way I thought it would. And that's the only thing I would say is not great about the movie.
Movie Metropolis (309 KP) rated Deadpool 2 (2018) in Movies
Jun 10, 2019 (Updated Jun 10, 2019)
More of the same
Who would have thought we would get to this? I certainly didn’t. After the right royal mess 20th Century Fox made of everyone’s favourite anti-hero, Deadpool, in X-Men Origins: Wolverine all those years ago, it felt like a solo outing would never be possible, never mind a sequel.
Deadpool senior went on to gross nearly $800million worldwide, impressive for an R-rated (15 certification) flick, and was an undisputed king of comic-book hero movies. Like Guardians of the Galaxy was for Marvel Studios, Deadpool was a huge gamble that paid off massively thanks to Ryan Reynold’s brilliant comic-timing and an origins story that wasn’t done to death. Naturally, a sequel was always on the cards. But are we looking at a sequel of Empire quality or Speed 2: Cruise Control?
Wisecracking mercenary Deadpool (Reynolds) is back, and this time he decides to joins force with three mutants – Bedlam (Terry Crews), Shatterstar (Lewis Tan) and Domino (Zazie Beets) – to protect a boy from the all-powerful Cable (Josh Brolin).
One-half of John Wick’s directing team, David Leitch, is thrust into the directing chair for Deadpool 2 after Tim Miller was unceremoniously dumped from the project due to creative differences with Ryan Reynolds (read into that what you will). Thankfully, he brings that trademark style that we again saw in Atomic Blonde to this sequel and with that comes plenty of stylised action and a neon/grey colour palate plus a Celine Dion number that’s just begging for parody status.
Surprisingly, that all works rather well for this film. Propped by another cracking performance from Ryan Reynolds who has really found his calling after years of mediocrity. I’ve said it before and I’ll say it again, he was absolutely born to play this role and his dry wit is given much more room to breathe this time around.
The rest of the cast are fine, if a little underdeveloped. Zazie Beets probably makes the most impact as mutant, Domino, but even she is a little underpowered when compared to the brilliant work the MCU has done on its heroes over the years. Josh Brolin (who must be getting paid rather handsomely this year) is great as Cable, though it is difficult to hear his voice and not immediately think of Thanos. T.J. Miller returns in a heavily reduced role as does Reynolds’ on-screen girlfriend Morena Baccarin who is criminally underused.
Story wise, it’s pretty much more of the same and that’s no bad thing. The fourth-wall breaking is as fresh as it felt two years ago and is cleverly used to hide the necessary exposition to bring the audience up-to-speed with what’s been happening in Deadpool-ville over the last couple of years.
Thankfully, there is plenty of repeat-watch value in Deadpool 2, thanks mainly to the returning cast members
The comedy hits more than it misses, though the constant quipps can be exhausting, and the action is filmed as confidently as you’d expect from the man who brought Keanu Reeves screaming into the 21st Century, but there is some incredibly poor CGI that is at odds with a movie costing over $100million. By incredibly poor, I don’t mean just a bit naff, I’m talking laughably bad.
The finale is vibrant, action-packed and as Deadpool himself says, CGI-filled, but it’s a little unoriginal and very much like its predecessor, though the inclusion of one particular character that I won’t spoil here is great fun to see.
There are also plenty of X-Men Easter eggs for fans to enjoy too. From characters showing up where you’d least expect them to a blink-and-you’ll-miss-it Stan Lee cameo, the film is full to the brim of in-references that only the most hardened of comic-book fans will notice on the first watch.
Thankfully, there is plenty of repeat-watch value in Deadpool 2, thanks mainly to the returning cast members. Reynolds, T.J. Miller, Leslie Uggams (Wade Wilson’s blind roommate Al) and Karan Soni (taxi driver Dopinder) are welcome returnees and ensure the film has a little heart, though not too much. After all, that wouldn’t be the Deadpool way.
Overall, Deadpool 2 is a confident sequel to one of the best comic-book movies there is. What it does right, it does very well indeed. The comedy, performances and action are all spot on. Unfortunately, there are some very poor special effects over the course of the film and in an effort to make everything bigger and badder, it occasionally feels like a mass of scenes put together to make a film. A worthy sequel, but not an Empire or Spider-Man 2 in this instance.
https://moviemetropolis.net/2018/05/16/deadpool-2-review-more-of-the-same/#more-6342
Deadpool senior went on to gross nearly $800million worldwide, impressive for an R-rated (15 certification) flick, and was an undisputed king of comic-book hero movies. Like Guardians of the Galaxy was for Marvel Studios, Deadpool was a huge gamble that paid off massively thanks to Ryan Reynold’s brilliant comic-timing and an origins story that wasn’t done to death. Naturally, a sequel was always on the cards. But are we looking at a sequel of Empire quality or Speed 2: Cruise Control?
Wisecracking mercenary Deadpool (Reynolds) is back, and this time he decides to joins force with three mutants – Bedlam (Terry Crews), Shatterstar (Lewis Tan) and Domino (Zazie Beets) – to protect a boy from the all-powerful Cable (Josh Brolin).
One-half of John Wick’s directing team, David Leitch, is thrust into the directing chair for Deadpool 2 after Tim Miller was unceremoniously dumped from the project due to creative differences with Ryan Reynolds (read into that what you will). Thankfully, he brings that trademark style that we again saw in Atomic Blonde to this sequel and with that comes plenty of stylised action and a neon/grey colour palate plus a Celine Dion number that’s just begging for parody status.
Surprisingly, that all works rather well for this film. Propped by another cracking performance from Ryan Reynolds who has really found his calling after years of mediocrity. I’ve said it before and I’ll say it again, he was absolutely born to play this role and his dry wit is given much more room to breathe this time around.
The rest of the cast are fine, if a little underdeveloped. Zazie Beets probably makes the most impact as mutant, Domino, but even she is a little underpowered when compared to the brilliant work the MCU has done on its heroes over the years. Josh Brolin (who must be getting paid rather handsomely this year) is great as Cable, though it is difficult to hear his voice and not immediately think of Thanos. T.J. Miller returns in a heavily reduced role as does Reynolds’ on-screen girlfriend Morena Baccarin who is criminally underused.
Story wise, it’s pretty much more of the same and that’s no bad thing. The fourth-wall breaking is as fresh as it felt two years ago and is cleverly used to hide the necessary exposition to bring the audience up-to-speed with what’s been happening in Deadpool-ville over the last couple of years.
Thankfully, there is plenty of repeat-watch value in Deadpool 2, thanks mainly to the returning cast members
The comedy hits more than it misses, though the constant quipps can be exhausting, and the action is filmed as confidently as you’d expect from the man who brought Keanu Reeves screaming into the 21st Century, but there is some incredibly poor CGI that is at odds with a movie costing over $100million. By incredibly poor, I don’t mean just a bit naff, I’m talking laughably bad.
The finale is vibrant, action-packed and as Deadpool himself says, CGI-filled, but it’s a little unoriginal and very much like its predecessor, though the inclusion of one particular character that I won’t spoil here is great fun to see.
There are also plenty of X-Men Easter eggs for fans to enjoy too. From characters showing up where you’d least expect them to a blink-and-you’ll-miss-it Stan Lee cameo, the film is full to the brim of in-references that only the most hardened of comic-book fans will notice on the first watch.
Thankfully, there is plenty of repeat-watch value in Deadpool 2, thanks mainly to the returning cast members. Reynolds, T.J. Miller, Leslie Uggams (Wade Wilson’s blind roommate Al) and Karan Soni (taxi driver Dopinder) are welcome returnees and ensure the film has a little heart, though not too much. After all, that wouldn’t be the Deadpool way.
Overall, Deadpool 2 is a confident sequel to one of the best comic-book movies there is. What it does right, it does very well indeed. The comedy, performances and action are all spot on. Unfortunately, there are some very poor special effects over the course of the film and in an effort to make everything bigger and badder, it occasionally feels like a mass of scenes put together to make a film. A worthy sequel, but not an Empire or Spider-Man 2 in this instance.
https://moviemetropolis.net/2018/05/16/deadpool-2-review-more-of-the-same/#more-6342
Movie Metropolis (309 KP) rated Terminator: Dark Fate (2019) in Movies
Oct 31, 2019
It might sound like we’re damning Terminator: Dark Fate with faint praise by declaring it the best Terminator sequel since T2, however that seems to be the way many Hollywood franchises are going nowadays.
After all, last year’s Halloween sequel was declared the best one yet simply because it retconned the events of its mostly dreadful predecessors and blasted them out of existence. Jurassic World: Fallen Kingdom was declared (by us anyway) the very best sequel the franchise has ever gotten, but The Lost World and Jurassic Park III were hardly critical darlings.
The similarities between the Terminator and Jurassic franchises don’t end there though. You see, in an effort to reboot the flagging sci-fi series, Deadpool director Tim Miller has been brought in with the legend that is James Cameron returning to the franchise in a producing role, similar to how Steven Spielberg still produces the Jurassic movies to this day.
Yes, it appears that ignoring poor sequels allows film-makers to go back to the good old days, rather than trying to shoehorn poor sequel after poor sequel until audiences stop turning up at the cinema. That’s what has happened with the Terminator franchise. Following James Cameron’s incredible first two films, the sequels that followed ranged from dreadful to downright shambolic. But is Dark Fate actually good? Or just better than what came before it?
Sarah Connor (Linda Hamilton returning to the role that defined her career) and a hybrid cyborg human, Grace (Mackenzie Davis) must protect a young girl (Natalia Reyes) from a newly modified liquid Terminator from the future.
Seeing Linda Hamilton return to such an iconic role after almost 30 years is a real highlight over the course of the film and she slots back into Sarah Connor’s shoes particularly well. She gets a few clunky one-liners but manages to stop them from sounding too ridiculous.
Elsewhere, Mackenzie Davis is absolutely cracking as Grace, a human-cyborg sent from the future. She’s full of heart and the script allows her to develop more of a personality than we’re used to from this franchise. Grace is a nicely fleshed out character with enough backstory to allow the audience to care for wellbeing.
Of course, Terminator fans are here to see Arnie and although his screen time is more limited than we’d like, it’s nice to see both him and Hamilton squaring up against each other again. We won’t spoil the plot devices used to bring about his return to the series, but they’re very well integrated and don’t feel as clunky as you might expect.
Set piece after set piece after set piece is thrown at the audience… but each one is so inventive that the probability of you getting bored is very slim indeed
Unfortunately, Natalia Reyes’ Dani is a little more wooden compared to her on-screen co-stars. There’s nothing particularly wrong with her character, but she’s merely there as a plot device and doesn’t really get to do much. It’s no easy feat to go up against Sarah Connor and the T-800 and while she tries her best, she falls a little short.
When it comes to action, Dark Fate pulls no punches. Set piece after set piece after set piece is thrown at the audience in an almost Fast & Furious-like way, but each one is so inventive that the probability of you getting bored is very slim indeed. The film starts with a very nicely choreographed chase on a freeway, culminating in a tense showdown at a power plant.
Dotted in between these rollercoaster moments however are some touching moments and well-timed comedy. While not on a level with Miller’s Deadpool, there are a couple of instances that raised a chuckle from the audience, though most of them involved Arnold Schwarzenegger and his deadpan line delivery.
Terminator: Dark Fate - Official Trailer (2019) - Paramount Pictures - YouTube
The CGI is mostly successful, though the lack of practical effects like those we saw in the film’s predecessors does lend an unnaturally glossy and artificial look to not only the Terminators themselves, but some of the landscapes. This is a bit of a shame as CGI body doubles are all too evident from time-to-time, but never does it pull you out of the film completely.
Overall, Terminator: Dark Fate is indeed the best sequel since T2. This is a film that successfully reboots a franchise that had been flagging for decades and is one of the year’s best action flicks. Not only does it bring back two of cinema’s most iconic characters, it places them in a film which is nicely shot, reasonably well-written and absolutely thrilling from start to finish. Now, if only the same winning formula could be applied to the Alien series, James Cameron may able to sleep soundly at night.
After all, last year’s Halloween sequel was declared the best one yet simply because it retconned the events of its mostly dreadful predecessors and blasted them out of existence. Jurassic World: Fallen Kingdom was declared (by us anyway) the very best sequel the franchise has ever gotten, but The Lost World and Jurassic Park III were hardly critical darlings.
The similarities between the Terminator and Jurassic franchises don’t end there though. You see, in an effort to reboot the flagging sci-fi series, Deadpool director Tim Miller has been brought in with the legend that is James Cameron returning to the franchise in a producing role, similar to how Steven Spielberg still produces the Jurassic movies to this day.
Yes, it appears that ignoring poor sequels allows film-makers to go back to the good old days, rather than trying to shoehorn poor sequel after poor sequel until audiences stop turning up at the cinema. That’s what has happened with the Terminator franchise. Following James Cameron’s incredible first two films, the sequels that followed ranged from dreadful to downright shambolic. But is Dark Fate actually good? Or just better than what came before it?
Sarah Connor (Linda Hamilton returning to the role that defined her career) and a hybrid cyborg human, Grace (Mackenzie Davis) must protect a young girl (Natalia Reyes) from a newly modified liquid Terminator from the future.
Seeing Linda Hamilton return to such an iconic role after almost 30 years is a real highlight over the course of the film and she slots back into Sarah Connor’s shoes particularly well. She gets a few clunky one-liners but manages to stop them from sounding too ridiculous.
Elsewhere, Mackenzie Davis is absolutely cracking as Grace, a human-cyborg sent from the future. She’s full of heart and the script allows her to develop more of a personality than we’re used to from this franchise. Grace is a nicely fleshed out character with enough backstory to allow the audience to care for wellbeing.
Of course, Terminator fans are here to see Arnie and although his screen time is more limited than we’d like, it’s nice to see both him and Hamilton squaring up against each other again. We won’t spoil the plot devices used to bring about his return to the series, but they’re very well integrated and don’t feel as clunky as you might expect.
Set piece after set piece after set piece is thrown at the audience… but each one is so inventive that the probability of you getting bored is very slim indeed
Unfortunately, Natalia Reyes’ Dani is a little more wooden compared to her on-screen co-stars. There’s nothing particularly wrong with her character, but she’s merely there as a plot device and doesn’t really get to do much. It’s no easy feat to go up against Sarah Connor and the T-800 and while she tries her best, she falls a little short.
When it comes to action, Dark Fate pulls no punches. Set piece after set piece after set piece is thrown at the audience in an almost Fast & Furious-like way, but each one is so inventive that the probability of you getting bored is very slim indeed. The film starts with a very nicely choreographed chase on a freeway, culminating in a tense showdown at a power plant.
Dotted in between these rollercoaster moments however are some touching moments and well-timed comedy. While not on a level with Miller’s Deadpool, there are a couple of instances that raised a chuckle from the audience, though most of them involved Arnold Schwarzenegger and his deadpan line delivery.
Terminator: Dark Fate - Official Trailer (2019) - Paramount Pictures - YouTube
The CGI is mostly successful, though the lack of practical effects like those we saw in the film’s predecessors does lend an unnaturally glossy and artificial look to not only the Terminators themselves, but some of the landscapes. This is a bit of a shame as CGI body doubles are all too evident from time-to-time, but never does it pull you out of the film completely.
Overall, Terminator: Dark Fate is indeed the best sequel since T2. This is a film that successfully reboots a franchise that had been flagging for decades and is one of the year’s best action flicks. Not only does it bring back two of cinema’s most iconic characters, it places them in a film which is nicely shot, reasonably well-written and absolutely thrilling from start to finish. Now, if only the same winning formula could be applied to the Alien series, James Cameron may able to sleep soundly at night.