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Rocket League
7.9
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Soccer meets driving once again in the long-awaited, physics-based sequel to the beloved arena...
sports racing multiplayer soccer
Survival Island 2: Dinosaur Hunter
Games and Entertainment
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The second part of your favorite surviving game- weβre going to the next island! In the sequel of...
The Shadows We Hide
Book
In the highly-anticipated sequel to the national bestseller The Life We Bury, Joe Talbert returns to...
One of Us Is Next
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The highly anticipated sequel to the New York Times bestselling thriller everyone is talking about,...
Please Send Help (I Hate Everyone But You #2)
8.5
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Book
Ava and Gen are best friends. Ava knows what she wants and has plans to achieve her goals. Gen...not...
YA Young Adult Sequel Book Series Contemporary
LoganCrews (2861 KP) rated As the Gods Will (2014) in Movies
Oct 28, 2021
"ππ©π¦ π΄πΆπ³π·πͺπ·π°π³π΄ π’π³π¦ π¨π°π°π₯, π΅π©π¦ π₯π¦π’π₯ π’π³π¦ π¦π·πͺπ."
Seventh Miike down and so far this is my favorite of his by a wide margin: gorgeous, fearlessly stupid, entertaining as can be, grisly, funny, and as giddy as a kid in a candy shop with its cruelty. Pretty much the shit movies were made for. Couldn't tell you how this holds up as an adaptation of the manga, but it's a top-to-bottom gnarly blast in its own right - just keeps topping and topping itself with its series of totally ludicrous rug-pulls until you have no choice but to strap in blindfolded and hold on for the ride. I still can't get over the combination of all these breathtaking sets with the garish, purposefully fugly CGI - it adds a deep idiosyncrasy to the project that works like a motherfucker in deepening its artsy camp. The entirety of the 'telling the truth' game is the best scene in any Miike movie I've seen up to this point. Ryunosuke Kamiki is a God's-honest talent. And at this point in Takashi's filmography it should go without saying that Koji Endo's score rips hard. Catch me demanding a sequel to this overlooked genre classic.
Seventh Miike down and so far this is my favorite of his by a wide margin: gorgeous, fearlessly stupid, entertaining as can be, grisly, funny, and as giddy as a kid in a candy shop with its cruelty. Pretty much the shit movies were made for. Couldn't tell you how this holds up as an adaptation of the manga, but it's a top-to-bottom gnarly blast in its own right - just keeps topping and topping itself with its series of totally ludicrous rug-pulls until you have no choice but to strap in blindfolded and hold on for the ride. I still can't get over the combination of all these breathtaking sets with the garish, purposefully fugly CGI - it adds a deep idiosyncrasy to the project that works like a motherfucker in deepening its artsy camp. The entirety of the 'telling the truth' game is the best scene in any Miike movie I've seen up to this point. Ryunosuke Kamiki is a God's-honest talent. And at this point in Takashi's filmography it should go without saying that Koji Endo's score rips hard. Catch me demanding a sequel to this overlooked genre classic.
David McK (3372 KP) rated Superman II (1981) in Movies
Mar 11, 2023
KNEEL BEFORE ZOD!
Straight sequel (as in, referencing the events of the first and building on it) to the 1978 Christopher Reeve original, and there's a reason why this, for many, is held up as one of the best Superhero sequels (and Reeves as one of the best actors to portray Clarke Kent/Superman).
This is the one with (Terence Stamps version of) Zod and his fellow Krypotonian criminals - exiled to the Phantom Zone during the start of the first movie - released from captivity by an explosion in space and landing on earth to rule, just as Lois (finally) uncovers Clarke's real identity and travels with him to his Fortress of Solitude (the ramifications of which are felt in 206's Superman Returns) where he makes the decision to give up his powers and live as a mortal.
Things being what they are, this is a decision he comes to regret and has to travel back - alone - to regain his powers in order to defeat Zod and co, leading to a climactic battle in Metropolis and - later - back at that fortress of solititude.
You do have to wonder, though, how come Superman has powers here never seen or heard of again ...
This is the one with (Terence Stamps version of) Zod and his fellow Krypotonian criminals - exiled to the Phantom Zone during the start of the first movie - released from captivity by an explosion in space and landing on earth to rule, just as Lois (finally) uncovers Clarke's real identity and travels with him to his Fortress of Solitude (the ramifications of which are felt in 206's Superman Returns) where he makes the decision to give up his powers and live as a mortal.
Things being what they are, this is a decision he comes to regret and has to travel back - alone - to regain his powers in order to defeat Zod and co, leading to a climactic battle in Metropolis and - later - back at that fortress of solititude.
You do have to wonder, though, how come Superman has powers here never seen or heard of again ...
LeftSideCut (3778 KP) rated Top Gun: Maverick (2022) in Movies
May 25, 2022
"Legacy Sequels" are big business these days. Some have been bad, some have been surprisingly great. Top Gun: Maverick falls into the latter camp without a shadow of a doubt. It's a sequel, so many years later, that surpasses the much loved original in every way.
It definitely leans heavily on the nostalgia button here and there, but everything it offers is so much fun that it never feels like it's relying on that nostalgia. The new cast are hugely likable, and just like the first time around, the comradery between the characters is well realised, and wholesome as hell, with some good hearted rivalry. Tom Cruise slips back into the role of Maverick like he never left, and is clearly having a blast once again in the drivers seat.
The action set pieces are exciting, and it boasts a genuinely intense and high octane finale, as well as emotional beats that had me welling up dammit. Combine all of this with a spruced up classic music score, and you have a true blockbuster that will thrill fans of the original, and new audiences alike.
I wasn't overly excited about Top Gun: Maverick during the lead up to release, but I would be a fool not to admit that it's a triumph. Absolutely loved it.
It definitely leans heavily on the nostalgia button here and there, but everything it offers is so much fun that it never feels like it's relying on that nostalgia. The new cast are hugely likable, and just like the first time around, the comradery between the characters is well realised, and wholesome as hell, with some good hearted rivalry. Tom Cruise slips back into the role of Maverick like he never left, and is clearly having a blast once again in the drivers seat.
The action set pieces are exciting, and it boasts a genuinely intense and high octane finale, as well as emotional beats that had me welling up dammit. Combine all of this with a spruced up classic music score, and you have a true blockbuster that will thrill fans of the original, and new audiences alike.
I wasn't overly excited about Top Gun: Maverick during the lead up to release, but I would be a fool not to admit that it's a triumph. Absolutely loved it.
David McK (3372 KP) rated Superman Returns (2006) in Movies
Aug 26, 2019 (Updated Jul 16, 2023)
Edit: Brandon Routh finally got to return to the character in (TV) Arrow's 'Crisis on Infinite Earths', about 15 years later ...
The film that Bryan Singer left the X-Men franchise to make, this completely ignores anything after Superman II, setting itself up as a pseudo-sequel to that movie.
Starring a (pre-Arrowverse) Brandon Routh as a Superman/Clark Kent, this also recasts Margot Kidder's Lois Lane in that ape of Kate Bosworth, and Lex Luthor in the Shar of (the now-disgraced) Kevin Spacey. Unfortunately, there's seemingly a distinct lack of chemistry between Bosworth and Routh, perhaps covered up somewhat by a scenery-chewing Lex Luthor, who is back to his old criminal ways.
On the plus side, however, this Superman is a far more jovial and brighter version than the current Zak Snyder version, truly standing for 'Truth, Justice ... And all that other stuff', while the film still does contain some spectacle, such as Superman trying to stop a falling plane or even the final 'lifting-Kryptonian-infested landmass-into space' (although it then gets very heavily allegorical, with Superman even falling with his arms out in a cross shape).
I have to say, as well, that I was never a fan of its most controversial elements (no spoilers here) ...
The film that Bryan Singer left the X-Men franchise to make, this completely ignores anything after Superman II, setting itself up as a pseudo-sequel to that movie.
Starring a (pre-Arrowverse) Brandon Routh as a Superman/Clark Kent, this also recasts Margot Kidder's Lois Lane in that ape of Kate Bosworth, and Lex Luthor in the Shar of (the now-disgraced) Kevin Spacey. Unfortunately, there's seemingly a distinct lack of chemistry between Bosworth and Routh, perhaps covered up somewhat by a scenery-chewing Lex Luthor, who is back to his old criminal ways.
On the plus side, however, this Superman is a far more jovial and brighter version than the current Zak Snyder version, truly standing for 'Truth, Justice ... And all that other stuff', while the film still does contain some spectacle, such as Superman trying to stop a falling plane or even the final 'lifting-Kryptonian-infested landmass-into space' (although it then gets very heavily allegorical, with Superman even falling with his arms out in a cross shape).
I have to say, as well, that I was never a fan of its most controversial elements (no spoilers here) ...
David McK (3372 KP) rated Corpse Thief (Joshua Hawke #1) in Books
Feb 26, 2022
I remember reading Michael Arnold's seemingly-abandoned Captain Stryker Civil War Chronicles books when they first came out, and quite enjoying them.
I wasn't so sure about the setting of his new series, of which this is the first (and currently only) entry.
None-the-less, I thought I would give it a chance anyway: after all, a gin-sodden opium addicted grave robber ex-policeman who previously participated in the Peterloo massacre is hardly, shall we say, your standard protagonist!
Set in and around London's seedy underground of the 1820s, I got a strong flavour of Jack the Ripper when reading this; of a murderer who strikes at his (or her?) victims before disappearing again, and of whom the authorities seemingly have little interest in apprehending until he - or she! - jeopardises their own interests.
It's interesting, therefore, seeing the life and time from the 'other side', as it were, from the points of view of the downtrodden masses rather than from the rich and powerful.
Be aware, however, that this is NOT a self-contained novel in its own right (well, it is and it isn't), in that some major plot threads are purposefully left hanging for the inevitable sequel.
I wasn't so sure about the setting of his new series, of which this is the first (and currently only) entry.
None-the-less, I thought I would give it a chance anyway: after all, a gin-sodden opium addicted grave robber ex-policeman who previously participated in the Peterloo massacre is hardly, shall we say, your standard protagonist!
Set in and around London's seedy underground of the 1820s, I got a strong flavour of Jack the Ripper when reading this; of a murderer who strikes at his (or her?) victims before disappearing again, and of whom the authorities seemingly have little interest in apprehending until he - or she! - jeopardises their own interests.
It's interesting, therefore, seeing the life and time from the 'other side', as it were, from the points of view of the downtrodden masses rather than from the rich and powerful.
Be aware, however, that this is NOT a self-contained novel in its own right (well, it is and it isn't), in that some major plot threads are purposefully left hanging for the inevitable sequel.