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Rachel King (13 KP) rated Saving Max in Books
Feb 11, 2019
Though I was not familiar with this author when I recieved this book, upon reading it I could easily tell that Heugten was well-educated, especially since I actually came across a few words I did not know the meaning of - and I consider myself fairly well-read. Words like eidolon and glistered (both from the same sentence) made me a little intimidated by the book, but I stuck with it anyways. The prose of the text is written excellently and I thoroughly appreciated the book for this alone.
I was originally drawn to the book because it focuses on a mother's fight for the life and freedom of her son - which I can relate to in some ways. The sub-plots quickly intersect when the mother, Danielle, has to rely on her career as a lawyer to fight for her son while working with another lawyer, who happens to be the man she has a one-night stand with after turning to what she terms as "liquid courage." Some scenes in the plot were quite horrific, especially at the end of the book, but they were necessary to the plot. The psychiatric facility of Maitland where the plot centers at is intended to be the foremost facility of its kind in the country, but I found many of its practices either abysmal or downright terrifying. I found it very satisfying when Max began to take a more active role in his own court case, showing to me that he is indeed in charge of his own faculties (mostly) and not responsible for what he is being accused of. The big revelation that Danielle discovers is incredibly shocking and grotesque and reveals a psychosis I never knew even existed, much less the depths of depravity that it takes a person to. I have no doubt that such individuals exist in real life, though I believe that such people are beyond what psychologists or psychiatrists can fix. These kinds of people either need God or corporal punishment, but that is another soap box for another day.
I found the progression of the plot unpredictable, which is a good thing, but the ending not completely fulfilling, since the author obviously opted to leave one loose thread for a possible sequel. While I normally like book series, in this case I would have much preferred a more rewarding ending.
I was originally drawn to the book because it focuses on a mother's fight for the life and freedom of her son - which I can relate to in some ways. The sub-plots quickly intersect when the mother, Danielle, has to rely on her career as a lawyer to fight for her son while working with another lawyer, who happens to be the man she has a one-night stand with after turning to what she terms as "liquid courage." Some scenes in the plot were quite horrific, especially at the end of the book, but they were necessary to the plot. The psychiatric facility of Maitland where the plot centers at is intended to be the foremost facility of its kind in the country, but I found many of its practices either abysmal or downright terrifying. I found it very satisfying when Max began to take a more active role in his own court case, showing to me that he is indeed in charge of his own faculties (mostly) and not responsible for what he is being accused of. The big revelation that Danielle discovers is incredibly shocking and grotesque and reveals a psychosis I never knew even existed, much less the depths of depravity that it takes a person to. I have no doubt that such individuals exist in real life, though I believe that such people are beyond what psychologists or psychiatrists can fix. These kinds of people either need God or corporal punishment, but that is another soap box for another day.
I found the progression of the plot unpredictable, which is a good thing, but the ending not completely fulfilling, since the author obviously opted to leave one loose thread for a possible sequel. While I normally like book series, in this case I would have much preferred a more rewarding ending.
Rachel King (13 KP) rated The Bronze and the Brimstone in Books
Feb 11, 2019
This book is the sequel to The Lens and the Looker: Book #1 of the Verona Series (History Camp: the Verona Trilogy) and opens with the main character, Hansum, in a dream. This is actually rather confusing, as I don't realize he is dreaming until afterwards, and it seems like a poorly-timed ploy to re-introduce the reader to what has occurred so far in the series.
Early in the book, Hansum is separated from his friends, but not before he manages to marry Guillietta in secret. What bugs me about this is how Guillietta's father still treats him like a child, even though he is certainly entitled to be treated as an adult by this time. Hansum exhibits a certain level of maturity that few seem to recognize or respect. Once Hansum is moved to a private estate, his story exchanges with the rest of his friends in alternating sections.
The drama that occurs between Shamira and the artist is quite transparent to me. I am not sure if the author intended for the reader to discern the artist's true intentions so easily, but the artist's lack of talent combined with obvious lies and an obsessive interest in the lookers made it apparent what he was really about. I can only feel sorry for Shamira in her first foray into the realm of romance.
Hansum does well at creatively avoiding an engagement to Lady Beatrice, but I had to wonder how long he would be successful at this. With Hansum's almost constant protectiveness over the genie, Pan, I also wondered how long he would really be able to keep up the ruse.
With a greater focus on the technological advancements that Hansum is introducing, and less of a focus on the relationship-building of the first book in the series, this book was better written and a more enjoyable read for me. The author's evident strengths lie in his knowledge of the technology used in the series and the history of 14th-century Verona, so when those are brought to the forefront, the writing is quite intriguing. I still feel that the author is trying to do too much with this novel and trying to appeal to a too-large audience with everything from romance, history, suspense, political intrigue, and technology, to numerous science fiction themes, but it is better written than the first book in the series.
Early in the book, Hansum is separated from his friends, but not before he manages to marry Guillietta in secret. What bugs me about this is how Guillietta's father still treats him like a child, even though he is certainly entitled to be treated as an adult by this time. Hansum exhibits a certain level of maturity that few seem to recognize or respect. Once Hansum is moved to a private estate, his story exchanges with the rest of his friends in alternating sections.
The drama that occurs between Shamira and the artist is quite transparent to me. I am not sure if the author intended for the reader to discern the artist's true intentions so easily, but the artist's lack of talent combined with obvious lies and an obsessive interest in the lookers made it apparent what he was really about. I can only feel sorry for Shamira in her first foray into the realm of romance.
Hansum does well at creatively avoiding an engagement to Lady Beatrice, but I had to wonder how long he would be successful at this. With Hansum's almost constant protectiveness over the genie, Pan, I also wondered how long he would really be able to keep up the ruse.
With a greater focus on the technological advancements that Hansum is introducing, and less of a focus on the relationship-building of the first book in the series, this book was better written and a more enjoyable read for me. The author's evident strengths lie in his knowledge of the technology used in the series and the history of 14th-century Verona, so when those are brought to the forefront, the writing is quite intriguing. I still feel that the author is trying to do too much with this novel and trying to appeal to a too-large audience with everything from romance, history, suspense, political intrigue, and technology, to numerous science fiction themes, but it is better written than the first book in the series.
graveyardgremlin (7194 KP) rated Outside In (Insider, #2) in Books
Feb 15, 2019
***Possible spoiler alert concerning <b>Inside Out</b>***
<b>2.5 stars</b>
A rather disappointing end to the duet after the very enjoyable first book, [b:Inside Out|7059135|Inside Out (Insider, #1)|Maria V. Snyder|http://photo.goodreads.com/books/1327883282s/7059135.jpg|6662880]. Suffering from too many subplots that connected to the central story, the book just had too much going on. Each subplot that popped up was quickly taken care of in order to move on to the next scene and felt like the author was going down a checklist, "Okay, that's done, on to the next." It just wasn't very smooth at all. Most of the action was indicative of Chicken-with-its-head-cut-off Syndrome (yes, I did just make that up), so there was way too much confusion and running around, and I wanted it to slow. The. Heck. Down. This lead to my confusion of what in the world was going on, because I couldn't visualize much at all. The more hectic the story became, the more sketchy the details were. Not a good thing to do as an author. Since there was a lot more action than interaction this installment, the characters suffered and I found I didn't care for anyone at all or what happened to them, even Trella. While this book started off well enough, it quickly became more of a chore than a joy to read, and unfortunately, there was more tell than show in the writing. A very weak ending to what was a fun and exciting story arc. As I'm sure there isn't going to be another book in this series, there are many questions left dangling that should have been answered. Like who are the "Insiders" really, where are they from, what are they, who are the "Outsiders," etc., etc. I wasted time reading two books and am left without a real ending explaining most everything, if not all. One of the worst aspects about this sequel was the missed potential. It was already there but it was left ignored. The author would have done better to have created a slow, tension-filled build-up than the fast-paced mess of running around here, there, and everywhere, that ultimately was a big let-down and a disservice to the plot and characters.
<b>2.5 stars</b>
A rather disappointing end to the duet after the very enjoyable first book, [b:Inside Out|7059135|Inside Out (Insider, #1)|Maria V. Snyder|http://photo.goodreads.com/books/1327883282s/7059135.jpg|6662880]. Suffering from too many subplots that connected to the central story, the book just had too much going on. Each subplot that popped up was quickly taken care of in order to move on to the next scene and felt like the author was going down a checklist, "Okay, that's done, on to the next." It just wasn't very smooth at all. Most of the action was indicative of Chicken-with-its-head-cut-off Syndrome (yes, I did just make that up), so there was way too much confusion and running around, and I wanted it to slow. The. Heck. Down. This lead to my confusion of what in the world was going on, because I couldn't visualize much at all. The more hectic the story became, the more sketchy the details were. Not a good thing to do as an author. Since there was a lot more action than interaction this installment, the characters suffered and I found I didn't care for anyone at all or what happened to them, even Trella. While this book started off well enough, it quickly became more of a chore than a joy to read, and unfortunately, there was more tell than show in the writing. A very weak ending to what was a fun and exciting story arc. As I'm sure there isn't going to be another book in this series, there are many questions left dangling that should have been answered. Like who are the "Insiders" really, where are they from, what are they, who are the "Outsiders," etc., etc. I wasted time reading two books and am left without a real ending explaining most everything, if not all. One of the worst aspects about this sequel was the missed potential. It was already there but it was left ignored. The author would have done better to have created a slow, tension-filled build-up than the fast-paced mess of running around here, there, and everywhere, that ultimately was a big let-down and a disservice to the plot and characters.
MaryAnn (14 KP) rated Minding the Light (Nantucket Legacy #2) in Books
Mar 5, 2019
Six long years ago, Captain Reynolds Macy sailed away from his bride, looking forward to the day when he would return to Nantucket Island with a ship’s hold full of whale oil. But when that momentous day finally arrives, Ren soon discovers that everything has changed in his absence. Everything. “Is nothing on this island as it appears to be?” he whispers in despair. Unlike most islanders, bold and spirited Daphne Coffin doesn’t defer to Ren as an authoritative whalemaster, but sees through his aloofness to the aching heart beneath. She encourages him to return to his Quaker roots and “mind the Light,” finding solace in God and community. As Ren becomes the man she believes him to be–honorable, wise, faithful–she finds herself falling in love with him. But how can she, when her heart is spoken for? Tristram Macy is Ren’s business partner, cousin, and best friend–and Daphne’s fiancé. Love always comes at a cost, but when is the price too high? Suzanne Woods Fisher welcomes readers back to the Quaker community on Nantucket Island for this riveting love story, full of unexpected moments.
My Thoughts: This is the sequel to Phoebe's Light, we are introduced to her great grandaughter's Jane and Daphne. We are taken back to the Island of Nantucket where whaling is the mainstay of life. That means years, yes years that wives are away from their husbands, and life continues on without them. This novel is full of history, and Suzanne Woods Fisher has done an excellent job of research on the Quaker's and the Nantucket way of life.
In this novel, we are introduced to the Quaker religion and the ways of the people or "friends". It is a wonderful read, full of mystery, love, heartbreak, and turns of events. Suzanne Woods Fisher brings up themes of slavery, hypocrisy, and forgiveness.
The characters are entertaining, easy to love (or hate), she draws the reader in and writes an enjoyable storyline that keeps the reader on their toes. Full of history, the reader learns as they read along. I did enjoy reading Great Mary's journals and learning about the past history of the family and the island of Nantucket. In the end, we are left to ponder what "Minding the Light" means to us.
The reader will learn much from this book, and think about the issues that were covered in this story. This book comes highly recommended.
My Thoughts: This is the sequel to Phoebe's Light, we are introduced to her great grandaughter's Jane and Daphne. We are taken back to the Island of Nantucket where whaling is the mainstay of life. That means years, yes years that wives are away from their husbands, and life continues on without them. This novel is full of history, and Suzanne Woods Fisher has done an excellent job of research on the Quaker's and the Nantucket way of life.
In this novel, we are introduced to the Quaker religion and the ways of the people or "friends". It is a wonderful read, full of mystery, love, heartbreak, and turns of events. Suzanne Woods Fisher brings up themes of slavery, hypocrisy, and forgiveness.
The characters are entertaining, easy to love (or hate), she draws the reader in and writes an enjoyable storyline that keeps the reader on their toes. Full of history, the reader learns as they read along. I did enjoy reading Great Mary's journals and learning about the past history of the family and the island of Nantucket. In the end, we are left to ponder what "Minding the Light" means to us.
The reader will learn much from this book, and think about the issues that were covered in this story. This book comes highly recommended.
Whatchareadin (174 KP) rated Paris Ever After in Books
Apr 9, 2019
Amy has been staying in Paris for the past few months. After the death of her best friend, she had to fulfill their dream of going to Paris. The problem, she took off without saying anything to anyone, including her husband. When she returns home, he says he doesn't want to see her anymore, so she goes back to Paris. She makes new friends, finds a place to live and even finds a little job to keep her busy. But as she is gathering items for her birthday celebration, she sees her husband in Paris. What is he doing here? Why didn't he tell her he was coming? Why hasn't he replied to any of her texts or phone calls? And why does he look like that? Over the few days he is in Paris, Amy's life will change dramatically. Will she return to the States with him, or will she stay in Paris, ever after?
Thank you to KSR Burns for a copy of this book and the opportunity to read and review it.
When I first started reading this book, I was sure I was going to love it. Amy and I share the same birthday so I was bound to connect to her. But for me the story fell flat. There were good parts to it, like learning more about Paris and the sights there. Some of the plot seemed a bit far-fetched. I can't say too much without giving away the story. I did read the book from cover to cover though and it didn't make me want to stop reading it, which is why I gave it 3 stars.
I think other readers may enjoy this story more than I did. If you like Paris and are familiar with French, maybe this will speak to you better than it did me. Sometimes I find that books with a lot of foreign phrases that aren't translated are difficult. This book did explain the phrases a lot, but their were parts that left me confused. Maybe because this is a sequel the story fell flat for me, I'm not sure.
I will read other books by KSR Burns. In fact, I'm going to go back and read this first book The Paris Effect by K.S.R. Burns to see if that helps.
Thank you to KSR Burns for a copy of this book and the opportunity to read and review it.
When I first started reading this book, I was sure I was going to love it. Amy and I share the same birthday so I was bound to connect to her. But for me the story fell flat. There were good parts to it, like learning more about Paris and the sights there. Some of the plot seemed a bit far-fetched. I can't say too much without giving away the story. I did read the book from cover to cover though and it didn't make me want to stop reading it, which is why I gave it 3 stars.
I think other readers may enjoy this story more than I did. If you like Paris and are familiar with French, maybe this will speak to you better than it did me. Sometimes I find that books with a lot of foreign phrases that aren't translated are difficult. This book did explain the phrases a lot, but their were parts that left me confused. Maybe because this is a sequel the story fell flat for me, I'm not sure.
I will read other books by KSR Burns. In fact, I'm going to go back and read this first book The Paris Effect by K.S.R. Burns to see if that helps.
Andy K (10823 KP) rated Back to the Future (1985) in Movies
Apr 10, 2019
My entire childhood
So funny how seeing a "decked out" DeLorean in a Target parking lot the other day made me want to rewatch Back to the Future again soon. It had been on my rewatch list ever since I purchased the trilogy on Blu Ray on Black Friday, but just hadn't gotten around to it yet.
To say this movie (and the original Star Wars trilogy) defined my childhood is an understatement. The year 1985 meant I was 14 years old and lived within biking distance of the theatre where it was showing. Only Back to the Future and The Empire Strikes Back have the distinction of being movies I saw at least fifteen times during their initial run; at one point every day for a week straight.
The story of how the film got made is an interesting as the perfect screenplay itself. Basically Bob Zemeckis and Bob Gale shopped the movie around after they had made a few films, including Used Cars (good movie), but studios weren't interested. Except Spielberg. Unfortunately, the duo had just worked with Spielberg on 1941 and it was a dud.
Luckily, Zemeckis directed Romancing the Stone in 1984, so they finally went back to Spielberg with that clout and got the deal done. BTTF was actually the first film released under Spielberg's Amblin Entertainment (with the E.T. logo) that Spielberg himself did not direct.
Then, casting. Filmmakers really wanted Michael J. Fox, but he was not available due to his TV schedule filming sitcom Family Ties. They had to move on, so they cast Eric Stoltz and filmed for 5 weeks.
Zemeckis felt like something wasn't right and asked Spielberg to take a look at the dailies. They agreed Stoltz was a good actor, but not right for the part of Marty McFly. They begged the Family Ties people to let Michael do both and they finally agreed. I can't believe how Michael did two full time jobs during production, but he did and managed to create an unforgettable character that will live forever in movie history.
If anyone ever decides it is a good idea to remake, reboot and/or get a sequel going I will personally go to their house and punch them in the face! ?
To say this movie (and the original Star Wars trilogy) defined my childhood is an understatement. The year 1985 meant I was 14 years old and lived within biking distance of the theatre where it was showing. Only Back to the Future and The Empire Strikes Back have the distinction of being movies I saw at least fifteen times during their initial run; at one point every day for a week straight.
The story of how the film got made is an interesting as the perfect screenplay itself. Basically Bob Zemeckis and Bob Gale shopped the movie around after they had made a few films, including Used Cars (good movie), but studios weren't interested. Except Spielberg. Unfortunately, the duo had just worked with Spielberg on 1941 and it was a dud.
Luckily, Zemeckis directed Romancing the Stone in 1984, so they finally went back to Spielberg with that clout and got the deal done. BTTF was actually the first film released under Spielberg's Amblin Entertainment (with the E.T. logo) that Spielberg himself did not direct.
Then, casting. Filmmakers really wanted Michael J. Fox, but he was not available due to his TV schedule filming sitcom Family Ties. They had to move on, so they cast Eric Stoltz and filmed for 5 weeks.
Zemeckis felt like something wasn't right and asked Spielberg to take a look at the dailies. They agreed Stoltz was a good actor, but not right for the part of Marty McFly. They begged the Family Ties people to let Michael do both and they finally agreed. I can't believe how Michael did two full time jobs during production, but he did and managed to create an unforgettable character that will live forever in movie history.
If anyone ever decides it is a good idea to remake, reboot and/or get a sequel going I will personally go to their house and punch them in the face! ?
Neon's Nerd Nexus (360 KP) rated Godzilla: King of the Monsters (2019) in Movies
May 29, 2019
Oh my God...
#godzillakingofthemonsters is overlong, overstuffed, bland & lacks the one thing that at bare minimum I expected from a movie about big #monsters #fighting, EXCITEMENT. Now I quite liked the first #godzilla movie & yes it was to focused on the human element but visually it was really sticking & I found its slow build up to the reveal of Godzilla intense & exciting so that when he's finally introduced fully his presence became that more intimidating & thrilling. Sadly although in this sequel the monsters are given way more screen time at around 2hours the human element is still far to overpowering. That would be fine but its all so #boring & only serves as exposition to move the plot along. Dialog is sloppy/bellow basic & repetitive, acting is average at best & no one is likeable. Story wise its incredibly weak/bare bones which makes me wonder why it takes so long to play out considering we are only all here really to see monsters #fight. Cgi is really dodgy in places & I'm not sure if this is a throwback to past films but it feels odd & disjointed because at times its also impressive like it suddenly found its budget again. For an hour & a half I found this movie terrible with nothing setting it apart from stuff like #sanandreas or #geostorm. There are big set pieces upping the pace but like those movies they are a hollow mess of washed out cgi/badly framed fights that just weren't exciting at all. Why a 3? something changes in the last half hour & things do get a little cool for a bit, the score becomes epic, cgi looks great, theres some nice visual touches, #animation has weight & #action invokes some thrill but by then its all a just a bit to late. Theres also some #beautiful artsy establishing shots at times too throughout the movie & the subtle metaphors about the effects of #nuclear #weapons/war & looking after our #planet are well implemented too but thats about it. Im still #excited for #GodzillavsKong but just hoping this is a case of middle film itis but for now there are way better monster movies out there as i cant recomend seeing this one at all to be honest which is such a shame. #shingodzilla #godzillamovie #kong #japan #anime #gojira #kaiju
Sensitivemuse (246 KP) rated The Graces in Books
Jan 31, 2018
Not much of a plot, it was a good ending though
There wasn’t a substantial plot with this one. You had an idea on why River was trying to be friends with The Graces and there were hints here and there throughout the story on what River was really wanting to do all this time. You’re pretty much following River as she makes friends and tries to be part of the in crowd with The Graces.
I didn’t really like River that much in the beginning. You knew why she was wanting to befriend them however at the same time she had a great friendship with Summer and you were hoping nothing would spoil it.
The Graces did have a certain charm to them but at the same time there was also something strange. They’re close knit, secretive, and not your average family. They already had their secrets to start with, and of all the three I’d have to like Summer the most. She was the outspoken one and the rule breaker with at least some semblance of sense and logic that her two siblings didn’t have (those that have read the book would know what I’m talking about).
Back to River. Oh darling. You know this could have gone well if you HAD JUST TOLD THEM. Sometimes I hate reading books where the protagonist has this huge secret because they tend to keep it to themselves until they finally realize it wouldn’t help anymore but by that time, it would mess up a lot of things now would it? And all throughout the book you’re screaming JUST. TELL. THEM. Sheesh.
Although I know I said I didn’t really like her in the beginning, she redeemed herself in the last third of the book. I was expecting her to be sniveling, crying and pleading but she suddenly became this beacon of rage and I suddenly pulled a 180 and loved her instantly. She finally realized who she was and what she was capable of. She didn’t need the Graces at all - well maybe she needed them to put her in the right direction but it was nice to see her pick herself up and be strong about it.
Loved the ending! Such a cliffhanger and I want to know what’s going to happen next now that River has found herself. Sequel is coming out this year! So I’ll be looking forward to it!
I didn’t really like River that much in the beginning. You knew why she was wanting to befriend them however at the same time she had a great friendship with Summer and you were hoping nothing would spoil it.
The Graces did have a certain charm to them but at the same time there was also something strange. They’re close knit, secretive, and not your average family. They already had their secrets to start with, and of all the three I’d have to like Summer the most. She was the outspoken one and the rule breaker with at least some semblance of sense and logic that her two siblings didn’t have (those that have read the book would know what I’m talking about).
Back to River. Oh darling. You know this could have gone well if you HAD JUST TOLD THEM. Sometimes I hate reading books where the protagonist has this huge secret because they tend to keep it to themselves until they finally realize it wouldn’t help anymore but by that time, it would mess up a lot of things now would it? And all throughout the book you’re screaming JUST. TELL. THEM. Sheesh.
Although I know I said I didn’t really like her in the beginning, she redeemed herself in the last third of the book. I was expecting her to be sniveling, crying and pleading but she suddenly became this beacon of rage and I suddenly pulled a 180 and loved her instantly. She finally realized who she was and what she was capable of. She didn’t need the Graces at all - well maybe she needed them to put her in the right direction but it was nice to see her pick herself up and be strong about it.
Loved the ending! Such a cliffhanger and I want to know what’s going to happen next now that River has found herself. Sequel is coming out this year! So I’ll be looking forward to it!
Kyera (8 KP) rated The Dazzling Heights (The Thousandth Floor #2) in Books
Feb 1, 2018
The Thousandth Floor series is Gossip Girl set in a near-future world in which technology is fascinatingly advanced. The Dazzling Heights continues the story and follows the characters in the aftermath of the Thousandth Floor. As this is the sequel, there will be spoilers for the first book in the series but not the second book.
The varied cast of characters from the first book return with the addition of a new girl, Calliope Brown. I liked that the author changed perspective with each chapter because it allowed us to get to know each character better than we would have otherwise. With such a large group, it would have been difficult to achieve otherwise and some of the characters would have been relegated to forgettable, supporting roles.
The events in the Thousandth Floor have hit some of the characters much harder than others. We get to see and experience their emotional rollercoasters as they each try to cope. It was nice to see the continued development and evolution of the characters. Avery is not just the perfect, popular girl who lives on the top floor; Watt is not just the genius with a supercomputer friend; Leda is not just the addict with a penchant for revenge; Rylin is not just the poor kid from a lower floor that got roped into the highliers' lives.
The story takes place almost entirely in the Tower, but that's not a negative for the world building because the locale is like a world itself. The author vibrantly describes various floors and shows how the building houses almost anything imaginable from a farm to a school, parks to gyms, and anything you can think of in between.
The Dazzling Heights also ends with a cliffhanger and leaves you wanting more. The character most involved in the cliffhanger wasn't one that I particularly connected with, so I'm not as impatient to know what happened - but I am to know what happens to the rest of the characters in the aftermath of this new development.
Obviously, you need to read the first book the Thousandth Floor before you continue with this, but I would definitely recommend this series as it is a fun, intriguing, Gossip Girl-esque romp with the 1% set in a world more advanced than our own.
The varied cast of characters from the first book return with the addition of a new girl, Calliope Brown. I liked that the author changed perspective with each chapter because it allowed us to get to know each character better than we would have otherwise. With such a large group, it would have been difficult to achieve otherwise and some of the characters would have been relegated to forgettable, supporting roles.
The events in the Thousandth Floor have hit some of the characters much harder than others. We get to see and experience their emotional rollercoasters as they each try to cope. It was nice to see the continued development and evolution of the characters. Avery is not just the perfect, popular girl who lives on the top floor; Watt is not just the genius with a supercomputer friend; Leda is not just the addict with a penchant for revenge; Rylin is not just the poor kid from a lower floor that got roped into the highliers' lives.
The story takes place almost entirely in the Tower, but that's not a negative for the world building because the locale is like a world itself. The author vibrantly describes various floors and shows how the building houses almost anything imaginable from a farm to a school, parks to gyms, and anything you can think of in between.
The Dazzling Heights also ends with a cliffhanger and leaves you wanting more. The character most involved in the cliffhanger wasn't one that I particularly connected with, so I'm not as impatient to know what happened - but I am to know what happens to the rest of the characters in the aftermath of this new development.
Obviously, you need to read the first book the Thousandth Floor before you continue with this, but I would definitely recommend this series as it is a fun, intriguing, Gossip Girl-esque romp with the 1% set in a world more advanced than our own.
Cyn Armistead (14 KP) rated Wolf Who Rules (Elfhome, #2) in Books
Mar 1, 2018
What a tease! To come SO close to dealing with polyamory, then skip back!
I guess it's just been too long since I read <i>Tinker</i>, but I don't really remember any hints of polyamory there at all. In this book, though, it's made very clear that elven society has found monogamy to be an unreasonable model for people who normally live thousands of years. Anybody who hasn't read Tinker shouldn't read this review, because there are spoilers for that book - but hey, that's to be expected in the review for a sequel. Just knowing that certain characters live and marry is a spoiler!
Anyway, Tinker may be an elf now, but she was raised as a human, and apparently the half-elven quasi-nursemaid Tooloo who has always been part of her life either doesn't know about the difference in societal expectations, or never saw fit to mention it. That isn't so surprising, as Tooloo is depicted as several tacos short of a combo plate. But why, when some of the elves (especially Stormsong) are shown to be familiar with human culture, haven't any of them anticipated this as a source of trouble in Tinker and Wolf's marriage? Why doesn't anybody ever just sit down and say, "Look, honey, the rulers only choose guards with whom they get along well, and with opposite-sex guards, that can mean getting along with sexually. Your new husband has had sex with all of his female bodyguards in the past, and it's expected that you'll eventually take your own male Sekasha as lovers, too. Deal." (I'm not even starting on how very heteronormative everything is. You're telling me there's all that lucious pretty and thousands of years in which to experiment, and nobody ever crosses those streams, so to speak? Yeah, right.) There's a perfect opening for such a speech in the book, a point when the need for it is made very, very obvious--but I suppose having it all out in the open would remove a source of conflict.
Why are so many authors so bloody timid about laying things out like that, about showing healthy communication between people? Yes, we can imagine the most amazing advances in technology, and societies very different from our current ones, but by Goddess we must continue to show people screwing up their relationships in exactly the same way as in Shakespeare's day or nobody could relate to them!
I guess it's just been too long since I read <i>Tinker</i>, but I don't really remember any hints of polyamory there at all. In this book, though, it's made very clear that elven society has found monogamy to be an unreasonable model for people who normally live thousands of years. Anybody who hasn't read Tinker shouldn't read this review, because there are spoilers for that book - but hey, that's to be expected in the review for a sequel. Just knowing that certain characters live and marry is a spoiler!
Anyway, Tinker may be an elf now, but she was raised as a human, and apparently the half-elven quasi-nursemaid Tooloo who has always been part of her life either doesn't know about the difference in societal expectations, or never saw fit to mention it. That isn't so surprising, as Tooloo is depicted as several tacos short of a combo plate. But why, when some of the elves (especially Stormsong) are shown to be familiar with human culture, haven't any of them anticipated this as a source of trouble in Tinker and Wolf's marriage? Why doesn't anybody ever just sit down and say, "Look, honey, the rulers only choose guards with whom they get along well, and with opposite-sex guards, that can mean getting along with sexually. Your new husband has had sex with all of his female bodyguards in the past, and it's expected that you'll eventually take your own male Sekasha as lovers, too. Deal." (I'm not even starting on how very heteronormative everything is. You're telling me there's all that lucious pretty and thousands of years in which to experiment, and nobody ever crosses those streams, so to speak? Yeah, right.) There's a perfect opening for such a speech in the book, a point when the need for it is made very, very obvious--but I suppose having it all out in the open would remove a source of conflict.
Why are so many authors so bloody timid about laying things out like that, about showing healthy communication between people? Yes, we can imagine the most amazing advances in technology, and societies very different from our current ones, but by Goddess we must continue to show people screwing up their relationships in exactly the same way as in Shakespeare's day or nobody could relate to them!