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JT (287 KP) rated World War Z (2013) in Movies
Mar 10, 2020
Zombies, they’ve been around for a while now in all shapes and sizes, yet like the walking undead the genre shows no signs of dying out. Director Marc Forster teams up with Brad Pitt for a zombie horror (if you can really call it that) which travels the world in search of a vaccine that will stop the world’s population being wiped out.
It doesn’t take long for the first action set piece to explode into life, as Pitt and his family face a race against time to get out of New York city and off the streets as the zombie pandemic takes a grip. It’s certainly enough to hold your attention as we watch the transformation. People scampering this way and that as hordes of zombies swarm the streets like rats coming up from the sewer.
Gerry secures safety on board one of the few remaining battleships and is told that he must join the fight to find a cure, or head back to hell with his family in tow. He then jets off on a whistle stop tour taking him to South Korea, Israeli and of all places Wales (that got a chuckle from the audience) where each destination kicks off another exciting and thoroughly enjoyable zombie set piece.
However one thing is missing from this film, something vital that sets it apart from others, gore. Given the PG-13 rating certain scenes cut away from anything resembling graphic violence, which was a massive shame. The lack of flesh eating action which fans are used to seeing is a real disappointment. It is an element that could have taken this film from good to great and I felt like I had been cheated out of my ticket price.
Forster’s CG zombie hordes are impressive, particularly rampaging through the Israeli back streets and the film certainly delivers on some slick tension with one or two jump out of your seat moments. But for me it’s not enough to carry the entire film through, and when things quieten down you’re not left with much else to fill the time before the next shit hitting fan moment.
The occasional plot hole threatens to rear its ugly head, and given the size of the budget the ending is a real let down, but it clearly hints at a potential sequel. If they choose to go down that route then blood must be spilled and lots of it. The acting in World War Z is hardly filled with standouts, and with the exception of Pitt, most only pop up from time to time. Like Matthew Fox’s paratrooper which pretty much feels like a cameo and James Badge Dale’s Captain Speke, around for minutes before taking one to the head.
Visually it’s great there is no question about that, the zombies are terrifying but it needed just a little bit more to push it into the front as one of the better zombie flicks.
It doesn’t take long for the first action set piece to explode into life, as Pitt and his family face a race against time to get out of New York city and off the streets as the zombie pandemic takes a grip. It’s certainly enough to hold your attention as we watch the transformation. People scampering this way and that as hordes of zombies swarm the streets like rats coming up from the sewer.
Gerry secures safety on board one of the few remaining battleships and is told that he must join the fight to find a cure, or head back to hell with his family in tow. He then jets off on a whistle stop tour taking him to South Korea, Israeli and of all places Wales (that got a chuckle from the audience) where each destination kicks off another exciting and thoroughly enjoyable zombie set piece.
However one thing is missing from this film, something vital that sets it apart from others, gore. Given the PG-13 rating certain scenes cut away from anything resembling graphic violence, which was a massive shame. The lack of flesh eating action which fans are used to seeing is a real disappointment. It is an element that could have taken this film from good to great and I felt like I had been cheated out of my ticket price.
Forster’s CG zombie hordes are impressive, particularly rampaging through the Israeli back streets and the film certainly delivers on some slick tension with one or two jump out of your seat moments. But for me it’s not enough to carry the entire film through, and when things quieten down you’re not left with much else to fill the time before the next shit hitting fan moment.
The occasional plot hole threatens to rear its ugly head, and given the size of the budget the ending is a real let down, but it clearly hints at a potential sequel. If they choose to go down that route then blood must be spilled and lots of it. The acting in World War Z is hardly filled with standouts, and with the exception of Pitt, most only pop up from time to time. Like Matthew Fox’s paratrooper which pretty much feels like a cameo and James Badge Dale’s Captain Speke, around for minutes before taking one to the head.
Visually it’s great there is no question about that, the zombies are terrifying but it needed just a little bit more to push it into the front as one of the better zombie flicks.
JT (287 KP) rated Sleep Tight (2011) in Movies
Mar 10, 2020
Jaume Balagueró brought terror to our screens with [Rec] in 2007, a tightly filmed horror set inside the walls of an apartment block over run with flesh eating zombies.
In Sleep Tight Balagueró again goes back inside an apartment block, this time the zombies are replaced by normal residents and a concierge with a sinister secret. César (Luis Tosar) is unhappy, and has been pretty much all his life, from the opening shot we see him standing on a ledge high above the streets preparing himself to drop to the concrete below.
He goes about his daily business with meticulous routine greeting the residents with a wry smile and engaging them in conversation day to day, but deep down he loathes it.It seems that his quest is to make others just as unhappy as he is, with main target being the gorgeous Clara (Marta Etura). Initially César seems pleasant enough, he’s polite and courteous and is always making himself available to those who need his help, whether it’s from feeding dogs to fumigating apartments.
It’s when we finally see him under Clara’s bed lying in wait that you realize that Balagueró is about to deliver us a 21st century boogieman. The lengths that César will go to to put Clara in harm’s way will leave you with your jaw open. The idea being that he wants to break her, “we’ll wipe that smile off her face,” he tells his bed ridden mother in hospital.
This almost nods right away to a Hitchcockian feel to the film, think of César as the Spanish version of Norman Bates without the dress, although at one point he does toy with the idea of using a large kitchen knife. During his torment of poor Clara he infests her house with bugs, injects things into her moisturizing products and even goes so far as to sleep in the same bed, with a little help from chloroform.
It would be unfair to explain anything more as it would give too much of the story away, and when Clara’s boyfriend Marcos arrives on the scene things only get worse. During the film you almost feel sorry for César and you’d be guilty for feeling anything but admiration towards him, at his dedication the very least.
It’s a voyeuristic nightmare, more so for the audience as Clara doesn’t really have much of a clue what is going on. Even when César is caught in the apartment during one of the films more gripping scenes he has an embarrassed excuse.
Balagueró proves to critics that he can capture as much tension and suspense through conventional cameras as opposed to the point of view of a hand held camcorder, which he used so effectively throughout [Rec] and its sequel.
Sleep Tight is an edgy slow burning thriller, a different take on the horror genre that will leave you gasping after the final act.
In Sleep Tight Balagueró again goes back inside an apartment block, this time the zombies are replaced by normal residents and a concierge with a sinister secret. César (Luis Tosar) is unhappy, and has been pretty much all his life, from the opening shot we see him standing on a ledge high above the streets preparing himself to drop to the concrete below.
He goes about his daily business with meticulous routine greeting the residents with a wry smile and engaging them in conversation day to day, but deep down he loathes it.It seems that his quest is to make others just as unhappy as he is, with main target being the gorgeous Clara (Marta Etura). Initially César seems pleasant enough, he’s polite and courteous and is always making himself available to those who need his help, whether it’s from feeding dogs to fumigating apartments.
It’s when we finally see him under Clara’s bed lying in wait that you realize that Balagueró is about to deliver us a 21st century boogieman. The lengths that César will go to to put Clara in harm’s way will leave you with your jaw open. The idea being that he wants to break her, “we’ll wipe that smile off her face,” he tells his bed ridden mother in hospital.
This almost nods right away to a Hitchcockian feel to the film, think of César as the Spanish version of Norman Bates without the dress, although at one point he does toy with the idea of using a large kitchen knife. During his torment of poor Clara he infests her house with bugs, injects things into her moisturizing products and even goes so far as to sleep in the same bed, with a little help from chloroform.
It would be unfair to explain anything more as it would give too much of the story away, and when Clara’s boyfriend Marcos arrives on the scene things only get worse. During the film you almost feel sorry for César and you’d be guilty for feeling anything but admiration towards him, at his dedication the very least.
It’s a voyeuristic nightmare, more so for the audience as Clara doesn’t really have much of a clue what is going on. Even when César is caught in the apartment during one of the films more gripping scenes he has an embarrassed excuse.
Balagueró proves to critics that he can capture as much tension and suspense through conventional cameras as opposed to the point of view of a hand held camcorder, which he used so effectively throughout [Rec] and its sequel.
Sleep Tight is an edgy slow burning thriller, a different take on the horror genre that will leave you gasping after the final act.
Gareth von Kallenbach (980 KP) rated Finding Dory (2016) in Movies
Aug 6, 2019
The first time I saw Finding Nemo I was amazed. The beauty in every single tiny detail of the underwater sea life was absolutely stunning. From the largest fish to the tiniest krill just mesmerized me. When it was announced that the Pixar team was working on a sequel to the beloved tale, I was thrilled. I couldn’t wait to see the story about Dory and her new adventure.
In this installment, it is Nemo and Marlin who help Dory locate her family. Though it has been thirteen years since the last film, we are transported right back to where the action left off. A year has gone by after Nemo (Hayden Rolence) and his father Marlin (Albert Brooks) were reunited with the help of a very loving yet very forgetful Dory (Ellen DeGeneres). She begins to dream of memories she once had with her parents. At first we get to see an extremely adorable tiny Dory. Her small voice but big loving and outgoing personality will make your heart melt. Dory’s parents helped guide her through life all while they also had to learn to cope with her impairment. When snippets of these memories begin rushing in, Dory sets out to try and reunite with her parents. With the help of some old friends, their path leads the trio to the Marine Life Institute of Morro Bay. This is where she and her parents once called her home. On the way the trio meet a bunch of new characters. My favorite of these newest members is Hank, a seven tentacled octopus who can camouflage and escape out of pretty much any situation, proving that he is probably the best sidekick for the task. The cutest new additions are a gang of cuddling otters that can stop traffic with their cuteness.
The film in a whole was brilliantly thought out and well conceived. Little did we know that the comedic situation of Dory’s impairment in the first film would become the core of her story in the second film. Though I’m not a fan of Cars and or The Incredibles, I am still a fan of Pixar and the ideas they create. Especially that of the short film prior to the showing of the main film entitled “Piper”. Pixar certainly has a way with bringing up issues of disabilities, weaknesses and problems within our world today. This makes it easy for film goers to relate to the stories that they tell and find deep meaning in the overall outcome of the story. Finding Dory is filled with all the emotions that make up a fantastic film. Perfect for every age and is best seen with the 3D option. I adored this film and I think I just might have to see it again in theaters when it comes out. Also be sure to stay after the credits!
In this installment, it is Nemo and Marlin who help Dory locate her family. Though it has been thirteen years since the last film, we are transported right back to where the action left off. A year has gone by after Nemo (Hayden Rolence) and his father Marlin (Albert Brooks) were reunited with the help of a very loving yet very forgetful Dory (Ellen DeGeneres). She begins to dream of memories she once had with her parents. At first we get to see an extremely adorable tiny Dory. Her small voice but big loving and outgoing personality will make your heart melt. Dory’s parents helped guide her through life all while they also had to learn to cope with her impairment. When snippets of these memories begin rushing in, Dory sets out to try and reunite with her parents. With the help of some old friends, their path leads the trio to the Marine Life Institute of Morro Bay. This is where she and her parents once called her home. On the way the trio meet a bunch of new characters. My favorite of these newest members is Hank, a seven tentacled octopus who can camouflage and escape out of pretty much any situation, proving that he is probably the best sidekick for the task. The cutest new additions are a gang of cuddling otters that can stop traffic with their cuteness.
The film in a whole was brilliantly thought out and well conceived. Little did we know that the comedic situation of Dory’s impairment in the first film would become the core of her story in the second film. Though I’m not a fan of Cars and or The Incredibles, I am still a fan of Pixar and the ideas they create. Especially that of the short film prior to the showing of the main film entitled “Piper”. Pixar certainly has a way with bringing up issues of disabilities, weaknesses and problems within our world today. This makes it easy for film goers to relate to the stories that they tell and find deep meaning in the overall outcome of the story. Finding Dory is filled with all the emotions that make up a fantastic film. Perfect for every age and is best seen with the 3D option. I adored this film and I think I just might have to see it again in theaters when it comes out. Also be sure to stay after the credits!
Gareth von Kallenbach (980 KP) rated The Equalizer (2014) in Movies
Aug 6, 2019
I’m not going to waste ANY time getting started with this one. No, you’re not daydreaming. Denzel Washington has teamed-up again with director Antoine Fuqua and once again, they’ve created another outstanding masterpiece of a movie. In fact, the film has seen such postive reviews so far that there’s already talk of a sequal and even a possible franchise. After seeing the film myself, I would not be surprised in the least if
these rumors were true. A sequel would certainly be one worth the wait.
Based on the T.V. show of the same name which ran from 1985 to 1989 and starred Edward Woodward, the movie adaption of “The Equalizer” stars Denzel Washington, Chloe Grace
Moretz, Marton Csokas, David Harbour, Haley Bennett, Melissa Leo, and Bill Pullman.
Directed by Antoine Fuqua (Training Day, The Replacement Killers), “The Equalizer” premiered at the Toronto International Film Festival on September 6th and is set for it’s
U.S. premiere on Friday the 26th.
Denzel Washington portrays McCall, a man who has recently settled down to begin a new life quietly putting his mysterious past behind him. By day, he manages a large hardware store.
His nights are spent in quiet solitude with the exception of his visits to the 24-hour diner for tea down the street from his home where he befriends Teri (Moretz), an aspiring singer forced to work as a callgirl for a group of violent Russian mobsters based in Boston.
One night Teri goes missing and McCall learns that she was severly beaten by her pimp. Unable to sit by and watch the life of his friend ruined and perhaps ended, McCall emerges from his self-imposed retirement and armed with his ‘deadly skillset’ sets out to seek revenge anyone who preys upon the weak and finds his desire for justice reawakened.
“Are The Odds Against You? Need Help? Call The Equalizer”
I’m going to call this one right now: 4 out of 5 stars. Honestly, I really couldn’t find anything about the film I DIDN’T like. Sometimes the film slowed down, then it was like a switch was hit and it speed right back up but it was always good.
When the film did move to a slow pace, it was only to give ‘insight’ into the mindset of the McCall character. Particularly in the beginning when you’re learning about him.
It’s almost immediately inferred that he’s trying put his mysterious past behind him and settle into his new, quiet life. When McCall’s friend Teri is placed in jeopordy though, it’s like listening to the engine of a race car being started and primed. You know trouble is about to go down and McCall is going to be the one who ‘deals’ with that trouble.
The film is violent. Definitely too violent for the kids. It does deliver though. A “do unto others” film, if you will. Denzel depicts the ultimate interpretation of the phrase ‘What goes around, comes around” and does it with style.
these rumors were true. A sequel would certainly be one worth the wait.
Based on the T.V. show of the same name which ran from 1985 to 1989 and starred Edward Woodward, the movie adaption of “The Equalizer” stars Denzel Washington, Chloe Grace
Moretz, Marton Csokas, David Harbour, Haley Bennett, Melissa Leo, and Bill Pullman.
Directed by Antoine Fuqua (Training Day, The Replacement Killers), “The Equalizer” premiered at the Toronto International Film Festival on September 6th and is set for it’s
U.S. premiere on Friday the 26th.
Denzel Washington portrays McCall, a man who has recently settled down to begin a new life quietly putting his mysterious past behind him. By day, he manages a large hardware store.
His nights are spent in quiet solitude with the exception of his visits to the 24-hour diner for tea down the street from his home where he befriends Teri (Moretz), an aspiring singer forced to work as a callgirl for a group of violent Russian mobsters based in Boston.
One night Teri goes missing and McCall learns that she was severly beaten by her pimp. Unable to sit by and watch the life of his friend ruined and perhaps ended, McCall emerges from his self-imposed retirement and armed with his ‘deadly skillset’ sets out to seek revenge anyone who preys upon the weak and finds his desire for justice reawakened.
“Are The Odds Against You? Need Help? Call The Equalizer”
I’m going to call this one right now: 4 out of 5 stars. Honestly, I really couldn’t find anything about the film I DIDN’T like. Sometimes the film slowed down, then it was like a switch was hit and it speed right back up but it was always good.
When the film did move to a slow pace, it was only to give ‘insight’ into the mindset of the McCall character. Particularly in the beginning when you’re learning about him.
It’s almost immediately inferred that he’s trying put his mysterious past behind him and settle into his new, quiet life. When McCall’s friend Teri is placed in jeopordy though, it’s like listening to the engine of a race car being started and primed. You know trouble is about to go down and McCall is going to be the one who ‘deals’ with that trouble.
The film is violent. Definitely too violent for the kids. It does deliver though. A “do unto others” film, if you will. Denzel depicts the ultimate interpretation of the phrase ‘What goes around, comes around” and does it with style.
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Charlie Cobra Reviews (1840 KP) rated Train to Busan (2016) in Movies
Jul 7, 2020 (Updated Oct 22, 2020)
Thrillingly Unique and Entertaining Addition to the Zombie Film
Contains spoilers, click to show
This movie was great and the unique concept of having the survivors on a train was different from any zombie I've ever seen. Seok-woo is a divorced business man who never has time for his daughter, whose only wish for her birthday is to see her mother. After reluctantly agreeing to take her by train a zombie apocalypse occurs and they have to survive on the train. The scenes on the train were pretty amazing and really intense. Having to fight zombies in close quarters at times with no weapons made them incredibly tense, especially the ones where they had to sneak past them in the dark. As I said before a big thing that bothered me was that in certain scenes it appeared as if the zombies didn't actually attack the people to eat them but just bite them spreading the virus like World War Z. This was a serious let down for me in World War Z and the only reason I didn't make a bigger deal about it in this one is because there were scenes where a zombie was scene eating someone one that's already on the ground and also where they swarm someone who was already bitten, more than likely eating them. See to me the two greatest reasons why zombie are scary and so popular is because they combine two big fears that people have on a primal way. 1 is the fear of death and the dead, people don't want to die of course, but people are also afraid of dead things, dead people, animals etc.. And then 2 being eaten alive. That I think is something nobody would even wish on their worst enemy, so that's why zombies are such a scary movie monster. But when you change them to being infected instead of reanimated corpses and instead of eating the living they are trying to spread a disease by biting people and not eating them, it takes away from the horror part of it. I really liked the scene where the man with the pregnant wife, Seok-woo and the young baseball player gear up to make their way to the back cars to save their family members. I also liked the special effects used, everything except that deer in the beginning of the movie, which wasn't that terrible in the big scope of things but it reminded me of that prairie dog in the beginning of Crystal Skull (which was big red flag for that film). I have to say that this was really one of the better zombie films out there and I hear there is an animated prequel that was realized a month later and now talks about a sequel. I give this movie a 7/10.
Matthew Krueger (10051 KP) rated Lethal Weapon 2 (1989) in Movies
Jul 9, 2020
Protect Joe Pesci
Lethal Weapon 2- adds more action, drama, suspense, thrills, comedy, lots of comedy and more chemistry.
The production:
Shane Black and Warren Murphy's original Play Dirty script:
Their original title for the script was Play Dirty. Although many people thought that their script was brilliant, it was rejected by Silver, studio and director Richard Donner for being too dark and bloody, and because in the ending of the script Riggs dies, while they wanted to keep him alive in case of further sequels. They also wanted the second film to focus more on comedy, while Black's draft focused more on courage and heroics, like Riggs willing to die to protect Murtaugh and his family, due to his love for them
When his script was rejected, Black felt that he had failed the producers. He initially offered to give his payment back, but his agent talked him out of it. Black also refused to re-write the script and quit from the project after working for six months on it. Black later said how the problem with the second film was that they did too much comedy, and how he dislikes the third and fourth films because of the way Riggs' character was changed.
Director Richard Donner said in the film's Blu-ray commentary that the film was shot in such a way that it could be edited with two different endings, one in which Riggs dies and one in which he lives. Audiences in test screenings responded well to Riggs' survival, and this was kept, though the last shot in the film with the camera moving away from Murtaugh holding Riggs was shot for the ending in which he dies.
Jeffrey Boam's final script:
Originally, the character of Rika was intended to survive, with the last scene in the film being Riggs and Rika eating Thanksgiving dinner with the Murtaughs, but the director decided to kill the character to increase Riggs' motivation to destroy the South African drug smugglers. The film was the debut of Leo Getz (Joe Pesci), a crooked but whistle-blowing CPA who is placed in protective custody by Riggs and Murtaugh, and makes the detectives' more difficult due to his neurotic behavior. The Getz character remained a regular throughout the remainder of the film series.
The plot: South African smugglers find themselves being hounded and harassed by Riggs and Murtaugh, two mismatched Los Angeles police officers. However, the South Africans are protected by diplomatic immunity, and so the two are assigned to witness-protection duty in an attempt by their captain to keep his job. It is only when this witness reveals to them that he has already dealt with the smugglers that the trouble really starts.
I love the chemistry between Mel and Danny and now adding Joe Pesci to the mix its perfect. The perfrct trio.
Lethal Weapon 2- is a good sequel to the first one, and adds more. Highly recordmend watching it.
The production:
Shane Black and Warren Murphy's original Play Dirty script:
Their original title for the script was Play Dirty. Although many people thought that their script was brilliant, it was rejected by Silver, studio and director Richard Donner for being too dark and bloody, and because in the ending of the script Riggs dies, while they wanted to keep him alive in case of further sequels. They also wanted the second film to focus more on comedy, while Black's draft focused more on courage and heroics, like Riggs willing to die to protect Murtaugh and his family, due to his love for them
When his script was rejected, Black felt that he had failed the producers. He initially offered to give his payment back, but his agent talked him out of it. Black also refused to re-write the script and quit from the project after working for six months on it. Black later said how the problem with the second film was that they did too much comedy, and how he dislikes the third and fourth films because of the way Riggs' character was changed.
Director Richard Donner said in the film's Blu-ray commentary that the film was shot in such a way that it could be edited with two different endings, one in which Riggs dies and one in which he lives. Audiences in test screenings responded well to Riggs' survival, and this was kept, though the last shot in the film with the camera moving away from Murtaugh holding Riggs was shot for the ending in which he dies.
Jeffrey Boam's final script:
Originally, the character of Rika was intended to survive, with the last scene in the film being Riggs and Rika eating Thanksgiving dinner with the Murtaughs, but the director decided to kill the character to increase Riggs' motivation to destroy the South African drug smugglers. The film was the debut of Leo Getz (Joe Pesci), a crooked but whistle-blowing CPA who is placed in protective custody by Riggs and Murtaugh, and makes the detectives' more difficult due to his neurotic behavior. The Getz character remained a regular throughout the remainder of the film series.
The plot: South African smugglers find themselves being hounded and harassed by Riggs and Murtaugh, two mismatched Los Angeles police officers. However, the South Africans are protected by diplomatic immunity, and so the two are assigned to witness-protection duty in an attempt by their captain to keep his job. It is only when this witness reveals to them that he has already dealt with the smugglers that the trouble really starts.
I love the chemistry between Mel and Danny and now adding Joe Pesci to the mix its perfect. The perfrct trio.
Lethal Weapon 2- is a good sequel to the first one, and adds more. Highly recordmend watching it.